Vernon Lee

Vernon Lee, seudónimo de la británica Violet Paget, nació en 1856 en Boulogne-sur-Mer (Francia), y murió en San Gervasio Bresciano (Italia) en 1935. En la literatura fue precoz y brillante desde época temprana, quedando su vida marcada por una educacion cosmopolita y una gran curiosidad que se verian reflejadas en la calidad de sus ensayos y en las documentadisimas ambientaciones de sus obras de ficcion. Los seis relatos que recoge este volumen son "Oke de Okehurst o un amante fantasma", "Amour Dure", "Esa maldita voz", "La leyenda de madame Krasinska", "Dionea" y "La virgen de los siete puñales" y se cuentan entre las obras mejor perfiladas de la autora, como lo prueban su vigente popularidad y su continua reedicion desde que fueron publicados por primera vez.

In "Limbo, and Other Essays; To which is now added Ariadne in Mantua," Vernon Lee intricately weaves together a tapestry of philosophical musings and aesthetic reflections that explore the intersections of art, emotion, and identity. The essays delve into the essence of the human experience, employing a lyrical and richly descriptive literary style reminiscent of late Victorian prose. Lee artfully engages with themes of beauty and the sublime, inviting readers into a contemplative space where personal and artistic narratives intertwine, revealing the complexities of the human psyche under the glittering veneer of culture. Vernon Lee, born Violet Paget, was a groundbreaking figure in the realm of aesthetic criticism and a prominent voice in early 20th-century literature. Her extensive travels across Europe, deep engagement with Italian art, and profound connections to Symbolism profoundly influenced her writing. LeeAos commitment to exploring the interplay between the individual and their environment shines through her essays, reflecting both her rich intellectual heritage and her personal struggles with gender and identity. This collection is a must-read for anyone captivated by the intricate dance of art and life. LeeAos sharp insights and evocative prose offer readers a portal to a world where aestheticism reigns, making it an enriching experience for scholars and casual readers alike.

Vernon Lee, nombre literario de la escritora británica Violet Paget (1856-1935), nació en Francia y tuvo una infancia nómada debido a la condición de expatriados de sus padres. Viajó por Italia, Francia, Alemania y Suiza, pero la mayor parte de su vida la pasó en una villa en la campiña cercana a Florencia. Gran conocedora de la historia del arte europeo, a los veinticuatro años publicó un ensayo, «Estudios del siglo XVIII en Italia», que sorprendió a los historiadores de la época por su erudición. A pesar de haber sido educada en la moral victoriana, Violet fue una feminista militante que vestía "à la garçonne" y que mantuvo largas y apasionadas relaciones con dos mujeres, Mary Robinson y Kit Anstruther-Thomson. Escribió novelas, cuentos, ensayos, diálogos y piezas teatrales, impresiones de viaje y estudios sobre arte, arquitectura, música, psicología y estética. La presente selección, «El príncipe Alberico y la dama Serpiente», reúne trece relatos fantásticos de Vernon Lee, y constituye la antología más completa de esta autora publicada hasta la fecha en nuestro país. El lector podrá encontrar entre sus páginas los relatos más conocidos, como "El príncipe Alberico y la dama Serpiente", "Amour Dure", "Dionea", "La voz maligna", "Marsias en Flandes" o "La Virgen de los Siete Puñales", así como otros que estaban inéditos en castellano, como "San Eudemón y el Naranjo", "La Dama y la Muerte" o "El Papa Jacinto". Muchos de los cuentos de Vernon Lee se inspiran en leyendas de la antigüedad que vuelven a aflorar en el mundo presente, o en mitos literarios que la autora a menudo reinterpreta. Vernon Lee recrea con maestría paisajes y decorados para dar vida a sus historias; de este modo, va tejiendo una sutil tela de araña que sumerge al lector en el lugar y tiempo del relato.

A Phantom Lover is a supernatural novella by Vernon Lee (pseudonym of Violet Paget) first published in 1886. Set in a Kentish manor house, the story concerns a portrait painter commissioned by a squire, William Oke, to produce portraits of him and his wife, the eccentric Mrs. Alice Oke, who bears a striking resemblance to a woman in a mysterious, seventeenth century painting. (Summary by Anthony Leslie)

«La única persona inteligente del lugar es Vernon Lee. Lo hace a uno avergonzarse menos de la estúpida raza inglesa.»Henry JamesNota previa, traducción y edición de Antonio Iriarte«Lo sobrenatural, s

