Novedades del último mes en eBooks de Colecciones de arte

E se a prisão onde você foi lançado fosse, na verdade, o lugar exato onde Deus escolheu te libertar? E se o número que te identificava como detento se transformasse no chamado eterno da sua identidad

Escrita a Dois é um convite a entrar em um território poético onde a pluralidade se torna essência. Ana Talita Borlicoski e Sergio Bertovi partem de um mesmo ponto, mas seguem caminhos que se cruzam

Em Meu Avô é uma Lenda Histórica, Jorge Santos da Cunha Júnior resgata com emoção e autenticidade a trajetória de um homem que marcou gerações: Edson José dos Santos, o eterno Edson do Vassoural. Mai

No Vale do Paraíba de outros tempos, o dia começava com o cheiro do café passado no coador de pano, o pão saindo do forno e o canto do galo anunciando o sol. Café no Quintal – Memórias de um Tempo Si

Samantha, Adrian e Marcus enfrentam um drama depois que Raquel roubou o dinheiro da banda que tocavam juntos. Clara uma boa garota que por amor se juntará a eles e cantar no concurso de Bandas. Será

Conflict does more than destroy physical spaces. It extinguishes lives, erases histories and disrupts the collective memory of entire communities. In Gaza, where genocide has wrought catastrophic loss, the destruction of heritage adds another dimension of devastation. Yet amid the rubble, acts of archiving, art-making and storytelling persist.Archiving Gaza in the Present brings together voices from Palestine and beyond to document the cultural erasure and to explore how creative and archival practices resist it. Contributions from curators, architects, artists, journalists, lawyers and scholars capture Gazas once-vibrant cultural life historic buildings, art centres, universities and museums that existed before October 2023 now turned to rubble.Featuring rich visual material from fragmented WhatsApp testimonies to forensic documentation and including artworks, maps and photographs, Archiving Gaza in the Present is both a living archive and a call to action. It is a vital resource for understanding Gazas cultural survival amid destruction.In partnership with the Arab British Centre.Contributors include Selma Dabbagh, Salman Abu Sitta, Shareef Sarhan, Hazem Harb, Malak Mattar, Marc-Andre Haldimann, Nadia Yaqub, Omar Al-Qattan, Kegham Djeghalian, Caitlin Procter, Atef Alshaer, Shatha Safi, Yara Sharif and Nasser Golzar.

Over the past two decades, Lisa Oppenheim has developed a critically acclaimed practice that is deeply rooted in the field of photography while also constantly exploring its margins. She often focuses on the unexplored potential of the mediums artistic, technological, and sociopolitical histories. Combining material experimentation with archival research, Oppenheim transforms or, in her words, "reprocesses"images and ideas both recent and historical by employing creative mechanisms ranging from a host of photographic processes to other media such as textiles, film and video, and, most recently, sculpture. Published in conjunction with her exhibition Monsieur Steichen at MUDAM Luxembourg, this richly illustrated catalogue surveys Oppenheims works from the past dozen years, and includes new texts by Darsie Alexander, Christophe Gallois, Jacob Proctor, and Bettina Steinbrugge, as well as a conversation between Lisa Oppenheim and artist Liz Deschenes.Lisa Oppenheim (*1975, New York) lives and works in New York City and holds degrees from Brown University, Bard College, and the Rijksakademie van beeldende kunsten. She is represented by Tanya Bonakdar Gallery in New York and Los Angeles and The Approach in London.

Over the past two decades, Lisa Oppenheim has developed a critically acclaimed practice that is deeply rooted in the field of photography while also constantly exploring its margins. She often focuses on the unexplored potential of the mediums artistic, technological, and sociopolitical histories. Combining material experimentation with archival research, Oppenheim transforms or, in her words, "reprocesses"images and ideas both recent and historical by employing creative mechanisms ranging from a host of photographic processes to other media such as textiles, film and video, and, most recently, sculpture. Published in conjunction with her exhibition Monsieur Steichen at MUDAM Luxembourg, this richly illustrated catalogue surveys Oppenheims works from the past dozen years, and includes new texts by Darsie Alexander, Christophe Gallois, Jacob Proctor, and Bettina Steinbrugge, as well as a conversation between Lisa Oppenheim and artist Liz Deschenes.Lisa Oppenheim (*1975, New York) lives and works in New York City and holds degrees from Brown University, Bard College, and the Rijksakademie van beeldende kunsten. She is represented by Tanya Bonakdar Gallery in New York and Los Angeles and The Approach in London.