Vernon Lee

Vernon Lee, seudónimo de la británica Violet Paget, nació en 1856 en Boulogne-sur-Mer (Francia), y murió en San Gervasio Bresciano (Italia) en 1935. En la literatura fue precoz y brillante desde época temprana, quedando su vida marcada por una educacion cosmopolita y una gran curiosidad que se verian reflejadas en la calidad de sus ensayos y en las documentadisimas ambientaciones de sus obras de ficcion. Los seis relatos que recoge este volumen son "Oke de Okehurst o un amante fantasma", "Amour Dure", "Esa maldita voz", "La leyenda de madame Krasinska", "Dionea" y "La virgen de los siete puñales" y se cuentan entre las obras mejor perfiladas de la autora, como lo prueban su vigente popularidad y su continua reedicion desde que fueron publicados por primera vez.

Presencias y Espectros: Los cuentos góticos más escalofriantesUNA PRECIOSA Y EXQUISITA CAJA REGALO CON LAS MEJORES HISTORIAS DE MISTERIO Y TERROR DE VERNON LEE. Edición limitada para coleccionistas y amantes de los sobrenatural.Una mujer convencida de ser la reencarnacion de un antepasado muerto, una dama renacentista y asesina de sus cinco maridos que vuelve a la vida, salida de los apuntes de un estudiante Personajes obsesionados por el pasado, los deseos y los miedos dan voz a un mundo de fantasmas interiores.LOS ESPECTROS HABITAN LAS TINIEBLAS. EN LA OSCURIDAD MORA LO IGNOTO. EL MIEDO NO DUERME NUNCA.Vernon Lee es una escritora inquietante,misteriosa e inteligente. Henry JamesUna escritora extraordinariamente dotada. Paris ReviewVernon Lee: como si Henry James se fuera de cena con Jane Austen. El Mundo

Los alimentos que nutren el alma no proceden de las tiendas o las granjas y las flores de la vida no son aquellas que vemos en las floristerías o que adornan las casas elegantes. Vernon Lee nos alerta sobre el error que supone vivir en la abundancia y dejarse deslumbrar por lo que no es sino distraccion y entretenimiento. Nos anima, como hizo tres siglos antes Voltaire, a cultivar nuestro jardin, aquel que se encuentra mas cerca de nuestra morada mas intima y cuya llave prestamos, a veces, a algunos allegados. La autora expone sus razones para no ir al teatro y para abstenerse de asistir a conciertos multitudinarios; elogia el discreto buen hacer de las institutrices y el arte de escribir cartas y hacer regalos; realiza una encarecida y modernisima defensa de la bicicleta frente al uso (y abuso) de los animales de tiro, y sostiene que lo mas importante de los libros no es leerlos, sino dejar que entren en nosotros por los sentidos. Absolutamente libre en sus asociaciones, Vernon Lee considera que no hay que confiar en artistas, poetas, filosofos o santos para acondicionar las partes yermas de nuestra alma: unicamente aquello que sembramos y cultivamos en nuestro pequeño jardin puede colmarlas. Un elogio del silencio recorre todos los escritos de El jardin de la vida, del silencio acustico, pero tambien visual y mental. Porque para que algo nos impresione, hay que dejar un margen en blanco a su alrededor, permitir que respire. La atencion y el silencio, la amabilidad y cierta tolerancia, son los vehiculos para alcanzar una vida sencilla y sosegada parecida a la eternidad, asi como una escuela de buenos modales hacia el universo.

