eBooks de Narrativa española, página 4 de 10

A woman with a successful career in child protection is floored by her husbands sudden death; a retired civil servant smothers his wife, but cant go through with their pact; a teacher fleeing a disastrous school trip finds himself literally in a dark wood.Pascal famously said we shall die alone. But there are always others left behind to grieve, to cheer, to feel guilt, relief or laughter, because we are human, whether we like it or not. In these stories, a dozen characters find at least a dozen ways to live by facing death their own or that of those they love in familiar worlds shot through with a strange absurdity.A man with cancer is employed to smoke by a character from a novel who may never have existed; an historian finds a love he hopes will last beyond the grave, even if it isnt his; a former judge dispenses justice in a prison camp; a randomly-selected Prime Minister confronts the biggest life-or-death decision she or anyone will ever have to take.A Day Like Any Other explores death natural, assisted, promised and unexpected with compassion, wit, a steady gaze and a desire to confront the challenge we mostly prefer to avoid: why live at all? It is the perfect collection for anyone whos going to die one day.

A novel of identity and resistance from one of Palestines most striking literary voiceswritten entirely from behind bars Nur, a Palestinian refugee from a camp near Ramallah, is often mistaken for an Ashkenazi Jew. Fluent in Hebrew and with a degree in archaeology, he dreams of freedom beyond the fence, and of writing a novel about Mary Magdalene based on the Gnostic Gospels. When he discovers an Israeli ID card in the pocket of a secondhand coat, he assumes a false identity and is hired for an archaeological dig near Megiddo. Passing as an Israeli, he moves through a world previously off-limits and gains insight into the lives of those hes been taught to perceive as enemies. As Nurs borrowed identity deepens, so does the rift within. Through an exploration of this internal conflict, Basim Khandaqjis Arabic Booker-winning novel offers a meditation on the personal toll of occupation and the elusive desire to belongfully, honestly, and without fear.

Harlowe could use a break. With his academic future over, just like his relationship with Jackson, a suspiciously cheap summer rental on the Cape feels like just the escape he needs.But when he arrives at the picturesque seaside cottage, hes alarmed to find his discouraging old professor in the living room, his father making coffee in the kitchen, a mysterious young man fixing a hole in the wall, and worst of all, Jackson is in the bathroom. None of them will leave. No one else can see them. And they just wont leave him alone.But Harlowe soon realises he isnt the only one who can see the houses magic, and as the summer grows hot and thick with tourists, old wounds and fresh secrets both in and outside its walls begin to transform him. And that mysterious man seems almost to be everywhere he looks now. . . not that hed want it another way.

The first novel written about the enigmatic literary legendAustralia, 1901. Miles Franklin, the young daughter of poor bush farmers, manages to publish her first novel against all odds. A work of remarkable boldness and passion, it becomes an immense success in the English-speaking world. While she strives to maintain her anonymity under a male pseudonym, her identity is revealed and she is exposed to the misogynistic prejudices of her time. Alone and penniless, she sets sail for America where a life of service to the most vulnerable, and feminist causes awaits her. She forges countless friendships, experiences magnificent loves, and, through it all, nurtures her passion for writing and her ambition for literary success. Guided by her generosity and sense of humour, she embarks on numerous adventures across Europe before returning to her homeland. There, she will deliver a final blow to the critics who proclaimed that her wit and her genius had dried up.

Three years since the sudden death of her beloved husband Etienne Grenaud, and the end of her life in the beautiful French village of Monpazier, 30 year-old Ava is at a loose end. Now back in London, she spends most of her time with her semi-regular hookup Archie and working on the unfinished draft of her book: The Grief Diary. But when her Editor tells her to head back to Monpazier to focus on finishing the book, Ava finds herself learning how to navigate life back in the small town without Etienne.Ava struggles to come to terms with her feelings towards the town, especially after the arrival of Etiennes estranged brother, Florian, which digs up resentment from the past. But with the support of new friends, including her Octogenarian Landlady, Ava rediscovers the person she was before her husband, and finds out what her life could look like, After Ever After.

