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The provenance of artworks is a burning issue in current scholarship and politics. Transpose provenance into architecture and it reveals new and surprising dimensions in the social, material and cultural lives of buildings and architectural artefacts, reframing questions of migration, movement and circulation. Provenance in architecture illuminates the intricate trajectories of fundamentally composite objects from their complex origins to their uncertain destinations. This dictionary examines architectural provenance across 101 key concepts from "Acquisition" to "Will". The entries provide new ways of writing architectural history, highlighting how architecture moves, is destroyed, survives and is transformed.Uwe Fleckner is a professor in art history at the University of Hamburg and conducts provenance research as a director of the Research Centre of "Degenerate Art."Mari Lending is a professor in architectural history and theory at the Oslo School of Architecture and Design and directs the international research project "Provenance Projected: Architecture Past and Future in the Era of Circularity."

The provenance of artworks is a burning issue in current scholarship and politics. Transpose provenance into architecture and it reveals new and surprising dimensions in the social, material and cultural lives of buildings and architectural artefacts, reframing questions of migration, movement and circulation. Provenance in architecture illuminates the intricate trajectories of fundamentally composite objects from their complex origins to their uncertain destinations. This dictionary examines architectural provenance across 101 key concepts from "Acquisition" to "Will". The entries provide new ways of writing architectural history, highlighting how architecture moves, is destroyed, survives and is transformed.Uwe Fleckner is a professor in art history at the University of Hamburg and conducts provenance research as a director of the Research Centre of "Degenerate Art."Mari Lending is a professor in architectural history and theory at the Oslo School of Architecture and Design and directs the international research project "Provenance Projected: Architecture Past and Future in the Era of Circularity."

From childhood, Christopher Miles was fascinated by celluloid. This love of the moving image announced itself early: he was just 17 when the BBC screened his first film in 1957. To be a filmmaker, Miles had to sidestep parental plans to enrol him in the family steelworks. He had already been filming in communist China and Argentina when he escaped to Paris where he made his first professional film. Later, working mostly in Europe and America, Miles made a string of intriguing and unusual films, two exploring his obsession with D.H. Lawrence, others bringing works by Jean Anouilh and Jean Genet to the big screen. He writes revealingly of his relationship with his father, of whether he is related to the royal family, and of the host of key figures in the film industry he worked with. Among the stars of his films are Ian McKellen, Ava Gardner, John Gielgud, Susannah York, Franco Nero and Charlotte Rampling. This compelling account goes behind the scenes, setting the films in context and giving the reader a very personal view of contemporary film-making.

Solimar Otero ; edición de Gloria J. Morales Osorio ; traducción de Manuel Cuesta ; prólogo de Mayra Santos-Febres ; epílogo de Pedro Pérez Sarduy.Solimar Otero explora cómo espíritus afrolatines guían los trabajos academicos, activistas y espirituales a traves de la colaboracion, los rituales y la creacion y uso de cultura material. La autora demuestra que las divinidades y los ancestros son agentes activos en la conformacion de las experiencias del genero, la sexualidad y la raza en el Caribe. Tras mas de diez años de investigacion archivistica y de trabajo de campo en Cuba y Estados Unidos, Archivos conjurados resalta la importancia de la narracion de practicantes espirituales afrolatines femeninos y LGBTQ+. Otero articula estos ensambles rituales con la literatura, la musica y el performance caribeños y nos invita a escuchar detenidamente estas formas de ser y devenir.Traduccion y actualizacion de la version inglesa publicada en 2020, con un prologo de Mayra Santos-Febres y epilogo de Pedro Perez Sarduy.

The use of artificial intelligence has focused mainly on knowledge-driven industries so far. However, the true game-changer was the application in the core operational fields of business and engineering. Here, AI unlocks immense efficiency and synergy potential - up to and including the transformation of entire business and industry models. This volume highlights todays practical applications and future perspectives of AI in industrial technologies. It explores generative and emotional AI, the impact on jobs and skills, and uses in healthcare, diagnostics, and mobility - illustrated by human-machine interfaces, recognition techniques, and large language models. Providing both strategic and operational guidance, it equips professionals and executives not just to observe but to actively shape this epochal transformation.

