eBooks de Formación del actor, página 3 de 7

Sara Kestelman discusses playing Hippolyta and Titania in A Midsummer Nights Dream, in this ebook taken from Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles.In each volume of the Shakespeare On Stage series, a leading actor takes us behind the scenes of a landmark Shakespearean production, recreating in detail their memorable performance in a major role. They lead us through the choices they made in rehearsal, and how the character works in performance, shedding new light on some of the most challenging roles in the canon. The result is a series of individual masterclasses that will be invaluable for other actors and directors, as well as students of Shakespeare and fascinating for audiences of the plays.In this volume, Sara Kestelman discusses playing Hippolyta and Titania in Peter Brooks iconic Royal Shakespeare Company production of A Midsummer Nights Dream in 1970.This interview, together with the others in the series (with actors such as Alan Rickman, Ian McKellen, Patrick Stewart and Harriet Walter), is also available in the collection Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles by Julian Curry, with a foreword by Nicholas Hytner.

Roger Allam discusses playing Falstaff, in this ebook taken from Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles.In each volume of the Shakespeare on Stage series, a leading actor takes us behind the scenes of a landmark Shakespearean production, recreating in detail their memorable performance in a major role. They lead us through the choices they made in rehearsal, and how the character works in performance, shedding new light on some of the most challenging roles in the canon. The result is a series of individual masterclasses that will be invaluable for other actors and directors, as well as students of Shakespeare and fascinating for audiences of the plays.In this volume, Roger Allam discusses playing the iconic role of Falstaff in both Henry IV plays in Dominic Dromgooles production for the Royal Shakespeare Company in 2010.This interview, together with the others in the series (with actors such as Simon Russell Beale, Ian McKellen, Patrick Stewart and Harriet Walter), is also available in the collection Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles by Julian Curry, with a foreword by Nicholas Hytner.

La naturalidad televisiva se lo ha devorado todo. ¿Qué hará el actor con lo que la televisión ha hecho de él? ¿Hace falta actualizar la reflexión teórica sobre la técnica interpretativa? ¿Es posible recuperar la esencia que los medios tecnologicos han conseguido anular? ¿Por que se pretende que la actuacion sea una mera copia de lo real? ¿Es posible superar la carcel de las tradiciones y la condena de la metodologia americana basada en la copia de la vida? ¿Podemos concebir la tecnica como construccion de algo que no es ni calco, ni forma preconcebida, ni algo existente antes de que el actor lo construya? Los encuadres teoricos que propongo aqui sirven para comprender los principios tecnicos de una pedagogia que mira a la recuperacion de la esencia. En la formacion del actor, defino las dificultades de articulacion de cada individuo con la tecnica y luego visualizo los diferentes momentos que intervienen en el proceso de elaboracion de un personaje. Abordo los problemas que propone el trabajo sobre cada texto con el fin de entender la singularidad de estos procesos. Tanto en escenas naturalistas o realistas, como en las escenas del llamado teatro clasico, es fundamental subrayar el equilibrio entre vivencia y signo escenico, e integrar la cuestion de la palabra-cuerpo. Teatro es lo que ocurre. El actor no debe aprender una tecnica interpretativa para tener razon, sino para poder crear sin traicionarse.

Rebecca Hall discusses playing Rosalind, in this ebook taken from Shakespeare On Stage: Thirteen Leading Actors on Thirteen Key Roles.In each volume of the Shakespeare On Stage series, a leading actor takes us behind the scenes, recreating in detail a memorable performance in one of Shakespeares major roles. They discuss their character, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing the role, invaluable for other actors and directors, as well as students of Shakespeare and fascinating for audiences of the play. In this volume, Rebecca Hall discusses playing Rosalind in her father Sir Peter Halls 2003 production of As You Like It. This interview, together with the others in the series (with actors such as Judi Dench, Ian McKellen and Patrick Stewart), is also available in the collection Shakespeare On Stage: Thirteen Leading Actors on Thirteen Key Roles by Julian Curry, with a foreword by Trevor Nunn.

