Percy Bysshe Shelley

A pesar de la enorme importancia de la obra poetica de Percy Bysshe Shelley (1792-1822), a quien Lord Byron definió como "el mejor y el menos egoísta de los hombres", no hay una gran antología de su obra traducida al español. El poeta, ensayista y traductor Jose Luis Rey, que ya se ha encargado de trasladar al español las poesias completas de Emily Dickinson y T. S. Eliot, asi como Harmoiun, una de las grandes obras de Wallace Stevens, ha traducido la antologia mas completa de Shelley hasta el momento en español, titulada "Donde estan los eternos". En ella se puede rastrear al Shelley idealista y plenamente convenbcido de la capacidad visionaria y liberadora de la Poesia. Suya es la frase celebre: "Los poetas son los legisladores no reconocidos del mundo".

Percy Bysshe Shelley (1792-1822) fue, junto con Coleridge, Wordsworth, Keats y Byron, uno de los cinco grandes autores del romanticismo inglés. Perteneciente a la segunda generación del movimiento, busco, en la estela de Coleridge, una poesia que explotase al maximo el poder simbolico de la imaginacion, abogando por el lenguaje sonoro y de gran fuerza literaria que situo algunas de sus composiciones entre los clasicos indiscutibles de la poesia europea. El "Prometeo liberado" (junto con "Adonais", la hermosisima elegia dedicada en su muerte a su rival estetico, John Keats) supuso la mas alta creacion simbolica de Shelley. Escrito ante las ruinas romanas de Caracalla en 1819, se trata de un poema dramatico dividido en cuatro actos, y constituye un alegato alegorico en favor de la libertad, que era para el poeta el principal valor del mundo y los seres humanos.

Welcome to the Essays collection. A special selection of the nonfiction prose from influential and noteworthy authors.This book brings 10 of best essays of Percy Bysshe Shelley, across a wide range of subjects, including literature, vegetarianism, religion and many more topics.Percy Bysshe Shelley was one of the major English Romantic poets.American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem." A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death and he became an important influence on subsequent generations. Many of his most relevant works were published by Tacet Books. The book contains the following texts:- Introduction by Edmund Gosse- On Love- On Life- On A Future State- On The Punishment Of Death- Speculations On Metaphysics- Speculations On Morals- Essay On The Literature, The Arts, And The Manners Of The Athenians- On The Symposium, Or Preface To The Banquet Of Plato- A Defence Of Poetry- A Vindication Of Natural Diet

In "A Vindication of Natural Diet," Percy Bysshe Shelley presents a compelling argument for vegetarianism, drawing on moral, ethical, and philosophical considerations. Through eloquent prose and persuasive rhetoric, Shelley critiques the societal norms surrounding meat consumption, linking it to broader themes of human rights and compassion for living beings. The book reflects the Romantic eras reverence for nature and the interconnectedness of life, echoing the ideas of contemporaries like Wordsworth and Coleridge while employing a bold, pre-modern ecological sensibility that underscores the spiritual and physical benefits of a natural diet. Percy Bysshe Shelley, a leading figure of the Romantic movement, was deeply influenced by his philosophical beliefs, transcending traditional norms and advocating for social reform. His aversion to cruelty, driven by profound empathy and a keen awareness of injustice, informed his push for dietary choices that align with a more compassionate existence. Shelleys life experiences, including his own struggles with societal expectations and personal loss, further colored his advocacy for a lifestyle that fosters harmony between humanity and the natural world. This thought-provoking work is essential reading for those interested in the intersections of ethics, environmentalism, and literature. Shelleys articulate defense of vegetarianism challenges readers to reconsider their relationship with food, urging a shift toward greater compassion and sustainability. "A Vindication of Natural Diet" serves as both a manifesto for conscientious living and a testament to the enduring relevance of Shelleys ideas.

In "A Defence of Poetry and Other Essays," Percy Bysshe Shelley offers a profound meditation on the role of poetry and the poet in society. Written in an elegant and polemical style, Shelley defends poetry against contemporary critics who disparaged its value, asserting that it is essential for the cultivation of moral and emotional sensibilities. The essays blend lyrical prose with philosophical inquiry, reflecting the Romantic ideals of imagination, creativity, and the transformative power of art. Shelleys work emerges from the socio-political turbulence of early 19th-century England, illuminating the relationship between aesthetic experience and revolutionary thought. Percy Bysshe Shelley, an eminent figure in the Romantic movement, was deeply influenced by his radical ideals and personal experiences of exile and social injustice. His background in an elite school system, coupled with his early exposure to the writings of Plato and the philosophical debates of his time, shaped his belief in the necessity of poets as harbingers of change. Shelleys passion for justice and truth is mirrored in his essays, which seek to elevate poetry as a vital instrument for progress. This book is highly recommended for readers seeking to understand the intersection of art and society. Shelleys eloquence challenges us to reconsider the power of poetry, making it essential reading for anyone interested in literature, philosophy, and the social relevance of the arts.

