Samantha Harvey

It's Jake's birthday. He is sitting in a small plane, being flown over the landscape that has been the backdrop to his life. Now he is in his early 60s, and he isn't quite the man he used to be. He has lost his wife, his son is in prison, and he is about to lose his past. Jake has Alzheimer's. As the disease takes hold of him, Jake struggles to hold on to his personal story, to his memories and identity, but they become increasingly elusive and unreliable. What happened to his daughter? Is she alive, or long dead? And why exactly is his son in prison? What went so wrong in his life? There was a cherry tree once, and a yellow dress, but what exactly do they mean? As Jake, assisted by 'poor Eleanor', a childhood friend with whom for some unfathomable reason he seems to be sleeping, fights the inevitable dying of the light, the key events of his life keep changing as he tries to grasp them, and what until recently seemed solid fact is melting into surreal dreams or nightmarish imaginings. Is there anything he'll be able to salvage from the wreckage? Beauty, perhaps, the memory of love, or nothing at all? From the first sentence to the last, The Wilderness holds us in its grip. This is writing of extraordinary power and beauty.

It's Jake's birthday. He is sitting in a small plane, being flown over the landscape that has been the backdrop to his life - his childhood, his marriage, his work, his passions. Now he is in his early sixties, and he isn't quite the man he used to be. He has lost his wife, his son is in prison, and he is about to lose his past. Jake has Alzheimer's. As the disease takes hold of him, Jake struggles to hold on to his personal story, to his memories and identity, but they become increasingly elusive and unreliable. What happened to his daughter? Is she alive, or long dead? And why exactly is his son in prison? What went so wrong in his life? There was a cherry tree once, and a yellow dress, but what exactly do they mean?As Jake, assisted by 'poor Eleanor', a childhood friend with whom for some unfathomable reason he seems to be sleeping, fights the inevitable dying of the light, the key events of his life keep changing as he tries to grasp them, and what until recently seemed solid fact is melting into surreal dreams or nightmarish imaginings. Is there anything he'll be able to salvage from the wreckage? Beauty, perhaps, the memory of love, or nothing at all? From the first sentence to the last, "The Wilderness" holds us in its grip. This is writing of extraordinary power and beauty.

When a young student follows Williams arguments to a shocking conclusion, it appears William has already set his own fate in motion. Against a backdrop of tabloid frenzy, Leonard can only watch as William embraces the danger in the only way he knows how, which threatens to consume not only himself, but his entire family.

It's Jake's birthday. He is sitting in a small plane, being flown over the landscape that has been the backdrop to his life - his childhood, his marriage, his work, his passions. Now he is in his early sixties, and he isn't quite the man he used to be. He has lost his wife, his son is in prison, and he is about to lose his past. Jake has Alzheimer's. As the disease takes hold of him, Jake struggles to hold on to his personal story, to his memories and identity, but they become increasingly elusive and unreliable. What happened to his daughter? Is she alive, or long dead? And why exactly is his son in prison? What went so wrong in his life? There was a cherry tree once, and a yellow dress, but what exactly do they mean? As Jake, assisted by 'poor Eleanor', a childhood friend with whom for some unfathomable reason he seems to be sleeping, fights the inevitable dying of the light, the key events of his life keep changing as he tries to grasp them, and what until recently seemed solid fact is melting into surreal dreams or nightmarish imaginings. Is there anything he'll be able to salvage from the wreckage? Beauty, perhaps, the memory of love, or nothing at all? From the first sentence to the last, The Wilderness holds us in its grip. This is writing of extraordinary power and beauty.

5th century Oakham, in Somerset; a tiny village cut off by a big river with no bridge. When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found: accident, suicide or murder? The village priest, John Reve, is privy to many secrets in his role as confessor. But will he be able to unravel what happened to the victim, Thomas Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can't?Moving back in time towards the moment of Thomas Newman's death, the story is related by Reve - an extraordinary creation, a patient shepherd to his wayward flock, and a man with secrets of his own to keep. Through his eyes, and his indelible voice, Harvey creates a medieval world entirely tangible in its immediacy.

Shortlisted for the 2015 James Tait Black Memorial PrizeLonglisted for the 2015 Baileys Women's Prize for FictionLonglisted for the 2015 Jerwood PrizeIn the middle of a winters night, a woman wraps herself in a blanket, picks up a pen and starts writing to an estranged friend. In answer to a question you asked a long time ago, she writes, and so begins a letter that calls up a shared past both women have preferred to forget.Without knowing if her friend, Butterfly, is even alive or dead, she writes night after night a letter of friendship that turns into something more revealing and recriminating. By turns a belated outlet of rage, an act of self-defence, and an offering of forgiveness, the letter revisits a betrayal that happened a decade and a half before, and dissects what is left of a friendship caught between the forces of hatred and love.The thoughtfulness, intensity and sheer beauty of her writing in her first two novels, The Wilderness and All Is Song, brought Samantha Harvey both huge acclaim and many prize shortlistings. Those readers who loved those novels will fall on Dear Thief with relief and delight.

Una deslumbrante exploración del insomnio y, a través de él, de la condición humana, la memoria, los miedos, el lenguaje, la creatividad...  Un día –o más bien una noche– la escritora Saman

Life on our planet as youve never seen it before: in this spellbinding and uplifting novel six astronauts rotate in the International Space Station. They are there to do vital work, but slowly they begin to wonder: what is life without earth? What is earth without humanity?Together they watch their silent blue planet, circling it sixteen times, spinning past continents, and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day.Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction.The fragility of human life fills their conversations, their fears, their dreams. So far from earth, they have never felt more part - or protective - of it.

Una deslumbrante exploración del insomnio y, a través de él, de la condición humana, la memoria, los miedos, el lenguaje, la creatividad...  Un día ?o más bien una noche? la escritora Sama