eBooks de Artes Escénicas, página 38 de 109

In recent years, puppetry has enjoyed a huge revival on the stages of our theatres, dance venues and opera houses. Large-scale productions such as War Horse and The Lion King have revitalized age-old techniques to attract new audiences and develop the power of storytelling. Puppetry is now seen not only as a specialist art form that exists on its own, but also as a vital tool in the armoury of theatrical storytellers. A Practical Guide to Puppetry offers a comprehensive overview to this versatile art form, exploring established techniques and offering expert instruction on styles from shadow puppetry to group puppetry. Each method is illustrated with practical and accessible exercises, achievable either individually or in a group workshop or rehearsal. With over eighty exercises for improvising, training, designing and directing puppetry, accompanied by 400 illustrations, this new book gives a complete approach to puppeteering with objects, simple puppets and puppets with mechanisms.

Ipocondriaco, insicuro, irrisolto, pieno di difese: Alfonso, editor in una piccola casa editrice, della realta coglie sempre le ombre e la sua relazione con Irene si regge ormai solo su una gelosia morbosa. È convinto che Irene, segretaria di uno studio di psicoterapia, sia lamante dello psicoterapeuta per cui lavora. Nel frattempo, la routine scandita dai tormenti su malattie immaginarie e tradimenti subisce uno scossone quando si ammala davvero Oreste, il suo amico di infanzia.

Publicado pela Rede de Estudos de Artes Cênicas Latinoamericanas (REAL), ao livro reúne diferentes ensaios acadêmicos que refletem sobre América Latina e suas práticas cênicas desde nossa experiência

Filtri damore, sangue catameniale, erbe magiche e mascije. La mascija Lucietta glielaveva fatta davvero, ma lo aveva ammaliato non con stregoneria, filtri magici, fatture e litanie dimascijare. Lucietta gli aveva infuocato i sensi e il cuore per come era fatta. E che male ce a sposare una donna che ti fa bruciare il sangue nelle vene? Non e questo che un uomo vuole da una donna? Una moglie non puo essere solo una compagna di fatica e madre dei tuoi figli. O forse ha ragione Pasquale che con le donne ci si deve solo divertire e poi, quando arriva il momento, trovarne una tutta casa e chiesa e sposarla? Le donne perbene certe cose non le devono fare, per divertirsi ci sono le altre, le, dicevano i suoi amici. Lucietta non e una facile. Lei lo ama come lui ama lei, pensa fumando furioso mentre percorre la via Meridionale con locchio fisso sul campanile a cipolla della Madonna della Neve. Oltrepassata la chiesa sinoltra verso le casette che si affacciano degradanti dallalto della collina verso la Meridionale.

Corpoviral: perspectivas de criação em videodança é um livro dedicado a refletir sobre aspectos da criação em videodança desde a perspectiva das criações do autor e também do diretor carioca Gustavo

In "Henry Irvings Impressions of America," Joseph Hatton offers an intimate exploration of the renowned actor-manager Henry Irvings journey across the United States. Written in a conversational yet evocative style, the book captures the cultural landscape of America in the late 19th century, blending lively anecdotes with sharp observations on theater, society, and the burgeoning American identity. Hattons detailed narrative is interspersed with influential themes of nationalism, artistic exchange, and the transformative power of performance, providing readers with a vivid picture of the theaters role in shaping public perception during this dynamic era. Joseph Hatton, an esteemed writer and theatrical chronicler, had a profound connection to the stage, which undoubtedly influenced his portrayal of Irvings tour. As a contemporary of Irving and an admirer of his work, Hattons deep appreciation for theatrical artistry shines through in his writing. His own experiences in the theatrical world lend authenticity and authority to his reflections on Irvings character, the communities he encountered, and the impact of his performances on American audiences. This book is a must-read for theater enthusiasts, historians, and general readers who wish to grasp the complexities of 19th-century American culture through the lens of one of its iconic theatrical figures. Hattons insights into Irvings experiences illuminate not only the life of a remarkable artist but also the evolving narrative of American cultural identity.

