Ian Buruma

Who speaks for China? Is it the old men of the politburo or activists like Wei Jingshsheng, who spent eighteen years in prison for writing a emocratic manifesto? Is Chinas future to be fund amid the boisterous sleaze of an electoral cmpaign in Taiwan, or in the manoeuvres by which ordinary residents of Beijing quietly resist the authority of the state?These are among the questions that Ian Buruma poses in this enlightening and often moving tour of Chinese dissidence. Travelling through the U.S., Singapore, Taiwan, Hong Kong and the Peoples Republic, Ian Buruma tells the stories of Chinese rebels who dare to stand up to their rulers, exploring their chances of success in the face of the most powerful dictatorship on earth. From the exiles of Tiananmen to the hidden Christians of rural China, he brings alive the human dimension to their struggles and reveals the worlds most secretive superpower through the eyes of its dissidents.

When Sidney Vanoven is sent to occupied Japan, in the immediate aftermath of the Second World War, it is his dream posting. By day, he works in the censors office watching Japanese films; at night he immerses himself in the sensual pleasures of Tokyo.His job leads him into the circle of the beautiful film star Shirley Yamaguchi, a passionate and indomitable woman, whose wartime secrets hint at deception and betrayal. As he learns more of her story it seems to echo Japans own dark secret. In The China Lover, Ian Buruma has created an exhilarating saga of war-torn Japan that is epic in scale, richly imagined and vividly populated. It is quite simply unforgettable.

It was an emblematic crime: on a November day in Amsterdam, an angry young Muslim man shot and killed the Dutch filmmaker Theo van Gogh, iconic European provocateur, for making a movie with the anti-Islam politician Ayaan Hersi Ali. After shooting van Gogh, Mohammed Bouyeri calmly stood over the body and cut his throat with a curved machete. The murder horrified quiet, complacent Holland - a country that prides itself on being a bastion of tolerance - and sent shock waves around the world. In Murder in Amsterdam, Ian Buruma describes what he found when he returned to his native country to try and make sense of van Goghs death. The result is Burumas masterpiece: a brave and rigorous study of conflict in our time, with the intimacy and control of a true-crime page-turner.

When Ian Buruma arrived in Tokyo as a young film student in 1975, he found a feverish and surreal metropolis in the midst of an economic boom, where everything seemed new and history only remained in fragments. Through his adventures in the world of avant-garde theatre, his encounters with carnival acts, fashion photographers and moments on-set with Akira Kurosawa, Buruma came of age. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free.A Tokyo Romance is a portrait of a young artist and the fantastical city that shaped him, and a timeless story about the desire to transgress boundaries: cultural, artistic and sexual.

Desde hace 60 años, Alemania ha luchado por encarar los fantasmas de su pasado. Ian Buruma compara los esfuerzos de Japón y Alemania para enfrentar sus atrocidades durante la Segunda Guerra Mundial. Mientras Japón prefiere voltear los ojos hacia otro lado y cambiar la conversación, los alemanes han hecho un esfuerzo colectivo para asumir la responsabilidad de su vergüenza histórica. El hundimiento usa el lente de la cámara para mirar a los ojos a esta pesadilla colectiva.

In this scintillating book, Ian Buruma peels away the myths that surround Japanese culture. With piercing analysis of cinema, theatre, television, art and legend, he shows the Japanese both as they imagine themselves to be, and as they would like themselves to be.A Japanese Mirror examines samurai and gangsters, transvestites and goddesses to paint an eloquent picture of life in Japan. This is a country long shrouded in enigma and in his compelling book, Buruma reveals a culture rich in with poetry, beauty and wonder.

In this highly original and now classic text, Ian Buruma explores and compares how Germany and Japan have attempted to come to terms with their violent pasts, and investigates the painful realities of living with guilt, and with its denial.As Buruma travels through both countries, he encounters people whose honesty in confronting their past is strikingly brave, and others who astonish by the ingenuity of their evasions of responsibility. In Auschwitz, Berlin, Hiroshima and Tokyo he explores the contradictory attitudes of scholars, politicians and survivors towards World War II and visits the contrasting monuments that commemorate the atrocities of the war.Buruma allows these opposing voices to reveal how an obsession with the past, especially distorted versions of it, continually causes us to question who should indeed pay the wages of guilt.