For nearly two months after the death of Keats, 23 February, 1821, Shelley appears to have remained in ignorance of the event: he knew it on or before 19 April. The precise date when he began his Elegy does not seem to be recorded: one may suppose it to have been in the latter half of May. On 5 June he wrote to Mr. and Mrs. Gisborne: I have been engaged these last days in composing a poem on the death of Keats, which will shortly be finished; and I anticipate the pleasure of reading it to you, as some of the very few persons who will be interested in it and understand it. It is a highly wrought piece of art, and perhaps better, in point of composition, than anything I have written.

A major new anthology of Percy Bysshe Shelley's work, edited by Jack Donovan and Cian Duffy. 'My name is Ozymandias, King of Kings: Look on my works, ye mighty, and despair!' Percy Bysshe Shelley was one of the leading English Romantics and is critically regarded among the finest lyric poets in the English language. His major works include the long visionary poems 'Prometheus Unbound' and 'Adonais', an elegy on the death of John Keats. His shorter, classic verses include 'To a Skylark', 'Mont Blanc' and 'Ode to the West Wind'. This important new edition collects his best poetry and prose, revealing how his writings weave together the political, personal, visionary and idealistic. This Penguin Classics edition includes a fascinating introduction, notes and other materials by leading Shelley scholars, Jack Donovan and Cian Duffy.

What is love? Ask him who lives, what is life? ask him who adores, what is God?I know not the internal constitution of other men, nor even thine, whom I now address. I see that in some external attributes they resemble me, but when, misled by that appearance, I have thought to appeal to something in common, and unburthen my inmost soul to them, I have found my language misunderstood, like one in a distant and savage land. The more opportunities they have afforded me for experience, the wider has appeared the interval between us, and to a greater distance have the points of sympathy been withdrawn. With a spirit ill fitted to sustain such proof, trembling and feeble through its tenderness, I have everywhere sought sympathy and have found only repulse and disappointment.

In "The Witch of Atlas," Percy Bysshe Shelley presents a mesmerizing narrative that intertwines myth and philosophy, exploring themes of power, isolation, and the human condition. Written in a unique blend of lyricism and dramatic storytelling, this poem reveals the enchanting yet tragic tale of Medusa, transformed into a hermit in her mystical dome, who reflects on her solitude and the nature of existence. Shelleys characteristic use of vivid imagery and evocative language invites readers into an ethereal world, while simultaneously delving into profound philosophical inquiries, marking a significant contribution to the Romantic eras exploration of the sublime. Shelley, a central figure of the Romantic movement, was deeply influenced by the tumultuous political landscape of his time, exploring the contradictions of personal and societal freedom. His ideological leanings, inherent compassion for the marginalized, and a fascination with the supernatural resonate throughout this poem and reflect his broader commitment to revolutionary thought and the re-examination of conventional morals. The juxtaposition of beauty and despair in his work often mirrors his tumultuous personal life, underscoring his belief in the transformative power of the imagination. I recommend "The Witch of Atlas" to readers interested in the intersection of poetry, philosophy, and mythology. Shelleys exploration of the complexities of identity and psychological confinement invites a deeper reflection on our own solitary experiences, making this poem not just a literary artifact, but a timeless meditation on the human spirit.

Percy Bysshe Shelleys gothic novel, St. Irvyne, is a captivating tale that delves into themes of betrayal, vengeance, and the supernatural. Written in the early 19th century, Shelley showcases his mastery of the Romantic literary style through vivid descriptions of eerie landscapes and dark characters. The novels atmospheric tone and suspenseful plot draw readers into a world where the boundaries between good and evil blur, leaving them questioning the nature of humanity and the consequences of unchecked ambition. St. Irvyne stands out as a precursor to the horror genre, influencing later works by authors such as Mary Shelley and Edgar Allan Poe. The novel can be seen as a reflection of Shelleys own tumultuous life and his preoccupation with the darker aspects of human existence, making it a must-read for fans of Gothic literature and Romanticism.