The Complete Plays of Gilbert and Sullivan is a masterful anthology that encapsulates the spirit of Victorian-era theater, showcasing the duos renowned comic operas. The collection embodies themes ranging from satire of social customs to sharp commentary on politics, all wrapped in elaborate wordplay and virtuosic musicality. Each play serves as a timeless critique of British society, highlighted through an array of styles from whimsical light opera to witty parlance and earnest dialogue. This anthology underscores the literary legacy and continued relevance of these works, offering readers a comprehensive look at the humor and ingenuity that remain hallmarks of Gilbert and Sullivans collaborations. Arthur Sullivan and W. S. Gilbert, celebrated for their synergy in transforming operatic conventions, bring together a tapestry of experience and influence within this collection. Sullivans classical composition background harmonizes with Gilberts sharp comedic pen, cementing their place within the Victorian literary canon. Through engaging with various cultural dialogues and turning the operatic form to engage the everyday individuals dilemmas and dreams, the anthology offers a rich exploration of the late 19th-century British milieu. Together, their works reflect the broader artistic movements of their time, making timeless commentary on social structures and human folly. For those seeking an insightful journey into the world of comedic opera, The Complete Plays of Gilbert and Sullivan offers an unparalleled experience. This collection encourages readers to explore an artistic dialogue brimming with humor and critique, making it an indispensable resource for understanding the periods literary fabric while enjoying engaging theatrical writing. The anthologys breadth promises not just entertainment but also a deeper appreciation of the cultural nuances embodied in each opera, allowing readers to savor its multifaceted perspectives and creative richness.

In "Three Hats," Arthur Shirley masterfully weaves a compelling narrative that delves into the complexities of identity and belonging. The novel is structured around the interwoven lives of its characters, each representing a distinct perspective on the themes of cultural heritage and personal transformation. Shirley employs a lyrical prose style, rich with symbolism and vivid imagery, reminiscent of postmodern literature, while still grounding the narrative in realistic dialogue and relatable scenarios. The book is set against a backdrop of contemporary societal challenges, reflecting tensions in multicultural societies, making it both timely and relevant. Arthur Shirley, a writer of diverse background and experience, draws on his own life experiences as a member of a multicultural community. His academic background in sociology and personal encounters with the challenges of cultural assimilation greatly inform the themes of "Three Hats." Shirleys previous works have often explored the fragility of identity in modern society, and this novel marks a significant evolution in his exploration of these themes, showcasing his growth as a storyteller and thinker. For readers seeking an insightful exploration of self and society, "Three Hats" offers not only a thought-provoking narrative but also an invitation to reflect on ones own identity. Shirleys deft character development and poignant prose make this book a must-read for anyone interested in the intricate dynamics of human relationships in a diverse world.

Dentre os nomes dos grandes renovadores do fazer teatral do início do século XX, que impulsionaram a arte da encenação para a modernidade, Adolphe Appia é presença tão marcante quanto Gordon Craig, S

In "Queens of the French Stage," H. Noel Williams offers a captivating exploration of the titanic women who shaped the landscape of French theater from the 17th to the 19th centuries. With meticulous research and an engaging narrative style, Williams examines the lives and careers of prominent actresses, delving into their artistic contributions and the societal challenges they faced. His analysis is set against the backdrop of significant historical events, such as the French Revolution and the rise of Romanticism, providing a rich context for understanding the evolving role of women in the performing arts. Williams deftly balances biographical details with critical insights, creating a vivid portrait of these extraordinary figures and their impact on a male-dominated industry. H. Noel Williams, a distinguished theater historian, draws from a wealth of archival material and personal correspondences, showcasing his expertise in the socio-cultural fabric of France. His passion for performance and dedication to uncovering the often-overlooked narratives of female artists fuel this comprehensive study. Williamss career has been marked by a deep interest in the intersection of gender and performance, which forms the foundation of this illuminating book. "Queens of the French Stage" is a must-read for theater enthusiasts, scholars, and anyone interested in the intersection of gender and performance history. Williamss scholarly yet accessible approach invites readers to appreciate the resilience and talent of these trailblazing actresses, while also prompting deeper conversations about the representation and legacy of women in the arts. With its engaging prose and thorough research, the book stands as a testament to the vibrant and often unrecognized contributions of female performers in shaping French cultural history.