It is impossible to understand the last 75 years of British and American history without understanding the Anglo-American relationship, and specifically the bonds between presidents and prime ministers. FDR of course had Churchill; JFK famously had Macmillan, his consigliere during the Cuban Missile Crisis. Reagan found his ideological soul mate in Thatcher, and George W. Bush found his fellow believer, in religion and in war, in Tony Blair. In a series of shrewd and absorbing character studies, Ian Buruma takes the reader on a journey through the special relationship via the fateful bonds between president and prime minister. Its never been a relationship of equals: from Churchills desperate cajoling and conniving to keep FDR on side, British prime ministers have put much more stock in the relationship than their US counterparts did. For Britain, resigned to the loss of its once-great empire, its close kinship to the worlds greatest superpower would give it continued relevance, and serve as leverage to keep continental Europe in its place. As Buruma shows, this was almost always fools gold. And now, as the links between the Brexit vote and the 2016 US election are coming into sharper focus, it is impossible to understand the populist uprising in either country without reference to Trump and Boris Johnson, though ironically, they are also the key, Buruma argues, to understanding the special relationships demise.

"Eran sus ojos lo que más impresionaba. Eran inusualmente grandes para una mujer oriental. No parecía ni típicamente japonesa, ni típicamente china. Había algo de la ruta de la seda en ella, de las caravanas y los mercados de especias de Samarcanda. Nadie podría haber adivinado que se trataba tan sólo de una simple chica japonesa nacida en Manchuria". Yamaguchi Yoshiko es descrita así por Sato Daisuke, un oscuro y diletante agente de la policía militar japonesa en Manchuria obsesionado por encontrar a una actriz para producir películas de propaganda japonesas con las que convencer a la población china de las bondades de la cruel dominación japonesa. Comienza así para Yoshiko, ya convertida en Ri Koran, su imprevisible y fascinante aventura vital que la llevará desde la fama a la cárcel, y desde la ingenuidad al compromiso, a través de los extraordinarios acontecimientos que tiñeron de crueldad, dominio y humillación la historia de China y Japón durante las guerras que cambiaron al mundo. «Extraordinario... La prosa flexible e inteligente de Ian Buruma y su íntimo conocimiento de los países asiáticos y sus culturas convierte a esta novela en un puro placer.»

A multiple biography with overlapping chronology is a tricky feat and Buruma pulls it off magnificently. Ben Macintyre, The TimesOn the face of it, the three characters here seem to have little in common - aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point. Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmlers indispensable personal masseur - Himmler calling him his magic Buddha. Kersten presented himself after the war as a resistance hero who convinced Himmler to save countless people from mass murder. Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc. Friedrich Weinreb was a Hasidic Jew in Holland who took large amounts of money from fellow Jews in an imaginary scheme to save them from deportation, while in fact betraying some of them to the German secret police. Sentenced after the war as a traitor and a con artist, he is still regarded by supporters as the Dutch Dreyfus.All three figures have been vilified and mythologized, out of a never-ending need, Ian Buruma argues, to see history, and particularly war, and above all World War II, as a neat tale of angels and devils. In telling their often-self-invented stories, The Collaborators offers a fascinating reconstruction of what in fact we can know about these fantasists and what will always remain out of reach. It is also an examination of the power and credibility of history: truth is always a relative concept but perhaps especially so in times of political turmoil, not unlike our own.

With its distinctive history of civil liberties and the delicate balance between social order and the free pursuit of self-interest, England has always fascinated its continental neighbours. Buruma examines the history of ideas of Englishness and what Europeans have admired (or loathed) in England across the centuries. Voltaire wondered why British laws could not be transplanted into France, or even to Serbia; Karl Marx thought the English were too stupid to start a revolution; Goethe worshipped Shakespeare; and the Kaiser was convinced that Britain was run by Jews. Combining the stories of European Anglophiles and Anglophobes with memories of his own Anglo-Dutch-German-Jewish family, this utterly original book illuminates the relationship between Britain and Europe, revealing how Englishness - and others views of it - have shaped modern European history.