In "Limbo, and Other Essays; To which is now added Ariadne in Mantua," Vernon Lee intricately weaves together a tapestry of philosophical musings and aesthetic reflections that explore the intersections of art, emotion, and identity. The essays delve into the essence of the human experience, employing a lyrical and richly descriptive literary style reminiscent of late Victorian prose. Lee artfully engages with themes of beauty and the sublime, inviting readers into a contemplative space where personal and artistic narratives intertwine, revealing the complexities of the human psyche under the glittering veneer of culture. Vernon Lee, born Violet Paget, was a groundbreaking figure in the realm of aesthetic criticism and a prominent voice in early 20th-century literature. Her extensive travels across Europe, deep engagement with Italian art, and profound connections to Symbolism profoundly influenced her writing. LeeAos commitment to exploring the interplay between the individual and their environment shines through her essays, reflecting both her rich intellectual heritage and her personal struggles with gender and identity. This collection is a must-read for anyone captivated by the intricate dance of art and life. LeeAos sharp insights and evocative prose offer readers a portal to a world where aestheticism reigns, making it an enriching experience for scholars and casual readers alike.

Vernon Lees Euphorion is a seminal work that delves into the intricate web of influences between the antique, medieval, and Renaissance periods. Through a series of meticulous studies, Lee navigates the reader through the artistic and intellectual evolution that took place during this pivotal era in European history. With a keen eye for detail and a lyrical prose style, Lee examines the nuanced relationships between classical ideals, medieval traditions, and the rebirth of humanism in the Renaissance. The books rich historical context and insightful analysis make it a must-read for anyone interested in the complexities of cultural appropriation and evolution in art and literature. Lees meticulous research and engaging writing style make Euphorion a valuable resource for scholars and enthusiasts alike, shedding light on the interconnectedness of artistic movements across centuries. Vernon Lee, a pseudonym for Violet Paget, was a British writer and art historian known for her expertise in aesthetics and cultural history. Her deep knowledge of art, literature, and philosophy is evident in Euphorion, where she seamlessly weaves together diverse strands of thought and creativity. Lees unique perspective and multidisciplinary approach to the subject matter make her a standout figure in the field of cultural studies. I highly recommend Euphorion to readers seeking a comprehensive exploration of the interplay between the ancient, medieval, and Renaissance periods. Lees insightful analysis and eloquent prose offer a thought-provoking journey through the complexities of cultural evolution, making this book a valuable addition to any scholarly library.

In "Renaissance Fancies and Studies," Vernon Lee delves into the intricate tapestry of Renaissance art and culture, blending vivid imagination with scholarly insight. Employing a lyrical and evocative style, Lee interweaves historical analysis with personal reflection, exploring themes of beauty, aestheticism, and the dichotomy between art and life. The collection features essays that transport the reader through the lush landscapes of Renaissance Italy, while also contemplating the philosophical undercurrents that shaped its artistic expressions. Lees writing resonates with a deep reverence for the period, echoing the sentiments of contemporaries who valued the intersection of art and spirituality. Vernon Lee, a prominent figure of the late 19th and early 20th centuries, was an influential writer and cultural critic known for her vibrant exploration of artistic aesthetics. Born in a culturally rich environment and educated in the classics, her profound understanding of history, philosophy, and art history is evident in this collection. Through her unique voice as a woman in a male-dominated literary era, Lee carved out a niche that reflected her fascination with the interplay of creativity and intellectual thought. "Renaissance Fancies and Studies" is essential reading for scholars and enthusiasts of Renaissance art, as well as those who appreciate the richness of interdisciplinary exploration in literature. Lees eloquent prose invites readers to journey into an era that continues to inspire, offering insights that remain relevant to contemporary discussions on art and culture.

Vernon Lees "Belcaro; Being Essays on Sundry Aesthetical Questions" is a thoughtful exploration of art and aesthetics through a series of essays that engage deeply with various cultural themes. Written with a lyrical prose that merges philosophical inquiry with personal reflection, Lee examines the interplay between beauty, nature, and artistic expression. The work reflects the intricacies of the late 19th-century discourse on aesthetics, contextualizing its insights within the broader Romantic and Decadent movements, making it a significant contribution to the understanding of beauty in art and life. Vernon Lee, born Violet Paget, was a prominent figure in the fin-de-sicle literary scene, known for her fascination with the metaphysical aspects of art and the influence of culture on individual perception. Her extensive travels across Europe and her engagement with various artistic communities informed her perspective on aesthetics, providing a rich backdrop for her writings. The intersection of her identity as a woman in a male-dominated field and her deep emotional and intellectual responses to art shaped her unique voice, offering readers a glimpse into her innovative thoughts. "Belcaro" is a compelling read for anyone interested in the philosophy of art or the evolution of aesthetic thought. Lees insights are as relevant today as they were in her time, making this collection both timeless and enlightening. This book will resonate with scholars, artists, and general readers alike, inviting them to reflect on the nature of beauty and the transformative power of art.

