Henrik Ibsen, página 2 de 14

When Dr. Stockmann discovers that the waters of a new public spa are toxic, he expects gratitude and glory. Instead, his revelation makes him the most hated man in town. Henrik Ibsens timeless story of corruption, pollution and courage opened in David Harrowers powerful new version at the Young Vic, London, in May 2013.

Just married. Bored already. Hedda longs to be free. This vital new version by Patrick Marber (Closer, Three Days in the Country) opened at The National Theatre, London, in December 2016.

Power. Money. Morality. In a tight knit community a shocking discovery comes to light and threatens the lifeblood of the town. Truth and honour are pitched against wild ambition and corruption in Ibs

Norway, 1881. Mrs. Alving is ecstatic when her son Osvald visits after many years abroad. He has returned to celebrate the heroic memory of his dead father. But within hours of Osvalds homecoming his mother is forced to unearth the past and reveal its terrifying ghosts.

Calamity strikes when Bernicks business prowess and pristine reputation are threatened by the revelation of a long-buried secret. Desperate to dodge exposure in the kowtowing local community, Bernick devises a pitiless plan which, by a shocking twist of fate, risks the one life he holds dear. The centenary of Ibsens death is marked with a vital new version of this rarely performed thriller, set amid a society struggling against the rush of capitalism, the lure of America and the passionate beginnings of the fight for female emancipation. Samuel Adamson version of Pillars of the Community premiered at the National Theatre, London, in October 2005.

Im going to find out which of us is right, society or me.Henrik Ibsens three great problem plays, A Dolls House, Ghosts and Hedda Gabler, challenged the conventions of nineteenth-century society and sparked a revolution in European theatre. Their female protagonists, Nora Helmer, Helene Alving and Hedda Gabler, continue to exert their power over modern audiences.This volume brings together all three plays in sensitive and playable translations from the original Norwegian, along with a full introduction to Ibsen, his times and his work.The Drama Classic Collections bring together the most popular plays from a single author or a particular period. They offer students, actors and theatregoers a series of uncluttered, accessible editions, accompanied by comprehensive introductions. Where the originals are in English, there is a glossary of unfamiliar words and phrases. Where the originals are in a foreign language, the translations aim to be both actable and accurate and are made by translators whose work is regularly staged in the professional theatre.

A wife, a muse, a coward, a heretic. Hedda Gabler is something to everyone, yet has no idea who she is to herself. Trapped by convention and by her own irreconcilable nature, will she have the courage to shape her own destiny?Mark ORowes fluid yet faithful adaptation of Henrik Ibsens masterpiece Hedda Gabler was premiered at the Abbey Theatre, Dublin, in April 2015.

Drama Classics: The Worlds Great Plays at a Great Little PriceHenrik Ibsens mighty epic, by turns fantastic and tragic, based on the Norwegian fairy tale Per Gynt.Ibsens play, his last to be written in verse, follows the poet and braggart Peer Gynt as, fleeing disgrace, he swaggers and seduces his way from the fjords of Norway to the deserts of Africa and back.Peer Gynt was originally published in 1867, and first performed in Christiania (Oslo) in 1876.This English version, in the Nick Hern Books Drama Classics series, is translated and introduced by Kenneth McLeish.

A portrait of idealism and democracy floundering in a society of conservatism and opportunism, considered by many to be Ibsens dramatic masterpiece.Johannes Rosmer has resigned as parish priest following the suicide of his wife. But his increasingly liberal ideas make him an object of suspicion to the local worthies, who also disapprove of the presence in his house of a much younger woman, Rebecca West, formerly his wifes companion. As their relationship deepens and their isolation builds, the increasing moral pressures they face force them inexorably towards their fate...This version of Ibsens Rosmersholm by Mike Poulton was first staged at the Almeida Theatre, London, in 2008.

Ellida, the lighthouse-keepers daughter, is trapped in her marriage and longs for the sea. When a former lover returns from years of absence, she is forced to decide between freedom and the new life she has made for herself. Relocated to the Caribbean in the 1950s, Elinor Cooks version of Henrik Ibsens shattering 1888 play about duty and self-determination premiered at the Donmar Warehouse, London, in 2017, in a production directed by Kwame Kwei-Armah.

Drama Classics: The Worlds Great Plays at a Great Little PriceHenrik Ibsens revolutionary play about a womans awakening to her need for a life of her own.A Dolls House was premiered at the Royal Theatre in Copenhagen, Denmark, in December 1879.This English version of A Dolls House is translated and introduced by Kenneth McLeish.

Drama Classics: The Worlds Great Plays at a Great Little PriceAn idealistic doctor, Stockmann, discovers that the waters from which his native spa town draws its wealth are dangerously contaminated. As the citizens realise the financial implications, Stockmann comes under increasing pressure to keep silent.Henrik Ibsens play An Enemy of the People was published in 1882 and first performed in 1883.This edition of An Enemy of the People in the Nick Hern Books Drama Classics series is translated and introduced by Stephen Mulrine.

