George Eliot

Middlemarch (1871-72) es la obra maestra de George Eliot y una de las grandes novelas de la literatura inglesa. Ambientada en una ciudad ficticia de la Inglaterra provincial del siglo XIX, la novela explora las vidas entrelazadas de sus habitantes. A traves de personajes como Dorothea Brooke, Tertius Lydgate o Rosamond Vincy, Eliot retrata los dilemas del amor, la ambicion, el matrimonio, la politica y la reforma social. La obra destaca por su realismo psicologico, su analisis moral y su vision critica de la sociedad victoriana.

«Middlemarch» es la historia de tres parejas sujetas a los frágiles hilos del saber y del error, entretejida con la crónica minuciosa de los destinos de toda una comunidad en una época de cambios y r

Inspirada en gran parte en los recuerdos de infancia de George Eliot, El molino del Floss (1860) gira en torno al desigual destino de Tom y Maggie Tulliver. A pesar de la inteligencia natural de Maggie, es Tom, por ser varon, quien recibe educacion y en quien el padre y por supuesto la sociedad provinciana de mediados del xix- confia para el futuro del molino. Cuando los niños se acercan a la juventud, la desgracia economica cae sobre la familia, y los hermanos se ven obligados a enfrentarse a las dificultades. A pesar del patetismo progresivo de la novela, un fino humor, altamente critico, esta siempre presente.

Ambientada en la Inglaterra victoriana, la historia entrelaza de manera brillante los destinos de dos personajes: Gwendolen Harleth y Daniel Deronda, explorando temas como la identidad, el amor o el cuestionamiento de las convenciones sociales.

"Middlemarch" es una novela clásica escrita por George Eliot, seudónimo de la autora británica Mary Ann Evans. Publicada entre 1871 y 1872, la historia retrata la vida de personajes en una ciudad ficticia, abordando temas como el matrimonio, la politica y el estatus social. George Eliot es conocida por su estilo de escritura realista y su profunda exploracion psicologica, desafiando las normas sociales al utilizar un seudonimo masculino. "Middlemarch" se considera una de las grandes obras de la literatura inglesa. y forma parte de la famosa coleccion "1001 libros que que hay que leer antes de morir"

In "The Mill on the Floss," George Eliot intricately weaves a tale of familial bonds, personal struggle, and the quest for self-identity against the backdrop of rural 19th-century England. With its rich psychological depth and a narrative style characterized by a blend of realism and philosophical musings, the novel explores the tumultuous relationship between siblings Maggie and Tom Tulliver. Eliots keen observation of societal norms and her profound understanding of human emotion create a vivid tapestry that reflects the constraints placed on women and the complexities of love and ambition. The narrative unfolds with lyrical prose, offering a compelling critique of the eras social mores while engaging readers in the characters emotional landscapes. George Eliot, the pen name of Mary Ann Evans, was a pioneering British novelist and a significant figure in the realism movement. Her own life experiences, marked by intellectual independence and social challenges, inform the themes in her works. Eliots commitment to exploring the inner lives of her characters and her profound empathy for human suffering underscore the driving impetus behind "The Mill on the Floss," as she sought to reveal the often harsh realities faced by women of her time. This novel is highly recommended for readers who appreciate intricate character studies and social commentary. Eliots masterful storytelling invites a deep emotional engagement and offers timeless insights into the human experience, making "The Mill on the Floss" a profound exploration of love, loss, and the struggle for self-understanding.

Adam Bede by George Eliot - was the first novel by Mary Ann Evans (George Eliot), and was published in 1859. It was published pseudonymously, even though Evans was a well-published and highly respected scholar of her time. The novel has remained in print ever since and is regularly used in university studies of 19th-century English literature. She described the novel as, A country story full of the breath of cows and scent of hay.The novel follows the lives of four characters in the fictional community of Hayslopea rural, pastoral, and close-knit communityin 1799. The novel revolves around a love "rectangle" among the beautiful but self-absorbed Hetty Sorrel; Captain Arthur Donnithorne, the young squire who seduces her; Adam Bede, her unacknowledged suitor; and Dinah Morris, Hettys cousin, a fervent, virtuous and beautiful Methodist lay preacher.Adam, a local carpenter much admired for his integrity and intelligence, is in love with Hetty. She is attracted to Arthur, the local squires charming grandson and heir, and falls in love with him. When Adam interrupts a tryst between them, Adam and Arthur fight. Arthur agrees to give up Hetty and leaves Hayslope to return to his militia. After he leaves, Hetty Sorrel agrees to marry Adam but shortly before their marriage, discovers that she is pregnant. In desperation, she leaves in search of Arthur but cannot find him.Unwilling to return to the village on account of the shame and ostracism she would have to endure, she delivers her baby with the assistance of a friendly woman she encounters. She subsequently abandons the infant in a field but not being able to bear the childs cries, she tries to retrieve the infant. However, she is too late, the infant having already died of exposure.