In "Hauntings," Vernon Lee explores the realms of the supernatural through a collection of meticulously crafted tales that blend psychological insight with gothic elements. The prose is both lyrical and evocative, designed to immerse the reader in vivid imagery and emotional undercurrents. Set against the backdrop of late Victorian Europe, the stories delve into themes of desire, fear, and the complexities of human consciousness, reflecting the eras fascination with the occult and the unseen. LeeAos unique perspective merges philosophy with narrative, making each haunting a profound commentary on the nature of existence and the spectral echoes of the past. Vernon Lee, born as Violet Paget in 1856, was a pioneer in the early 20th-century literary scene, often championing issues of gender and sexuality. Her experiences as a cosmopolitan traveler and her immersion in aestheticism deeply informed her writing, imbuing it with a rich tapestry of cultural nuance and existential inquiry. Lees personal encounters with art, literature, and the metaphysical undoubtedly influenced her depiction of the supernatural, allowing her to create atmospheres that resonate with authenticity and depth. "Hauntings" is a must-read for anyone intrigued by the interplay of the spirit world and the psyche. LeeAos tales not only entertain but also challenge readers to confront the complexities of their own fears and desires. This collection stands as a testament to her literary ingenuity and a captivating exploration of the human condition, making it an essential addition to the library of any lover of Gothic literature.

In "Ariadne in Mantua," Vernon Lee weaves a rich tapestry of myth, art, and existential inquiry through the story of Ariadne, the abandoned heroine of antiquity. Set against the backdrop of Renaissance Venice, the narrative explores themes of identity, nostalgia, and the interplay between reality and artifice. Lees lyrical prose and intricate characterizations elevate this work, inviting readers to ponder the complexities of love and the weight of history on the individual psyche. This novella stands as both a homage to myth and a profound commentary on the transformative power of art, situating Lee within the literary movements of fin-de-sicle modernism and aestheticism. Vernon Lee, the pseudonym of Violet Paget, was an influential writer and cultural critic known for her fascination with the arts and her deep engagement with philosophical questions. Her background in aesthetics and her travels across Europe informed her perspective on the interplay between art and life, leading her to create narratives that are both reflective and imaginative. Lees own experiences of exile and identity add layers of significance to her interpretations of mythical figures and the landscapes they inhabit. Readers seeking an exploration of the intersection between myth and artistry will find "Ariadne in Mantua" an enthralling journey into the human experience. Lees evocative style and psychological depth invite those interested in literary elegance and philosophical musings to immerse themselves in this captivating retelling of a timeless tale. This novella is not merely a story but a mirror reflecting the myriad facets of humanity and creativity.

This 2-volume book is one of the best-known works by the British author Violet Paget that features the studies of the antique and the mediaeval in the Renaissance, symbolically named Euphorion after the marvelous child born of the mystic marriage of Faust and Helena from Goethes drama. This carefully crafted e-artnow ebook is formatted for your eReader with a functional and detailed table of contents.Contents:IntroductionThe SacrificeThe Italy of the Elizabethan DramatistsThe Outdoor PoetrySymmetria PriscaThe Portrait ArtThe School of BoiardoMediaeval LoveEpilogue

«La única persona inteligente del lugar es Vernon Lee. Lo hace a uno avergonzarse menos de la estúpida raza inglesa.»Henry JamesNota previa, traducción y edición de Antonio Iriarte«Lo sobrenatural, s

Vernon Lee is the pseudonym of Violet Paget.

