eBooks de Historia de la arquitectura, página 10 de 12

Vitruvius Pollios The Ten Books on Architecture is a cornerstone of architectural literature, written in the 1st century BC. The book covers a wide range of topics, including urban planning, materials, construction techniques, and architectural aesthetics. Pollios writing style is straightforward and practical, providing detailed explanations and illustrations for aspiring architects. The text also delves into the mathematical and philosophical principles that underpin architectural design, making it a comprehensive guide for both students and professionals in the field. In the context of classical literature, The Ten Books on Architecture stands out as a vital source for understanding ancient architectural practices and theories. Vitruvius Pollio, a Roman architect and engineer, drew upon his extensive practical experience to write this influential work. As an insider in the architectural world of ancient Rome, Pollios insights and recommendations are based on firsthand knowledge of building techniques and design principles. His commitment to preserving and passing down architectural knowledge is evident in the meticulous detail and practical advice found in The Ten Books on Architecture. For readers interested in the history of architecture or seeking a deeper understanding of classical design principles, Vitruvius Pollios The Ten Books on Architecture is an essential read. This timeless work continues to inform and inspire architects and scholars alike, bridging the gap between ancient and modern architectural practices.

Nas constituições dos discursos sobre afro-brasileiros: uma análise histórica da ação militante no processo de elaboração da Constituição Federal de 1988 é parte do resultado da pesquisa desenvolvida

Art Deco burst upon the world for a brief but unforgettable existence during the 1920s and 1930s. It embraced new media, such as the cinema and radio, as well as new forms of transport and the associated buildings, and above all brought a sense of luxury, fun and escapism to the world during some of the hardest times. Art Deco Architecture - The Inter War Period examines the sources and origins of the style from before the First World War. It offers an in-depth exploration of the origins, inspirations and political backdrop behind this popular style. Lavishly illustrated with images taken especially for the book, topics covered include: a worldwide examination of the spread and usage of Art Deco; short biographical essays on architects and architectural practices; an in-depth examination of French architects and their output from this period; an introduction to stunning and little-known buildings from around the world and finally, the importance of World Fairs and Expositions in the spread of Art Deco. Will be of great interest to all architecture students and Art Deco enthusiasts and is lavishly illustrated with 299 colour photographs especially taken for the book. Mike Hope is an author, lecturer, curator and designer and tours extensively lecturing on architecture and design.

Camps as a global and ubiquitous mass phenomenon of the present and a flexible isolation tool for/against specific socially, politically, or ethnically defined groups are at the centre of current policies and societal debates. In the present volume, the authors explore camps as (cultural) spaces in a broad sense and deal with their complex dimensions as sites of the Modern. They examine camp spaces and their social configurations, physical/architectural qualities, symbolic functions as well as cultural representations in an intent to define the inscribed ambivalences, inconsistencies and paradoxes of the phenomenon. Positioned within different disciplinary contexts (Contemporary History, Visual Studies, Architectural History, Refugee and Gender Studies), the assembled articles present a wide range of understandings and approaches to space, materiality and the relations between governance and agency. The contributors stress the entanglement of social structures, cultural discourse, institutionalisation, individual perception and appropriation. They show how the issue of camps can serve as cross-sectional matter for researchers in different fields in Cultural Theory and Contemporary History.

Divinópolis de Goiás Terra da Gente é um registro dos aspectos históricos, geográficos, culturais e econômicos, constituintes da cidade interiorana de Divinópolis no nordeste goiano, pela ótica de se

This is primarily a book on architecture, and as such it seeks to bring forward the deeper forces that guide the work of all the sons and all the daughters of Daidalos. Architecture is the protagonist, whereas the prehistoric time of this architecture is as important as any other historical time. This book is firmly based on the realities of a long-silenced world available to us today through the agency of archaeology. In that sense, it addresses archaeologists, architectural historians, and architects alike, in the hope that it will prove useful to those interested in understanding the Minoan world through its architecture as much as those interested in exploring architecture through the Minoan paradigm. This dual goal emanates from my deep belief in the timeless and universal values of architecture. As a teacher of (history of) architecture, the challenge has been to bring history into the studios where future architecture is formulated, to engage history in the discourse on current architectural ethos and practices, and to show that an analytical and critical approach to the past is a potent tool for advancing architectural awareness and educating future architects. I am equally confident that such an approach will return its benefits back to history, for it will provide new tools of thought and methods of interpretation of the relics of the past. Having set the scope of this book, it is only fair to add what is not included in its goals: the reader will not find a descriptive account of Minoan buildings and sites nor a list of the major architectural achievements in chronological order. This is due not only to the enormous amount of relevant information that has been accumulated to date, but also to an altogether different interest in the subject, as described above. Time, however, is crucial: "We have a mental need to grasp that we are rooted in the continuity of time, and in the man-made world it is the task of architecture to facilitate this experience" (Pallasmaa 2005b, 32). Time-related issues, therefore, such as permanence and change or tradition and innovation, will concern us.

