Uno de los modelos del teatro occidental es el llamado "teatro de la vivencia" que se centra en la experiencia subjetiva del actor o la actriz y busca que la actuación sea orgánica y efectiva en

On the Stage and Off is a comic memoir of Jerome K. Jeromes experiences as an aspiring actor. Its a truly captivating collection of entertaining accounts on the day-to-day life of a would-be actor, told in Jeromes uniquely humorous manner.He was an English novelist and playwright whose wit and humor won him a massive following. He decided to try his luck at acting under the stage name Harold Crichton at a young age. But after three years of struggle with no evident success, disheartened, Jerome decided to seek other occupations. He tried journalism, writing essays, satires, and short stories, but most of these stood rejected. Finally, he wrote this memoir which became an instant hit soon after its publication. Jerome describes the events precisely, writing about all the ups and downs. He talks about his determination to become an actor, his life on and off stage, his views on acting, etc. Jerome finally writes beautifully about his last appearance as an actor, leaving the reader emotional.

This comprehensive, easy-to-use guide contains everything you need to plan and deliver effective drama sessions, get the best out of your participants, and develop an empowering leadership style that works for you.Drawing on over fifteen years experience of running workshops including for the National Theatre, The Old Vic, Barbican, Battersea Arts Centre and National Youth Theatre Linden Walcott-Burton takes you through everything you need to know, with essential advice on:- Your Workshop: How to plan and structure a successful session; how to deliver it effectively, whether in-person or online; how to devise and run an entire course.- Your Group: How to motivate and get the best out of your group; how to encourage positive behaviours and manage challenging ones; how to adapt to different groups and needs; how to give and receive feedback.- Yourself as a Workshop Leader: How to empower yourself by owning the space and maintaining boundaries; how to use your voice (and not lose it); how to harness the power of humour and fun.Packed with tips and techniques that work with any setting and age group, whether youre running a short session or a longer course, the book also provides specific guidance on delivering workshops in schools, working with disabled people and those with learning disabilities, and safeguarding when working with children and young people. Theres also advice on co-facilitating, working with assistants and finding work.Organised in handy, bite-sized chunks allowing you to find just what you need, the book also includes sample workshop plans and content, with additional insights and examples of best practice from many other leading practitioners in the field.Whether youre just starting out and want to learn the basics, or youre a seasoned facilitator looking for fresh ideas, The Drama Workshop Leader is the resource you need to deliver a great session in any room you walk into, no matter whats thrown your way.Every practitioner, no matter their level of experience, will gain so much from this book Jackie Tait, Primary Programme Manager, National Theatre Learning

Neste livro, sobre cinema e cidade, o cinema é visto como um fractal da cidade. Em Matemática, o fractal é uma estrutura geométrica complexa. As propriedades dessa estrutura repetem-se em qualquer escala. Fractais so objetos e cada parte desses objetos e semelhante ao objeto como um todo. Uma estrutura metonimica. Fractal tambem assinala uma forma de ver, viso com o maximo de abertura que entrelaça documentario, cinema e cidade com o campo da Linguistica Aplicada, da Analise do Discurso Critica. Nesta analise, a cidade e o cinema esto presentes no manejo da lingua(gem) documental, nas historias de familias, no corpo das travestis. O cine Jangada, posto como discurso, traz como materia de reflexo os muitos modos de dizer a cidade. A perspectiva de analise so as representaçes discursivas sobre o cine Jangada. Nesse cenario, o cinema representa o proprio cinema numa cena metanarrativa que engloba metafora, ideologia e lugar de fala. O circuito exibidor, nesse panorama analitico, revela as engrenagens economicas e culturais que circundam o ato de ir ao cinema e a força que um objeto cultural encerra para a compreenso das relaçes de poder, saber e lingua(gem).