It seemed to Decimus Little that there could be no doubt left. His only wonder was whether anyone else had been near making that discovery. As he sat in a deep window of the big drawing-room, the light of the candles falling yellow upon the shining white arms and shoulders, the shining white expanses of shirt-front, the lustrous silks and lustrous black cloth within doors; the great wave of moor and fell unfurling greyish-green in the pale-blue twilight without; as he sat there alone in the window, he wondered how it would be if any of these creatures assembled for the coming of age of the heir of Hotspur Hall could guess that he knew. His eyes mechanically followed the tall figure of his host, as his broad shoulders and grey beard appeared and reappeared in the crowd; they sought out the yellow ridge of curls of the son and heir, as his head rose and fell while talking to the ladies in the corner. What if either of them could guess? If old Sir Hugh Hotspur could guess that there was in the world another creature beside himself who knew the position of that secret door; if young Hotspur could guess that there existed close by another man who might, any day, penetrate into that secret chamber to which, at the close of these merry-making days, the youth must be solemnly admitted, to lose, during that fatal hour among unspeakable mysteries, all lightness of heart forever?

We were talking last evening as the blue moon-mist poured in through the old-fashioned grated window, and mingled with our yellow lamplight at table we were talking of a certain castle whose heir is initiated (as folk tell) on his twenty-first birthday to the knowledge of a secret so terrible as to overshadow his subsequent life. It struck us, discussing idly the various mysteries and terrors that may lie behind this fact or this fable, that no doom or horror conceivable and to be defined in words could ever adequately solve this riddle; that no reality of dreadfulness could seem caught but paltry, bearable, and easy to face in comparison with this vague we know not what.

De entre todas las páginas italianas que ocuparon la obra de esta original y algo excéntrica autora, sobresalen estas miniaturas sobre Roma, la ciudad que conoció a fondo y por la que pasea una mirada de multiples intereses, casi impresionista. Abarcan dieciocho años de su vida y varias visitas. Resulta una delicia seguir los pasos de esta italiana de corazon y dejarse atrapar por su espiritu iconoclasta, por sus juegos de imagenes y por la erudita lupa que aplica sobre rincones, edificios y obras de arte, a las que ilumina de forma magistral.No es la Roma que deslumbra al creciente turismo de la epoca y que Vernon Lee desprecia y caricaturiza, sino la de rincones e iglesias ocultas, casi fantasmales; la del silencio y la inmundicia que dignifica con su atenta contemplacion. En estos fragmentos la erudicion estetica no esta reñida con la anecdota, ni con la hilazon de fragmentos que parecen yuxtaponerse como las estructuras de Piranesi, el artista que segun Vernon Lee mejor comprendio Roma. Conocida y traducida solo como autora de relatos fantasticos, la otra Lee, la enamorada de Italia, brilla aqui en toda su intensidad.

Vernon Lees A Phantom Lover is a haunting novella that blends themes of gothic romance and supernatural horror. Set in the picturesque English countryside, the story follows the passionate and ill-fated love affair between a young woman named Annette and the mysterious ghostly figure of a handsome musician. Lees evocative prose and richly detailed descriptions transport the reader into a world where reality and the supernatural intertwine, creating a sense of unease and intrigue throughout the narrative. This novella is a prime example of Lees mastery of atmospheric storytelling and her ability to explore complex emotions through the lens of the supernatural. A Phantom Lover is a classic gothic tale that remains relevant and captivating to this day, showcasing Lees enduring influence in the realm of supernatural literature.

Vernon Lees "Belcaro; Being Essays on Sundry Aesthetical Questions" is a thoughtful exploration of art and aesthetics through a series of essays that engage deeply with various cultural themes. Written with a lyrical prose that merges philosophical inquiry with personal reflection, Lee examines the interplay between beauty, nature, and artistic expression. The work reflects the intricacies of the late 19th-century discourse on aesthetics, contextualizing its insights within the broader Romantic and Decadent movements, making it a significant contribution to the understanding of beauty in art and life. Vernon Lee, born Violet Paget, was a prominent figure in the fin-de-sicle literary scene, known for her fascination with the metaphysical aspects of art and the influence of culture on individual perception. Her extensive travels across Europe and her engagement with various artistic communities informed her perspective on aesthetics, providing a rich backdrop for her writings. The intersection of her identity as a woman in a male-dominated field and her deep emotional and intellectual responses to art shaped her unique voice, offering readers a glimpse into her innovative thoughts. "Belcaro" is a compelling read for anyone interested in the philosophy of art or the evolution of aesthetic thought. Lees insights are as relevant today as they were in her time, making this collection both timeless and enlightening. This book will resonate with scholars, artists, and general readers alike, inviting them to reflect on the nature of beauty and the transformative power of art.

