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Discover the story of salvation in Christ through Levitical ritualsAtonement lies at the heart of the Christian faith. In Christs work of atonement, we are reconciled to God, enabled to draw near to him, and can see his glory. Through studying the Levitical burnt offering, Roy McDaniel takes readers on a deep exploration of Leviticus 1:1-9 in this thought-provoking volume, part of the Studies in Christian Doctrine and Scripture series from IVP Academic. Using elements of narrative analysis like setting, plot, and hero, McDaniel shows how the Levitical burnt offering is a ritual recapitulation of the narrative of Israels election and deliverance as depicted in Genesis and Exodus, and how in doing so, it proclaims the atoning work of Christ.At the heart of this work lies the "logic" of atonement, present in the Levitical burnt offering, an idea that contributes to the doctrine of atonement by demonstrating how Christs incarnate sacrifice is rooted in his eternal identity as God the Son.In Enacting Atonement, Roy McDaniel: Provides a coherent account of atonement centered on the eternal identity of the Son, Shows how Levitical sacrifice can inform the churchs doctrine of atonement by modeling a careful theological exegesis of Leviticus, and Explores questions about the meaning of sacrifice and its relationship to the being and attributes of God. Whether youre a scholar, student, pastor-theologian, or a layperson seeking deeper understanding, Enacting Atonement invites you to uncover the rich tapestry of Gods redemptive narrative in the Levitical ritual.

This book is the first major study of Edita Schuberts art published outside Croatia. Edita Schuberts body of work is strikingly diverse, spanning pioneering explorations of natural ecology in the 1970s to bold paintings in the spirit of the transavantgarde in the 1980s. She also created performance art on the streets of Dubrovnik and created installations that invited viewers into her world. Her later worksself-portraits of various kindsoffer profound meditations on memory, identity, and mortal- ity. Working in her studio in the Institute of Anatomy in Zagreb, she once compared her art with the practice of dissection, a precise and purposeful science which reveals the hidden territories of the human body. Often her subject was herself. The breadth of her artistic output seems to anticipate the "post-medium" condition of contemporary art. Yet when viewed together, strong lines of connection and continuity emerge, revealing a deeply intimate and single-minded vision of art.Edita Schubert (19472001) was an exceptionally prolific and inventive artist, active from the early 1970s until her untimely death at the age of 54 in 2001. A significant figure in Croatian and Yugoslav art, she exhibited at the Venice Biennale and the Biennale of Sydney and in galleries in Austria and the US, as well as frequently throughout Yugoslavia. Yet today, her art remains relatively little known.

This book is the first major study of Edita Schuberts art published outside Croatia. Edita Schuberts body of work is strikingly diverse, spanning pioneering explorations of natural ecology in the 1970s to bold paintings in the spirit of the transavantgarde in the 1980s. She also created performance art on the streets of Dubrovnik and created installations that invited viewers into her world. Her later worksself-portraits of various kindsoffer profound meditations on memory, identity, and mortal- ity. Working in her studio in the Institute of Anatomy in Zagreb, she once compared her art with the practice of dissection, a precise and purposeful science which reveals the hidden territories of the human body. Often her subject was herself. The breadth of her artistic output seems to anticipate the "post-medium" condition of contemporary art. Yet when viewed together, strong lines of connection and continuity emerge, revealing a deeply intimate and single-minded vision of art.Edita Schubert (19472001) was an exceptionally prolific and inventive artist, active from the early 1970s until her untimely death at the age of 54 in 2001. A significant figure in Croatian and Yugoslav art, she exhibited at the Venice Biennale and the Biennale of Sydney and in galleries in Austria and the US, as well as frequently throughout Yugoslavia. Yet today, her art remains relatively little known.

Jadwiga Maziarska was one of the most important voices of the Polish avant-garde. Her explorations in the field of "matter painting" were groundbreaking and far ahead of similar attempts by other local artists as well as contemporaries in other countries. Between 193439 she studied at the Faculty of Painting of the Academy of Fine Arts in Krakow (with Erna Rosenstein and Tadeusz Kantor). During this period, she was closely associated with the 1st Krakow Group and the Cricot Theatre. She graduated from the Academy of Fine Arts in Krakow in 1939. At the same time, she was actively involved in political movements. From the 1940s to the 1990s, Jadwiga Maziarska created appliques, paintings, collages, wax reliefs, spatial forms and sculptures that were influenced by science, phenomenology, mass photography, printed reproductions and newspaper clippings, from which she developed autonomous structures. This comprehensive monograph introduces the unusual artist and makes her known outside her home country.Jadwiga Maziarska (19132003) studied and lived in Krakow. She was a member of the artist group "Grupa Krakowska" founded by Tadeusz Kantor. She was known as an outsider who focused on her daring and progressive experimentation with different media.

