eBooks de Comunicación, página 91 de 124

UM THRILLER DE JORNALISMOQuando aceitaram cobrir a denúncia de um escândalo de corrupção entre os governos brasileiro e venezuelano, os jornalistas Leandro Stoliar e Gilson Fredy não imaginavam que s

Tem carta pra mim? é o resultado de um Trabalho de Conclusão de Curso que nos instiga a refletir sobre a expressividade presente nas cartas. Sob a ótica da linguística textual, a partir da função exp

No momento em que a TV brasileira completa 70 anos, o mundo se isola para se proteger contra a covid-19, declarada pandemia pela OMS em março de 2020. E quando as autoridades pedem para todos ficarem em casa, a televiso, o cinema, a musica e o teatro assumem um importante papel na nova rotina das pessoas. Os conteudos so reformulados e adaptados, antecipando uma tendencia que ja dava sinais de mudanças apos o surgimento da internet. Em Conversa com Bial em casa, apresentamos uma seleço de entrevistas realizadas pelo jornalista Pedro Bial para seu programa Conversa com Bial, com artistas, cineastas, jornalistas, musicos e economistas para refletir sobre a historia e o papel da televiso, a internet, a arte e o Brasil. Em novo formato na quarentena do isolamento social, o palco se transforma na casa de cada um. E, neste livro, a plateia e o leitor. "Uma entrevista tem interesses determinados, a boa conversa e sempre desinteressada, arte pela arte. E no e facil conversar sem artificios quando se esta sob as luzes, num palco, diante da plateia, anunciando-se aos acordes de uma banda. No que seja impossivel, acontece, mas e uma exceço de sorte." Pedro BialNeste livro Pedro Bial conversa com Gloria Maria, Laura Carvalho, Arminio Fraga, Paulo Gustavo, Xuxa Meneghel, Gilberto Gil, Daniel Filho, Ary Fontoura, Lima Duarte, Betty Faria, Gloria Pires, Alceu Valença, Ricardo Darin, Caetano Veloso, David Wilson, Eliane Dias, Silvio Almeida, Luiza Brunet, Ruy Castro, Bruno Mazzeo, Antonio Prata, Luiza Trajano, William Bonner, Paulinho da Viola e Zico.

In Fuzz to Folk Ian Green chronicles his life so far; from Nation Service call-up to regular Army Service, to 30 years as a policeman and finally to founder of Greentrax, Scotlands leading traditional music label. Green has played a significant role in the resurgence and vitality of traditional and folk music in Scotland. His inspirational autobiography includes details of his involvement in the careers of Brian McNeill, Dick Gaughan, the McCalmans, Eric Bogle and many others. With Greens unique insight, Fuzz to Folk is an authority on the Scottish folk scene, and a fascinating glimpse into the life of the policeman on the street.

We are constantly communicating. Whether written or verbal, formal or informal, in actions or expressions, what we say and do carries meaning that affects those around us. Christian leaders are called to make disciples by teaching, so how can we make the most of all our communication to help others become more like Christ? In Renewing Communication, Colleen Derr shows that transformational communication neednt be limited to the pulpit or classroom, but can include everyday interactions and relationships.Derr draws on decades of experience in education and church ministry to offer a holistic strategy for transformational communication. She guides readers through the entire communication process, from defining the need to determining next steps, and addresses a variety of channels, from formal teaching and preaching to small groups, written communication, and even casual conversations.With particular care for the specific needs of children, teens, and adults, Derr addresses theories of human development how to understand your audience and context setting specific goals nonverbal communication effective techniques using creativity evaluation and assessment Above all, Derr emphasizes the role of the Holy Spirit as the agent of true transformation who is present in every conversation. Transformational communication powered by the Spirit must begin with a transformed communicator and take place through authentic, caring, and trusting relationships. Educators, students, church leaders, and those who minister to any age group will find guidance to communicate with hearers in a way that enables life-giving change.