Ralph Fiennes discusses playing Coriolanus, in this ebook taken from Shakespeare On Stage: Thirteen Leading Actors on Thirteen Key Roles.In each volume of the Shakespeare On Stage series, a leading actor takes us behind the scenes, recreating in detail a memorable performance in one of Shakespeares major roles. They discuss their character, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing the role, invaluable for other actors and directors, as well as students of Shakespeare and fascinating for audiences of the play. In this volume, Ralph Fiennes discusses his experience playing Shakespeares least sympathetic hero, the title role in Coriolanus in Jonathan Kents 2000 production. This interview, together with the others in the series (with actors such as Judi Dench, Ian McKellen and Patrick Stewart), is also available in the collection Shakespeare On Stage: Thirteen Leading Actors on Thirteen Key Roles by Julian Curry, with a foreword by Trevor Nunn.

A practical, accessible and inspiring guide to using puppetry in theatre the perfect entry point for anyone looking to use puppets in their productions, to explore what puppets can do, or to develop their puppetry skills.Written by an experienced theatre and puppetry director, Mervyn Millars Puppetry: How to Do It focuses on the performer and the craft of bringing any puppet to life. No puppet-making is required to use this book: starting just with simple objects, it lays out the skills required to unlock a puppets limitless potential for expression and connection with an audience.Inside youll discover fifty practical, easy-to-follow exercises for use in a group or on your own to develop elements of the craft, build confidence and help you improve your puppetry through play and improvisation. Also included are sections on different types of puppet, thinking about how the puppeteer is presented on stage and how to direct and devise puppet performances.Ideal for actors and performers, for directors and designers, and for teachers and students of all ages and levels of experience, this book will demystify the art of puppetry, and help you become more confident and creative with all kinds of puppets and objects on stage.This is a superb guide to puppet manipulation by one of the worlds most experienced puppetry directors and teachers at a time when many actors are seeing puppetry as the twenty-first centurys evocative and powerful new performance medium Basil Jones, Handspring Puppet CompanyThis book captures Mervyns playful and accessible process for working with actors to develop their puppetry skills its like having him in the room Lucy Skilbeck, Director of Actor Training at RADAMervyn Millar has a unique perspective on the meteoric rise of puppetry in British theatre having witnessed it from the inside. He was resident at the Puppet Centre Trust at BAC when Improbable Theatre were exploding theatrical form in 70 Hill Lane and Animo. He was studying with Handspring when they created the exquisite and game-changing giraffe puppet in Tall Horse. He was present from the earliest experiments at the National Theatre Studio in which puppetry and "poor theatre" were combined to create the performance language of War Horse. There is no one better placed to reveal the techniques of puppetry which made these changes and these shows possible. Tom Morris, Artistic Director of Bristol Old Vic, and Co-director of War HorseMore and more contemporary actors are adding puppetry to their arsenal of performance techniques. Here is a very timely guide to what is required from the actor to give life to the performed object as developed from Mervyn Millars own deep practical experienceAdrian Kohler, Handspring Puppet CompanyBased on the workshops he developed for training performers for War Horse, Mervyn has written this book to share his craft the exercises are clear and easily reproducible for many different types of participants a wonderful gift to the field of puppetry. I hope that it will be used widely to introduce adventurous spirits to this dynamic art form Cheryl Henson, President of the Jim Henson Foundation, from her Foreword

A leitura do livro Poemas Anajaense, resgatando e desenvolvendo valores, vem mostrar as belezas naturais e o bom acolhimento do povo desse lugar.Despertando no leitor(a) um incentivo de cada vez maisbuscar um bom crescimento pessoal, moral e social. Mostrando pela poesia a forma inovadora de viver com bastanteconhecimento e um simples modo de se sentir acolhido unspelos outros.Ao adentrar a parceria com os escritores convidados, vai despertar um novo modo de pensar e agir, de forma mais paci-ca e igualitaria em Anajas, no Marajo.Mostrando as belezas naturais e pessoais que temos. Ondeesta aprimorando e fortalecendo as ideias, por isso que aleitura poetica rimada nos ajuda a ser mais feliz e encontrarmais liberdade.Boa leitura!