The Great Maya center of Tikal, in Guatemala, is famous for its well-preserved architecture. This book presents descriptions of six structures that belong to the Tikal Project category "standing architecture," that is, though partially collapsed, some features of these buildings remain in place and accessible without excavation. These structures were surveyed with little or no excavation as part of the Tikal Project Standing Architecture Survey. This report is the primary record of these structures in Tikals urban landscape, and it provides clear, precise, and usable architectural analyses for Mayanists, archaeologists, art historians, architectural historians, urbanists, and those interested in construction techniques and in the uses of Maya buildings.

Arte e arquitetura nunca estiveram tão próximas como atualmente. Mas seria a mescla positiva? Em seu livro, Hal Foster critica o mau uso da arte na arquitetura e a obsessão em juntar as duas em proje

The quartzite architectural block E16230 has been on display in the Penn Museum for 115 years. E16230 is one of the few large architectural pieces in the world surviving from the much-debated reign of the "heretic" king Akhenaten. This block is one of the most historically significant objects on display in the Egyptian galleries, yet it has never been analyzed or published. This volume addresses that glaring gap and provides for the first time a translation and discussion of the important texts on the object, along with analysis of the architectural evidence it provides. The block is part of the once intensely ornamented faCade of a solar chapel ("sunshade") dedicated to princess Meritaten, the eldest daughter of Akhenaten and Nefertiti. The large (1100 kg) block originates in a chapel that was part of a royal ceremonial palace of Akhenaten named Per-Waenre ("the house of the Unique-one-of-Re"). Later, after demolition of the building, the block was reused in the city of Heliopolis as the base for a sphinx of king Merenptah (Dynasty 19). Subsequently the block underwent a final stage of reuse in Cairo in the Islamic Period where it was found ca. 1898 in the Mousky district of central Cairo. Because the block is such a major architectural element it provides considerable detail in the reconstruction of the essential appearance, decoration, and other aspects of the Meritaten sunshade. The volume addresses the significance of the piece and the Meritaten sunshade in the context of Akhenatens monumental program. Major implications emerge from the analysis of E16230 providing further evidence on the royal women during Akhenatens reign. The book examines two possibilities for the original location of the Per-Waenre in which the Meritaten sunshade stood. It may be part of a large Amarna Period cult precinct at Heliopolis, which may, like the capital city at Tell el-Amarna, have born the wider name Akhet-Aten, "Horizon of the Aten." Alternatively it could derive from Tell el-Amarna itself, possibly belonging to a hitherto unidentified palatial complex at that site. The book is a contribution to the study of one of the most debated eras of ancient Egyptian history focused on this long-ignored treasure of the Penn Museums Egyptian collection.

The third book of the collection "Latin America: Thoughts" brings together texts written by Otavio Leonidio since 2005. Dispersed until now, the texts address three main themes: the thought and action of the great ideologist of Brazilian modern architecture Lucio Costa; the presence of Brazilian modern architecture in the contemporary production (here represented by the works of Angelo Bucci, Christian de Portzamparc, Alvaro Siza and Lele); and, finally, the complex relation between contemporary art and architecture.

A bem fundamentada pesquisa de Paulo Souto Maior mostra como o ferro fundido passou a ser utilizado nas construções, a partir do século XIX, com a Revolução Industrial, e firmou-se como elemento cons

The goal of this book is to trace the development of elite Minoan architectural forms that arose during the late Protopalatial (Middle Minoan II) and early Neopalatial periods (Middle Minoan III). The study of this architectual development concentrates on the older, larger sites of Knossos, Malia, and Phaistos where those very forms seem to have originated. Other Minoan towns and palaces in Crete are referenced when appropriate.