A Série Universitária foi desenvolvida pelo Senac São Paulo com o intuito de preparar profissionais para o mercado de trabalho. Os títulos abrangem diversas áreas, abordando desde conhecimentos teóri

Um argumento a favor da verdade em tempos de pós-verdade. Hector Macdonald examina um de nossos grandes pontos cegos coletivos: somos rotineiramente enganados pela verdade. Verdade ou mentira? Raramente e assim to simples. Ha mais de uma verdade em relaço a maioria das coisas. Quando nos comunicamos, escolhemos as verdades que so mais favoraveis a nossos interesses. Podemos selecionar verdades de forma construtiva para inspirar pessoas, encorajar as novas geraçes e promover mudanças positivas. Ou podemos optar por aquelas que do uma falsa impresso da realidade e enganam as pessoas sem de fato serem mentiras. Outros podem fazer o mesmo, usando a verdade para nos motivar ou nos manipular. As verdades so ferramentas neutras e muito versateis, que podem ser empregadas para o bem ou para o mal. Hector Macdonald explora como se usa e abusa da verdade na politica, nos negocios, nos meios de comunicaço e na vida cotidiana. Com dicas praticas e historias fascinantes, Verdade e um livro essencial sobre o quanto de nossas açes e opinies e influenciado pelas verdades que as pessoas a nossa volta escolhem contar.

Lançada nos Estados Unidos em 2005, a série americana Supernatural, ou Sobrenatural (título em português), é um dos programas de maior sucesso da Warner Bros. Television. Há mais de dez anos, é visto

Os labirintos de uma história essencial para a compreensão dos avanços e mazelas do nosso futebol. José Hawilla, o maior empresário do marketing esportivo do Brasil, dono de uma fortuna estimada em R

In 1966 a coal slag heap collapsed on a school in south Wales, killing 144 people, most of them children. Poet Owen Sheers has given voice to those who still live in Aberfan, the pit village in which tragedy struck, and using their collective memories has created a striking work of poetic power. Sheers set out to paint a portrait not just of what happened, but also of what was lost. What was Aberfan like in 1966? What were the interests of the people, the social life, the sporting obsessions, the bands of the day? What was the deeper history of the place? Why had it become the mining village it was, and what had it been before the discovery of coal under its soil? Perhaps most significantly, what was Aberfan like today?The Green Hollow is a historical story with a deeply urgent contemporary resonance: a story of what can happen when a community is run by a corporation. It is also a story known along generational rather than geographic borders. Based on the BBC One production, The Green Hollow is a beautifully rendered picture of a time and place - and a life-altering event whose effects are felt to this day.

A história completa do assassinato que chocou o Brasil. Construído em ritmo de thriller, O pior dos crimes esmiúça o trágico caso que estarreceu a opinião pública de um país rotineiramente violento.

In this sweeping global survey, one of Britains most distinguished journalists and media commentators analyses for the first time the state of journalism worldwide as it enters the post-truth age.In this sweeping global survey, one of Britains most distinguished journalists and media commentators analyses for the first time the state of journalism worldwide as it enters the post-truth age.From the decline of the newspaper in the West and the simultaneous threats posed by fake news and President Trump, to the part that Facebook and Twitter played in the Arab revolts and the radical openness stimulated by WikiLeaks, and from the vast political power of Rupert Murdochs News International and the merger of television and politics in Italy, to the booming, raucous and sometimes corrupt Indian media and the growing self-confidence of African journalism, John Lloyd examines the technological shifts, the political changes and the market transformations through which journalism is currently passing.The Power and the Story offers a fascinating insight into a trade that has claimed the right to hold power to account and the duty to make the significant interesting - while making both the first draft of history, and a profit.lloyd has a vivid reporting style and his many succinct interviews with victims or justifiers of Putin, or Egyptian of Indian style journalism, make his book a page-turner for those interested in question of who decides and writers the news we are permitted to read.... His masterly book is a lament not an obituary. - Santigo Gamboa, Tribune

