Tom Wolfe, página 2 de 6

Tom Wolfe's modern American satire tells the story of Sherman McCoy, a Wall Street "Master of the Universe" who has it all — a Park Avenue apartment, a job that brings wealth, power and prestige, a beautiful wife, an even more beautiful mistress. Suddenly, one wrong turn makes it all go wrong, and Sherman spirals downward in a sudden fall from grace that sucks him into the ravenous heart of a New York City gone mad during the go-go, racially turbulent, socially hilarious 1980s.

America's maestro reporter/novelist gives America an MRI at the dawn of a new age. In "Hooking Up", Wolfe ranges from coast to coast, chronicling everything from the sexual manners and mores of teenagers to fundamental changes in the way human beings now regard themselves--thanks to the hot new fields of genetics and neuroscience--to the inner workings of television's magazine-show sting operations. Only yesterday boys and girls spoke of embracing and kissing (necking) as getting to first base. Second base was deep kissing, plus groping and fondling this and that. Third base was oral sex. Home plate was going all the way. That was yesterday. Here in the Year 2000 we can forget about necking. Today's girls and boys have never heard of anything that dainty. Today first base is deep kissing, now known as tonsil hockey, plus groping and fondling this and that. Second base is oral sex. Third base is going all the way. Home plate is being introduced by name. And how rarely our hooked-up boys and girls are introduced by name -as Tom Wolfe has discovered from a survey of girls' File-o-Fax diaries, to cite but one of "Hooking Up's" displays of his famed reporting prowess. Wolfe ranges from coast to coast chronicling everything from the sexual manners and mores of teenagers... to fundamental changes in the way human beings now regard themselves thanks to the hot new field of genetics and neuroscience. . . to the inner workings of television's magazine-show sting operations. Printed here in its entirety is "Ambush at Fort Bragg," a novella about sting TV in which Wolfe prefigured with eerie accuracy three cases of scandal and betrayal that would soon explode in the press. A second piece of fiction, "U. R. Here," the story of a New York artist who triumphs precisely because of his total lack of talent, gives us a case history preparing us for Wolfe's forecast ("My Three Stooges," "The Invisible Artist") of radical changes about to sweep the arts in America. As an espresso after so much full-bodied twenty-first-century fare, we get a trip to Memory Mall. Reprinted here for the firsttime are Wolfe's two articles about "The New Yorke"r magazine and its editor, William Shawn, which ignited one of

With his signature eye for detail, the "New York Times" bestselling atuhor draws on extensive observation of campuses across the country to immortalize college life in the '00s. Dupont University--the Olympian halls of learning housing the cream of America's youth, the roseate Gothic spires and manicured lawns suffused with tradition . . . Or so it appears to beautiful, brilliant Charlotte Simmons, a sheltered freshman from North Carolina. But Charlotte soon learns, to her mounting dismay, that for the uppercrust coeds of Dupont, sex, Cool, and kegs trump academic achievement every time. As Charlotte encounters Dupont's privileged elite--her roommate, Beverly, a Groton-educated Brahmin in lusty pursuit of lacrosse players; Jojo Johanssen, the only white starting player on Dupont's godlike basketball team, whose position is threatened by a hotshot black freshman from the projects; the Young Turk of Saint Ray fraternity, Hoyt Thorpe, whose heady sense of entitlement and social domination is clinched by his accidental brawl with a bodyguard for the governor of California; and Adam Geller, one of the Millennial Mutants who run the university's "independent" newspaper and who consider themselves the last bastion of intellectual endeavor on the sex-crazed, jock-obsessed campus--she gains a new, revelatory sense of her own power, that of her difference and of her very innocence, but little does she realize that she will act as a catalyst in all of their lives. With his signature eye for detail, Tom Wolfe draws on extensive observation of campuses across the country to immortalize college life in the '00s. "I Am Charlotte Simmons "is the much-anticipated triumph of America's master chronicler.

In Tom Wolfe's morality tale, his innocent heroine, Charlotte Simmons, is an earnest freshman at the fictional Dupont University. Charlotte is shocked by the campus goings-on--sex, drugs, rock & roll, and worse--and by the amoral, high-living students she encounters: her roommate is a snooty rich girl with no morals, and (in a graphically described scene) Charlotte loses her virginity to a caddish heartbreaker. A sexual scandal and a sports scandal concentrate the plot, as Charlotte endures a series of trials, at the end of which she emerges older, wiser, and in control. Wolfe's novel takes place entirely on the college campus, and most of the characters are students in a work that is quite different from his last novels--and one that is, inevitably, seen as a tour de force by a 74-year-old writer whose college days are far behind him and who has created, for the first time, a female heroine. A New York Times Notable Book for 2004

"Hooking Up" ranges all over the modern world; in it Tom Wolfe updates us on the sexual manners and mores of teenagers (he is not adverse to doing a survey of teenage address books to find out exactly how many of them don't know the names of the boy/girl they've just hooked up with). From this he moves effortlessly to an investigation of the fundamental ways in which our lives and self-perceptions have changed, living as we do in a modern world of genetic engineering and neuroscience. There are pieces on "sting T.V." as well as forecasts of radical changes sweeping the world of the arts. "Hooking Up" closes with the legendary, never-before-reprinted pieces about "The New Yorker" and its famously reclusive editor William Shawn, pieces which early on helped win Wolfe his matchless reputation for reportorial bravura and spot-on insight. A glorious, questioning, memorable book, "Hooking Up" shows Tom Wolfe at the very top of his form.

The setting is Atlanta, Georgia — a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000 acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt. Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system. And back in Atlanta, when star Georgia Tech running back Fareek "the Canon" Fanon, a homegrown product of the city's slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city's delicate racial balance from blowing sky-high. Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates — Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker's deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious and telling novel America has seen in ages — Tom Wolfe's most outstanding achievement to date.

En toile de fond : la guerre froide que se livrent les Américains et les Russes. L'enjeu : rien moins que les étoiles. Le projet : Mercury. Les héros : sept astronautes à la conquête du ciel, courageux, pleins d'expérience, prêts à payer de leur peau pour goûter à la gloire. Héroïque, Chuck Yeager qui a franchi le premier le mur du son. Héroïque, John Glenn qui effectue le premier vol orbital jamais réalisé par un Américain. Héroïque, Gus Grissom qui réussit sa difficile mission... mais voilà qu'il saute à la mer, pris de panique ! Ils ont peur, ces héros ? Et leurs femmes pleurent ?... Ça, des as ? Ou « des fils de p..., des salopards », comme le prétend Pancho Barnes, la patronne du bar, théâtre de scènes d'un grand comique. Ou des singes, puisqu'ils subissent les mêmes tests que les animaux de laboratoire et qu'on leur dit sans cesse que le premier à effectuer le projet Mercury sera... un chimpanzé. Ou des pantins entre les mains des médias américains. Un peu de tout cela, donc des hommes, écrit en substance Tom Wolfe. Et leur « Étoffe » est humaine, tout simplement.

Tom Wolfe argumenta de manera molt provocadora, i amb una crítica ferotge a Darwin i Chomsky, que tot el que sabem sobre el llenguatge i l’evolució humana és incorrecte.L’autor carrega contra Darwin

Nació en 1930 en Richmond, Estado de Virginia (EE.UU.). Doctorado por la Universidad de Yale en Literatura y Filosofía. Inició su carrera periodística en 'La Unión', de Massachusetts, y más tarde se incorporo a 'The Washigton Post' y al 'New York Herald T