Walter Scott, página 6 de 22

Jeanie Deans, a young woman from a family of highly devout Presbyterians, goes to London, partly by foot, hoping to achieve an audience with the Queen through the influence of the Duke of Argyll. She is determined to receive a royal pardon for her sister, who was unjustly imprisoned at the Old Tolbooth prison in Edinburgh, known as The Heart of Midlothian, and notorious for the cruelty and severity of its guards.

The Bride of Lammermoor is set in the Lammermuir Hills of south-east Scotland, and tells of a tragic love affair between young Lucy Ashton and her familys enemy Edgar Ravenswood. Edgars father was stripped of the title for supporting the deposed King James VII. Lucys ambitious father, Sir William Ashton, then bought the Ravenswood estate. Edgar hates Sir William for this usurpation of his familys heritage, but on meeting Lucy, falls in love with her, and renounces his plans for vengeance.

Old Mortality was a Scottish stonemason of the 18th century, who late in life decided to travel around Scotland re-engraving the tombs of 17th century Covenanter martyrs. The narrator describes meeting Old Mortality, hearing his anecdotes, and finding out other stories of the events to present an unbiased picture, such as a weapon show held in 1679 by Lady Margaret Bellenden, shooting at the popinjay, fighting with mounted infantry, the Battle of Drumclogand and many more.

Old Mortality was a Scottish stonemason of the 18th century, who late in life decided to travel around Scotland re-engraving the tombs of 17th century Covenanter martyrs. The narrator describes meeting Old Mortality, hearing his anecdotes, and finding out other stories of the events to present an unbiased picture, such as a weapon show held in 1679 by Lady Margaret Bellenden, shooting at the popinjay, fighting with mounted infantry, the Battle of Drumclogand and many more.

Kenilworth is apparently set in 1575, and centers on the secret marriage of Robert Dudley, 1st Earl of Leicester, and Amy Robsart, daughter of Sir Hugh Robsart. The tragic series of events begins when Amy flees her father and her betrothed, Tressilian, to marry the Earl. Amy passionately loves her husband, and the Earl loves her in return, but he is driven by ambition. He is courting the favour of Queen Elizabeth I, and only by keeping his marriage to Amy secret can he hope to rise to the height of power that he desires. At the end of the book, the queen finally discovers the truth, to the shame of the Earl. But the disclosure has come too late, for Amy has been murdered by the Earls even more ambitious steward, Varney.

Sir Geoffrey Peveril and Major Bridgenorth had been boys together, and although they adopted different views in religion and politics, the Roundhead major had saved the Royalists life after the battle of Bolton-le-Moors, and Lady Peveril had brought up majors girl, Alice, with her own son. Kids grew up together, fond of each other, but they get separated in turmoil times. When Sir Geoffreys son, Julian, became the companion of the young earl, he renewed his intimacy with Alice, but Major Bridgenorth doesnt give consent to their love, and both Julian and his father are accused of involvement with the Popish Plot, a conspiracy to assassinate the king.

Having, in the tale of the Heart of Mid-Lothian, succeeded in some degree in awakening an interest in behalf of one devoid of those accomplishments which belong to a heroine almost by right, I was next tempted to choose a hero upon the same unpromising plan; and as worth of character, goodness of heart, and rectitude of principle, were necessary to one who laid no claim to high birth, romantic sensibility, or any of the usual accomplishments of those who strut through the pages of this sort of composition, I made free with the name of a person who has left the most magnificent proofs of his benevolence and charity that the capital of Scotland has to display...

The title of this work has not been chosen without the grave and solid deliberation, which matters of importance demand from the prudent. Even its first, or general denomination, was the result of no common research or selection, although, according to the example of my predecessors, I had only to seize upon the most sounding and euphonic surname that English history or topography affords, and elect it at once as the title of my work, and the name of my hero. But, alas! what could my readers have expected from the chivalrous epithets of Howard, Mordaunt, Mortimer, or Stanley, or from the softer and more sentimental sounds of Belmour, Belville, Belfield, and Belgrave, but pages of inanity, similar to those which have been so christened for half a century past? I must modestly admit I am too diffident of my own merit to place it in unnecessary opposition to preconceived associations; I have, therefore, like a maiden knight with his white shield, assumed for my hero, WAVERLEY, an uncontaminated name, bearing with its sound little of good or evil, excepting what the reader shall hereafter be pleased to affix to it. But my second or supplemental title was a matter of much more difficult election, since that, short as it is, may be held as pledging the author to some special mode of laying his scene, drawing his characters, and managing his adventures...

