eBooks de Danza, página 4 de 6

O estudo parte do diálogo entre corpo e espaço, sob a ótica da adaptação de um processo criativo em dança realizado do espaço de uma cidade para o espaço de uma casa. Nesse sentido, o trabalho relaci

In "The Dance: Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D," an anonymous Antiquary presents an extensive exploration of dance through the ages, meticulously documenting its evolution across diverse cultures and historical epochs. This scholarly work is enriched with vividly detailed illustrations that not only depict dance forms but also contextualize them within their corresponding societal frameworks. The blend of historical analysis and artistic representation makes for an engaging narrative style that appeals to both specialists and lay readers alike, offering insights into the integral role that dance has played as a cultural expression throughout history. The anonymity of the author, an Antiquary, serves to heighten the works intrigue, suggesting a passionate individual steeped in historical research and the performing arts. The depth of historical knowledge and appreciation for cultural nuances reflects a lifetime of dedication to uncovering the threads that bind humanity through movement. It is likely that their own experiences in dance or a fascination with its cultural significance motivated the compilation of such an extensive record. This illuminating volume is highly recommended for scholars, dance enthusiasts, and cultural historians eager to understand dance as both an art form and a vital social practice. "The Dance" serves as a rich tapestry that weaves together the past and present, providing readers with a deeper appreciation for the complexities and beauty of this universal language.

O livro Dança do ve[entre] – cartografias estético-políticas do sensível lança um olhar para o processo de gestar um corpo dançante numa proposta de pesquisa-intervenção elaborada por meio de atividad

Dança em redes de saberes no ensino superior: o papel do Trabalho de Conclusão de Curso Artístico é uma adaptação da tese de Livre-Docente defendida pela autora no Departamento de Artes Corporais da

Esta obra convida a pensar sobre o desenvolvimento de recursos metodológicos para o ensino e a aprendizagem de Anatomia Humana no âmbito da atuação docente em Dança. Para isso, apresenta-se uma pesqu

O presente livro propõe um compartilhamento de ideias, discussão de conceitos, questionamentos e práticas pedagógicas dentro do fazer artístico e do ensino-aprendizagem de dança do estudante com defi

Elas so capoeiristas e apresentam nesta obra as reflexes que realizam sobre as relaçes de genero no interior da tradicional Capoeira Angola, por meio de pesquisas academicas produzidas em diversas areas do conhecimento e em distintas universidades, no Brasil e no exterior. Como numa Roda, importa-lhes afirmar os aspectos formativos da propria capoeira na reflexo e superaço das assimetrias que sustentam tais relaçes. Um jogo que vale a pena participar!

Ao longo dos anos, muito se tem discutido sobre o papel e a influência do currículo no processo de ensino-aprendizagem, seja ele em nível básico ou superior. No contexto educacional, a educação físic

El Libro Real del Tango incluye más de 100 años de obras de repertorio, algunas de ellas casi "descatalogadas" hasta hoy, así como prácticamente todos los clásicos y páginas más famosas del género musical. Por el Libro Real pasan todos los estilos, desde aquellos ya miticos y antologicos como algunos que fueran desapercibidos y que permitiran al lector encontrar algunas rarezas incunables. En el formato tradicional de "Lead Sheet" o "Parte-Guia", esta gran coleccion esta hoy a tu alcance gracias al enorme trabajo musical y musicologico realizado por Julian Graciano, uno de los maestros, musicos y difusores mas importantes de la escena musical actual en Argentina. Incluye material complementario en la web con los primeros registros discograficos hallados o registros fonograficos del propio compositor.