In "Renaissance Fancies and Studies," Vernon Lee delves into the intricate tapestry of Renaissance art and culture, blending vivid imagination with scholarly insight. Employing a lyrical and evocative style, Lee interweaves historical analysis with personal reflection, exploring themes of beauty, aestheticism, and the dichotomy between art and life. The collection features essays that transport the reader through the lush landscapes of Renaissance Italy, while also contemplating the philosophical undercurrents that shaped its artistic expressions. Lees writing resonates with a deep reverence for the period, echoing the sentiments of contemporaries who valued the intersection of art and spirituality. Vernon Lee, a prominent figure of the late 19th and early 20th centuries, was an influential writer and cultural critic known for her vibrant exploration of artistic aesthetics. Born in a culturally rich environment and educated in the classics, her profound understanding of history, philosophy, and art history is evident in this collection. Through her unique voice as a woman in a male-dominated literary era, Lee carved out a niche that reflected her fascination with the interplay of creativity and intellectual thought. "Renaissance Fancies and Studies" is essential reading for scholars and enthusiasts of Renaissance art, as well as those who appreciate the richness of interdisciplinary exploration in literature. Lees eloquent prose invites readers to journey into an era that continues to inspire, offering insights that remain relevant to contemporary discussions on art and culture.

In Vernon Lees Vanitas: Polite Stories, readers are transported into a world of elegant tales that explore themes of love, vanity, and human nature. Written in Lees distinctive literary style, the stories blend elements of realism and the supernatural, creating a captivating and thought-provoking collection. Set against the backdrop of the late 19th century, the book reflects the societal norms and values of the time, offering insight into the human condition through rich character development and intricate plotlines. Lees use of symbolism and allegory adds depth to the narratives, inviting readers to analyze and interpret the underlying messages within each story. Vernon Lee, a pseudonym for Violet Paget, was a prolific writer known for her contributions to ghost stories and supernatural fiction. Her background in art history and aesthetics influenced her writing, allowing her to craft narratives that resonate with intellectual and philosophical depth. Vanitas: Polite Stories showcases Lees talent for blending the eerie and the elegant, making it a must-read for fans of Victorian literature and gothic fiction. I highly recommend Vanitas: Polite Stories to readers who appreciate intricate storytelling, rich symbolism, and thought-provoking themes. Lees masterful prose and unique perspective make this collection a standout in the realm of supernatural fiction, offering a delightful blend of mystery, romance, and philosophical inquiry.

In "Hortus Vitae," Vernon Lee crafts a poignant exploration of life and mortality through the lens of a richly allegorical garden. Utilizing a lushly descriptive literary style, Lee immerses readers in a tapestry of nature that serves as a metaphor for the human experience. The work is marked by its philosophical depth, with reflections on the transient beauty of life interwoven with Gothic elementsAia hallmark of Lees broader literary contributions during the late 19th century. Its thematic resonance invites readers to contemplate the cycles of nature, love, and loss while navigating the intertwined pathways of memory and desire. Vernon Lee, born Violet Paget, was a pioneer in blending aesthetics with philosophical discourse, and her travels across Europe stimulated her deep engagement with the arts and nature. As a prominent figure in the Fin de Sicle literary movement, her own life experiences, including her relationships and fervent literary circles, shaped her unique perspective on the intricate relationship between beauty and mortality. This personal inflection enriches "Hortus Vitae," providing a textured backdrop that complements its literary ambitions. This book is a must-read for anyone fascinated by the interplay of nature and existential thought. Lees lyrical prose and intellectual insights will resonate with readers who appreciate literature that challenges and elevates the human experience. "Hortus Vitae" is not merely a garden of words; it is a journey through the very essence of what it means to live and remember.

Vernon LeeAos "The Countess of Albany" is a fascinating exploration of the life of the enigmatic figure, Princess Elizabeth Stuart, who became the Countess of Albany. The narrative blends historical fiction with psychological insight, set against the backdrop of 18th-century Europe. Lee employs a rich, evocative prose style that immerses readers in the intricate emotions and complexities of her characters, deftly capturing the clash between personal desire and societal expectations. This work also exists within the context of Lees broader literary ambition to merge the aesthetic and the intellectual, reflecting her keen interest in the interplay between art and life. Vernon Lee, born Violet Paget, was a pioneering figure in the realms of essays and fiction, deeply influenced by her rich education in art and literature, and her affinity for the Gothic and psychological nuances. Her vibrant life in Europe, mingling with prominent intellectuals and artists, undoubtedly fueled her fascination with characters who straddled the boundaries of identity and reality. LeeAos extensive travels and studies in aesthetics provided the necessary framework to create a profound representation of the CountessAos dual existence, as both a historical figure and a woman seeking autonomy. This book is highly recommended for readers interested in historical fiction that intertwines rich character studies with philosophical musings. Lees exploration of identity, desire, and societal constraints remains relevant, offering profound insights into the human experience. "The Countess of Albany" is not just a biographical retelling but a meditation on freedom and the complexity of the self.