Jadwiga Maziarska was one of the most important voices of the Polish avant-garde. Her explorations in the field of "matter painting" were groundbreaking and far ahead of similar attempts by other local artists as well as contemporaries in other countries. Between 193439 she studied at the Faculty of Painting of the Academy of Fine Arts in Krakow (with Erna Rosenstein and Tadeusz Kantor). During this period, she was closely associated with the 1st Krakow Group and the Cricot Theatre. She graduated from the Academy of Fine Arts in Krakow in 1939. At the same time, she was actively involved in political movements. From the 1940s to the 1990s, Jadwiga Maziarska created appliques, paintings, collages, wax reliefs, spatial forms and sculptures that were influenced by science, phenomenology, mass photography, printed reproductions and newspaper clippings, from which she developed autonomous structures. This comprehensive monograph introduces the unusual artist and makes her known outside her home country.Jadwiga Maziarska (19132003) studied and lived in Krakow. She was a member of the artist group "Grupa Krakowska" founded by Tadeusz Kantor. She was known as an outsider who focused on her daring and progressive experimentation with different media.

50 Dutch Bobbin Lace Patterns presents a stunning selection of Withof and Duchesse bobbin lace patterns for the lacemaking enthusiasts. This multi-language lace book introduces a variety of patterns chosen to suit every level from the enthusiastic beginner to the most experienced lacemaker. The book includes: Detailed explanations of the Withof and Duchesse techniques. A variety of designs, including an alphabet, a coat of arms, a clematis and a butterfly. Advice and further suggestions to encourage lacemakers to create their own personalized lace designs. How to use traditional fine threads, thicker threads - which give the pieces a larger scale - and coloured threads.

Jack ha vuelto. Y, esta vez, la sangre es roja.Cinco asesinatos sin resolver. Dos grandes maestros de la historia del cómic. Una conspiración intrincada, una metrópolis al borde del siglo XX y un destripador sangriento que sumerge a Londres en la era del horror contemporaneo.La exitosisima y premiada From Hell, citada a menudo como una de las mejores novelas graficas de todos los tiempos, alcanza nuevas e inquietantes dimensiones en From Hell: Master Edition, realzada por los tonos impresionistas del propio Eddie Campbell.La experiencia de From Hell como nunca antes se habia visto: ¡Totalmente restaurada y a pleno color por primera vez!

El cuarto volumen de la Nueva gramática de la lengua española.La Nueva gramática de la lengua española fue concebida desde el principio como la primera gramática académica panhispánica y planteada como una obra a la vez descriptiva y normativa de alcance y profundidad mayor que las gramaticas academicas previas.Esta edicion cuenta con mas detalles en la presentacion de los contenidos, mayores aclaraciones en su exposicion, en su analisis y en la distribucion geografica o social de los fenomenos descritos y mas explicaciones didacticas. Ademas, sigue ahora a cada capitulo una bibliografia complementaria para que los lectores puedan ampliar los contenidos presentados.El volumen de Fonetica y fonologia se complementa con codigos QR donde podremos informarnos sobre la situacion actual de la lengua española, la evolucion del español a traves del espacio y el tiempo, y los sonidos y voces de nuestra lengua.

Una edición crítica imprescindible, a cargo de Paloma Díaz-Mas.El Romancero constituye la manifestación más importante y longeva de la poesía popular en lengua castellana. Nacidos en la Edad Media para ser cantados y compartidos por la colectividad, que los conservaba en la memoria y los transmitia de viva voz, generacion tras generacion, los romances han pervivido casi hasta nuestros dias, sometidos a lo largo de los siglos a una constante y fertil reelaboracion. Su caracteristica estructura metrica y su enfasis enunciativo aglutinan piezas de una diversidad poco menos que inagotable: episodios heroicos y caballerescos, lances y trances de amor, historias de inspiracion biblica y clasica, asuntos dominados por la maravilla o el misterio, noticias veridicas de un tiempo ya lejano.Toda esta variedad y riqueza, todos los ciclos, temas y registros del Romancero estan representados con generosidad en la presente seleccion para la Biblioteca clasica de la RAE, orquestada, minuciosamente comentada y anotada por Paloma Diaz-Mas, la maxima especialista en la materia. El nucleo del volumen esta formado por los romances documentados hasta mediados del siglo XVI, pero no faltan algunos de los que se han conservado en la tradicion oral moderna (a menudo panhispanica) y que presentan indicios seguros de un origen medieval.