Dylan, Stevie and Ben have been inseparable since their days at Trinity, when everything seemed possible. A glance between them can still conjure their younger selves: dancing beneath pulsing lights, the sharp taste of salt after swims in Dublin Bay.Two decades on, life feels smaller. Dylan, once a rugby star, is stranded on the sofa, cared for by his wife Rachel. Across town, Stevie and Bens relationship has settled into weary routine. Then, after countless auditions, Ben lands a role in Pinters Betrayal. As rehearsals unfold, the plays shifting allegiances seep into reality, reviving old jealousies and awakening sudden longings, as each must reckon with how far theyre willing to go in pursuit of desire.Wry, sexy and deftly observed, Little Vanities is a novel about the dangerous thrill of stepping outside the roles weve been given - and the distance between the lives we imagine and the ones we live.

When Caroline Alleyn inherits Wickham Grange, all she wants to do is sell up. There are bad memories there, linked to her childhood as the daughter of a single mother and to all the other mothers she knew in that house. But her grandmother Francess will means that it cant be sold without the consent of five elderly women, and they all refuse. None of them will tell her why she has to keep a house she doesnt want. Instead, she is given a stark warning: dont look for Lizzie Sixpence.Though Caroline has other worries. Someone is watching her; the houses elderly tenants are lying to her; and an old man is hoarding mementoes of her past.Then she finds the bones.And Caroline is left with a choice: keep silent, or betray everything her grandmother stood for. Because there is one final secret to be revealed

Penniless and newly orphaned Briar Monroe finds shelter at Thornby Manor, a brooding estate above a mist-shrouded lake. But whispers of a dead wife, an estranged son and locked-away secrets haunt its corridors Atmospheric, intoxicating and laced with peril a spellbinding historical mystery of love, betrayal, obsession and a house that will not release its pastWarwickshire, 1891. Recently orphaned and left destitute, Briar Monroe accepts the protection of Lord Danville and the shadowed sanctuary of Thornby Manor. The great house looms above a mist-shrouded lake, its corridors heavy with secrets not least the mysterious death of Lady Elizabeth Danville, and the unspoken tensions between her formidable widower and his magnetic son, Gabriel.As Briar navigates the undercurrents of a household ruled by watchful servants and locked doors, she is drawn ever deeper into a web of suspicion, desire and fear. Whispers in the night, figures at windows, and a constant sense of being watched leave her questioning not only the truth about Thornby, but her own safety within its walls.Atmospheric, intoxicating and laced with peril, Thornby Manor is a gothic tale of betrayal, obsession and a house that never forgets.A simmering, haunting debut for readers who loved Jane Eyre, Rebecca, The Woman in White and The Silent Companions

A riotously sharp novel about self-righteousness, control, and the unexpected afterlife of a dogRose Cutler prides herself on her principlesveganism, feminism, eco-consciousness, and general moral superiority. She runs a yogurt business she quietly despises and lives alone, comfortably distanced from the mess of human relationships. But, when her brother and sister-in-law let her watch her six-year-old nephew Nathan, things go spectacularly wrong. After Roses dog kills a corgi at the park, Nathan begins to bark, overeat, and claim that the dead dog has possessed his body. Rose assumes this is trauma. Nathan insists its metaphysical fact. As Rose embarks on a misguided quest to free Nathan from his canine passenger, what begins as an attempt at childcare devolves into a surreal, anarchic spiral of suburban chaos. Brimming with unhinged charm and moral ambiguity, The Hitch is a biting satire of the stories we tell ourselves to stay saneand the havoc we wreak when those stories fall apart.

What does it mean to lose yourself and is that something you should be aiming for? A young woman with little interest in games takes up a job in Frankfurt at a famous gaming company, naively set on reinvention. On her morning commute, in the familiar clutches of tedium and self-loathing, she encounters a nice-eyed stranger who returns her forgotten umbrella and finds herself catapulted into a dizzying, year-long whirlwind of obsession not just with this endlessly attractive spectre, but also with the feverish karaoke trips from which she draws the ultimate solace. With astonishing existential acuity, Polly Bartons formidable debut novel renders the paradoxes of modern life in all its complexity, in deliriously self-conscious prose that is at once propulsive, titillating and bitingly funny. Echoing with the sounds of Whitney Houston and The Cure, reaching for the sublime in dark, sweaty boxes, What Am I, A Deer? is an exhilarating exploration of authenticity, fantasy, romance and intoxication.