Daniel Deronda by George Eliot - Daniel Deronda is a novel written by Mary Ann Evans under the pen name of George Eliot, first published in eight parts (books) February to September 1876.It was the last novel she completed and the only one set in the Victorian society of her day. The works mixture of social satire and moral searching, along with its sympathetic rendering of Jewish proto-Zionist ideas, has made it the controversial final statement of one of the most renowned Victorian novelists.The novel has been adapted for film three times, once as a silent feature and twice for television. It has also been adapted for the stage, notably in the 1960s by the 69 Theatre Company in Manchester with Vanessa Redgrave cast as the heroine Gwendolen Harleth.The novel has two main strands of plot, and while the "story of Gwendolen" has been described as "one of the masterpieces of English fiction", that part concerned with Daniel Deronda has been described as "flat and unconvincing". All the same Daniels story has had a significant influence on Zionism.

This ebook comprises the complete writings of English writer George Eliot.The collection is sorted chronologically by book (or magazine) publication. There are the usual inline tables of contents and links after each text/chapter to get back to the respective tables. The dates of first publication are noted whenever available.Contents:Scenes of Clerical Life. (1858): The Sad Fortunes of the Rev. Amos Barton, Mr. Gilfils Love Story, Janets Repentance.Adam Bede. (1859)The Lifted Veil. (1859)The Mill on the Floss. (1860)Silas Marner, the Weaver of Raveloe. (1861)Romola. (1863)Brother Jacob. (1864)Felix Holt, the Radical. (1866)The Spanish Gypsy. (1868)Middlemarch. (1871/72)The Legend of Jubal, and Other Poems. (1874): The Legend of Jubal, Agatha, Armgart, How Lisa Loved the King, A Minor Prophet...

In the days when the spinning-wheels hummed busily in the farmhousesand even great ladies, clothed in silk and thread-lace, had their toy spinning-wheels of polished oakthere might be seen in districts far away among the lanes, or deep in the bosom of the hills, certain pallid undersized men, who, by the side of the brawny country-folk, looked like the remnants of a disinherited race. The shepherds dog barked fiercely when one of these alien-looking men appeared on the upland, dark against the early winter sunset; for what dog likes a figure bent under a heavy bag?and these pale men rarely stirred abroad without that mysterious burden. The shepherd himself, though he had good reason to believe that the bag held nothing but flaxen thread, or else the long rolls of strong linen spun from that thread, was not quite sure that this trade of weaving, indispensable though it was, could be carried on entirely without the help of the Evil One. In that far-off time superstition clung easily round every person or thing that was at all unwonted, or even intermittent and occasional merely, like the visits of the pedlar or the knife-grinder. No one knew where wandering men had their homes or their origin; and how was a man to be explained unless you at least knew somebody who knew his father and mother? To the peasants of old times, the world outside their own direct experience was a region of vagueness and mystery: to their untravelled thought a state of wandering was a conception as dim as the winter life of the swallows that came back with the spring; and even a settler, if he came from distant parts, hardly ever ceased to be viewed with a remnant of distrust, which would have prevented any surprise if a long course of inoffensive conduct on his part had ended in the commission of a crime; especially if he had any reputation for knowledge, or showed any skill in handicraft.

George Eliots final novel and her most ambitious work, Daniel Deronda contrasts the moral laxity of the British aristocracy with the dedicated fervor of Jewish nationalists. Crushed by a loveless marriage to the cruel and arrogant Grandcourt, Gwendolen Harleth seeks salvation in the deeply spiritual and altruistic Daniel Deronda. But Deronda, profoundly affected by the discovery of his Jewish ancestry, is ultimately too committed to his own cultural awakening to save Gwendolen from despair.

George Eliot is the greatest of the novelists in the delineation of feeling and the analysis of motives. In uncovering certain human lots, and seeing how they are woven and interwoven, some marvellous work has been done by this master in the two arts of rhetoric and fiction.If you say the telling of a story is her forte, you put her below Wilkie Collins or Mrs. Oliphant; if you say her object is to give a picture of English society, she is surpassed by Bulwer and Trollope; if she be called a satirist of society, Thackeray is her superior; if she intends to illustrate the absurdity of behavior, she is eclipsed by Dickens; but if the analysis of human motives be her forte and art, she stands first, and it is very doubtful whether any artist in fiction is entitled to stand second.