In What Actors Do, revered theatre director Mike Alfreds explores the wellspring of the actors craft, tracing a pathway to creative freedom through the thickets of competing methodologies and confusing paradoxes that you will face throughout your training and career.How do you give life to a character that both is and isnt yourself? How can you be childlike and open in your work without becoming childish? How, when you know whats coming next, can you still be spontaneous?Frank, uncompromising and full of sharply focused insights, this book will help you strip away the inhibitions and habitual thinking that can shackle our imaginations. It will show you how to generate truthful performances by trusting your inner creativity and remaining radically open, responsive and present in every moment.Mike Alfreds has been directing plays for more than seventy years. In the 1970s he founded Shared Experience, and has since worked for the National Theatre, Shakespeares Globe, the Royal Shakespeare Company and also extensively abroad. He is hugely respected within the profession, and is the author of two previous books, Different Every Night and Then What Happens?If I was allowed to train again to be an actor, but I was only allowed one teacher, it would have to be Mike Alfreds. To me he is a genius when it comes to acting and storytelling Mark Rylance

160 all-new games and exercises from the author of the bestselling companion for drama teachers and workshop leaders, offering more than one million unique and tasty combinations, ready to be put into action!Simply make a selection from each of the four complementary courses, and your whole drama session will come to life with clarity, intensity and focus:- Appetisers are fast-paced warm-up exercises to energise and enthuse;- Starters are the intermediary course to challenge and kickstart creativity;- Main Courses provide the central part of the session, culminating in a final performance piece;- Desserts are there for when you have space at the end of your session for something sweet.Every exercise has been devised, tested and selected for its ability to ignite creativity and develop the performing potential of each player. Theres also a downloadable Resource Pack stuffed with a huge range of new stimuli to engage your students and encourage deeper participation.Drama Menu: Second Helpings has everything you need to spice up your sessions with a variety of new challenges that will invigorate and inspire your students, and ensure that every session is fresh, dynamic and relevant. Bon appetit!

Todas las personas nacen con algún tipo de habilidad especial, pero la habilidad hay que nutrirla, desarrollarla y mostrarla. Y, en el campo del cine, la televisión y las artes escénicas, es esencial para cualquiera que quiera triunfar descubrir la verdad de si mismo, no intentar parecerse a nadie por famoso y admirado que sea y conseguir que el largo camino para llegar a ese objetivo parezca recorrido de una forma natural, sin esfuerzo. Esta es la paradoja del oficio de actores y actrices: al actuar, no puede notarse la preparacion, pero la preparacion es imprescindible. En un mundo en continuo cambio, donde el talento se exhibe en las redes sociales y las audiciones son ya muchas veces grabadas, a quienes se dedican a la interpretacion cada vez se les exige mas. Bernard Hiller, despues de su exitosa guia "Deja de actuar, empieza a vivir", cuenta en este nuevo libro como ha ayudado a muchisimos interpretes de fama mundial a conocerse y descubrir su identidad real. "Guia para la actuacion del futuro" habla de la atencion constante, la pasion y el compromiso con que se construyen las grandes carreras y propone tanto ejercicios practicos como consejos utiles en otros ordenes de la vida cotidiana para superar los miedos, animarse a explorar lo desconocido, descubrir en uno las cualidades en que mas destaca y aprovecharlas al maximo.

This dip-in, flick-through, quick-fire resource book, part of the bestselling Drama Games series, offers dozens of games to help bring Shakespeares plays to life in the classroom or rehearsal room making them fun and accessible to actors, students, directors and teachers.Inspired by the work of leading cultural education charity Coram Shakespeare Schools Foundation, this book offers a wide range of activities to tackle every aspect of the plays, including:- Warm-ups and General Games to establish an atmosphere of focus, connection, support and fun all the conditions you need for a successful session- Story and World-building to explore the events, environments and societies of Shakespeares plays- Introducing Shakespeares Language to break down the text and allow participants to uncover the meaning through play and creative discovery- Activating Shakespeares Language to liberate actors from the script through movement and voice-work- Character to help develop compelling, believable performances by investigating motivations and relationships, circumstances and emotions- Staging to help empower every member of the ensemble in moments that might be challenging to stage such as big movement sequences, fights and battles and intimate love scenesWhatever your reason for exploring Shakespeare whether youre directing a production, teaching a set text, or introducing his work to young people for the first time this essential resource will give you the tools you need to demystify the language, take ownership of the plays, and find a connection to the words that resonates in our own time.This wonderful book will be an invaluable resource for anyone approaching the teaching or directing of Shakespeare, whether novice or veteran Paterson Joseph, from his Foreword