O livro reúne 23 reportagens que têm em comum, além da apuração exaustiva, uma outra característica marcante: a força e a originalidade da narrativa do jornalista Christian Carvalho Cruz. Para cada h

A re-issue of John OBriens debut novel, a masterpiece of modern realism about the perils of addiction and love in a city of loneliness.Leaving Las Vegas, the first novel by John OBrien, is the disturbing and emotionally wrenching story of a woman who embraces life and a man who rejects it. Sera is a prostitute, content with the independence and routine she has carved out for herself in a city defined by recklessness. But she is haunted by a spectre in a yellow Mercedes, a man from her past who is committed to taking control of her life again. Ben is an alcoholic intent on drinking his way towards an early death. Newly arrived from Los Angeles, he survived the four-hour intoxicated drive across the desert with his entire savings in his wallet and nothing else left to lose. Looking to satisfy hungers both material and existential, Ben and Sera stumble together on the strip and discover in each other a respite from their unforgiving lives. A testimony to the raw talent of its young author, Leaving Las Vegas is a compelling story of unconditional love between two disenfranchised and lost souls - an overlooked American classic.

O sumário de um livro de Teorias da Comunicação, hoje, não apresenta grandes surpresas; nossas escolas e autores "clássicos" já são mais ou menos consensuais. No entanto, cada manual dessa área é res

The relationship between the serious news media and the truth is under scrutiny as never before. In recent years the BBC and the New York Times have been knocked sideways by scandals alleging exaggeration and distortion. At the same time, the influence of the PR industry continues to expand, so that no organisation that is serious about communicating its message can be without a PR strategy. In a series of wide-ranging essays about public relations and journalism, Where the Truth Lies tackles head-on issues as diverse as the public role of PR, the reportage of crises and the role of new media. It also includes Julia Hobsbawms four point plan to remake the relationship between PR and journalism. Contributors include John Lloyd, Simon Jenkins, Peter Oborne, Mark Borkowski and Janine di Giovanni.

Adapted into the Channel 4 documentary Sex: My British Job by Nick Broomfield. Ming and Beata share neither the same language nor cultural background, yet their stories are remarkably similar. Both are single mothers in their thirties and both came to Britain in search of a new life: Ming from China and Beata from Poland. Neither imagined that their journey would end in a British brothel. In this chilling expose, investigative journalist Hsiao-Hung Pai works undercover as a housekeeper in a brothel and unveils the terrible reality of the British sex trade. Workers are trapped and controlled - the lack of freedoms this invisible strait of society suffers is both shocking and scandalous and at odds with the idea of a modern Britain in the twenty-first century.

Tim Hetherington (1970-2011) was one of the worlds most distinguished and dedicated photojournalists, whose career was tragically cut short when he died in a mortar blast while covering the Libyan Civil War. Someone far less interested in professional glory than revealing to the world the realities of people living in extremely difficult circumstances, Tim nonetheless won many awards for his war reporting, and was nominated for an Academy Award for his critically acclaimed documentary, Restrepo. Hetheringtons dedication to his career led him time after time into war zones, and unlike some other journalists, he did not pack up after the story had broken. After the civil war ended in Liberia, West Africa, Tim stayed on for three years, helping the United Nations track down human rights criminals. His commitment to getting the story out and his compassion for those affected by war was unrivalled.In Here I Am, Alan Huffman tells Hetheringtons life story, and through it analyses what it means to be a war reporter in the twenty-first century. Huffman recounts Hetheringtons life from his first interest in photography and war reporting, through his critical role in reporting the Liberian Civil War, to his tragic death in Libya. Huffman also traces Hetheringtons photographic milestones, from his iconic and prize-winning photographs of Liberian children, to the celebrated portraits of sleeping US soldiers in Afghanistan. Here I Am explores the risks, challenges, and thrills of war reporting, and is a testament to the unique work of people like Hetherington, who travel into the most dangerous parts of the world, risking their lives to give a voice to those devastated by conflict.