In the 1920s, Adolf Rosenberger was one of Germanys best known racing car drivers. He was also co-founder and managing director of a design firm that had recently been launched by Ferdinand Porsche, and it was his job to ensure financing for the design firm a firm that provided important impetus during this time for technical innovation and racing car construction. When the firm fell into difficulties during the global business crisis, he ended up stepping away from his management role in the company, but remained active as partner and "foreign representative". The Jewish Rosenberger was however unable to escape the increasing persecution by the Nazis: in 1935 he lost his shares in the company and landed for a time in a concentration camp. After emigrating in 1938 he would go on over the following decades to develop a precarious new existence in the USA. Compensation and restitution proceedings that he initiated against the company would end up severing any remaining ties with the now internationally renowned sports car manufacturer. This book, drawing on documents that have remained unpublished until now, frames and analyses the exceptional and moving biography of Adolf Rosenberger.

Does the Septuagint have authority for the church today?Numerous scholars have explored what the Septuagint is and its history and uses, but less scholarship has engaged with the ways it exercises authority within the Christian tradition. In the first multicontributor volume of its kind, biblical scholars Greg Lanier and Will Ross bring together experts from a variety of disciplines to explore the nature of the Septuagints authority over the ages.Discover fresh insights from experts across disciplinesincluding Old Testament, New Testament, patristics, systematic theology, historical theology, and moreinto whether and how the Septuagint holds authority for todays church. With clarity and depth, this helpful addition to Septuagint studies will expand the conversation of how Christians should understand the Septuagint both in the academy and in the church.This book seeks: To explore the "authority" question from multiple perspectives. To examine how the early church, Reformers, and systematic (Protestant and Catholic) theologians view the Septuagint. To disentangle the NTs frequent use of the Septuagint from its perceived status as authoritative or "canonical". Whether youre a scholar, theologian, pastor, or seminary student, The Authority of the Septuagint is an invitation to engage with the Septuagint, its history, and its significance for the church today.

A beautifully produced book to celebrate the 50th anniversary of the Grade II listed brutalist icon, the Barbican Estate.2019 marks the 50th anniversary of the first residents moving into the Barbican Estate in London. This new book is a celebration of this unique complex looking at the design of the individual flats as well as its status as a brutalist icon. Author and designer Stefi Orazi interviews residents past and present, giving an insight into how life on the estate has changed over the decades.The complex, designed by Chamberlin, Powell and Bon, is now Grade II listed, and is one of the worlds most well-known examples of brutalist architecture. Its three towers Cromwell, Shakespeare and Lauderdale are among Londons tallest residential spaces and the estate is a landmark of the city. This is a beautifully illustrated, comprehensive guide to the estate, with newly commissioned photography by Christoffer Rudquist. It will show in detail each of the 140 different flat types, including newly drawn drawings of the flats as well as original plans and maps.Includes fascinating texts by leading architects and design critics, including John Allan of Avanti Architects on the unique building materials and fittings of the flats, and Charles Holland of Charles Holland Architects (and FAT co-founder) on the home and how these concrete towers have become such an integral part of Britains domestic and architectural history.

Stopgap Measures presents an exciting selection of essays, interviews and shorter pieces on the work of American artist Mike Kelley (19542012) written over more than three decades by the noted art historian and cultural critic John C. Welchman. Kelleys provocative career gave rise to some of the most conceptually and materially diverse work of recent times in performance, writing, painting, drawing, sculpture, banners, multimedia installation, appropriated objects and images and video, as well as numereous collaborations. This volume includes reflections on specific works, and features a signature series of pathbreaking essays on Kelleys innovations in photography and writing as well as explorations of major themes in his practice, research and thinking: physical comedy and verbal humor; memory; popular culture, dress-up and Americana; the uncanny; imaginative projection and dark fantasy; appropriation and giving; authorship and self-construction; and the artists littleremarked upon negotiation with the histories of and ideas about Asia. The book concludes with new essays on Kelleys engagement with animals and the nonhuman; and on the refrain disappearances that punctuate Kelleys career set in relation to specters of social catastrophe and nuclear annihilation.

Stopgap Measures presents an exciting selection of essays, interviews and shorter pieces on the work of American artist Mike Kelley (19542012) written over more than three decades by the noted art historian and cultural critic John C. Welchman. Kelleys provocative career gave rise to some of the most conceptually and materially diverse work of recent times in performance, writing, painting, drawing, sculpture, banners, multimedia installation, appropriated objects and images and video, as well as numereous collaborations. This volume includes reflections on specific works, and features a signature series of pathbreaking essays on Kelleys innovations in photography and writing as well as explorations of major themes in his practice, research and thinking: physical comedy and verbal humor; memory; popular culture, dress-up and Americana; the uncanny; imaginative projection and dark fantasy; appropriation and giving; authorship and self-construction; and the artists littleremarked upon negotiation with the histories of and ideas about Asia. The book concludes with new essays on Kelleys engagement with animals and the nonhuman; and on the refrain disappearances that punctuate Kelleys career set in relation to specters of social catastrophe and nuclear annihilation.

