HELEN WALSH

On the coldest night of 1975, a young man with shock-red hair tears though the snowbound streets of Warrington''s toughest housing estate. He is Robbie Fitzgerald, and he is running for his life - and that of his young family. In his heart, Robbie knows the odds are stacked against them.En la noche mas fria de 1975, un joven con un cabello de un sorprendente tono tojo avanza con dificultad por las calles llenas de nieve del suburbio mas duro de Warrington. Es Robbie Fitzgerald, y corre por su vida, y la de su joven familia. En su corazon, Robbie sabe que todas las apuestas estan contra el.

On the coldest night of 1975, a young man with shock-red hair tears though the snowbound streets of Warrington''s toughest housing estate. He is Robbie Fitzgerald, and he is running for his life - and that of his young family. In his heart, Robbie knows the odds are stacked against them. In this unbending Northern town, he has married the beautiful brown nurse who once stitched up his wounds. Susheela is his Tamil Princess, but in the real world, the Fitzgeralds have to face up to prejudice, poverty and sheer naked hatred from their neighbours. Now Robbie has seen a way out, and he''s sprinting to his date with destiny...But back at their low-rise flat, Susheela hears a noise. This single moment starts a chain of events that will reverberate throughout the lives of all four Fitzgeralds - herself, Robbie, their son Vincent and unborn daughter, Ellie. Over thirteen years of struggle, aspiration, achievement, misunderstandings, near-misses and shattered dreams, Helen Walsh plunges us into the lives and loves of the young, doomed Fitzgerald family. She shows herself to be a brilliant chronicler of our people and our times. And in the Fitzgeralds, she has created a family who will stay in your heart, long after the final page."Once Upon A Time In England" offers an unforgettable portrait of the world in which we live, and confirms Helen Walsh as a writer of searing power.

Sol, desejo e obsessão dão a tônica do aclamado romance Um gosto de verão, da britânica Helen Walsh. Premiada com o Somerset Maugham e comparada a Irvine Welsh já em seu livro de estreia, a autora su

Each summer, Jenn and her husband Greg return to Deia, on Mallorca's dramatic west coast. This year the arrival of Emma, Jenn's stepdaughter, and her new boyfriend Nathan threatens to upset their equilibrium. Beautiful and reckless, Nathan stirs something unexpected in Jenn. As she is increasingly seduced by Nathan's youth and the promise of passion, the line between desire and obsession begins to blur. What follows is a highly-charged liaison that puts lives and relationships in jeopardy. For Jenn, after this summer, nothing can ever be the same.

Since its release in the United Kingdom, "Brass" has sent shock waves through literary circles for its raw, unrelenting, poetic, and utterly compelling portrait of Millie, a promising college kid drifting into a deceptively inviting world of street culture, drug-induced adorations, and sexual hedonism. Not since Irvine Welsh''s Trainspotting has an ambitious first novel created such a stir among readers of important new voices in fiction. Since its release in the United Kingdom, Brass has sent shock waves through literary circles for its raw, unrelenting, poetic, and utterly compelling portrait of Millie, a promising college kid drifting into a deceptively inviting world of street culture, drug-induced adorations, and sexual hedonism. Helen Walsh, at the age of twenty-seven, has produced a staggeringly alive debut novel that portrays a generation of youth-those coming of age in the ''80s and ''90s-through the prism of Millie. Millie and her best friend, Jamie, have been through it all together. However, as Millie is lured away from what was a promising academic career toward a life of numbing drugs and increasingly deviant sexual encounters, Jamie is finally settling down with his girlfriend. Millie feels betrayed by one of the few authentic and nurturing relationships in her life, just as she discovers her own limitations and the more penetrating complexities of a family she thought she knew.

Nineteen-year-old Millie OReilley is, clever, spiky and adored by menyet utterly forlorn. Brought up in middle-class comfort, by her devoted professor father, she feels a sense of alienation that leads her on a binge of sex, drugs and despair. Increasingly disillusioned with her University course and fellow students, she seeks an escape in the underbelly of Liverpools Cathedral area - home to crackheads, pimps, pushers and whores. Her best friend Jamie Keely, big brother and fun buddy has just got engaged to a deadly dull nail-artist. Jealous at the engagement, Millies wild behavior threatens both their friendship and her friends impending marriage. Brass follows Millie through the seamy underside of Liverpool, often stoked on cocaine and moving from one loveless sexual episode to another. An encounter with a prostitute turns into an odyssey of drink fuelled self-abuse, leading Millie to question who she is and what she wants to get out of life. Helen Walsh has managed to create a self-destructive character with a heart of gold and exposed a gritty side to Liverpool thats rarely revealed. Shockingly candid, brutally poetic, this portrait of a city and a generation offers a female perspective on the harsh truth of growing up in todays Britain. Brass is an unsettling but ultimately compassionate account of the possibilities of identity and the desirability of love.

Nineteen-year-old Millie O''Reilley is, clever, spiky and adored by men - yet utterly forlorn. Even though she has the devotion of her professor father, Jerry, and the respect of the hard-knocks in South Liverpool, Millie feels a sense of growing alienation. Increasingly disillusioned with her University course and fellow students, she seeks an escape in the underbelly of Liverpool''s Cathedral area - home to crackheads, pimps, pushers and, most intriguing to Millie, whores. And when an encounter with a world weary prostitute turns into an after hours odyssey of drink fuelled self-abuse it, ultimately, leads Millie toward questioning who she is and what she wants to get out of life. Shockingly candid, brutally poetic, Helen Walsh has created a portrait of a city and a generation that offers a female perspective on the harsh truth of growing up in today''s Britain. Brass is an unsettling but ultimately compassionate account of the possibilities of identity and the desirability of love.