In "The Beautiful: An Introduction to Psychological Aesthetics," Vernon Lee meticulously explores the intersection of beauty and psychology, offering an innovative perspective on aesthetic experience. This seminal work, characterized by Lees elegant prose and incisive analysis, draws on contemporary philosophical ideas while also engaging with the rich tradition of aesthetic theory. Lee argues that the appreciation of beauty is a deeply psychological phenomenon, intricately linked to the sensory experiences and emotional responses elicited by art and nature. Her integration of psychological insights into aesthetic theory marks a significant contribution to the field, encouraging readers to reconsider the essence of beauty in both art and everyday life. Vernon Lee, born Violet Paget, was a prominent figure in the late 19th and early 20th centuries, known for her extensive writings on aesthetics, fiction, and essays. Lees unique background as a cultivated intellectual in Europe contributed to her profound understanding of the complex interplay between aesthetics and psychology. Her exposure to various artistic movements and philosophical discussions of her time significantly shaped her approach to beauty, making her insights particularly relevant in an age grappling with the subjectivity of artistic value. "The Beautiful" is recommended for readers interested in aesthetic theory, psychology, and the arts. Its thoughtful examination of beauty invites both scholars and general readers to engage with the deeper dimensions of aesthetic enjoyment. Lees compelling arguments and stylistic elegance make this work an essential addition to any library of critical thought.

In "Limbo, and Other Essays; To which is now added Ariadne in Mantua," Vernon Lee explores the intricate interplay of art, aesthetics, and personal experience through a series of reflective essays that reveal her keen insights into the human condition. Lee employs a lyrical and evocative prose style, drawing heavily from her rich knowledge of European art and literature to weave complex philosophical themes into her writing. The collection presents not only her thoughts on the nature of beauty and the role of the artist but also situates these reflections within the broader cultural contexts of the late 19th and early 20th centuries, exploring how art shapes and is shaped by societal issues, emotions, and individual perception. Vernon Lee, the pseudonym of the British author and essayist Violet Paget, was deeply entrenched in the intellectual currents of her time. Her upbringing in a family of intellectuals and artists, alongside her extensive travels across Europe, played a significant role in shaping her views on aesthetics and cultural identity. Lees unique perspective as a woman in a predominantly male literary landscape further enriches her exploration of themes related to gender, artistry, and existential thought in this collection. "Limbo, and Other Essays" is an essential read for those interested in the convergence of art and philosophy, offering profound insights that resonate even today. Readers will find Lees eloquent prose both stimulating and enlightening, encouraging them to reflect on the transformative power of art and its intimate connection to the personal and the universal. This collection is a testament to Lees enduring legacy and her profound influence on modern literary and aesthetic thought.

In Vanitas: Polite Stories, Vernon Lee weaves a tapestry of intricate narratives that explore the ephemeral nature of beauty, art, and existence. Through a collection of tales rich in emotional resonance and aesthetic contemplation, Lee employs a lyrical, almost decadent prose style that invites readers into a world of refined sensibilities and philosophical musings. Set against the backdrop of the late 19th centurya time flourishing with artistic movements and existential inquirythese stories engage with themes of mortality and the fleetingness of life, characteristic of the literary trend known as vanitas in art and literature. Vernon Lee, the pseudonym of the British writer Violet Paget, was a pioneering figure in the exploration of aestheticism and the psychology of art. With a rich educational background in philosophy and literature, Lees personal experiences and travels across Europe profoundly influenced her perspective, infusing her work with a deep appreciation for culture and the human experience. Her unique voice often bridges the gap between the supernatural and the psychological, making her insights into the human condition compelling and relevant. Vanitas: Polite Stories stands as an essential addition to the libraries of readers engaged with fin-de-siecle literature, art history, and those who appreciate intricate storytelling. With its blend of elegance and profundity, this collection promises to captivate and provoke thought, inviting readers to reflect on the transient beauty of life and art.

