ESPACIOS FOTOGRAFICOS PUBLICOS: EXPOSICIONES DE PROPAGANDA, DE PR ESSA A THE FAMILY OF MAN, 1928-1955 (INGLES)

This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War.