Walter Scott, página 6 de 22

Kenilworth is apparently set in 1575, and centers on the secret marriage of Robert Dudley, 1st Earl of Leicester, and Amy Robsart, daughter of Sir Hugh Robsart. The tragic series of events begins when Amy flees her father and her betrothed, Tressilian, to marry the Earl. Amy passionately loves her husband, and the Earl loves her in return, but he is driven by ambition. He is courting the favour of Queen Elizabeth I, and only by keeping his marriage to Amy secret can he hope to rise to the height of power that he desires. At the end of the book, the queen finally discovers the truth, to the shame of the Earl. But the disclosure has come too late, for Amy has been murdered by the Earls even more ambitious steward, Varney.

Sir Geoffrey Peveril and Major Bridgenorth had been boys together, and although they adopted different views in religion and politics, the Roundhead major had saved the Royalists life after the battle of Bolton-le-Moors, and Lady Peveril had brought up majors girl, Alice, with her own son. Kids grew up together, fond of each other, but they get separated in turmoil times. When Sir Geoffreys son, Julian, became the companion of the young earl, he renewed his intimacy with Alice, but Major Bridgenorth doesnt give consent to their love, and both Julian and his father are accused of involvement with the Popish Plot, a conspiracy to assassinate the king.

Having, in the tale of the Heart of Mid-Lothian, succeeded in some degree in awakening an interest in behalf of one devoid of those accomplishments which belong to a heroine almost by right, I was next tempted to choose a hero upon the same unpromising plan; and as worth of character, goodness of heart, and rectitude of principle, were necessary to one who laid no claim to high birth, romantic sensibility, or any of the usual accomplishments of those who strut through the pages of this sort of composition, I made free with the name of a person who has left the most magnificent proofs of his benevolence and charity that the capital of Scotland has to display...

The title of this work has not been chosen without the grave and solid deliberation, which matters of importance demand from the prudent. Even its first, or general denomination, was the result of no common research or selection, although, according to the example of my predecessors, I had only to seize upon the most sounding and euphonic surname that English history or topography affords, and elect it at once as the title of my work, and the name of my hero. But, alas! what could my readers have expected from the chivalrous epithets of Howard, Mordaunt, Mortimer, or Stanley, or from the softer and more sentimental sounds of Belmour, Belville, Belfield, and Belgrave, but pages of inanity, similar to those which have been so christened for half a century past? I must modestly admit I am too diffident of my own merit to place it in unnecessary opposition to preconceived associations; I have, therefore, like a maiden knight with his white shield, assumed for my hero, WAVERLEY, an uncontaminated name, bearing with its sound little of good or evil, excepting what the reader shall hereafter be pleased to affix to it. But my second or supplemental title was a matter of much more difficult election, since that, short as it is, may be held as pledging the author to some special mode of laying his scene, drawing his characters, and managing his adventures...

The Talisman takes place at the end of the Third Crusade, mostly in the camp of the Crusaders in Palestine. Scheming and partisan politics, as well as the illness of King Richard the Lionheart, are placing the Crusade in danger. The main characters are the Scottish knight Kenneth, a fictional version of David of Scotland, Earl of Huntingdon, who returned from the third Crusade in 1190; Richard the Lionheart; Saladin; and Edith Plantagenet, a relative of Richard.