Masks are empowering They enable you to take risks. They provoke you into working with the reckless logic of a six-year-old or the enigmatic stillness of someone wiser than youll ever be. But above all, masks let you be you without your habitual limitations.In Playing the Mask, award-winning theatre-maker and teacher John Wright explores and demystifies mask-work: what masks do, how they do it, and, above all, what they can teach us about acting.This book is a wonderfully accessible introduction to a fresh and innovative acting technique for actors, theatre-makers and teachers to use in training and rehearsal. A mask releases the actor to be playful, and playfulness generates ideas, finds meaning, develops characterisation and is infinitely more fun than traditional training.Rather than a dry guide to making masked theatre, it is about, for instance, playing Lady Macbeth in Red Nose, or Hamlet in the mask of The Victim, The Ogre or The Fool, or even Romeo and Juliet in grotesque half-masks All in the name of liberating your creativity and, ultimately, improving your performance.Extensively illustrated with a rich variety of masks, this inventive and pragmatic book is full of invaluable games and exercises drawn from the authors own workshops, his experience as co-founder of both Trestle and Told by an Idiot, and his pioneering mask and clown work in many professional productions.Brilliant, entertaining and accessible Paul Hunter, from his Foreword

A unique insight into Shakespeares most monumentally complex character - and the play that bears his name - from a highly respected actor and former academic. The genesis for Playing Lear came when Oliver Ford Davies was asked to play Lear for the Almeida Theatre in 2002. The book is both an in-depth analysis of the play, in which the author looks at the many possible interpretations of both play and character, and a rehearsal diary in which we see the authors personal journey through the role, starting with his re-examination of the text and culminating in the first night performance and beyond. Playing Lear comes with 16 pages of production photographs, and is written with great clarity and perception and with all the rigour and authority one would expect from a former academic and drama critic. Of the many books I have read about acting Shakespeare, this is one of the most intelligent and honestJohn BartonOne of the most moving and intelligent Lears I have ever seen ... such truth, and such clarity, that one feels like cheering Charles Spencer, Daily Telegraph

A practical guide to the skills, characters and history of Commedia DellArte through graded games and illustrated exercises - a useful tool in any actors training and a discipline for all forms of physical theatre. Chapters include: * Warm-Up Games * Mime and Movement Games * Word Games * Using Face Masks * The Legacy of Commedia dellArte, a chapter looking at the individual Masks or characters in the traditional Commedia dellArte.

Ritas Petticoat Loose is a compelling work of fiction that delves into the complexities of gender roles and societal expectations in the 19th century. The novel is written in a vivid and descriptive style, capturing the essence of the era with meticulous attention to detail. Through the narrative, Rita skillfully weaves together themes of femininity, rebellion, and empowerment, creating a thought-provoking and engaging read for lovers of historical fiction. The rich historical context of the novel provides readers with a deep insight into the struggles and triumphs of women during a time of rigid social norms and constraints. With beautifully crafted prose and dynamic characters, Petticoat Loose is a literary gem that illuminates the enduring spirit of resistance and resilience in the face of adversity. Ritas intimate knowledge of the historical period shines through in her writing, adding depth and authenticity to the story. Petticoat Loose is a must-read for anyone interested in exploring the intricacies of gender dynamics and societal norms in a bygone era.

An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.Drawing on a lifetimes experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors and drama students on a wide variety of scenes, characters, speeches and individual lines from almost every one of the plays.The three core sections of Performing Shakespeare take us through the whole process of Preparation, Rehearsal and Performance, preceded by discussions of the Elizabethan actor and Shakespeares language.Also included are revealing interviews with other notable Shakespearean actors including Judi Dench, Ian McKellen, Harriet Walter, Simon Russell Beale and Juliet Stevenson.An invaluable guide to those who act and to all those who wish to gain deeper insights into the performance of Shakespeares playsStanley Wells from his Foreword

Penelope Wilton discusses playing Isabella, in this ebook taken from Shakespeare On Stage: Thirteen Leading Actors on Thirteen Key Roles.In each volume of the Shakespeare On Stage series, a leading actor takes us behind the scenes, recreating in detail a memorable performance in one of Shakespeares major roles. They discuss their character, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing the role, invaluable for other actors and directors, as well as students of Shakespeare and fascinating for audiences of the play. In this volume, Penelope Wilton discusses playing Isabella in Jonathan Millers chamber production of Measure for Measure. This interview, together with the others in the series (with actors such as Judi Dench, Ian McKellen and Patrick Stewart), is also available in the collection Shakespeare On Stage: Thirteen Leading Actors on Thirteen Key Roles by Julian Curry, with a foreword by Trevor Nunn.

