Wilhelm Hauff

In "The Severed Hand," Wilhelm Hauff weaves a gripping tale that deftly combines elements of the Gothic and the fairy tale tradition, showcasing his unique narrative style characterized by rich, vivid imagery and psychological depth. Set against the backdrop of early 19th-century Germany, this novella explores themes of fate, morality, and the supernatural, as it recounts the harrowing story of a hapless protagonist who encounters a heinous crimeone that involves a severed hand and the potency of curses. Hauffs incorporation of folkloric motifs, alongside a meticulously crafted suspenseful plot, encourages readers to consider the ambiguity of good and evil in human nature, revealing the complex interplay between light and darkness. Wilhelm Hauff, a product of his time, was deeply influenced by Romanticism and the burgeoning interest in folklore and the uncanny. His experiences as a poet and writer of the early 19th century, a period marked by emerging national identity and a fascination with myth, informed his storytelling approach in "The Severed Hand." The novella serves as an embodiment of Hauffs intent to meld entertaining storytelling with deeper moral reflections, inspired by his own tumultuous life and the cultural dynamics surrounding him. This captivating tale is recommended for readers with an appreciation for dark, psychological narratives that echo the complexities of human experiences. Hauffs masterful writing invites you to immerse yourself in a spellbinding world where moral dilemmas take center stage, making "The Severed Hand" an essential read for fans of Gothic literature and fairy tales alike.

When Mr. Carlyle endeavoured to introduce Jean Paul Richter to the English public, it seems to us that he was more than usually unsuccessful. The literary publics of the England and the Germany of those days were very different, and perhaps the errors of taste, which each professed to find in the other, were not in truth wholly upon the side of John Bull. We feel, (with much deprecation of our own impudence in challenging such a comparison,) in a somewhat similar position, and dread in our more diffident moments a far colder reception and far greater depth of oblivion for our present attempt to render into English a good German story about STRONG DRINK. German humour is often more rollicking than that of our own countrymen; it is also occasionally more subtle. But it has always been a matter of some wonder to us that Hauffs acknowledged masterpiece should be unknown to English readers, and we have therefore made the following attempt; praying the courteous reader only that he will not throw the story down in disgust till he gets to the best part: of the location of which we allow him to be the best judge...

Illustrator: Frank M. Gregory

Translator: Eugen W?ster Language: Esperanto

In Wilhelm Hauffs gripping tale, "The Severed Hand," the narrative weaves together elements of supernatural horror and moral allegory. Set in early 19th-century Germany, the story explores dark themes of guilt, revenge, and the inescapability of fate. Through Hauffs vivid, poetic language, the reader is drawn into the protagonists harrowing journey, marked by a distinctive blend of folk tradition and Romantic sensibility, which reflects the tensions of a society grappling with the encroachments of modernity and the enduring power of myth. The intricate plot culminates in a chilling revelation that invites contemplation on the consequences of human folly and the supernatural forces that govern our lives. Wilhelm Hauff (1802-1827) was a prolific German author whose work often intertwined folklore with contemporary issues, showcasing influences from the Romantic movement. His own experiences and travels across various cultural landscapes likely informed the vivid folklore and moral complexities that characterize his writing. Hauffs keen insight into human nature and fascination with the uncanny not only enrich his narratives but also reveal his deep engagement with the transformative power of storytelling. Readers seeking to delve into a richly layered narrative that challenges perceptions of morality and fate will find "The Severed Hand" both captivating and thought-provoking. HauffAos masterful storytelling invites readers to navigate the depths of human emotion and the haunting specters of consequence.

QUESTO LIBRO E A LAYOUT FISSOPubblicato in forma anonima nel 1826 da un giovane studente di teologia Memorie di Satana divenne in brevissimo tempo un classico della letteratura ottocentesca. Vi si narrano le memorie di un diavolo bonario e non molto demoniaco che si diverte ad assumere di volta in volta sembianze differenti prendendosi gioco delle umane vanita e mettendone a nudo difetti e passioni.Wilhelm Hauff, che mori lanno successivo ad appena 25 anni, entra a buon diritto tra gli autori geniali e maledetti che nellarco di una breve vita hanno consegnato alla storia della letteratura il loro capolavoro.Mai tradotto prima in Italia, vittima di una sorta dassurdo ostracismo editoriale, Memorie di Satana esce finalmente dagli inferi delleditoria italiana per essere consegnato alla fruizione dei lettori contemporanei e fa di Wilhelm Hauff uno dei piu attenti, divertiti e sfortunati osservatori delle stoltezze umane.Wilhelm Hauff nato a Stoccarda nel 1802 e morto nel 1827.

Illustrator: J. W. Orr / Translator: G. P. Quackenbos

Translator: J. W. Eggleton Language: Esperanto

En este libro figuran los tres Almanaques de cuentos «para hijos e hijas de clases cultas». Se abre con «El Califa Cigüeña», un cuento que de seguro nadie ignora. Se cierra con «El corazón frío», ine

Editor: James Morier

Diese Sammlung wurde mit einem funktionalen Layout erstellt und sorgfaltig formatiert.Wilhelm Hauff (1802-1827) war ein deutscher Schriftsteller der Romantik. Er gehorte zum Kreise der Schwabischen Dichterschule.Inhalt:Der Mann im Mond oder Der Zug des Herzens ist des Schicksals Stimme Mitteilungen aus den Memoiren des SatanLichtenstein Der junge Englander oder Der Affe als Mensch Kontrovers-Predigt uber H. Clauren und Den Mann im MondeErzahlungen: Die Bettlerin vom Pont des Arts Othello Jud Su Die Sangerin Die letzten Ritter von Marienburg Das Bild des KaisersPhantasien und Skizzen Phantasien im Bremer Ratskeller Die Bucher und die Lesewelt Freie Stunden am Fenster Der asthetische Klub Ein paar Reisestunden Das Fischerstechen Parodie von Wallensteins Lage. Unbetitelte Szenen eines Singspiels aus der mittelalterlichen GeschichteMarchenalmanach auf das Jahr 1826 Marchen als Almanach Die Karawane Kalif Storch Die Geschichte von dem Gespensterschiff Die Geschichte von der abgehauenen Hand Die Errettung Fatmes Die Geschichte von dem kleinen Muck Das Marchen vom falschen PrinzenMarchenalmanach auf das Jahr 1827 Der Scheik von Alessandria und seine Sklaven Der Zwerg Nase Abner, der Jude, der nichts gesehen hat Der Affe als Mensch Die Geschichte AlmansorsMarchenalmanach auf das Jahr 1828 Das Wirtshaus im Spessart Der Reuenstein Die Sage vom Hirschgulden Das kalte Herz Saids Schicksale Die Hohle von Steenfoll (Eine schottlandische Sage)Gedichte:AbschiedsliedAmor der RauberAn die Freiheit 1823An EmilieBin einmal ein Narr gewesen...Bundeslied BurschenschaftsliedDas BurschentumDer KrankeDer Schwester TraumDie kleinen GeigerleinDie Mainzer KommissionDie SeniadeEntschuldigungFeuerreuterliedFreiheit-Hoffnung