ANDREW BENNETT

Bennett and Royle approach their subject by way of literary works themselves (a poem by Emily Dickinson, a passage from Shakespeare, a novel by Salman Rushdie), rather than by way of abstract theoretical ideas and isms. In 32 short chapters they focus on a range of familiar-looking terms (character, the author, voice, narrative) as well as less obvious ones (laughter, pleasure, ghosts, secrets) in order to show why such literary texts are so compelling. The third edition updates and expands on earlier editions, and includes new chapters. This book avoids what is so frequently tiresome or intimidating about 'theory', offering instead an introduction that is consistently entertaining, thought provoking and surprising.