In this candid and empowering A to Z of being an actor, Julie Hesmondhalgh draws on her decades of experience on stage and screen including in massively popular television shows such as Broadchurch, Happy Valley and Coronation Street to lift the lid on the realities of life in todays industry, and show you how to navigate it.She shares practical advice on preparing for roles (dont be afraid of looking like a dick), managing the ups and downs of your career (and how to be out of work without losing your mind), dealing with failure (and success), not constantly comparing yourself to others (bloody hard, but try), looking after your mental health, and the power of knowing when to say no.Passionate about the arts, she makes a compelling case for their importance to society, but also calls out the industry on where it continues to fall short including a clear-eyed assessment of what needs to change to make it safer and healthier, more accessible and inclusive.Written with refreshing honesty and self-deprecating humour, An Actors Alphabet is a book for anyone who dreams of becoming an actor, wants to be a better one, or just wants to learn what being one is really like.Endearingly honest, funny and eye-opening. I loved it! Francesca MartinezLike its author, this book is brimming with wisdom, intelligence, empathy and humanity... An absolute must! Maxine PeakeThis is the best book on acting and being an actor Ive read Julie Hesmondhalgh is the mentor/best friend/guide we all need in these troubled times Paul ChahidiA must-read, whether youve been on the artists journey for years or are just starting out Shobna GulatiThis book is bold, brash, sincere and angry. It regrets nothing and questions everything Treasure it like we should treasure Julie Jack ThorneA generous gift to actors, full of honesty, hope and wit. There is loads of tangible advice, not just for acting but for life Anna JordanJulies book is honest, challenging and helpful. A great read Andy Nyman

ACTINGis a vast and relatively unknown subject... for many. And yet millions are fascinated by it. Why? The answer is because this all-encompassing human art form is as fundamental to the self-actualisation of a human being as reading, writing and maths. We sense this. We know it. Surely the possession of such knowledge would be of great advantage in any profession,in any walk of life, and not just the preserve of stage and film?Why are we not taught these playful and transformative skills in school? This book uncovers why, and reveals top acting secrets, techniques and games that will dramatically change the way you see yourself and the world around you. This is a wonderfully helpful book regarding the importance of adults learning to play again, in order to free themselves from the oppressive everyday tramlines we follow... Josephine is a great inspiration to many people and this book will show you why. Peter Richardson- founder of the COMIC STRIP troupeSculptress of the creative spirit, enkindling in even our most timid selves a passion for play, interconnectedness, listening, ritual and generosity on all of lifes stages,Josephine is an indelible force of love and wisdom, at once ready for a fit of laughteror all hell to break loose. For her teachings and humanity, my immeasurable gratitude! Watch out for that fourth wall; you might fall through it reading this book. Seumas F. Sargent, Performer, Blue Man Group, Berlin Youre a rock, an inspiration, a star-I wish to the heavens Id had teachers like you when I was at school! My God, I could have done anything. Richard Down- a player My life changed beyond all recognition during the last four years coming to your classes with many, many challenges. The safe loving environment you created has been a great source of strength-even when I have been unable to attend! It has been a very important part of my liberation. Louise Gough- a player

In The Mormons and the Theatre; or, The History of Theatricals in Utah by John S. Lindsay, the author delves into the complex relationship between the Mormon community and the world of theater in Utah. Through meticulous research and engaging narrative, Lindsay explores how the Mormons grappled with the moral implications of this form of entertainment, shedding light on a lesser-known aspect of Utahs cultural history. Combining historical analysis with insightful commentary, the book offers a unique perspective on the intersection of religion and performance in the American West. Lindsays writing is scholarly yet accessible, making this book a valuable resource for anyone interested in the history of theater in Utah and the Mormon culture. Drawing on a range of primary sources and his expertise in American religious history, Lindsay provides a compelling account of the challenges and triumphs faced by the Mormons in navigating the world of theatre. For readers seeking a thought-provoking exploration of religious attitudes towards popular entertainment, The Mormons and the Theatre is a must-read.