Dennis Barker has written a hard-hitting expose of the erosion of standards and values in the media world of newspapers, TV and radio over the past twenty years, in particular those of integrity, independence of thought and accuracy. He was prompted to start work on his book by the low standing of journalists - at the bottom near estate-agents and politicians - in recent opinion polls on the esteem in which the public holds those in different professions. He takes the reader through a whole gamut of journalistic tricks, which pinpoint the failings of the media, in over fifty short chapters, including the death of the reporter, prejudicial words, shovel it all in, the subs role, my beautiful career, same old celebrities, money worship and headlines and fib-lines. In snubbing, we see how a colourfully dramatic conflict or a cauldron of ill-will can be created where possibly none exists. The general public is becoming increasingly aware of the unsatisfactory state of affairs in media journalism, which is highlighted by the periodic distortions caused by the political ambitions of chief executives and tycoons, misleading headlines, and its extraordinary obsession with celebrity culture. Tricks Journalists Play is essential reading for the majority of us who care about the pernicious effects of spin, misrepresentation and deception and social and international prejudice, the purveying of half-truths in relation to crucial issues that affect our future, and the failure to report fully and accurately on matters that have a bearing on freedom and democracy in this country. An experienced journalist himself, Dennis Barker has worked for the Guardian since the 1960s in many roles, from feature writer and media correspondent to general columnist, and at the moment is a contributor of obituaries, mainly in the media and entertainment spheres. Sarah Birke in New Statesman: Journalists are seen as a cynical bunch -- not just by politicians, but by the general public as well. Noble ideas of honesty, accuracy and a bit of hard graft seem to have been abandoned in favour of networking and re-spun press releases...[Barker] does well to call for more investigative journalism and a public campaign to rethink within the profession. Tom Easton in Lobster, no.55, summer 2008: Apropos of Flat Earth News, he writes: Other reporters, including, for example, a Guardian writer of a slightly earlier vintage than [Nick] Davies, Dennis Barker, have given insider insight on what goes on. Barkers low-key [book] deserves a wide audience for its breadth and witty clarity. Roger Silver on Amazon.co.uk, August 2008 (four-star): One way of being forearmed would be to read this book and learn from the insights it provides into much journalistic behaviour. Writing as an insider, [he] gives examples of the tricks and sleights of hand used by journalists in a host of different situations...His book is a valuable navigational aid for anyone thrust, willingly or unwillingly, into the potentially treacherous waters of media relations. It is also a disturbing commentary on declining journalistic values which Dennis Barker so demonstrably deplores.

Feminist, socialist, trenchant social commentator, Nell has seen and lived it all. From the early days of the civil rights movement and the revolutionary fervour of Free Derry to the bitter conflict at the Garvaghy Road and the Siege of Sarajevo, she has been both a participant in and a witness to history in the making. Writing about it all in her own way, and as nobody else ever could, the force of her passionate pen has won her a place as one of Irelands best-loved journalists. Here are moving accounts of the numbed aftermath of Bloody Sunday; of the lonely death of Ann Lovett in 1984 and of the shock of the Kerry Babies case a year later. And in excerpts from her acclaimed In the Eyes of the Law series we meet Maoists, Hare Krishna monks, wife-beaters and adult consenting males confronting the Dublin District Courts. Taken from sources ranging from The Irish Times, Irish Press and Sunday Tribune, to Hot Press, Kerrys Eye and Magill, Vintage Nell harvests the strange fruits of Irish social and cultural life from the seventies to the twenty-first century. It features classic accounts of the Popes Visit in 1979 and of the dirty protest of women prisoners in Armagh Prison and sympathetic, raw, incisive cameo-portraits of Ian Paisley, Martin McGuinness, Raymond Gilmour, Bishop Casey, Mary Robinson, Winnie Mandela, Mo Mowlam and others. From the serious Reservoir Prods, Chernobyl and The Life and Death of Mary Norris to the witty and satiric Silent Night, Golden Balls and Jukebox (on Elvis) Vintage Nell concludes with a poignant description of her mother Lilys death in December 2004, and showcases the best work of this prodigiously talented writer.