Guy Mannering or The Astrologer is a novel by Sir Walter Scott, published anonymously in 1815. According to an introduction that Scott wrote in 1829, he had originally intended to write a story of the supernatural, but changed his mind soon after starting. The book was a huge success, the first edition selling out on the first day of publication: The Novel or Romance of Waverley made its way to the public slowly, of course, at first, but afterwards with such accumulating popularity as to encourage the Author to a second attempt. He looked about for a name and a subject; and the manner in which the novels were composed cannot be better illustrated than by reciting the simple narrative on which Guy Mannering was originally founded; but to which, in the progress of the work, the production ceased to bear any, even the most distant resemblance. The tale was originally told me by an old servant of my fathers, an excellent old Highlander, without a fault, unless a preference to mountain dew over less potent liquors be accounted one. He believed as firmly in the story as in any part of his creed.A grave and elderly person, according to old John MacKinlays account, while travelling in the wilder parts of Galloway, was benighted. With difficulty he found his way to a country seat, where, with the hospitality of the time and country, he was readily admitted. The owner of the house, a gentleman of good fortune, was much struck by the reverend appearance of his guest, and apologised to him for a certain degree of confusion which must unavoidably attend his reception, and could not escape his eye. The lady of the house was, he said, confined to her apartment, and on the point of making her husband a father for the first time, though they had been ten years married. At such an emergency, the laird said, he feared his guest might meet with some apparent neglect.

El objetivo de esta colección es facilitar a los lectores más jóvenes (a partir de los diez años de edad) el acceso a los clásicos de aventuras. En este sentido destacan la sencillez del lenguaje empleado, la estructuracion en capitulos cortos, una presentacion de los personajes, un resumen argumental en forma de comic al principio del libro y al final de cada capitulo. Historias de Siempre son cuidadas adaptaciones de la obra original, respetando, eso si, el estilo de cada autor.

Recientemente, con Las cruzadas vistas por los árabes, Amín Maalouf ha intentado escribir «la auténtica novela de las cruzadas», es decir, vistas desde el otro lado. El taslimán es la novela de la te

Translator: Auguste Baptiste Defauconpret

In "Waverley; Or, Tis Sixty Years Since," Walter Scott masterfully weaves a tapestry of historical fiction that transports readers to the tumultuous era of the Jacobite risings in 1745 Scotland. The narrative follows Edward Waverley, an Englishman drawn into the romantic and perilous world of Scottish clans and their quest for independence. ScottAos prose is characterized by its vivid imagery and deep psychological insight, providing a rich context of social and political upheaval. This pioneering work not only laid the groundwork for the modern historical novel but also engaged with themes of loyalty, identity, and the clash of cultures, reflecting the complexities of Scottish and British history during that period. Walter Scott, often hailed as the father of historical fiction, was deeply influenced by his Scottish heritage and the folklore of the Highlands, which often found resonance in his works. His background as a lawyer and historian imbued him with a profound understanding of the socio-political landscape, allowing him to create authentic and compelling characters who grapple with the intricacies of loyalty and rebellion. "Waverley" was a groundbreaking text in 1814, signifying an evolving literary landscape where history and narrative fiction intermingled. This seminal novel is highly recommended for readers interested in the interplay of history, culture, and personal journey. ScottAos intricate character development and captivating storytelling invite readers to reflect on the past, making it not only a hallmark of literary achievement but also an engaging exploration of identity and belonging. Delve into ScottAos world and discover the enduring relevance of his insights into the human experience.

In "The Lady of the Lake," Walter Scott masterfully weaves a tapestry of romance, adventure, and folklore, set against the stunning backdrop of the Scottish Highlands. Written in lyrical verse, the poem recounts the tale of Ellen Douglas, the titular lady, her suitors, and the conflict that arises amidst the political strife of Robert Bruces era. Scotts use of vivid imagery, rich descriptions, and intricate characterizations exemplifies his Romantic style while also immersing the reader in the historical and cultural milieu of Scotland, making it a pivotal piece in the genre of narrative poetry. Walter Scott, a formidable figure in Scottish literature, was deeply inspired by the history, myths, and landscapes of his homeland. His works often reflect his passionate nationalism and his desire to revive interest in Scottish heritage. "The Lady of the Lake" not only solidified his reputation as a poet but also as a historian and cultural commentator, showcasing his profound understanding of Scotlands layered past and folklore. This book is essential for those seeking to explore the complexities of Scottish identity and literary tradition. Scotts enchanting narrative and intricate exploration of love, loyalty, and heroism render it a timeless classic that transcends its historical context, making it a captivating read for both poetry lovers and history enthusiasts alike.

