August Strindberg, página 2 de 7

Johan August Strindberg was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindbergs career spanned four decades, during which time he wrote over sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics. A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room has frequently been described as the first modern Swedish novel. This work contains:A CHRONOLOGICAL LIST OF AUGUST STRINDBERGS MAIN WORKSTHE DREAM PLAYTHE LINKTHE DANCE of DEATH, PART ITHE DANCE of DEATH, PART II

Cuando arde el corazón es un comentario al evangelio litúrgico dominical del ciclo C. Pretende ayudar a todos los cristianos (laicos, religiosos, sacerdotes) a preparar la Mesa de la Palabra que se despliega en las eucaristias de los domingos. Cuando arde el corazon sigue el itinerario de la Lectio Divina, tan utilizado en la tradicion de la Iglesia y recomendado por los ultimos papas. A los pasos propuestos desde los inicios (lectura, meditacion, oracion/contemplacion), hemos añadido el del compromiso, porque el Evangelio esta llamado a encarnarse en nuestro mundo. Cuando arde el corazon, el titulo que pone nombre a esta publicacion, recoge unas palabras de los discipulos de Emaus que resuenan hoy, a modo de profecia, en toda persona y comunidad creyente que se deja invadir por la Palabra.

Since the accompanying biographical note, which aims solely at outlining the principal events of Strindbergs life up to 1912, was put in type, the news of his death from cancer, at Stockholm on May 14, 1912, has been reported.Of the plays included in the present volume, "The Father" and "Countess Julie" are representative of Strindbergs high water mark in dramatic technique and have successfully maintained their claim to a permanent place, not only in dramatic literature, but, as acting plays."The Stronger," than which no better example of Strindbergs uncanny power for analysis of the female mind exists, while essentially a chamber play, is from time to time presented at the theatre, and affords a splendid test of the dramatic ability of the actors, only one of whom speaks. The author has boldly thrown on the other the burden of maintaining her share in the development of the action by pantomime, facial expression, and an occasional laugh."The Outlaw," although inferior in construction to the others, is still played with success and is full of dignity and atmosphere. The important part it played in promoting the fortunes of the author lends to it an added interest which fully justifies its inclusion in this volume: THE FATHER; COUNTESS JULIE; THE OUTLAW; THE STRONGER

«Una cena de fantasmas iba a tener lugar en casa del profesor Stenkåhl…». Así introduce Strindberg la que sería su última novela, y la más polémica de una carrera ya de por sí marcada por la controve

Tr.: Edith and Warner Oland (.zips include two illustrations)

Translator: Ellie Schleussner

In "Legends: Autobiographical Sketches," August Strindberg weaves a tapestry of personal reflection and existential exploration, drawing on his tumultuous life experiences. This collection celebrates the intersection of autobiography and fiction, blending vivid storytelling with profound philosophical inquiry. Strindbergs striking prose reveals the underlying myths and narratives that shaped his identity, presenting his struggles with love, ambition, and societal expectations through a raw and lyrical lens. His literary style is characterized by its psychological depth, often challenging conventional norms and advocating for a more profound understanding of the human condition, reflective of the broader literary movements of naturalism and symbolism prevalent in his time. Strindberg, a prolific figure in Swedish literature, was influenced by his own life of contradictionsmarked by artistic brilliance, mental instability, and tumultuous personal relationships. His experiences, including his tumultuous marriage and his diverse encounters with various artistic and literary movements, provided a rich backdrop for the sketches he presents. As a deeply introspective writer, Strindberg sought to confront the complexities of human emotion and social alienation, both of which are palpably articulated in this work. "Legends" offers readers a compelling glimpse into the mind of one of Swedens most celebrated literary figures. It is a must-read for anyone interested in the intersections of autobiography and literature, providing not just a window into Strindbergs life but also a lens through which to examine our own narratives. A transformative journey awaits as readers explore these poignant sketches, inviting reflection on the universal themes of identity and existence.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Creditors (1888) forma, amb El pare (1887) i La senyoreta Júlia (1888), una trilogia que és el croquis punyent d'un naufragi personal. Strindberg hi reflecta, d'una manera palpitant, la peripècia del seu primer divorci, l'aberració a què la conjugalitat redueix l'individu. Tres personatges, dos homes i una dona, es passen comptes de dos en dos. Cada un és el creditor inexorable que, a l'exigència despietada del deute, hi afegeix l'interès usurer d'anihilar l'altre. I com que cada personatge és, alhora, creditor i deutor, cada un acaba essent botxí i víctima. En aquesta pugna, els dos homes es perden escometent-se per la dona que diuen que estimen, però que, en veritat, únicament desitgen. Dissecada així per Strindberg, la relació conjugal es revela com una mera expressió de poder i de lubricitat, sota el control d'una dona que domina, si no l'escena, la situació. De retruc, l'autor ens serveix impulsivament una imatge, real i especular, de si mateix.

Aquesta és la història d'una agonia, narrada en primera persona en forma d'un llarg monòleg, per un personatge que hi reviu el fracàs del seu matrimoni. Amb un paral·lelisme evident amb la vida de l'

Un sastre consagrat a l’exaltació de la natura i a les borratxeres viu una nit de festa que tindrà conseqüències. Un mariner barrut, agosarat i salvatge acaba travessant tots els límits fins que una

Translated With Introductions By Edwin Bjorkman / Contents: / There Are Crimes And Crimes / Miss Julia / The Stronger / Creditors / Pariah