In "The Spirit of Rome," Vernon Lee deftly weaves an enchanting tapestry of history, art, and atmosphere that captures the essence of the Eternal City. Through a series of evocative essays, Lee transcends mere description, employing a lyrical prose style that resonates with the rhythms of Italian life and culture. Set against the backdrop of Italys rich historical narrative, the book mingles personal reflections with profound philosophical insights, exploring the interplay between place and identity and the sensory experience of urban existence. Lee invites readers to experience Rome not just as a city but as a living spirit imbued with history, myth, and the sublime intricacies of beauty and decay. Vernon Lee, a pioneer of aestheticism and a significant figure in early 20th-century literature, was deeply influenced by her extensive travels and profound engagement with art and philosophy. Born Violet Paget in 1856, Lees rich background in the humanities and her affinity for Italy fostered a unique perspective, enabling her to blend personal narrative with cultural critique. Her encounters with the artistic elite and her embrace of the Romantic tradition evidently shaped her portrayal of Rome, making it both a personal and universal exploration of beauty. I wholeheartedly recommend "The Spirit of Rome" to anyone fascinated by the intersection of art, life, and place. LeeAos contemplative prose and acute observations will resonate with not only lovers of Italy but also those who seek a deeper understanding of how environments shape our experiences and perceptions. This book is essential reading for scholars of literature and art history alike, providing a timeless perspective on the enchanting power of Rome.

In "The Beautiful: An Introduction to Psychological Aesthetics," Vernon Lee embarks on an innovative exploration of aesthetics, interweaving philosophical discourse with psychological insights. Lees prose, rich in metaphor and intelligence, deftly navigates the intersection of beauty and human emotion, positioning aesthetic experience as a vital component of psychological understanding. With a finely nuanced style, she draws on a diverse intellectual heritage that encompasses romanticism and emerging psychological theories, making her work not only a reflection of her own era but also a precursor to modern aesthetic debates. Vernon Lee, born Violet Paget, was an influential figure in the late 19th century, engaging deeply with the arts, philosophy, and the burgeoning field of psychology. Her extensive travels and friendships with contemporaneous artists and intellectuals, including the likes of Oscar Wilde and Henry James, profoundly shaped her understanding of beauty and aesthetics. Lees multidisciplinary approach, grounded in her own experiences of the arts, informs her arguments, illustrating her commitment to a psychological dimension in the appreciation of beauty. This book is essential for anyone invested in the study of art, aesthetics, or psychology, offering a compelling framework for understanding beautys impact on the human psyche. Lees thought-provoking insights encourage readers to consider how our perceptions of beauty influence both individual experiences and deeper societal values. Explore the intricacies of aesthetic appreciation through Lees scholarly lens and enrich your understanding of the beautiful.

In "Hauntings," Vernon Lee explores the realms of the supernatural through a collection of meticulously crafted tales that blend psychological insight with gothic elements. The prose is both lyrical and evocative, designed to immerse the reader in vivid imagery and emotional undercurrents. Set against the backdrop of late Victorian Europe, the stories delve into themes of desire, fear, and the complexities of human consciousness, reflecting the eras fascination with the occult and the unseen. LeeAos unique perspective merges philosophy with narrative, making each haunting a profound commentary on the nature of existence and the spectral echoes of the past. Vernon Lee, born as Violet Paget in 1856, was a pioneer in the early 20th-century literary scene, often championing issues of gender and sexuality. Her experiences as a cosmopolitan traveler and her immersion in aestheticism deeply informed her writing, imbuing it with a rich tapestry of cultural nuance and existential inquiry. Lees personal encounters with art, literature, and the metaphysical undoubtedly influenced her depiction of the supernatural, allowing her to create atmospheres that resonate with authenticity and depth. "Hauntings" is a must-read for anyone intrigued by the interplay of the spirit world and the psyche. LeeAos tales not only entertain but also challenge readers to confront the complexities of their own fears and desires. This collection stands as a testament to her literary ingenuity and a captivating exploration of the human condition, making it an essential addition to the library of any lover of Gothic literature.

Vernon Lee is the pseudonym of Violet Paget.