January 2023. Caras great-aunt Audrey has died, and her husband Tony needs her presence at the funeral. It will be a stretch for Cara, whose every day is an emotional challenge, a challenge which is getting harder as her daughters tenth birthday approaches. But with her family beside her, shes prepared to tryJune 2000. Ten-year-old Cara and her sister Charlotte are sent to live with their great aunt and uncle, part of a famous acting family, when their mother is hospitalised. The Wolfes see the world as a drama they are starring in, and when her sister seems instantly at home Cara feels very much the outsider. And for all the staginess of Chaplin House, there is real tragedy brewing

A last-chance winter road trip for a Scottish band spirals into wild chaos seagull massacres, bomb tests, and darkly funny rocknroll madness on the edge. A raw, darkly funny novel by one of Scotlands finest authors newly reissued!ANNIVERSARY EDITIONINTRODUCTION BY VAL MCDERMID____Connor is twenty-four, brilliant, broken, and out of control. Hes the swaggering frontman of The Ossians, a Scottish indie band on the brink of signing a major record deal.Desperate to make their mark, they head off on a two-week winter tour across the cities and hinterlands of Scotland a last-ditch attempt to find fame, purpose, and themselves.But the tour soon spirals into a surreal, chaotic odyssey. From seedy bars and snowbound towns to a final, defining Glasgow gig, the band hurtles through a whirlwind of seagull massacres, botched drug deals, a mysterious stalker, radioactive beaches, bomb-testing ranges, epileptic fits, riotous Russian submariners, deadly storms, epiphanies, regular beatings and random shootings.Raw, darkly funny and wild with energy, The Ossians is a gloriously anarchic story of rocknroll obsession, national identity and self-destruction, and what it means to belong in a band, in a country, in a life unravelling at speed.___

When the war is over, we can live at Woodspring...Since the house was built in 1810, the Danes have always lived at Woodspring. Over the generations it has given them shelter, solace and joy.War brings change, and the next three generations of the family will lead very different lives, at home and abroad. Peace is shattered, pain is unavoidable, loves are found and lost, but Woodspring is constant, and will always draw them back....

Hannahs love life is in ruins, writers block hits, and her agent sends her to Sicily to finish her sequel. But when murder strikes, Hannahs life turns into the crime novel shes meant to write. Darkly funny, atmospheric, and full of twists, the second instalment in an addictive series.______Hannah is miserable. Her love life is in ruins, her contract demands a sequel to her bestselling crime debut and shes out of ideas. After a mortifying TV interview, her agent ships her off to a sun-drenched Sicilian villa with a simple order: finish the book. No distractions. No excuses.But inspiration doesnt strike murder does.When a night out ends in murder, Hannah finds herself at the centre of a murder investigation again. The police want her out of the way, and the only person who seems to believe her is a young but charming Italian police officer. That is, until she doesnt.Soon Hannah is chasing suspects, fleeing crime scenes, and doing whatever it takes to avoid becoming the next victim. She came to write a crime novel. Now shes trapped inside one.Dark, sly and deliciously atmospheric, Under the Blazing Sun is the second novel in the award-winning series featuring accidental sleuth and disgruntled literary author Hannah, whose pursuit of plot twists keeps turning dangerously real.____

Set in what may be the future, and centred on six women sharing a space in some sort of crumbling apartment tower, Ruins, Child is remarkable for its irresistible sweep, wit, and prickly splintered truth. Giada Scodellaros novel is like a precious old mirror: dropped, looking up at you, flashing light and bits of the undeniable. With the pulsating sway of its liquid mosaic narrative, the novel may recall Virginia Woolfs The Waves, but is entirely its own animal: kaleidoscopic, pointedly disorienting in its looseness, and powered along by snatches of speech from its compelling ensemble cast, often vernacular, often overheard. Its a book seemingly drawn from deep wells of Black American reality: Scodellaros female protagonists push back against authority in the very vivacity of their telling, setting afoot a freeing-up and a mysterious inversion of marginalization. A surreal musing, Ruins, Child uses the lens of urban infrastructure, social commentary, folklore, choreography and collective listening to create an ethnography of place and an ode to communal ruins.