The Talisman takes place at the end of the Third Crusade, mostly in the camp of the Crusaders in Palestine. Scheming and partisan politics, as well as the illness of King Richard the Lionheart, are placing the Crusade in danger. The main characters are the Scottish knight Kenneth, a fictional version of David of Scotland, Earl of Huntingdon, who returned from the third Crusade in 1190; Richard the Lionheart; Saladin; and Edith Plantagenet, a relative of Richard.

Guy Mannering or The Astrologer is a novel by Sir Walter Scott, published anonymously in 1815. According to an introduction that Scott wrote in 1829, he had originally intended to write a story of the supernatural, but changed his mind soon after starting. The book was a huge success, the first edition selling out on the first day of publication: The Novel or Romance of Waverley made its way to the public slowly, of course, at first, but afterwards with such accumulating popularity as to encourage the Author to a second attempt. He looked about for a name and a subject; and the manner in which the novels were composed cannot be better illustrated than by reciting the simple narrative on which Guy Mannering was originally founded; but to which, in the progress of the work, the production ceased to bear any, even the most distant resemblance. The tale was originally told me by an old servant of my fathers, an excellent old Highlander, without a fault, unless a preference to mountain dew over less potent liquors be accounted one. He believed as firmly in the story as in any part of his creed.A grave and elderly person, according to old John MacKinlays account, while travelling in the wilder parts of Galloway, was benighted. With difficulty he found his way to a country seat, where, with the hospitality of the time and country, he was readily admitted. The owner of the house, a gentleman of good fortune, was much struck by the reverend appearance of his guest, and apologised to him for a certain degree of confusion which must unavoidably attend his reception, and could not escape his eye. The lady of the house was, he said, confined to her apartment, and on the point of making her husband a father for the first time, though they had been ten years married. At such an emergency, the laird said, he feared his guest might meet with some apparent neglect.

El objetivo de esta colección es facilitar a los lectores más jóvenes (a partir de los diez años de edad) el acceso a los clásicos de aventuras. En este sentido destacan la sencillez del lenguaje empleado, la estructuracion en capitulos cortos, una presentacion de los personajes, un resumen argumental en forma de comic al principio del libro y al final de cada capitulo. Historias de Siempre son cuidadas adaptaciones de la obra original, respetando, eso si, el estilo de cada autor.

Recientemente, con Las cruzadas vistas por los árabes, Amín Maalouf ha intentado escribir «la auténtica novela de las cruzadas», es decir, vistas desde el otro lado. El taslimán es la novela de la te

Translator: Auguste Baptiste Defauconpret

In "Waverley; Or, Tis Sixty Years Since," Walter Scott masterfully weaves a tapestry of historical fiction that transports readers to the tumultuous era of the Jacobite risings in 1745 Scotland. The narrative follows Edward Waverley, an Englishman drawn into the romantic and perilous world of Scottish clans and their quest for independence. ScottAos prose is characterized by its vivid imagery and deep psychological insight, providing a rich context of social and political upheaval. This pioneering work not only laid the groundwork for the modern historical novel but also engaged with themes of loyalty, identity, and the clash of cultures, reflecting the complexities of Scottish and British history during that period. Walter Scott, often hailed as the father of historical fiction, was deeply influenced by his Scottish heritage and the folklore of the Highlands, which often found resonance in his works. His background as a lawyer and historian imbued him with a profound understanding of the socio-political landscape, allowing him to create authentic and compelling characters who grapple with the intricacies of loyalty and rebellion. "Waverley" was a groundbreaking text in 1814, signifying an evolving literary landscape where history and narrative fiction intermingled. This seminal novel is highly recommended for readers interested in the interplay of history, culture, and personal journey. ScottAos intricate character development and captivating storytelling invite readers to reflect on the past, making it not only a hallmark of literary achievement but also an engaging exploration of identity and belonging. Delve into ScottAos world and discover the enduring relevance of his insights into the human experience.