The story of the Good Samaritan has fascinated generations of authors, artists, and especially those dedicated to care work. This biblical text, in which God is not mentioned, is considered by some not to be just a parable. Rather, it is an engaging story about distress and aid, a provocative tale of marginalization and courage.This book presents the story for all those who are moved by human suffering. In five chapters, Opatrn analyzes the story of the Good Samaritan. He examines interpretations ranging from economic to charitable, pastoral, and diaconal readings of the Bible and highlights the public message of the story|one that is not exclusively Christian or ecclesiastical.

Discover the story of salvation in Christ through Levitical ritualsAtonement lies at the heart of the Christian faith. In Christs work of atonement, we are reconciled to God, enabled to draw near to him, and can see his glory. Through studying the Levitical burnt offering, Roy McDaniel takes readers on a deep exploration of Leviticus 1:1-9 in this thought-provoking volume, part of the Studies in Christian Doctrine and Scripture series from IVP Academic. Using elements of narrative analysis like setting, plot, and hero, McDaniel shows how the Levitical burnt offering is a ritual recapitulation of the narrative of Israels election and deliverance as depicted in Genesis and Exodus, and how in doing so, it proclaims the atoning work of Christ.At the heart of this work lies the "logic" of atonement, present in the Levitical burnt offering, an idea that contributes to the doctrine of atonement by demonstrating how Christs incarnate sacrifice is rooted in his eternal identity as God the Son.In Enacting Atonement, Roy McDaniel: Provides a coherent account of atonement centered on the eternal identity of the Son, Shows how Levitical sacrifice can inform the churchs doctrine of atonement by modeling a careful theological exegesis of Leviticus, and Explores questions about the meaning of sacrifice and its relationship to the being and attributes of God. Whether youre a scholar, student, pastor-theologian, or a layperson seeking deeper understanding, Enacting Atonement invites you to uncover the rich tapestry of Gods redemptive narrative in the Levitical ritual.

– TODAS DISCIPLINAS DA OAB NUM ÚNICO VOLUME– DOUTRINA ALTAMENTE SISTEMATIZADA– JURISPRUDÊNCIA RECENTE– CONTEÚDO COMPLETO E FOCADO NO EDITAL DA OAB– TEMAS ESCOLHIDOS COM BASE NA ESTATÍSTICA DO EXAMENO

Leonore Mau traveled for almost two decades with the writer Hubert Fichte to research Afrodiasporic religions. Her photographs remained largely unpublished. They present us with challenges: What does it mean to look at them todayafter debates about representation and the treatment of artistic ethnographic photographs? As a case study, A Year and A Day focuses on Maus pictures taken in Haiti in the 1970s during the Duvalier dictatorship. The title refers to the cosmology of Vodou, according to which souls live under water for a year and a day before rebirth. Artists and scientists delve deeper into the historical background and shed light on Haiti in the 1970s, the relationship between Germany and Haiti, the photography of rituals, and the ethics of taking picture and looking.Leonore Mau (19162013) began taking photographs in Hamburg in the 1950s. From the 1960s she lived and traveled with the writer Hubert Fichte (19351986).

La Medicina legale e una disciplina che raccoglie conoscenze scientifiche e di diritto e opera a fini forensi e dottrinali spaziando nei campi della deontologia medica, delle leggi penali e civili applicate alla medicina e alla biologia, delle assicurazioni sociali e private. Limpostazione del testo e didattica raccogliendo le principali nozioni tecnico-scientifiche e giuridiche utili ai professionisti e tutta la materia e suddivisa in capitoli di facile consultazione in cui sono raccolti i principali temi aggiornati in base ai piu recenti provvedimenti normativi e alle nuove tecniche scientifiche. Apre la trattazione la deontologia professionale, da sempre e ancor piu oggi, punto di riferimento per il corretto esercizio della professione medica alla luce delle problematiche emerse nei diversi ambiti clinico-assistenziali. Ampio spazio viene riservato ai risvolti penalistici della medicina legale che assommano i delitti contro la vita, contro lincolumita individuale, la maternita e la liberta personale. La responsabilita professionale e affrontata anche dal punto di vista civilistico analizzando la piu recente normativa e levoluzione giurisprudenziale anche in tema di consenso informato alle cure, fondamento del diritto allautodeterminazione della persona nel rispetto dei diritti individuali. I temi classici della Medicina legale - Tanatologia, Sopralluogo giudiziario, Traumatologia e Asfissiologia forense - sono stati approfonditi e arricchiti con nozioni sulle piu moderne tecniche di ausilio allautopsia. Il settore del laboratorio e trattato in capitoli dedicati alla Tossicologia e alla Genetica forense affrontando le tematiche non solo dal punto di vista analitico, ma anche interpretativo con particolare attenzione ai quesiti posti dallAutorita Giudiziaria. Al danno alla persona e alle tematiche in ambito di Sicurezza e Assicurazioni sociali e dedicata unorganica trattazione imprescindibile perche da sempre patrimonio della Medicina legale e fonte di costante interesse e vivace confronto tra Medicina e Diritto.