In "Life on the Stage: My Personal Experiences and Recollections," Clara Morris offers a vivid and captivating chronicle of her life as an actress in the late 19th century. Through a series of rich narratives and poignant reflections, Morris captures the essence of theater, revealing both the glamour and the hardships experienced behind the curtain. Written in a conversational tone marked by a deep emotional sincerity, her prose resounds with the challenges of performing in a rapidly evolving art form. Morris situates her experiences within the broader context of American theater, illuminating the societal transformations that influenced her craft and the industry as a whole. Clara Morris, noted for her powerful performances and noted for her pioneering roles in various dramatic genres, draws on her extensive career as the first female leading lady of her time. Her journey through the theater world, shaped by personal losses and triumphs, reflects the challenges faced by women in the performing arts during a time of limited opportunities. Morris unique perspectives, colored by her ambition and resilience, can be traced back to her own upbringing in a tumultuous family environment, which instilled in her both determination and introspection. "Life on the Stage" is a must-read for theater enthusiasts and anyone fascinated by the evolution of performance art. Morris heartfelt anecdotes and insightful observations not only serve as a portal into the past but also resonate with contemporary themes of identity and perseverance. This eloquent memoir stands as a testament to the enduring power of storytelling, inviting readers to explore the intricate tapestry of life behind the spotlight.

A volte le storie che non riusciamo a raccontare, sono proprio le nostre, ma se una storia non viene raccontata diventa qualcosaltro, una storia dimenticata. La vicenda inizia in un piccolissimo paese delle Puglie (Palagianello) con le sue usanze, le sue tradizioni e i suoi detti proverbiali.2 classificato Premio letterario "Canti di...Versi" sezione libro edito - seconda edizione 2022Menzione di merito Premio letterario internazionale "F. Dostoevskij" - seconda edizione 2022

Resti umani avvolti in sai bianchi raffiguranti un pentacolo. Quattro date incise in una grotta. Per il commissario Matteo Iardi quel macabro ritrovamento potrebbe essere la svolta nel caso che gli ha sconvolto la vita, la sparizione della sorellina Sofia, quarantanni prima, una scomparsa che ha frantumato una famiglia. È cosi che la vicenda personale del poliziotto si intreccia a quella di un serial killer che molto presto potrebbe colpire ancora. Con un ritmo serrato e uno stile impeccabile, tra magia nera e segreti sconvolgenti Francesco Leo in Cinque anime descrive una pericolosa e avvincente corsa contro il tempo.

Uma seleção de filmografias construídas pelos melhores atores do cinema americano e europeu.

Como o título anuncia, esta obra disponibiliza para o leitor várias informações importantes sobre todos os filmes da atriz, tais como elenco, direção, trilhas sonoras, data de lançamento etc.

Serge Diaghilev was the Russian impresario who is often said to have invented the modern art form of ballet. Commissioning such legendary names as Nijinsky, Fokine, Stravinsky, and Picasso, this intriguingly complex genius produced a series of radically original art works that had a revolutionary impact throughout the western world.Off stage and in its wake came scandal and sensation, as the great artists and mercurial performers involved variously collaborated, clashed, competed while falling in and out of love with each other on a wild carousel of sexual intrigue and temperamental mayhem. The Ballets Russes not only left a matchless artistic legacy - they changed style and glamour, they changed taste, and they changed social behaviour.The Ballets Russes came to an official end after many vicissitudes with Diaghilevs abrupt death in 1929. But the achievements of its heroic prime had established a paradigm that would continue to define the terms and set the standards for the next. Published to mark the hundred and fiftieth anniversary of Diaghilevs birth, Rupert Christiansen - leading critic and self-confessed incurable balletomane - presents this freshly researched and challenging reassessment of a unique phenomenon, exploring passionate conflicts and outsize personalities in a story embracing triumph and disaster.

In "Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena," John J. Jennings offers a comprehensive exploration of the unique worlds of theater and circus in the late 19th century. Through vivid anecdotes and meticulous observations, Jennings captures the exhilarating and oftentimes perilous experiences of performers, revealing the interplay between art and ambition within these vibrant venues. His literary style merges informative expose with an engaging narrative that taps into the drama and spectacle of life behind the curtain, making the work resonate with both scholarly audiences and general readers alike. John J. Jennings, a performer and journalist himself, was intimately aware of the complexities and vibrancies of stage life, which informed his vivid narratives. His firsthand experiences and connections within the theater and circus communities equip him with a distinct perspective, bridging the gap between representation and lived experience. Jennings passion for performance is evident as he meticulously sheds light on the often-hidden realities of artists striving for success. This book is a must-read for those intrigued by the performing arts, providing not only a historical lens into the lives of entertainers but also enduring insights into societal perceptions of performance. Jennings work invites us to reflect on the sacrifices and triumphs of those who enchant and entertain, making it an essential addition to any theater lovers library.