When Abdul Rahman Munif embarked on the first extensive study in Arabic about Marwan Kassab Bachi, he mailed the artist asking about how his art emerged, its contextual influences, and timely interpretations. Marwan recorded his answers on seven audio tapes and sent them to Munif, but also started writing his memoirs in Arabic. This book is an anthology of the letters exchanged between two friends, Marwan in Berlin and Munif in Damascus, from 1990 to 2004.

When Abdul Rahman Munif embarked on the first extensive study in Arabic about Marwan Kassab Bachi, he mailed the artist asking about how his art emerged, its contextual influences, and timely interpretations. Marwan recorded his answers on seven audio tapes and sent them to Munif, but also started writing his memoirs in Arabic. This book is an anthology of the letters exchanged between two friends, Marwan in Berlin and Munif in Damascus, from 1990 to 2004.

Building on the premise that landscapes provide a common ground where different kinds of knowledge may come together, this edited volume draws on a wide range of disciplines, including geology and geography, cultural anthropology and philosophy, architecture and art history. It suggests that the complex social and environmental crises of the 21st century cannot be understood independently of a historically constituted aesthetic approach to landscapes.Boulouki is a collective that deals with the traditional knowledge of building. Under the Landscape (Santorini and Therasia, 2021 2022), one of the collectives most important projects, comprised a participatory restoration, research into local materials, an exhibition and a symposium, and is the basis and starting point of this publication.

Over the past two decades, Lisa Oppenheim has developed a critically acclaimed practice that is deeply rooted in the field of photography while also constantly exploring its margins. She often focuses on the unexplored potential of the mediums artistic, technological, and sociopolitical histories. Combining material experimentation with archival research, Oppenheim transforms or, in her words, "reprocesses"images and ideas both recent and historical by employing creative mechanisms ranging from a host of photographic processes to other media such as textiles, film and video, and, most recently, sculpture. Published in conjunction with her exhibition Monsieur Steichen at MUDAM Luxembourg, this richly illustrated catalogue surveys Oppenheims works from the past dozen years, and includes new texts by Darsie Alexander, Christophe Gallois, Jacob Proctor, and Bettina Steinbrugge, as well as a conversation between Lisa Oppenheim and artist Liz Deschenes.Lisa Oppenheim (*1975, New York) lives and works in New York City and holds degrees from Brown University, Bard College, and the Rijksakademie van beeldende kunsten. She is represented by Tanya Bonakdar Gallery in New York and Los Angeles and The Approach in London.

Over the past two decades, Lisa Oppenheim has developed a critically acclaimed practice that is deeply rooted in the field of photography while also constantly exploring its margins. She often focuses on the unexplored potential of the mediums artistic, technological, and sociopolitical histories. Combining material experimentation with archival research, Oppenheim transforms or, in her words, "reprocesses"images and ideas both recent and historical by employing creative mechanisms ranging from a host of photographic processes to other media such as textiles, film and video, and, most recently, sculpture. Published in conjunction with her exhibition Monsieur Steichen at MUDAM Luxembourg, this richly illustrated catalogue surveys Oppenheims works from the past dozen years, and includes new texts by Darsie Alexander, Christophe Gallois, Jacob Proctor, and Bettina Steinbrugge, as well as a conversation between Lisa Oppenheim and artist Liz Deschenes.Lisa Oppenheim (*1975, New York) lives and works in New York City and holds degrees from Brown University, Bard College, and the Rijksakademie van beeldende kunsten. She is represented by Tanya Bonakdar Gallery in New York and Los Angeles and The Approach in London.

A unique insight into the work of Irene Zurkinden with sketchbooks published for the very first timeAccompanying the exhibition of the same name, this book offers a fascinating insight into the multifaceted work of Irene Zurkinden. Over more than five decades, the artist created intimate, powerful, and uncompromisingly expressive works that continue to captivate today. The beautifully designed catalogue not only presents her most renowned paintings and drawings but also, for the very first time, her sketchbooks a rare window into the creative process of an exceptional artist. Book Highlights: First-ever publication of Irene Zurkindens sketchbooks Comprehensive overview of more than 50 years of artistic work High-quality reproductions of paintings, drawings, and sketches Exhibition catalogue and collectors item for art enthusiasts This publication reveals how Zurkindens oeuvre oscillates between grace, beauty, and critical engagement with her time an art book that unites inspiration, insight, and visual intensity.Swiss painter Irene Zurkinden (19091987) trained as a fashion illustrator in Basel before turning to the visual arts. A leading figure of the citys cultural scene, she spent her life between Basel and Parisher place of longing. Throughout her career, she exhibited widely in Basel galleries and Swiss institutions, with her paintings and sketchbooks bearing witness to a unique view of society and her personal surroundings.