First published in 1985, this pioneering work on religious dance was written in response to the paradoxical attitude of many Christians who express an interest and enthusiasm for the arts as part of Christian worship, yet retain a suspicion, even a dislike, of dance. Dance and the Christian Faith examines what the bible says about both dance and worship, and relates it to an understanding of what dance is and how it can be used in the church and in education today. Martin Blogg relates his faith to his profession of teaching dance drama and his non-verbal approach to Christian dance opens up new avenues for the expression of the faith, complementing the more traditional forms of speech, music and sacrament. The book is a critical discussion, both theoretical and practical, of the nature and conditions of religious dance, as explored through the disciplines of scripture, education and dance as art. At the same time, Dance and the Christian Faith is a call for Christians to embrace dance as a means to prayer and worship, outreach and renewal. Although centred on dance within a religious context, much of the discussion is directly relevant to dance education and the performing arts in general. With a Foreword by the Rt Revd Maurice Wood, former Bishop of Norwich.

Corpoviral: perspectivas de criação em videodança é um livro dedicado a refletir sobre aspectos da criação em videodança desde a perspectiva das criações do autor e também do diretor carioca Gustavo

Serge Diaghilev was the Russian impresario who is often said to have invented the modern art form of ballet. Commissioning such legendary names as Nijinsky, Fokine, Stravinsky, and Picasso, this intriguingly complex genius produced a series of radically original art works that had a revolutionary impact throughout the western world.Off stage and in its wake came scandal and sensation, as the great artists and mercurial performers involved variously collaborated, clashed, competed while falling in and out of love with each other on a wild carousel of sexual intrigue and temperamental mayhem. The Ballets Russes not only left a matchless artistic legacy - they changed style and glamour, they changed taste, and they changed social behaviour.The Ballets Russes came to an official end after many vicissitudes with Diaghilevs abrupt death in 1929. But the achievements of its heroic prime had established a paradigm that would continue to define the terms and set the standards for the next. Published to mark the hundred and fiftieth anniversary of Diaghilevs birth, Rupert Christiansen - leading critic and self-confessed incurable balletomane - presents this freshly researched and challenging reassessment of a unique phenomenon, exploring passionate conflicts and outsize personalities in a story embracing triumph and disaster.

The Irish Dance genre is an essential part of the heritage and culture of Ireland. From its early roots in Celtic history, to the global growth inspired by shows such as Riverdance, to the modern- day competitive championships and Feisanna, it continues to be a vibrant and evolving dance form. The Essential Guide to Irish Dancing delves into the history and culture behind the world of Irish Dance, offering technical instruction from beginner-level to advanced, including how to prepare exciting set dances and choreograph innovative sequences. Topics covered include: Irish dance music; the fundamentals of solo dancing; traditional dance movements and set dances; Ceili dancing; competitions and careers; choreography, and finally, physical fitness and mental health.

É na infância que as experiências vividas passam a compor a personalidade adulta. Nessa fase, o contato com o lúdico fortalece os processos de formação da mente e do corpo. Pensando nisso, Fernanda A

In "Modern Dancing and Dancers," J. E. Crawford Flitch delivers an insightful exploration into the evolution of dance as both an art form and a cultural phenomenon in the early 20th century. Flitch employs a combination of vivid imagery and analytical prose, drawing on contemporary dance movements, notable figures, and sociocultural influences that have shaped modern dance. This work transcends mere documentation, offering a critical examination of the interplay between dance and the changing societal norms of the period, positioning dance as an essential expression of modernity. J. E. Crawford Flitch, a prominent dance historian and critic, was profoundly influenced by the vibrant dance scene of his time. His extensive background in performance and teaching, coupled with his engagement in the avant-garde movements of the early 1900s, provides a rich foundation for his exploration. Flitchs keen understanding of the intricate relationship between dance and broader cultural forces allows him to illuminate the significance of dancers and their contributions to the art. Readers seeking to understand the transformative power of dance will find "Modern Dancing and Dancers" an indispensable resource. FlitchAos thorough research and passionate narration foster an appreciation for the intricate art of dance, making this book a must-read for both enthusiasts and scholars alike.

