Walter Scott, página 6 de 22

In Walter Scotts The Fortunes of Nigel (Unabridged), readers are transported to 17th century London, where the protagonist Nigel Olifaunt navigates the complex social and political landscape of the time. The novel is a captivating blend of historical fiction and romance, filled with intricate plot twists and vivid characterizations. Scotts descriptive prose and attention to detail immerse readers in the bustling streets and grand halls of the era. As a pioneer of the historical novel genre, Scotts work in The Fortunes of Nigel showcases his mastery of storytelling and his ability to seamlessly weave together fact and fiction. The novel provides a fascinating look into the cultural and political dynamics of Stuart England, making it a must-read for history buffs and literature enthusiasts alike. Through the eyes of Nigel Olifaunt, readers are given a glimpse into a world of ambition, love, and betrayal, ultimately leading to a climax that will leave them breathless and wanting more.

"Ivanhoe" narra la enconada lucha de un hombre para restablecer su buen nombre y de paso el de la corona. La acción transcurre en una época convulsa, en tiempos de cruzadas, de encarnizadas luchas entre dos pueblos antaño hermanados, el sajon y el normando, y el principe Juan sin Tierra planea coronarse rey, aprovechando que Ricardo Corazon de Leon se halla luchando en las Cruzadas. Ricardo necesitara la ayuda de un caballero valeroso y ducho en el campo de batalla, y ese sera Wilfred de Ivanhoe. Desheredado por su padre, desposeido de sus tierras y deshonrado, Ivanhoe tendra ocasion de reparar las muchas injusticias de que ha sido victima. Pero para debera luchar a muerte en combate singular, escalar los muros de un castillo, caer herido, ser apresado, liberado por el vil Robin Hood..., y todo ello al tiempo que tiene que lidiar con dos mujeres que se disputan su amor, la judia Rebecca de York y la aristocrata lady Rowena. Todo un clasico de la literatura que ahora se ofrece con las ilustraciones fantasticas de Jordi Vila.

The Heart of Mid-Lothian by Walter Scott is the seventh of Sir Walter Scotts Waverley Novels. It was originally published in four volumes on 25 July 1818, under the title of Tales of My Landlord, 2nd series, and the author was given as "Jedediah Cleishbotham, Schoolmaster and Parish-clerk of Gandercleugh".The main action, which takes place between September 1736 and May 1737, is set in motion by the Porteous Riots in Edinburgh and involves an epic journey from Edinburgh to London by a working-class girl to obtain a royal commutation of the death penalty incurred by her sister for the alleged murder of her new-born baby. Despite some negative contemporary reviews, some now consider it Scotts best novel.The title of the book refers to the Old Tolbooth prison in Edinburgh, Scotland, at the time in the heart of the Scottish county of Midlothian. The historical backdrop was the event known as the Porteous riots. In 1736, a riot broke out in Edinburgh over the execution of two smugglers.The Captain of the City Guards, Captain John Porteous, ordered the soldiers to fire into the crowd, killing several people. Porteous was later killed by a lynch mob who stormed the Old Tolbooth.

In Waverley, Walter Scott expertly weaves a richly textured narrative that plunges readers into the heart of the Jacobite risings, blending historical fact with fiction. Written in an innovative style that marries romance and realism, Scott utilizes a first-person narrative that grants a profound psychological depth to his characters. The novel, a pioneering work of historical fiction, intricately details the protagonist Edward Waverleys moral dilemmas, illuminating the complexities of loyalty and identity during a tumultuous period in Scottish history. Walter Scott, a Scottish historical novelist and poet, drew inspiration from his own experiences growing up amidst the remnants of Scotlands feudal past. His profound interest in Scottish folklore and history not only informed his storytelling but also underscored his enviable ability to depict the transformative power of cultural heritage. Waverley stands as a cornerstone of Scotts oeuvre, heralding a new genre and showcasing his nuanced understanding of national identity within a personal framework. I highly recommend Waverley to readers who seek a deeper understanding of Scottish history through engaging storytelling. Scotts narrative not only captivates the imagination but also serves as an exploration of the human condition amid societal change, making it essential reading for both history enthusiasts and literary aficionados alike.