Publicada en 1884 y representada por primera vez al año siguiente, "El pato salvaje" causó gran desconcierto entre el público en sus sucesivos estrenos por la presencia del animal en el escenario. Más alla de esta anecdota, sin embargo, la pieza se inserta en la misma linea de denuncia social que Henrik Ibsen (1828-1906) inicio con "Casa de muñecas" en 1879 y prosiguio, entre otras, con "Un enemigo del pueblo" o "Hedda Gabler", todas ellas publicadas en esta coleccion. Centrada en la soledad del individuo frente a la sociedad y sus semejantes y en el conflicto entre realidad e ilusion, entre verdad y mentira (veta tan ricamente explotada en la literatura española desde el Quijote hasta Unamuno, Valle-Inclan o Buero Vallejo), "El pato salvaje" representa la cima del teatro de Ibsen por la ironia de su expresion, su simbolismo que la abre a multiplicidad de lecturas y la soberbia tension dramatica que la impregna.Prologo y traduccion de Juan Antonio Garrido ArdilaPublicada en 1884 y representada por primera vez al año siguiente, "El pato salvaje" causó gran desconcierto entre el público en sus sucesivos estrenos por la presencia del animal en el escenario. Más alla de esta anecdota, sin embargo, la pieza se inserta en la misma linea de denuncia social que Henrik Ibsen (1828-1906) inicio con "Casa de muñecas" en 1879 y prosiguio, entre otras, con "Un enemigo del pueblo" o "Hedda Gabler", todas ellas publicadas en esta coleccion. Centrada en la soledad del individuo frente a la sociedad y sus semejantes y en el conflicto entre realidad e ilusion, entre verdad y mentira (veta tan ricamente explotada en la literatura española desde el Quijote hasta Unamuno, Valle-Inclan o Buero Vallejo), "El pato salvaje" representa la cima del teatro de Ibsen por la ironia de su expresion, su simbolismo que la abre a multiplicidad de lecturas y la soberbia tension dramatica que la impregna.Prologo y traduccion de Juan Antonio Garrido Ardila

Henrik Ibsens "Little Eyolf" is a poignant exploration of familial relationships, guilt, and the human condition, structured with his characteristic psychological depth and realism. The play centers around the Allmers family, particularly the emotional turmoil engendered by the death of their son, Eyolf, which becomes a catalyst for revealing long-buried resentments and desires. Ibsen employs a naturalistic style, characterized by candid dialogue and intricately constructed characters, allowing the audience to witness the unraveling of a marriage as the characters confront their inner torments and the consequences of their choices. Set against the backdrop of late 19th-century European society, the play reflects Ibsens critique of traditional moral values and the existential struggles that define modern life. Henrik Ibsen, regarded as one of the fathers of modern drama, drew upon his own experiences with societal constraints and personal grief. The impetus for "Little Eyolf" was partly inspired by his own reflections on loss and the complexities of human relationships. Throughout his career, Ibsen grappled with themes of identity, duty, and individual freedom, forging a path for subsequent playwrights and enriching the landscape of contemporary theater. For readers and theater enthusiasts alike, "Little Eyolf" offers a profound examination of human frailty and the ties that bind us. IbsenAos masterful command of dialogue and his ability to portray the intricacies of emotional turmoil make this work not only a critical piece of literature but also a resonant commentary on the challenges of parenthood and personal fulfillment. It is a must-read for anyone seeking to understand the depth of human experience and the enduring impact of Ibsens work.

In "When We Dead Awaken," Henrik Ibsen explores the intricate relationship between art, identity, and the human condition through the lens of a reflective and symbolic narrative. This late-career play is characterized by Ibsens hallmark realism intertwined with existential themes, showcasing the struggles of the protagonist, an aging artist named Rubek, who grapples with his past and purpose in life. Ibsens nuanced dialogue and evocative imagery invite readers to ponder the nature of authenticity and the artistic vocation, presenting a poignant critique of societal expectations and personal fulfillment amid the backdrop of a seemingly idyllic retreat. Henrik Ibsen, often heralded as the father of modern drama, revolutionized theatrical narratives by embedding deep psychological insight within his characters. Having witnessed the restrictive societal norms of 19th-century Norway, Ibsens own frustrations with artistic expression and personal freedom profoundly influenced his later works. "When We Dead Awaken" serves as a culmination of these themes, intricately connecting the authors personal struggles to universal questions regarding life, love, and existential despair. This compelling play is recommended for readers interested in the undercurrents of artistic struggle and the philosophical inquiries that define human existence. Ibsens profound explorations of identity and the significance of self-discovery render this work essential for anyone seeking to understand the interplay between art and life in the context of modern existential thought.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Henrik Ibsens Ghosts is a profound exploration of the consequences of societal norms, familial duty, and the haunting legacy of the past. Written in 1881, this play employs a realist style that breaks away from romanticism, focusing on the stark realities of human life. Through the character of Mrs. Alving, Ibsen delves into themes of morality, hypocrisy, and spiritual inheritance, examining how societal expectations shape individual actions. The rich dialogue and layered subtext challenge audiences to confront the darker aspects of human relationships and the inescapable ghosts of our actions and beliefs. Henrik Ibsen, often regarded as the father of modern drama, was deeply influenced by his own experiences of societal constraints and personal anguish. Born in Norway in 1828, Ibsens early life and the progressive movements in Europe inspired his shift towards realism and social critique. Ghosts emerged from his desire to tackle taboo subjects of the time, including inheritance, mental health, and sexual morality, offering a stark commentary on the limitations imposed by societal norms and familial expectations. I highly recommend Ghosts for those seeking a thought-provoking examination of how the past shapes our present. Ibsens intricate characterizations and unflinching dialogue compel readers to reflect on their own societal ghosts, making this play a timeless classic that resonates with contemporary concerns.