E. Nesbit, página 3 de 7

This happened a very little time after we left our humble home in Lewisham, and went to live at the Blackheath house of our Indian uncle, which was replete with every modern convenience, and had a big garden and a great many greenhouses. We had had a lot of jolly Christmas presents, and one of them was Dickys from father, and it was a printing-press. Not one of the eighteenpenny kind that never come off, but a real tip-topper, that you could have printed a whole newspaper out of if you could have been clever enough to make up all the stuff there is in newspapers. I dont know how people can do it. Its all about different things, but it is all just the same too. But the author is sorry to find he is not telling things from the beginning, as he has been taught. The printing-press really doesnt come into the story till quite a long way on. So it is no use your wondering what it was that we did print[Pg 2] with the printing-press. It was not a newspaper, anyway, and it wasnt my young brothers poetry, though he and the girls did do an awful lot of that. It was something much more far-reaching, as you will see if you wait.

En «El castillo encantado», tres niños de vacaciones, sin padres, bajo la amable y permisiva vigilancia de una institutriz francesa, se adentran en un mundo mágico, un mundo de juegos que pondrá a pr

In "Many Voices: Poems," E. Nesbit invites readers into a rich tapestry of lyrical expression where childhood whimsy and poignant reflection intertwine. This collection showcases Nesbits unique ability to traverse both lighthearted and somber themes through her accessible, yet vividly imaginative poetic style. The verses, often imbued with a sense of playfulness, resonate with the intricacies of human emotion, reflecting the societal transitions of the late Victorian era and early 20th century. NesbitAos keen observations on nature, childhood experiences, and the challenges of adulthood perch vibrantly on the page, exemplifying her broad literary prowess. E. Nesbit, a prominent English author, is best known for her childrenAos literature, yet her poetic voice reveals deeper dimensions of her creative spirit. A pioneer in depicting relatable characters and ordinary experiences, Nesbits own life, filled with both joy and hardship, enables her to authentically convey the human condition. Her experiences with social issues, combined with a burgeoning interest in socialism during her time, further enrich her poetic explorations in "Many Voices." This collection is highly recommended for readers who appreciate the fusion of whimsy and depth in poetry, as well as those interested in the historical context of early 20th-century literature. E. Nesbits lyrical dexterity ensures that each poem resonates with both nostalgia and contemporary relevance, making it a timeless treasure for poetry enthusiasts.

In "The Literary Sense," E. Nesbit deftly explores the nuances of literary appreciation and the nature of storytelling through a reflective and insightful lens. The work is marked by Nesbits characteristic wit and a conversational tone, allowing readers to engage deeply with her ideas. Drawing from her extensive experience as both a childrens author and a critic, she navigates the evolution of literary form and the cultivation of a discerning readers mind in a world increasingly inundated with narratives. This text seeks to elevate the discourse surrounding literature, prompting readers to consider the emotional and intellectual depths of their literary encounters. E. Nesbit, often celebrated for her pioneering contributions to childrens literature with works like "The Railway Children," possessed a rich background in the arts and a vibrant personal life that greatly influenced her literary creations. A prominent member of the Fabian Society, her progressive views on education and social reform are reflected in her advocacy for a more profound understanding of literature. Nesbits dual role as a writer and critic allowed her a unique perspective on the evolving literary landscape of her time, emphasizing the importance of nurturing ones literary sensibilities. For readers seeking to deepen their understanding of literature, "The Literary Sense" stands as an essential text that invites both enjoyment and introspection. Nesbits ability to combine critical analysis with relatable prose makes this work accessible yet profoundly enriching, appealing to scholars, casual readers, and aspiring writers alike. This book not only enhances literary appreciation but also serves as a reminder of the transformative power of stories.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In "The Incomplete Amorist," E. Nesbit crafts a captivating exploration of love, identity, and the intricacies of human relationships. Set against the backdrop of early 20th-century England, the novel intertwines elements of romantic comedy with profound psychological insights, employing witty dialogue and rich character development. Nesbits literary style is characterized by her ability to blend realism with an undercurrent of whimsy, inviting readers to reflect on the absurdities of love and the societal norms that govern it. This work serves as both a mirror of its time and a timeless commentary on the complexities of affection and desire. E. Nesbit, a pioneering figure in childrens literature, was known for her ability to bridge fantasy and reality, drawing upon her own experiences and social observations. Her engagement with the challenges of her era, including class dynamics and gender roles, is evident in her nuanced portrayal of characters navigating romantic entanglements. Nesbits background as a member of the socialist movement and her active involvement in social issues shaped her perspective, enriching her narratives with depth and empathy. This novel is highly recommended for readers who appreciate character-driven narratives that explore the many facets of love. Nesbits blending of humor and acute social commentary makes "The Incomplete Amorist" a compelling read for those interested in the evolution of romantic literature and the societal standards that shape our affections.

There were once four children who spent their summer holidays in a white house, happily situated between a sandpit and a chalkpit. One day they had the good fortune to find in the sandpit a strange creature. Its eyes were on long horns like snails eyes, and it could move them in and out like telescopes. It had ears like a bats ears, and its tubby body was shaped like a spiders and covered with thick soft furand it had hands and feet like a monkeys. It told the childrenwhose names were Cyril, Robert, Anthea, and Janethat it was a Psammead or sand-fairy. (Psammead is pronounced Sammy-ad.) It was old, old, old, and its birthday was almost at the very beginning of everything. And it had been buried in the sand for thousands of years. But it still kept its fairylikeness, and part of this fairylikeness was its power to give people whatever they wished for. You know fairies have always been able to do this. Cyril, Robert, Anthea, and Jane now found their wishes come true; but, somehow, they never could think of just the right things to wish for, and their wishes sometimes turned out very oddly indeed. In the end their unwise wishings landed them in what Robert called a very tight place indeed, and the Psammead consented to help them out of it in return for their promise never never to ask it to grant them any more wishes, and never to tell anyone about it, because it did not want to be bothered to give wishes to anyone ever any more.