Este é o 5º e último livro da série A JORNADA DO EU RELATIVO, representando o desfecho da jornada Relativa, mas jamais o fim, dado que nada termina. Esta obra inclui temas como: O propósito da vida, a intuiço desvendada, os sonhos, Humanos versus Animais, o caminho dos psicoativos em geral, (drogas), o Tempo, o Carma, A felicidade incondicional, Cartas oriundas de uma Esfera Maior e dirigidas a Humanidade, a realidade quantica do universo, a eternidade da mente e, claro, o Amor, o maior de todos os desafios do multiverso obviamente deixado para o ultimo livro da serie, mas apenas como introduço a uma outra serie (MANUAL DO HOMEM APAIXONADO) que trata exclusivamente do tema mais complexo de todos: o amor romantico incondicional. Nesse ultimo livro esto incluidos tambem importantes Adendos que foram mencionados em outros livros dessa serie, servindo como complemento a leitura da serie. Aqui voce tera, acima de mais nada, uma quantidade enorme de exemplos praticos abordando a aplicaço da Consciencia no dia a dia da sua jornada Relativa. Seja bem-vindo aos degraus mais elevados da sua Jornada!

Este nuevo volumen de la Colección Letral sigue la estela de los anteriores, dedicados a las literaturas latinoamericanas del siglo XXI, pero ahora nos centramos en el género narrativo, concretamente en las escrituras, lecturas y materialidades que van a la contra, en oposicion a las politicas de la literatura que van a favor, es decir, que buscan el consenso. Ponemos el foco en las narrativas "emancipadas" (Marx), "menores (Deleuze), "marginales" (Rama), "ilegibles" (Barthes), "invisibles" (Ranciere), "anacronicas" (Didi-Huberman) y "desobedientes" (Gago), que enfrentan el gusto hegemonico, la tradicion, el canon y lo normativo.Asi, el objetivo principal de este libro es pensar, desde el latinoamericanismo de ambos lados del Atlantico, el modo en que el valor de lo literario se disputa en la actualidad a partir de esteticas y practicas editoriales que producen resistencia y disenso para articular una serie de politicas de lo comun.

More Than Just The Climb covers Martyn Boulds 60 years in the Cayman Islands as he helped it develop the islands time forgot with a population of 10,000 into a thriving financial centre with a population of 80,000 from 130 different countries. He was the youngest developer of town houses as well as developing the Great House luxury condominium on Seven Mile Beach, introduced innovations from squash to cable TV. Life is of course a journey and not a destination, and Martyn Boulds autobiography includes many lessons from the ups and downs of lifes twists of fate. The authors journeys include visiting 120 countries with his wife Vivian, meeting fascinating people along the way and climbing many figurative and literal mountains, including Kilimanjaro and Aconcagua in his 70s. He describes in detail his journey through lifes successes and challenges, closely coupled with his cultural development journey of the talented Cayman society.