Clara Morriss Life on the Stage: My Personal Experiences and Recollections is a compelling memoir that offers readers a glimpse into the world of 19th-century theater. Through poignant anecdotes and reflections, Morris brings to life the challenges and triumphs of a career on the stage. Written in a candid and engaging style, the book provides a unique perspective on the art of acting and the harsh realities of life in the theater world. Morriss literary prowess shines through in her vivid descriptions and insightful commentary, making this work a valuable contribution to the field of theater history. Clara Morris, a prominent actress of her time, draws from her own experiences to offer readers a firsthand account of the joys and struggles of life as a performer. Her deep passion for the stage and dedication to her craft are evident throughout the book, making it a testament to her enduring legacy in the theater world. I highly recommend Life on the Stage to anyone interested in the history of theater or seeking a captivating read that sheds light on the inner workings of the stage. Clara Morriss storytelling skills and keen observations make this memoir a true gem for theater enthusiasts and history buffs alike.

In Whistling as an Art by Agnes Woodward, readers are taken on a journey exploring the historical and cultural significance of the art of whistling. Through meticulous research and engaging storytelling, Woodward delves into the roots of whistling as a form of artistic expression and communication, shedding light on its often overlooked role in various societies. The book is written in a clear and informative style, making it accessible to a wide range of readers interested in the intersection of music, culture, and history. Woodward incorporates a blend of anecdotes, interviews, and musical analysis to bring the art of whistling to life on the page. Whistling as an Art stands out as a unique and thought-provoking exploration of a lesser-known art form, making it an essential read for those curious about the diverse world of music and its cultural implications. Agnes Woodward, a renowned music historian with a background in ethnomusicology, brings her expertise and passion for lesser-known musical traditions to Whistling as an Art. Woodwards deep understanding of the cultural contexts in which whistling has thrived allows her to offer valuable insights and connections that enrich the readers experience. Her dedication to uncovering the historical roots and contemporary significance of whistling shines through in this comprehensive and engaging work. I highly recommend Whistling as an Art to anyone interested in expanding their knowledge of musical traditions and exploring the multifaceted ways in which art intersects with culture. Agnes Woodwards insightful exploration of the often overlooked art of whistling offers readers a fresh perspective on the power of music in society, making it a must-read for scholars, music enthusiasts, and curious minds alike.

Beth Norvell is the lead performer in a travelling play and brings something new to the western town that attracts a lot of attention towards her. But unfortunately,she finds herself involved in a complicated and scandalous love triangle!Excerpt:"There were nine altogether in the party registering. This number included the manager, who, both on and off the stage, quite successfully impersonated the villaina rather heavy-jawed, middle-aged fellow, of foreign appearance, with coarse, gruff voice; three representatives of the gentler sex; a child of eight, exact species unknown, wrapped up like a mummy; and four males. Beyond doubt the most notable member of the troupe was the comedian "star," Mr. T. Macready Lane, whose well-known cognomen must even now awaken happy histrionic memories throughout the western circuit. The long nights ride from their previous stand, involving as it did two changes of trains, had proven exceedingly wearisome; and the young woman in the rather natty blue toque, the collar of her long gray coat turned up in partial concealment of her face, was so utterly fatigued that she refused to wait for a belated breakfast, and insisted upon being at once directed to her room."

Jerome K. Jeromes On the Stage--and Off: The Brief Career of a Would-Be Actor is a witty and insightful exploration of the world of theater in the late 19th century. Written in Jeromes signature humorous style, the book follows the misadventures of a young man who dreams of becoming an actor but soon finds out that reality is far different from his lofty aspirations. Through a series of comedic mishaps and behind-the-scenes drama, the protagonist learns important lessons about the harsh realities of the theatrical world. Jeromes writing is engaging and entertaining, providing a unique glimpse into the challenges and triumphs of pursuing a career in acting during this time period. Fans of comedic literature and theater history will appreciate the clever observations and sharp wit displayed throughout the book. Jeromes own background as a writer and playwright undoubtedly influenced his satirical take on the theater world, making On the Stage--and Off a fascinating and enjoyable read for anyone interested in the performing arts.