This is the fourth volume in a series of final publications on the joint American-Greek archaeological excavations at Pseira in northeast Crete. The site is a seaport dating from the end of the Final Neolithic until the Late Minoan period. Pseira IV publishes the architecture and associated finds from 39 locations in Areas B, C, D, and F in the Minoan town of Pseira. The Bronze Age settlement is located on Pseira Island, off the coast of Crete in the Gulf of Mirabello.

The architecture in Burma represents a mixture of the countrys history, politics, natural assets, religion, and superstition. Despite some recent advances toward modernization, in architectural terms, centuries of relative seclusion have caused this country to remain something of a historical timeline. Burmas resplendent temples, stately colonial edifices, and myriad of structures that comprise innumerable fishing and country villages provide an architectural window into the countrys diverse and oftentimes tumultuous history. The turbulence of the region, punctuated by dynastic squabbles, is perhaps best chronicled and understood by way of its architecture. The escalation of successional quarrels frequently resulted in new rulers packing up entire palaces and other structures and hauling these by elephant to establish a new seat of government or capital elsewhere. The vestiges of the old cities were for the most part simply left to the vicissitudes of nature.

In 1995 Jeremy B. Rutter presented the pottery of the Fourth Settlement at Lerna in Lerna III: The Pottery of Lerna IV. The present volume is the companion to the Rutter volume, outlining the architectural sequence of the EH III period at the site with descriptions of the major building types and other features, such as hearths, ovens, and bothroi. Careful examination of the individual buildings and their contents constitutes the core of the text. The changing settlement patterns of the site through time are considered, and sources of influences are suggested.

This is the climactic volume on the archaeological and architectural history from ca. 31 B.C. to A.D. 365 of the extramural sanctuary of Demeter and Persephone at Cyrene, Libya. It deals with the impact of Christianity on the cult and the causes of its decline, with particular emphasis on the largest body of evidence recorded anywhere for iconoclastic damage, presumably by Christian populations, to sculpted images of worshippers and twin goddesses. The volume traces the characteristics of major Demeter sanctuaries elsewhere (e.g., Eleusis, Corinth, Pergamon, Acragas, and Selinus) and places Cyrenes sanctuary within the context of this development. The volume also presents the sanctuarys important lapidary and lead inscriptions as analyzed by Joyce Reyonlds. It is the eighth volume in the final reports series for the excavations conducted for the University of Michigan, and subsequently the University of Pennsylvania Museum of Archaeology and Anthropology, between 1969 and 1981.

John James is an Australian architect and medieval historian. Since 1969 he has been searching for the origins of the Gothic style, beginning with a five-year study of Chartres cathedral. At that time there were no coherent techniques for analysing the detailed construction history of existing stone structures. This he created. He expanded his research to include all the early Gothic churches in the Paris region with a three-year survey of over 3500 buildings. His most important discovery has been that all churches of this period were constructed in many short campaigns by mobile building teams, and that major innovation was more likely to occur in the smaller buildings than in the larger. This volume makes available 42 of the authors studies on the development of Gothic architecture in France.

A partir da década de 1930, diversas correntes estavam em franca disputa na formação da arquitetura brasileira. Os modernos - dentre os quais Lucio Costa e Oscar Niemeyer - sobressaíram-se a neocolon

It was long felt that an English edition on the architecture of Akrotiri, dealing not only with the building technology, but also with issues of typology, form, and function, would be welcomed. The present book is, thus, an attempt to provide the reader with an overall picture of the architecture of Akrotiri, including an outline of its town plan, a description of the individual houses, and a discussion of its relationship with Crete and its neighbors in the Eastern Mediterranean. The book is based on the authors personal observations and experience obtained over a fifteen year period (1977-1992) of work at the site as the architect of the Akrotiri excavation. This book is confined to the last phase of habitation and the uniquely preserved houses that are seen today.

The initial section here covers the monuments of the important Hellenistic kingdom of Commagene, and includes Edessa (Urfa), the capital of a Crusader state, where there are also significant Islamic buildings. The final section, on the Hatay, focuses on the city of Antioch, with Seleucid, Roman and Byzantine remains, and the castles of the Crusader period in its vicinity. The neo-Hittite site of Karatepe and the Georgian and Syrian monasteries in the Hatay region are also dealt with. A comprehensive bibliography and index to all four volumes comes at the end.