Percy Bysshe Shelleys Zastrozzi is a gripping and dark tale that is considered one of the early examples of gothic horror literature. The book follows the vengeful protagonist Zastrozzi as he seeks revenge against the man who wronged him, leading to a series of violent and tragic events. Shelleys writing style in Zastrozzi is characterized by its melodramatic and intense language, drawing readers into a world of passion and despair. The novels exploration of themes such as obsession, power, and morality make it a compelling and thought-provoking read, with elements of the supernatural adding to its eerie atmosphere. Set against the backdrop of the Romantic era, Zastrozzi reflects the gothic literary trends of the time, offering a blend of thrilling drama and philosophical introspection.

In Shelleys Gothic Classics: Frankenstein & St. Irvyne, the coupling of Mary Shelleys iconic Frankenstein with Percy Bysshe Shelleys lesser-known St. Irvyne illuminates the rich tapestry of early 19th-century Gothic literature. This collection not only explores themes of human overreach and the supernatural but also showcases the stylistic diversity within the Gothic genre itself. The anthology is a profound exploration of existential angst and the darker recesses of the human psyche, providing a panoramic view of the genres evolution and its reflection on human vulnerability and fear. The Shelleys, integral figures in the Romantic movement, bring together a confluence of revolutionary ideas and sublime artistry, situated against a backdrop of political and social upheaval. Mary Shelleys narrative inventiveness and Percy Bysshe Shelleys lyrical prowess make this collection a cornerstone for understanding the Romantic engagement with horror, awe, and the sublime. Their works are emblematic of a period that challenged Enlightenment rationalism with a deep dive into the emotional and often irrational human experience. Shelleys Gothic Classics offers readers a rare glimpse into the melding of two literary minds intertwined by personal and intellectual bonds. It is an essential volume for scholars and enthusiasts of the Gothic and Romantic traditions, promising not only a reflection on bygone eras but also a resonant dialogue with contemporary themes. The collection is a scholarly and emotional journey, ideal for those seeking to comprehend the breadth of Gothic literature and its enduring appeal.

In "Peter Bell the Third," Percy Bysshe Shelley employs a satirical and allegorical narrative to critique the socio-political issues of his time, particularly the moral decay of society and the narrowness of contemporary intellectual discourse. Through the character of Peter BellAia figure robustly constructed yet humorously flawedAiShelley weaves a tapestry of Romantic ideals, engaging with themes of individualism, enlightenment, and the burgeoning spirit of rebellion against mediocrity. Shelleys rich use of irony and vivid lyricism further reflects his mastery of poetic form as he mirrors the conflicts between the heart and the mind, revealing the existential dilemmas faced by humanity in a rapidly industrializing world. Shelley, an ardent advocate for social reform and a prominent voice of the Romantic era, drew inspiration from his own experiences of exile and societal critique. Influenced by his radical political beliefs and personal tragedies, including the loss of loved ones, Shelley was compelled to explore the depths of human emotion and the weight of societal expectations through this unique work. His disdain for conventional norms fuels the satire in "Peter Bell the Third", showcasing his profound engagement with contemporary philosophical thought, especially the tension between reason and imagination. I highly recommend "Peter Bell the Third" to scholars and enthusiasts of Romantic literature alike. Shelleys playful yet incisive approach offers readers a compelling insight into the periods ideological struggles while simultaneously serving as a reflection on the complexities of the human condition. This work stands as a testament to Shelleys genius, inviting you to ponder the intricate dance between societys aspirations and its inherent follies.

In the haunting and evocative "Dirge for the Year," Percy Bysshe Shelley laments the passing of time and the inevitable march towards death. With its ethereal imagery and mournful tone, the poem captures the fleeting nature of life and the bittersweet beauty of the changing seasons. As the year draws to a close, Shelley reflects on the joys and sorrows that have marked its passage, ultimately finding solace in the eternal cycle of renewal and rebirth.

Written in 1819, but not first staged for over hundred years after it was written due to controversial themes of incest and parricide, it was not considered stageable. This tragedy is a true story, set in Rome, 1599, centred around the murder of the tyrant, Count Francesco Cenci, by his tormented daughter, Beatrice.

The Masque of Anarchy was Shelleys response to the Peterloo massacre at St Peters Fields, Manchester, where 18 died and hundreds were injured, after Hussars charged into a rally for parliamentary reform. Written in Italy in 1819, the poem was not published until 1832, ten years after Shelleys death. This reading is from the first published edition with the addition of three words that were inserted in full only in later additions . The poem is preceded by Leigh Hunts preface to the 1932 edition and followed by Harry Buxton Formans 1887 lecture on the poem to the Shelley Society.