Many books have been written, and continue to be written, about the Second World War: military histories, histories of the Holocaust, the war in Asia, or collaboration and resistance in Europe. Few books have taken a close look at the immediate aftermath of the worldwide catastrophe.Drawing on hundreds of eye-witness accounts and personal stories, this sweeping book examines the seven months (in Europe) and four months (in Asia) that followed the surrender of the Axis powers, from the fate of Holocaust survivors liberated from the concentration camps, and the formation of the state of Israel, to the incipient civil war in China, and the allied occupation of Japan. It was a time when terrible revenge was taken on collaborators and their former masters; of ubiquitous black markets, war crime tribunals; and the servicing of millions of occupation troops, former foes in some places, liberators in others. But Year Zero is not just a story of vengeance. It was also a new beginning, of democratic restorations in Japan and West Germany, of social democracy in Britain and of a new world order under the United Nations. If construction follows destruction, Year Zero describes that extraordinary moment in between, when people faced the wreckage, full of despair, as well as great hope. An old world had been destroyed; a new one was yet to be built.

Un libro absorbente, infinitamente ingenioso y erudito, acertada combinación de historia, biografía y agudo periodismo, sobre la fascinación o repulsión que Inglaterra ha despertado en las gentes del resto de Europa. Desde Voltaire, que vio en ese pais una tierra de libertad, razon, tolerancia y modernidad; pasando por Goethe, que idolatraba a Shakespeare; Marx, que vivio en Inglaterra, aunque consideraba a los ingleses demasiado estupidos para iniciar la revolucion& El autor bucea con humor e inteligencia en la vida de estos y otros anglofilos y anglofobos notables y narra la evolucion de la relacion entre la isla y el continente.

Urdida como la biografía ficticia de un personaje real, la novela de lan Buruma compromete desde el inicio al lector en su juego de máscaras. K. S. Ranjitshinhji, Maharajá Jam Saheb de Nawanagar, fue, a comienzos del siglo, un mito del criquet, uno de los mejores jugadores del mundo.Ranji, como se le conocia popularmente, habia nacido en 1872, y a los siete años de edad fue adoptado y designado heredero por el entonces Jam Saheb de Nawanagar. Para alejarlo del ambiente de conspiraciones de la corte le enviaron a un internado ingles en la India, y luego a Inglaterra, donde estudio en Cambridge, y se convirtio en un genio del criquet. En 1907 llego a ser maharaja y fue, segun los libros de historia, un gobernante progresista y buen amigo de la corona britanica.Pero ¿quien era realmente Ranji? El narrador, sin nombre y producto tambien de un cruce de culturas, como el protagonista del libro, viaja a la India tras las huellas de Ranji.La novela se articula en dos relatos paralelos: Por un lado, la investigacion del narrador, su gradual desvelamiento del personaje, a traves de quienes le conocieron, de sus pertenencias, de sus palacios en ruinas, de la imagen que tienen de el y de su tiempo los intelectuales indios contemporaneos. Por otro, una larga carta nunca enviada por Ranji a uno de sus condiscipulos ingleses de Cambridge, en la que da cuenta -e intenta darse cuenta- de su vida: la de un dandi fascinado por una cultura que no era la suya y que, como todo dandi, construye su identidad en un juego de mascaras: la anglofilia, la perfecta caballerosidad, los valores del imperio, el criquet... Pero tambien un gobernante titere, un solitario desgarrado entre dos mundos en extincion; un personaje extrañamente vacio que se deslizo por la vida acompañado de un loro al que amaba, unos pocos amigos con los que intentaba mantener relaciones verdaderas desde la distancia de su condicion de principe, y una o dos mujeres a las que amo desde lejos. Un solitario asexuado que descollo en un juego de placeres casi tan enigmaticos como el mismo.