¿Qué es el arte fantástico? ¿Cómo se representa lo imposible en las artes visuales? Este ensayo parte de la investigación rigurosa de las principales tradiciones críticas —la germánica, la francófona

Over the past two decades, Lisa Oppenheim has developed a critically acclaimed practice that is deeply rooted in the field of photography while also constantly exploring its margins. She often focuses on the unexplored potential of the mediums artistic, technological, and sociopolitical histories. Combining material experimentation with archival research, Oppenheim transforms or, in her words, "reprocesses"images and ideas both recent and historical by employing creative mechanisms ranging from a host of photographic processes to other media such as textiles, film and video, and, most recently, sculpture. Published in conjunction with her exhibition Monsieur Steichen at MUDAM Luxembourg, this richly illustrated catalogue surveys Oppenheims works from the past dozen years, and includes new texts by Darsie Alexander, Christophe Gallois, Jacob Proctor, and Bettina Steinbrugge, as well as a conversation between Lisa Oppenheim and artist Liz Deschenes.Lisa Oppenheim (*1975, New York) lives and works in New York City and holds degrees from Brown University, Bard College, and the Rijksakademie van beeldende kunsten. She is represented by Tanya Bonakdar Gallery in New York and Los Angeles and The Approach in London.

Over the past two decades, Lisa Oppenheim has developed a critically acclaimed practice that is deeply rooted in the field of photography while also constantly exploring its margins. She often focuses on the unexplored potential of the mediums artistic, technological, and sociopolitical histories. Combining material experimentation with archival research, Oppenheim transforms or, in her words, "reprocesses"images and ideas both recent and historical by employing creative mechanisms ranging from a host of photographic processes to other media such as textiles, film and video, and, most recently, sculpture. Published in conjunction with her exhibition Monsieur Steichen at MUDAM Luxembourg, this richly illustrated catalogue surveys Oppenheims works from the past dozen years, and includes new texts by Darsie Alexander, Christophe Gallois, Jacob Proctor, and Bettina Steinbrugge, as well as a conversation between Lisa Oppenheim and artist Liz Deschenes.Lisa Oppenheim (*1975, New York) lives and works in New York City and holds degrees from Brown University, Bard College, and the Rijksakademie van beeldende kunsten. She is represented by Tanya Bonakdar Gallery in New York and Los Angeles and The Approach in London.

Provenance research is so much more than a search for origin: It offers new perspectives on objects, collections, their histories, and the multifaceted relationships embedded within them. The Museum der Kulturen Basel is systematically examining its collection for coloniality and highlighting the central importance of collaborating with communities in the Global South. This work also reveals how complex and demanding ethnological provenance research is. This volume "raises groundbreaking questions that will shape ethnological provenance research in the decades to come" (George Meiu).The Museum der Kulturen Basel is one of the five state museums of the Canton of Basel-Stadt and, with a collection of over 340,000 objects from all regions of the world, it is Switzerlands largest ethnological museum. Managing this collection acquiring, preserving, securing, exhibiting, and mediating the collection is the core mission around which the museums activities are centered. In recent years, provenance research and collaboration with so-called "source communities" have played a prominent role.

Provenance research is so much more than a search for origin: It offers new perspectives on objects, collections, their histories, and the multifaceted relationships embedded within them. The Museum der Kulturen Basel is systematically examining its collection for coloniality and highlighting the central importance of collaborating with communities in the Global South. This work also reveals how complex and demanding ethnological provenance research is. This volume "raises groundbreaking questions that will shape ethnological provenance research in the decades to come" (George Meiu).The Museum der Kulturen Basel is one of the five state museums of the Canton of Basel-Stadt and, with a collection of over 340,000 objects from all regions of the world, it is Switzerlands largest ethnological museum. Managing this collection acquiring, preserving, securing, exhibiting, and mediating the collection is the core mission around which the museums activities are centered. In recent years, provenance research and collaboration with so-called "source communities" have played a prominent role.

Este livro tem como objetivo central analisar os Esé de Ifá do Odu Ogbe Mèjí, baseando-se nos poemas extraídos da obra Olodumare - La Llave de la Nueva Tierra , de Babalawo Ifá Gbemi Oluwo Jorge L. C

A experiência diz que aquele que quer ser aprovado deve fazer três coisas: a) entender a teoria; b) ler a letra da lei, e c) treinar. A teoria é vista em cursos e livros à disposição no mercado. O pr