In "Hauntings," Vernon Lee offers a sophisticated exploration of supernatural themes through a collection of essays and short stories that intertwine philosophy, aesthetics, and Gothic elements. This work showcases Lees unique literary style, characterized by lush, evocative prose and intricate psychological insights that delve into the human psyche. Set against a backdrop of turn-of-the-century Europe, "Hauntings" examines the intersections of art and experience, probing the boundaries of reality and the spectral dimensions of existence. Lees deft use of narrative and her keen perception of the uncanny contribute to the rich tapestry of this volume, celebrating the intricate relationship between fear and beauty. Vernon Lee, born Violet paget, was a pioneering intellectual and a key figure in the fin-de-siecle movement, often associated with aestheticism. Her extensive travels and scholarly pursuits in philosophy and art heavily influenced her writing. A close acquaintance with prominent figures such as Oscar Wilde and Henry James further shaped her views on aesthetics and the supernatural, serving as a catalyst for the themes explored in "Hauntings." Lees unconventional approach to gender roles and her fascination with the uncanny also reflect her position as a progressive thinker in a conservative society. For readers captivated by the interplay of art, emotion, and the supernatural, "Hauntings" presents an exquisite amalgamation of these elements. Vernon Lees adept storytelling and philosophical insights invite readers to engage with the hauntingly beautiful, making this work an essential read for those interested in Gothic literature, aesthetics, and the art of the uncanny. Prepare to be enchanted, challenged, and ultimately transformed by the spectral journeys found within these pages.

De entre todas las páginas italianas que ocuparon la obra de esta original y algo excéntrica autora, sobresalen estas miniaturas sobre Roma, la ciudad que conoció a fondo y por la que pasea una mirada de multiples intereses, casi impresionista. Abarcan dieciocho años de su vida y varias visitas. Resulta una delicia seguir los pasos de esta italiana de corazon y dejarse atrapar por su espiritu iconoclasta, por sus juegos de imagenes y por la erudita lupa que aplica sobre rincones, edificios y obras de arte, a las que ilumina de forma magistral.No es la Roma que deslumbra al creciente turismo de la epoca y que Vernon Lee desprecia y caricaturiza, sino la de rincones e iglesias ocultas, casi fantasmales; la del silencio y la inmundicia que dignifica con su atenta contemplacion. En estos fragmentos la erudicion estetica no esta reñida con la anecdota, ni con la hilazon de fragmentos que parecen yuxtaponerse como las estructuras de Piranesi, el artista que segun Vernon Lee mejor comprendio Roma. Conocida y traducida solo como autora de relatos fantasticos, la otra Lee, la enamorada de Italia, brilla aqui en toda su intensidad.

In "The Spirit of Rome," Vernon Lee deftly weaves an enchanting tapestry of history, art, and atmosphere that captures the essence of the Eternal City. Through a series of evocative essays, Lee transcends mere description, employing a lyrical prose style that resonates with the rhythms of Italian life and culture. Set against the backdrop of Italys rich historical narrative, the book mingles personal reflections with profound philosophical insights, exploring the interplay between place and identity and the sensory experience of urban existence. Lee invites readers to experience Rome not just as a city but as a living spirit imbued with history, myth, and the sublime intricacies of beauty and decay. Vernon Lee, a pioneer of aestheticism and a significant figure in early 20th-century literature, was deeply influenced by her extensive travels and profound engagement with art and philosophy. Born Violet Paget in 1856, Lees rich background in the humanities and her affinity for Italy fostered a unique perspective, enabling her to blend personal narrative with cultural critique. Her encounters with the artistic elite and her embrace of the Romantic tradition evidently shaped her portrayal of Rome, making it both a personal and universal exploration of beauty. I wholeheartedly recommend "The Spirit of Rome" to anyone fascinated by the intersection of art, life, and place. Lees contemplative prose and acute observations will resonate with not only lovers of Italy but also those who seek a deeper understanding of how environments shape our experiences and perceptions. This book is essential reading for scholars of literature and art history alike, providing a timeless perspective on the enchanting power of Rome.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.