Novedoso en su contenido, este libro destaca por la estricta adecuación de sus conceptos como fundamento para edificar las actividades prácticas (ejercicios dramáticos creados sobre bases lúdicas) y la congruente propuesta para abordar la evaluacion. Su alineacion con las orientaciones fundamentales de la reforma educacional en el plano metodologico, evaluativo y de incorporacion de los objetivos transversales le otorga una actualidad relevante. Esta obra esta destinada a usarse durante clases en establecimientos educacionales, en actividades realizadas en centros culturales y a servir de ayuda en procesos terapeuticos.

Roy, feliz teatro es mucho más que un manual de actuación: es una invitación a descubrirte a través del arte. Rodrigo Mauregui propone una metodología única que fusiona técnicas teatrales con herramientas emocionales para potenciar la creatividad, la autoconciencia y la sensibilidad. Este libro desafia los modelos tradicionales al priorizar la vulnerabilidad como fortaleza, la improvisacion como motor creativo y el grupo como espacio de sanacion. A lo largo de ejercicios practicos, reflexiones teoricas y anecdotas entrañables, el lector sera guiado hacia un viaje transformador, no solo para ser mejor actor, sino mejor ser humano. Una obra inspiradora, ideal para estudiantes de teatro, docentes, terapeutas y toda persona interesada en el poder expresivo y sanador del escenario.

Patrick Stewart discusses playing Shylock in Shakespeares The Merchant of Venice, a role he has played many times, in this ebook taken from Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles.In each volume of the Shakespeare On Stage series, a leading actor takes us behind the scenes of a landmark Shakespearean production, recreating in detail their memorable performance in a major role. They lead us through the choices they made in rehearsal, and how the character works in performance, shedding new light on some of the most challenging roles in the canon. The result is a series of individual masterclasses that will be invaluable for other actors and directors, as well as students of Shakespeare and fascinating for audiences of the plays.In this volume, Patrick Stewart discusses playing the role of Shylock in Rupert Goolds production of The Merchant of Venice for the Royal Shakespeare Company in 2011.This interview, together with the others in the series (with actors such as Ian McKellen, Simon Russell Beale, Alan Rickman and Harriet Walter), is also available in the collection Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles by Julian Curry, with a foreword by Nicholas Hytner.

Patrick Stewart discusses playing Prospero, in this ebook taken from Shakespeare On Stage: Thirteen Leading Actors in Thirteen Key Roles.In each volume of the Shakespeare On Stage series, a leading actor takes us behind the scenes, recreating in detail a memorable performance in one of Shakespeares major roles. They discuss their character, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing the role, invaluable for other actors and directors, as well as students of Shakespeare and fascinating for audiences of the play. In this volume, Patrick Stewart discusses playing Prospero in Rupert Goolds arctic-set 2006 production of The Tempest for the Royal Shakespeare Company. This interview, together with the others in the series (with actors such as Judi Dench, Ian McKellen and Jude Law), is also available in the collection Shakespeare On Stage: Thirteen Leading Actors on Thirteen Key Roles by Julian Curry, with a foreword by Trevor Nunn.

Filmografia completa dos filmes estrelados pelo ator Charles Starrett na condição do personagem Durango Kid.

Uma relação completa dos filmes estrelados pelo ator Buster Keaton. Informações gerais sobre estes filmes como elenco, produção, direção, formato e tempo de duração dos filmes estão à disposição dos

Como o título anuncia, esta obra disponibiliza para o leitor várias informações importantes sobre todos os filmes da atriz, tais como elenco, direção, trilhas sonoras, data de lançamento etc.