It is a truism, frequently invoked by the members of the Meryton Womens Guild, that one is only ever as happy as ones unhappiest child. So, with five daughters and four grandchildren, it was a miracle Mrs Hester Bennet ever raised a smile. At best, she was only ever tentatively pleased, and even then understood that her contentment rested on the edge of a gaping precipice into which she would inevitably tumble the second Kitty or Lydia (it was almost always those two) messaged in the clutches of yet another existential crisisLydia, home from Paris on New Years Day in a welter of hangover and humiliation, finds herself swearing off drink, drugs and sex for the next 12 months. Through her unfamiliar sobriety, shell see a landmark year for all the Bennet sisters, including a disruptive 40th birthday, an engagement and a funeral: and, maybe, coming to terms with the results of a run-of-the-mill run-in with a jacknifed lorry on a wet stretch of the M1A sharply funny and unexpectedly tender modern Pride and Prejudice, this is a story of sisterhood, survival, and second chances. For fans of Marian Keyes, Dolly Alderton, and anyone whos ever wondered what the Bennet sisters would be like in the age of therapy, WhatsApp, and wellness trends gone rogue.

This new translation of the best stories by Ichiyo Higuchi showcases the pioneering authors profound sensitivity and lyrical eye. The crystalline beauty of falling snow is a painful reminder of lost innocence; three children growing up on the fringes of Tokyos red-light district enjoy a last summer of freedom before adulthood and its compromises overtake them; a discontented serving maid and a prodigal son find their transgressions can be mutually beneficial; and a mans passion for an indifferent teahouse courtesan becomes so consuming that he is willing to sacrifice everything to it - his job, his family, perhaps even his life. Rarely translated into English, but revered in Japan for the purity of her classical language and her status as the countrys first professional woman writer, Ichiyo Higuchi drew on her own short life in a poor Tokyo neighbourhood to inspire her work. With immense delicacy of phrase and feeling, and vivid evocations of the colourful festivals and salty street banter that mask unspoken yearning and disappointed hopes, she transmits both the beauty and the struggle of working-class womens lives in turn-of-the-century Japan. In her clear-eyed vision of the world, longing and memory may be the only solace.

A spellbinding tale of female defiance and rageIn a time outside time, in a world hemmed in by dark woods and silence, the villagers of Les Montées endure a life of hardship and submission. The land is stingy, the Lords are merciless, and for the village women, resistance is a futile dream. One day, a foundling appears at the edge of the forest. Madelaine grows up to be mysterious, magnetic, and shockingly adept with an axe. One day, she slaughters a stag in defiance of the Lords decrees. The land, the laws, and the lives of those around her tremble in response, and a new destiny begins to take root. Madelaine Before the Dawn is a wild, lyrical novel about the inheritance of silence and the fire of female defiance. Collette has created an electrifying vision of revolt and resilience at the edge of civilization.

An unhappy family returns to Britain from a hot country, filling their suburban house with the glittering hoard they brought back from their exotic sojourn. But the sadness of A, the wife, dulls the shine of their treasure. The house grows quieter, darker. Daughter B learns to hide inside it, in a night-time world whose colours are undimmed by the tense misery of the daytime household. There she sails aquamarine seas on a thistledown boat, ponders the proliferation of dream-tigers, and watches dances and celebrations from the windows of a house whose rooms multiply and change position all the time. As daylight circumstances deteriorate, with her mothers death and Bs departure to boarding school, she becomes determined to take up permanent residence in the house of sleep. But there are night-time institutions determined to control her, and night-time battles to be fought, before she can come home to the dark forever. A kaleidoscopic autobiographical narrative, which speaks the language of childhood dreams which was once known to us all, this is a work of astonishing visual power and devastating loneliness.

In The Quantity Theory of Morality, Will Selfs pen remains dipped in vitriol and elegance as ever. The disaffected, middle-class, middle-aged urbanites that populate the novel seem helpless to stop the decay of their intimate, self-conscious social circle. And yet, as Selfs skewering (and self-skewering) grows ever more wildly imaginative, targeting faith, death, money, queerness, Jewishness and nearly every piece of our social fabrics connective tissue, it becomes all too clear that the decay cannot simply be cut out - their lives are rotten to their core.With recurring - if defeated - appearances from now-canonical characters like Zack Busner, this new work shows Self to be both a master of satire and slapstick humour and a sublime and thoughtful critic of the alienation of modern life. The Quantity Theory of Morality delicately bookends his award-winning story collection The Quantity Theory of Insanity, which Martin Amis likened to a cross between a manic J. G. Ballard and a depressed David Lodge. Although, as ever, Will Selfs world is all his own.