THERE were three of themJerry, Jimmy, and Kathleen. Of course, Jerrys name was Gerald, and not Jeremiah, whatever you may think; and Jimmys name was James; and Kathleen was never called by her name at all, but Cathy, or Catty, or Puss Cat, when her brothers were pleased with her, and Scratch Cat when they were not pleased. And they were at school in a little town in the West of Englandthe boys at one school, of course, and the girl at another, because the sensible habit of having boys and girls at the same school is not yet as common as I hope it will be some day. They used to see each other on Saturdays and Sundays at the house of a kind maiden lady; but it was one of those houses where it is impossible to play.

In "Daphne in Fitzroy Street," E. Nesbit crafts a compelling narrative that deftly intertwines elements of fantasy and realism, showcasing her hallmark ability to blend whimsical storytelling with profound emotional depth. Set against the vibrant backdrop of early 20th-century London, the novella explores themes of love, identity, and the challenge of societal expectations through the eyes of its charming protagonist, Daphne. Nesbits evocative prose and keen observational skills allow readers to immerse themselves in the richly detailed world of Fitzroy Street, where the ordinary meets the extraordinary, reflecting the eras literary transitions from Victorian conventions to modernist sensibilities. E. Nesbit (1858-1924) was an influential figure in childrens literature, known for her innovative storytelling and pioneering use of magical realism. Her own experiences as a social activist and her profound belief in the power of imagination and childhood shaped her writing. "Daphne in Fitzroy Street" exemplifies her unique perspective on societal roles, drawn from her encounters with Londons cultural shifts, economic disparities, and gender dynamics during her time. This enchanting novella is highly recommended for readers who appreciate a blend of literary finesse and societal commentary. Nesbits ability to evoke empathy and reflection invites both young adults and seasoned readers to consider the complexities of love and identity, making it an invaluable addition to the canon of early modern literature.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

In "Salome and the Head," E. Nesbit masterfully blends elements of myth and morality, presenting a retelling of the biblical tale of Salome with a unique twist. Written in her characteristic lyrical style infused with vivid imagery and poignant dialogue, this narrative goes beyond mere fascination with the grotesque; it delves into themes of desire, power, and the human condition. Set against the backdrop of early 20th-century literature, this work reflects Nesbits interest in the complexities of female agency and societal constraints, showcasing her ability to intertwine suspense with intricate character development. E. Nesbit, known for her pioneering contributions to childrens literature and her subversive narrative voice, brings her rich understanding of mythology and folklore to this haunting reimagining. Born in 1858 and part of the socialist movement, her progressive ideologies likely influenced her portrayal of Salome as a multifaceted character navigating a patriarchal world. Nesbits own life experiences, as both a mother and advocate for childrens rights, inform her compelling exploration of feminine power and ambition. "Salome and the Head" is a must-read for those intrigued by literary reinterpretations of classic tales and who appreciate profound psychological insights. Nesbits engaging prose invites readers to reconsider historical narratives and challenges conventional perceptions of female figures, making this work an essential addition to any literary collection.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

When Father goes away one evening, the lives of Roberta, Peter and Phyllis are shattered. They and their mother have to move from their comfortable London home to go and live in a simple country cottage. They soon come to love the railway near their cottage and all associated with it

It began with the day when it was almost the Fifth of November, and a doubt arose in some breastRoberts, I fancyas to the quality of the fireworks laid in for the Guy Fawkes celebration.They were jolly cheap, said whoever it was, and I think it was Robert, and suppose they didnt go off on the night? Those Prosser kids would have something to snigger about then.The ones I got are all right, Jane said; I know they are, because the man at the shop said they were worth thribble the moneyIm sure thribble isnt grammar, Anthea said.Of course it isnt, said Cyril; one word cant be grammar all by itself, so you neednt be so jolly clever.

THAT going to the seaside was the very beginning of everythingonly it seemed as though it were going to be a beginning without an end, like the roads on the Sussex downs which look like roads and then look like paths, and then turn into sheep tracks, and then are just grass and furze bushes and tottergrass and harebells and rabbits and chalk.

This is the story of the different ways we looked for treasure, and I think when you have read it you will see that we were not lazy about the looking.There are some things I must tell before I begin to tell about the treasure-seeking, because I have read books myself, and I know how beastly it is when a story begins, "Alas!" said Hildegarde with a deep sigh, "we must look our last on this ancestral home"and then some one else says somethingand you dont know for pages and pages where the home is, or who Hildegarde is, or anything about it. Our ancestral home is in the Lewisham Road. It is semi-detached and has a garden, not a large one. We are the Bastables. There are six of us besides Father. Our Mother is dead, and if you think we dont care because I dont tell you much about her you only show that you do not understand people at all.

Come forth! the worlds aflame with flags and flowers,The shout of bells fills full the shattered air,This is the crown of all your golden hours,More than all other hours august and fair;This did the years prepare,A triumph for our Lady and our Queen,More rich than any king in any land hath seen.