Ivanhoe e? un famoso romanzo storico dello scrittore scozzese Sir Walter Scott, scritto intorno ai 48 anni (1819) e frutto della sua profonda attenzione e dellattaccamento alle origini storiche e mitologiche della sua terra natale. Questa inclinazione, coniugata ad una spiccata curiosita?, porto? lautore a compiere, oltre a studi di approfondimento, numerosiviaggi per conoscere le aree piu? remote delle Highlands, del Lake District, dellInghilterra centrale che divennero poi le ambientazioni ideali dei suoi romanzi.

Walter Scotts "Tales of My Landlord" presents a rich tapestry of Scottish life woven through a series of interlinked stories, exploring themes of loyalty, cultural identity, and the complexities of human nature. Divided into a framework of storytelling, Scott employs a distinctive narrative technique that combines realism with romanticism, capturing the dialects and social mores of 18th-century Scotland. This collection not only showcases Scotts deep understanding of his homelands history but also reflects the broader literary movements of the time, establishing him as a forefather of historical fiction. Scott, regarded as the father of the historical novel, drew inspiration from his own Scottish heritage and personal experiences, which imbue his works with authenticity and emotional depth. He was deeply interested in the folklore, legends, and tumultuous history of Scotland, elements that richly flavor "Tales of My Landlord". His role as a journalist, poet, and historian contributed significantly to his capacity to distill the essence of Scottish culture and society into his narratives. "Tales of My Landlord" is a must-read for those interested in Scotlands literary canon and historical landscapes. Scott masterfully invites readers to engage with the past, prompting reflection on timeless issues of morality and community that resonate just as powerfully today. This collection proves both enlightening and entertaining, making it an essential text for scholars and casual readers alike.

Rob Roy by Walter Scott Rob Roy (1817) is a historical novel by Walter Scott, one of the Waverley novels. It is probably set in 1715, the year of the first Jacobite uprising, and the social and economic background to that event are an important element in the novel, though it is not treated directly.The depiction of Rob Roy bears little relation to the historical figure: there are two Rob Roys. One lived and breathed. The other is a good story, a lively tale set in the past. Both may be accepted as "valid", but they serve different needs and interests.Frank Osbaldistone narrates the story. He is the son of an English merchant who parted from his family home in the north of England near the border with Scotland when he was a young man, being of different religion and temperament than his own father or his younger brother. Frank is sent by his father to live at the long unseen family home with his uncle and his male cousins, when he refuses to join his fathers successful business.In exchange, his father accepts Franks cousin Rashleigh to work in his business. Rashleigh is an intelligent young man, but he is unscrupulous, and he causes problems for the business of Osbaldistone and Tresham. To resolve the problems, Frank travels into Scotland and meets the larger-than-life title character, Rob Roy MacGregor.

King George is on the throne, but there are those in Scotland w ho swear loyalty to the Stuart heir, Bonnie Prince Charlie, and are prepared to stake his claim in conflict and bloodshed. Young Edward W averley is caught in the middle: son of a Hanoverian yet nephew and heir to a Jacobite, a captain in the King's army yet drawn to the brave Highlanders and their romantic history. Edward must choose where his loyalties lie, even as his heart is torn between gentle Rose Brawardine, and the passionate, principled Flora Mac-Ivor.

In "The Tapestried Chamber, and Death of the Lairds Jock," Walter Scott intricately weaves together elements of Gothic fiction and Scottish folklore, exploring themes of memory, loss, and the supernatural. The narrative is enriched by Scotts vivid descriptive style, which immerses readers in the atmospheric settings of the Scottish countryside. The juxtaposition of the ordinary and the eerie captivates, as the story unfolds in an antiquated chamber, stirring the haunting ghosts of the past while drawing on the rich tapestry of regional history and legend. Walter Scott, a pivotal figure in the Scottish literary landscape, was inspired by his fascination with Scotlands rugged landscape and complex history. His background as a lawyer and historian, along with his deep-rooted connections to the Scottish Highlands, informed his storytelling approach, melding personal insight with cultural heritage. Scotts passion for preserving Scottish traditions can be seen in this work, reflecting a longing for a bygone era that resonates deeply in the context of early 19th-century Scotland. For readers seeking a compelling blend of history and myth, Scotts "The Tapestried Chamber, and Death of the Lairds Jock" is an essential read. It not only showcases his skillful narrative craft but also invites contemplation on the spectral presence of history in our lives. This timeless tale will appeal to fans of Gothic literature and those intrigued by Scotlands mystique.