Auditions remain a constant requirement in an actors life, whether beginner or seasoned professional, and the attendant nerves and pressure to succeed in an intensely competitive industry is something that all actors need to learn to negotiate. This guide is aimed at those wishing to undertake in-depth training to develop the physical, vocal, imaginative and emotional skills necessary for a varied career in stage or screen. Offering practical advice, it takes readers through the audition process to the moment of acceptance at a drama school. The second section looks at first steps into the profession and how to prepare confidently for auditions and meetings, whether live or by self-tape, so that actors can meet the professional environment with confident ownership of their skills. Topics covered include: choosing your school; selecting audition material and preparing it; an analysis of a contemporary and a classical speech; the audition cycle and self-taping for video auditions. It also features practical and honest insights from casting directors, industry professionals and recent graduates, as well as up-to-date guidance for online auditions.

Ritas Petticoat Loose is a compelling work of fiction that delves into the complexities of gender roles and societal expectations in the 19th century. The novel is written in a vivid and descriptive style, capturing the essence of the era with meticulous attention to detail. Through the narrative, Rita skillfully weaves together themes of femininity, rebellion, and empowerment, creating a thought-provoking and engaging read for lovers of historical fiction. The rich historical context of the novel provides readers with a deep insight into the struggles and triumphs of women during a time of rigid social norms and constraints. With beautifully crafted prose and dynamic characters, Petticoat Loose is a literary gem that illuminates the enduring spirit of resistance and resilience in the face of adversity. Ritas intimate knowledge of the historical period shines through in her writing, adding depth and authenticity to the story. Petticoat Loose is a must-read for anyone interested in exploring the intricacies of gender dynamics and societal norms in a bygone era.

This empowering, informative guide explains everything actors need to know about agents how to find one, what they do, and how to work with them effectively to help you succeed in your career.If youre currently seeking an agent, discover how to research and contact them, and what theyre looking for in their clients. And if you already have one, learn how to manage and get the most out of this crucial relationship.Also included are invaluable tips on how to write a great CV; obtain attention-grabbing headshots, showreels and voicereels; prepare for and excel at auditions; embrace social media; protect your mental health; and much more.The Compact Guides are pocket-sized introductions for actors and theatremakers, each tackling a key topic in a clear and comprehensive way. Written by industry professionals with extensive hands-on experience of their subject, they provide you with maximum information in minimum time.

Adolphus Charles Troughtons Vandyke Brown: A Farce in One Act is a delightful comedic play that satirizes the art world of the late 19th century. Troughtons witty dialogue and lively characters bring to life the absurdity of the art scene, with a particular focus on the pretensions of aspiring artists and their unconventional methods. The plays fast pace and clever wordplay make it a joy to read, capturing the essence of farce in a single act. Set against the backdrop of bohemian Paris, Vandyke Brown showcases Troughtons keen observation of human foibles and societal quirks, making it a timeless piece of comedic literature. Fans of theatrical farce and art history will appreciate the humor and insight found within these pages. Adolphus Charles Troughtons background as a playwright and art critic undoubtedly influenced the creation of this witty piece, providing readers with a unique perspective on the intersection of art and entertainment. Vandyke Brown is a must-read for anyone looking for a lighthearted yet thought-provoking exploration of the art world and its eccentric inhabitants.

Jerome K. Jeromes On the Stage--and Off: The Brief Career of a Would-Be Actor offers a humorous and insightful look into the world of amateur acting in the late 19th century. Through a series of entertaining anecdotes and observations, Jerome skillfully navigates the pitfalls and triumphs of treading the boards. The book is written in a lighthearted and conversational style, making it an enjoyable read for both theater enthusiasts and casual readers alike. With wit and charm, Jerome captures the essence of the theatrical life and the ups and downs that come with pursuing a career on stage. The book provides a unique glimpse into the theater scene of the time, shedding light on the challenges faced by aspiring actors and the quirks of the industry. With his characteristic wit and keen eye for detail, Jerome K. Jerome invites readers to share in the laughter and drama of the stage, making On the Stage--and Off a delightful and engaging read that is sure to entertain and enlighten.