CLAUDE DEBUSSY

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This is a book based on Maurice Polydores play. From 1932, Marie Bernard Maeterlinck was known as Count Maeterlinck. He was a Fleming-born Belgian dramatist, poet, and writer who wrote in French. Charles Alfred Byrne has translated this work. The narrative begins when Golaud discovers Melisande on the side of a wooded river. He had lost his crown in the ocean but refused to retrieve it. They married, and he soon gained the heart of Arkl, Golauds grandpa and sick King of Allemonde. He becomes interested in Pelleas, Golauds brother. They came together by the fountain, where Melisande had misplaced her wedding ring. Golaud grows suspicious of the lovers, has his son Yniold spy on them, and tracks them down when they are petting, where he murders Pelleas and injures Melisande. She died later after giving birth to an odd baby girl.

32x24 cm 124 pp Tapa blanda ilustrada Partituras para piano de Claude Debussy Castellano 32x24 cm 124 pp Tapa blanda ilustrada Partituras para piano de Claude Debussy Castellano

The anthology Pelléas and Melisande delves into the captivating interplay of symbolism and music, manifesting a rich tapestry of literary and musical styles from two towering figures of the late 19th and early 20th centuries. With a thematic focus on emotional depth and ethereal mystery, the collection transports readers into an evocative world, blurring the lines between text and melody. Masterpieces within offer glimpses into the rich, dreamlike realms that Maeterlinck and Debussy conjured, inviting readers to lose themselves in the intricate layers of meaning embedded in the narrative and compositions. Contributing to this collection are the influential artistic spirits of Maurice Maeterlinck and Claude Debussy, who celebrated the convergence of literature and music during the Symbolist movement. Maeterlincks play, revered for its atmospheric setting and psychological complexity, aligns seamlessly with Debussys impressionistic compositions, highlighting both artists profound impact on their respective fields. Together, their works provide a harmonious exploration of themes such as love, fate, and the human subconscious, revealing the synergy achieved through a collaborative artistic vision. Pelleas and Melisande serves as an academic treasure for aficionados of cross-disciplinary art. This anthology not only broadens ones understanding of Symbolist ideals but also offers a unique exploration of thematic depth and artistic expression. As readers immerse themselves in this collection, they will savor the strong dialogues between Maeterlincks poetic symbolism and Debussys musical innovations, gaining insight into a transformative era in European culture. Highly recommended for those eager to experience the powerful synthesis of literature and music, this volume promises an educative and enriching journey through diverse perspectives and styles.

Al margen de su actividad como compositor, Claude Debussy (1862-1918) es autor de un buen número de críticas musicales publicadas entre 1901 y 1915 en diversas revistas y diarios (La Revue Blanche, Mercure de France, Gil Blas, Le Figaro, S.I.M., etc.). EL SEÑOR CORCHEA Y OTROS ESCRITOS (la parte del titulo hace referencia a uno de los articulos de 1901, La conversacion con el Sr. Corchea, que no es otro que Paul Valery) constituye una edicion completa de la obra critica de Debussy, presentada en orden cronologico y completada al final con algunas conversaciones y entrevistas que se han podido rescatar. Este rico material, que cubre, desde las conocidas diatribas wagnerianas, las declaraciones blasfemas sobre el Premio de Roma y los prejuicios contra Gluck y a favor de Rameau hasta alusiones a la musica de la cinematografia incipiente, permite una reconstruccion fidedigna de este espiritu constantemente caustico, ironico y burlon cuyos escritos dejan traslucir una coherencia y un rigor extremos, ademas de un exacerbado nacionalismo musical.