Dance plays an important role in many religious traditions, in rites of passage, processions, healing rituals or festivals. But it is also controversial, especially in Christianity. Colonial European Christian discourses tend to separate dance from religion(s) and spirituality. This volume explores dance as "Third Space", following Homi Bhabhas postcolonial metaphor. The "Inter-Dance approach" combines interdisciplinary theoretical considerations with case studies. International experts examine dance controversies and discourses from the early church to World Christianity, as well as in Hasidic Judaism, Greek mysteries, Islamic Sufism, West African Togolese religions, and Afro-Brazilian Umbanda. Christian dance theologies are unfolded and the boundary-crossing potential of dance in interreligious and intercultural encounters is explored. The volume breaks new ground in how dance as ephemeral performative art, embodied thought and gendered discourse can transform studies of religion.

In Whistling as an Art by Agnes Woodward, the author delves into the intriguing world of whistling as a form of artistic expression. Through a combination of historical analysis, personal anecdotes, and in-depth exploration of various whistling techniques, Woodward showcases how whistling has evolved from a simple means of communication to a sophisticated art form. The book is written in a poetic and engaging style, capturing the beauty and complexity of this often overlooked skill. Woodward also provides insights into the cultural significance of whistling in different parts of the world, adding depth to the readers understanding of this unique art form. This book is a must-read for anyone interested in music, performance art, or cultural history. Agnes Woodward is a renowned ethnomusicologist with a passion for exploring the intersections between music and culture. Her extensive research and experience in the field have led her to write Whistling as an Art, where she combines her academic expertise with a personal fascination for the subject. Woodwards writing is informed by a deep respect for the traditions she studies, making her work both scholarly and accessible to a wide range of readers. I highly recommend Whistling as an Art to anyone looking to expand their knowledge of music and performance. Woodwards book offers a unique perspective on a fascinating yet underrated form of artistic expression, making it a valuable addition to any cultural enthusiasts library.

The subTexte series of the IPF-Institute for the Performing Arts and Film, is dedicated to presenting original research within two fields of inquiry: Performative Practice and Film. The series offers a platform for the publication of texts, images, or digital media emerging from research on, for, or through the performative arts or film. The series contributes to promoting practice-based art research beyond the ephemeral event and the isolated monograph, to reporting intermediate research findings, and to opening up comparative perspectives. www.zhdk.ch/forschung/ipf

Nesta obra, Jussara Miller apresenta com propriedade sua pesquisa de dança e educaço partindo de sua ampla experiencia como bailarina, professora e pesquisadora. Dirigido a educadores e profissionais de dança, teatro, educaço fisica, educaço infantil, fisioterapia e terapias corporais e a estudantes das artes cenicas em geral , o livro tambem atende aos interessados em conhecer e vivenciar a dança de forma artistica e pedagogica. Apresentando com clareza os principios dos Vianna e seus desdobramentos na cena contemporanea, Jussara reflete sobre os diferentes corpos do adulto, da criança, do ator, do dançarino e do individuo comum que se tornam dançantes. Supre, ainda, a carencia de bibliografia sobre dança para crianças, produzindo uma obra de grande importancia para professores da Educaço Infantil, compartilhando procedimentos ludicos usados em sua metodologia de ensino. Assim, em Qual e o corpo que dança? a autora revela com sabedoria as multiplas faces da arte da dança.

Ballet is a detailed guide to creative practice and performance. Compiled by ten leading practitioners, each chapter focuses on an aspect of ballet as a performing art. Together they outline a journey from the underpinning principles of ballet, through an appreciation of different styles and schooling, into the dance studio for practice in class and beyond. With additional insights from highly acclaimed dancers, choreographers and teachers, this practical guide offers advice on fundamental and advanced training and creative development. As well as providing information from dance science research into training well-being, this book supports the individual dancer in their artistic growth, offering strategies for exploration and discovery. Topics include: principles, styles and schooling of classical ballet; fundamental technique and advanced expression; developing versatility and creative thinking; advice on injury management, nutrition and lifestyle; choreography and music and, finally, best practice in the rehearsal studio is covered. A wonderfully accessible and comprehensive resource about the individual disciplines involved in ballet. Leanne Benjamin OBE, former Principal of The Royal Ballet and international coach