It would be difficult to assign any good reason why the author of Ivanhoe, after using, in that work, all the art he possessed to remove the personages, action, and manners of the tale, to a distance from his own country, should choose for the scene of his next attempt the celebrated ruins of Melrose, in the immediate neighbourhood of his own residence. But the reason, or caprice, which dictated his change of system, has entirely escaped his recollection, nor is it worth while to attempt recalling what must be a matter of very little consequence.The general plan of the story was, to conjoin two characters in that bustling and contentious age, who, thrown into situations which gave them different views on the subject of the Reformation, should, with the same sincerity and purity of intention, dedicate themselves, the one to the support of the sinking fabric of the Catholic Church, the other to the establishment of the Reformed doctrines. It was supposed that some interesting subjects for narrative might be derived from opposing two such enthusiasts to each other in the path of life, and contrasting the real worth of both with their passions and prejudices. The localities of Melrose suited well the scenery of the proposed story; the ruins themselves form a splendid theatre for any tragic incident which might be brought forward; joined to the vicinity of the fine river, with all its tributary streams, flowing through a country which has been the scene of so much fierce fighting, and is rich with so many recollections of former times, and lying almost under the immediate eye of the author, by whom they were to be used in composition.

In all Stairs offspring we no difference know,They do the females as the males bestow;So he of one of his daughters marriages gave the ward,Like a true vassal, to Glenluces Laird;He knew what she did to her master plight,If she her faith to Rutherfurd should slight,Which, like his own, for greed he broke outright.Nick did Baldoons posterior right deride,And, as first substitute, did seize the bride;Whateer he to his mistress did or said,He threw the bridegroom from the nuptial bed,Into the chimney did so his rival maul,His bruised bones neer were cured but by the fall.

No introduction can be more appropriate to the work than some account of the singular character whose name is given to the title-page, and who, through good report and bad report, has maintained a wonderful degree of importance in popular recollection. This cannot be ascribed to the distinction of his birth, which, though that of a gentleman, had in it nothing of high destination, and gave him little right to command in his clan. Neither, though he lived a busy, restless, and enterprising life, were his feats equal to those of other freebooters, who have been less distinguished. He owed his fame in a great measure to his residing on the very verge of the Highlands, and playing such pranks in the beginning of the 18th century, as are usually ascribed to Robin Hood in the middle ages,and that within forty miles of Glasgow, a great commercial city, the seat of a learned university. Thus a character like his, blending the wild virtues, the subtle policy, and unrestrained license of an American Indian, was flourishing in Scotland during the Augustan age of Queen Anne and George I. Addison, it is probable, or Pope, would have been considerably surprised if they had known that there existed in the same island with them a personage of Rob Roys peculiar habits and profession.

Dos talentos excepcionales se dan cita en esta obra, el del escritor escoces Walter Scott y el del emperador Napoleon Bonaparte, personalidad singular y protagonista fundamental de la Historia con ma

Si es vol escoltar la meva veu i si ningú més en aquesta sala s'alça en nom del cavaller Ivanhoe, afirmo que ell acceptarà qualsevol desafiament honorable. Si la meva pobra garantia afegeix seguretat a la inestimable penyora d'aquest sant peregrí, empeny

El mejor arquero, defensor de los pobres y oprimidos, luchaba contra el sheriff de Nottingham y el príncipe Juan sin Tierra, que utilizaban la fuerza pública para acaparar ilegítimamente las riquezas de los nobles que se les oponian. En la Inglaterra medieval , todo individuo que se oponia a los edictos reales era considerado un forajido.