Who that cares much to know the history of man, and how the mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa, has not smiled with some gentleness at the thought of the little girl walking forth one morning hand-in-hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide-eyed and helpless-looking as two fawns, but with human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child-pilgrimage was a fit beginning. Theresas passionate, ideal nature demanded an epic life: what were many-volumed romances of chivalry and the social conquests of a brilliant girl to her? Her flame quickly burned up that light fuel; and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self-despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order.

Few novelists have ever attempted so broad a canvas as George Eliot in her masterpiece, Middlemarch. Portraying every level of social life in a provincial Midlands town called Middlemarch, she interweaves several intensely dramatic stories of love and death, betrayal and reconciliation, into one of the finest pictures of nineteenth-century England ever created. Its acute psychological penetration also makes it an exceptionally modern work, particularly in the romantic idealism of Dorothea Brooke, who often resembles George Eliot herself, and in the disastrous marriage and thwarted career of the young reformist doctor, Lydgate. Virginia Woolf called it one of the few English novels written for grown-up peopleand it is truly great literature that ranks among the best novels in the world.

Traducida por primera vez al castellano y publicada originalmente en 1879, un año antes de la muerte de la autora, Impresiones de un tal Teofrasto narra las impresiones sociales y filosóficas de un solterón inglés de mediana edad que, al igual que su homólogo griego de la antigüedad, escribe con un tono crítico y burlón sobre sí mismo y sobre los personajes que ha conocido a lo largo de su vida. Pero Eliot no vierte una copia actualizada de los Caracteres de Teofrasto, sino que recurre a un estilo experimental y juguetón que anticipa el Modernismo y convierte al Teofrasto inglés en una parodia de su propio carácter y en una crítica en toda regla de la cultura europea del siglo XIX. Con su habitual inteligencia, haciendo gala de un envidiable acervo cultural, \\\"Impresiones de un tal Teofrasto\\\" ha sido durante años un ensayo relegado del canon de Eliot al quedar ensombrecido por el éxito de sus novelas, pero es la obra en que mejor podemos disfrutar de su fuerte despliegue intelectual.

George Eliots "The Mill on the Floss" is a richly woven narrative exploring the complexities of familial ties, personal aspirations, and societal constraints in 19th-century England. The novel intricately details the lives of siblings Maggie and Tom Tulliver, alternately celebrating and critiquing the rigid moral landscape of their rural community. Eliot employs a masterful blend of psychological insight, vibrant character development, and poignant social commentary, illuminating the tension between individual desires and societal expectations through a realistic and evocative prose style. The thematic depth of the novel situates it within the broader context of Victorian literature, where the notion of personal freedom often clashes with entrenched social structures. George Eliot, the pen name of Mary Ann Evans, was a pioneering figure in literature whose own life experiencesAiincluding a progressive upbringing and an unconventional domestic lifeAideeply influenced her writing. She was known for her intellectual capabilities and her keen observations of human nature, which are beautifully reflected in the nuanced characterizations and moral dilemmas faced by her protagonists. Eliots commitment to portraying the realities of womens lives and struggles in a patriarchal society underlines the urgent themes of "The Mill on the Floss." I highly recommend "The Mill on the Floss" to readers interested in profound psychological insight and the social dynamics of the Victorian era. Eliots exploration of the emotional landscape of her characters, along with the novels rich symbolism and thematic complexity, makes it an enduring masterpiece. It offers invaluable reflections on the intersections of gender, class, and identity that continue to resonate in contemporary discussions.

In "Scenes of Clerical Life," George Eliot presents a rich tapestry of Victorian society through the lives of clergymen and their families, exploring themes of faith, morality, and the interplay of human relationships. The work is characterized by Eliots keen psychological insight and her ability to render vivid, empathetic portraits of her characters, set against the backdrop of English rural life. Through these interconnected narratives, Eliot critiques the limitations of social class and the complexities of spiritual duty, employing a form of realism that was groundbreaking for her time, beautifully weaving allegory with authentic emotional depth. George Eliot, the pen name of Mary Ann Evans, was a trailblazing writer whose education and diverse experiences deeply influenced her work. Born into a provincial family, she received a rigorous education and engaged with radical thinkers and philosophers, which shaped her critical examination of social norms. Eliots own connections with the clergy and personal struggles with faith found their expression in this collection, offering a nuanced reflection of her time and her intrinsic understanding of human nature. I highly recommend "Scenes of Clerical Life" to readers interested in the intersections of religion, morality, and social context in literature. Eliots work invites us to contemplate the subtleties of human experience while prompting a deeper understanding of the values that shape individual lives, making it both a profound and accessible read.