In Chronicles of the Canongate, 1st Series, Walter Scott masterfully weaves together a tapestry of narratives set in Edinburghs richly historic Canongate district. Written in the early 19th century, this collection embodies Scotts signature blend of romance, realism, and historical fidelity, demonstrating his innovative use of the frame narrative. The text is infused with vivid characters and local color, reflecting Scotlands cultural landscape as it grapples with social change and personal identity amidst the backdrop of history and folklore. Scotts lyrical prose and keen psychological insight invite readers into the lives of his characters, revealing their complexities and passions. Walter Scott, a pivotal figure in the development of the historical novel, drew upon his legal background and deep appreciation for Scottish culture to create this work. His fascination with history and storytelling, combined with his own experiences living in Edinburgh, informed his portrayal of the intricate relationship between individuals and their sociopolitical contexts. Scott, often considered the father of the historical novel, brings to life the narrative potential of Scotlands past. Chronicles of the Canongate, 1st Series is an essential read for anyone interested in the interplay of history and fiction. It offers a multifaceted exploration of character and culture that resonates with readers today, encouraging a deeper understanding of the narratives that shape our identities. Delve into Scotts world, where history comes alive through compelling storytelling.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

What degree of communication might have existed between the human race and the inhabitants of the other world had our first parents kept the commands of the Creator, can only be subject of unavailing speculation. We do not, perhaps, presume too much when we suppose, with Milton, that one necessary consequence of eating the "fruit of that forbidden tree" was removing to a wider distance from celestial essences the beings who, although originally but a little lower than the angels, had, by their own crime, forfeited the gift of immortality, and degraded themselves into an inferior rank of creation.Some communication between the spiritual world, by the union of those termed in Scripture "sons of God" and the daughters of Adam, still continued after the Fall, though their inter-alliance was not approved of by the Ruler of mankind. We are given to understanddarkly, indeed, but with as much certainty as we can be entitled to requirethat the mixture between the two species of created beings was sinful on the part of both, and displeasing to the Almighty. It is probable, also, that the extreme longevity of the antediluvian mortals prevented their feeling sufficiently that they had brought themselves under the banner of Azrael, the angel of death, and removed to too great a distance the period between their crime and its punishment.

Set in England, Sir Walter Scotts Ivanhoe takes the readers back to the Medieval Ages, about one hundred years after the Norman conquest and the historical battle of Hastings (1066). It tells the story of the tensions and struggles between Norman rulers and a few remaining Saxon noble families. Wilfred of Ivanhoe is a young Saxon noble, he is disinherited by his father for supporting the Norman king, the famous Richard the Lion-Hearted. Ivanhoe decides to join the king in the crusades against the Muslim Saracens and is said to play a heroic role in the battles. On their return to their homeland after their failure to vanquish the Muslims, King Richard is captured and imprisoned by the Austrian ruler. His brother, Prince John, takes the throne and allows the Normans to abuse their power and usurp Saxon lands. Later, Ivanhoe comes back home disguised and engages in a struggle to win his beloved, Rowena, while Prince John strives to prevent his newly-freed brother from returning to his kingdom and throne. After numerous schemes, duels between lovers and bloody incidents, King Richard and Ivanhoe end triumphant and the latter finally marries Rowena.

In that pleasant district of merry England which is watered by the river Don, there extended in ancient times a large forest, covering the greater part of the beautiful hills and valleys which lie between Sheffield and the pleasant town of Doncaster. The remains of this extensive wood are still to be seen at the noble seats of Wentworth, of Warncliffe Park, and around Rotherham. Here haunted of yore the fabulous Dragon of Wantley; here were fought many of the most desperate battles during the Civil Wars of the Roses; and here also flourished in ancient times those bands of gallant outlaws, whose deeds have been rendered so popular in English song.