Inedite macchinazioni: umili, pazienti, micidiali. Questo e quanto ordisce Ulisse, questo porta alle sue guerre. Un dramma che scorre lungo note musicali; un coro che fa da eco a tragedie segnate, a disillusioni ineluttabili come il destino.Sullo sfondo il mare: sornione, immenso, irraggiungibile come lorizzonte. "Le guerre di Ulisse" e un progetto interdisciplinare che unisce letteratura, musica e recitazione; unopera moderna in cui diverse arti si incontrano per raccontare una grande storia.PATRIZIO BIANCHI e professore ordinario di Economia Applicata presso lUniversita di Ferrara, di cui e stato rettore dal 2004 al 2010. Cattedra Unesco in educazione, crescita e uguaglianza, Ministro dellIstruzione del Governo italiano, ha pubblicato oltre 40 libri di economia e libri per ragazzi.La BANDA GIOVANILE JOHN LENNON, composta da cento allievi fra i tredici e i venticinque anni, e un ensemble unico anche per la capacita di inclusione di allievi diversamente abili. La dirige il fondatore, Maestro MIRCO BESUTTI.MARCO SOMADOSSI, compositore e direttore, si e particolarmente distinto per progetti, produzioni e pubblicazioni che lo hanno visto a fianco dei piu importanti musicisti. Ha allattivo produzioni discografiche molto diffuse e collaborazioni di assoluto rilievo.

In "Costume: Fanciful, Historical and Theatrical," Mrs. Aria masterfully blends scholarly inquiry with vibrant narrative to explore the multifaceted nature of costume throughout history. This engaging work delves into the aesthetics, cultural significances, and functional roles of costumes, weaving together the threads of historical periods from the Renaissance to contemporary theater. Arias meticulous attention to detail is complemented by her vivid prose, inviting readers into a rich tapestry of visual artistry and identity that transcends mere fabric, embodying the social and political climates of their respective eras. Her interdisciplinary approach interlaces fashion theory, performance studies, and cultural history, encouraging a deeper understanding of how costume informs and reflects human experience. Mrs. Aria, a distinguished scholar in costume history and a passionate practitioner in the field of theater design, draws from her extensive background as a costume designer and researcher. Her experiences in various theatrical productions, combined with her academic expertise, inspire a profound appreciation for the narrative power of costumes. This book emerges not only as a scholarly endeavor but as a celebration of the creativity and craftsmanship inherent in the costume-making process. "Costume: Fanciful, Historical and Theatrical" is an essential read for anyone interested in the interplay of art, culture, and identity. Academics, students, and enthusiastic theater-goers alike will find Arias insights illuminating and enriching. This book not only provides a comprehensive overview of costume practices but also invites readers to consider the stories that costumes tell, making it a vital addition to the library of all who appreciate the art of storytelling through clothing.

In "The Trysting Place: A Farce in One Act," Booth Tarkington weaves a delightful narrative that juxtaposes humor with sharp social commentary. Set in a singular location, the play unfolds with brisk dialogue and clever misunderstandings, encapsulating the complexities of romantic entanglements and societal expectations of the early 20th century. Tarkingtons mastery of farcical elements is evident as he employs wit and irony to explore themes of love, deception, and the fleeting nature of human connections, all while maintaining a light-hearted tone that draws the audience into the unfolding chaos with each turn of phrase. Booth Tarkington, an influential American novelist and playwright, achieved critical acclaim for his incisive portrayals of American life. His deep understanding of human behavior and societal norms, shaped by his experiences in the Midwest, informed his writing. Tarkingtons works often reflect a tension between tradition and modernity, a theme prevalent in "The Trysting Place," showcasing his ability to navigate both comic and serious undertones within a familiar social landscape. This play is highly recommended for anyone seeking an engaging exploration of romance and farce within a historical context. Tarkingtons keen insights and vibrant characterizations promise a captivating theatrical experience, making it an essential read for enthusiasts of American theatre and anyone interested in the intersection of humor and social critique.