eBooks de Historias de la música, página 14 de 128

Orchestermusiker im heutigen Berufsleben sind hochspezialisierte und hochqualifizierte Instrumentalisten. Schon lange wurde erkannt, dass die traditionelle Ausbildung an den Hochschulen zwar ein hervorragendes Fundament fur das Orchesterspiel legt, den besonderen Anforderungen des Orchesterbetriebes aber nicht in allen Punkten gerecht wird.Die vorliegenden Bande vermitteln Fahigkeiten und Kenntnisse, die Orchestergeiger neben der normalen Hochschulausbildung und uber sie hinaus benotigen. Als Trainingsanleitung und Ratgeber konnen sie die Musiker uber alle Stadien ihrer gesamten Laufbahn hinweg begleiten von der Probespielvorbereitung bis hin zur Bewaltigung der Langzeitbelastung beim taglichen Orchesterdienst. Dabei bieten die Bande eine Fulle von Themen aus den Bereichen:- Ubetechniken- Blattspiel- Tagliche Uberoutinen- Umgang mit dem Korper- Bogentechnik und Tonbildung- Technik der linken Hand- Pizzikatotechnik und spezielle Techniken- Rhythmus und Ensemblespiel- Notation und Auffuhrungspraxis- Einrichten von Orchesterstimmen- Stilkenntnis- Erarbeitung eines Kernrepertoires- Probespielvorbereitung- Bewaltigung von Auftrittsangst- Bewaltigung des Orchesteralltags- Verstandnis fur das Orchester als soziales Umfeld- Bewaltigung der physischen und mentalen Langzeitbelastung im OrchesterBeigefugt ist ein ausfuhrliches, kommentiertes Verzeichnis aller Orchesterstudien-Sammlungen und aller themenbezogenen Bucher und Artikel, einschlielich der wichtigsten Studien der letzten Jahre zur "Performance Science". Spezielle Kapitel zu allen wesentlichen Ube- und Spieltechniken enthalten Hunderte von Ubebeispielen aus uber 300 Orchesterwerken aus den Bereichen Symphonik, Oratorium, Oper, Operette und Ballett aus der Zeit zwischen ca. 1750 und 1950. Hinzu kommen spezielle Ubungen, die der Orchestertechnik gewidmet sind.Die Bande wenden sich an Studenten in speziellen (Master)-Studiengangen im Orchesterspiel, Probespielkandidaten, Berufsanfanger, erfahrene Orchestermusiker und Dirigenten und sind auch als Material fur Kurse im Orchesterspiel geeignet.Zusatzliches Material und Einfuhrungsvideo auf www.orch.info

Franz Liszt is well known for his early years as super-star pianist who excited audiences throughout Europe, but his later life is also of great interest. In his final 25 years he sought to achieve his lifes aims of promoting new forms of music and giving stronger witness to his Christian faith, while continuing to support his stalwart life partner Princess Carolyne. However, he was to face unexpected problems in the continued negative reception of his music and recrimination in his closest relationship. Drawing on detailed analysis of Liszts correspondence from his fiftieth year onwards, Peter Coleman approaches his later life as a case study of an older person grappling with a succession of often disturbing life experiences. These included the deaths of two of his children, political upheaval and war within Europe, and a growing realisation of his own past failings. Liszt suffered frequent bouts of depression but never ceased composing music nor steadfastly heeding Christs command to bear ones cross. This sensitive treatment of an extraordinary individual will appeal to the scholar and general reader alike.

Franz Liszt is well known for his early years as super-star pianist who excited audiences throughout Europe, but his later life is also of great interest. In his final 25 years he sought to achieve his lifes aims of promoting new forms of music and giving stronger witness to his Christian faith, while continuing to support his stalwart life partner Princess Carolyne. However, he was to face unexpected problems in the continued negative reception of his music and recrimination in his closest relationship. Drawing on detailed analysis of Liszts correspondence from his fiftieth year onwards, Peter Coleman approaches his later life as a case study of an older person grappling with a succession of often disturbing life experiences. These included the deaths of two of his children, political upheaval and war within Europe, and a growing realisation of his own past failings. Liszt suffered frequent bouts of depression but never ceased composing music nor steadfastly heeding Christs command to bear ones cross. This sensitive treatment of an extraordinary individual will appeal to the scholar and general reader alike.

The Old Bush Songs is a compelling anthology that captures the essence of Australian folklore through its rich collection of traditional songs. Edited by various contributors, the collection weaves together lyrical narratives that reflect the rugged beauty of the Australian landscape, the hardships of bush life, and the emotive experiences of its inhabitants. The diverse literary style ranges from the humorous to the mournful, incorporating elements of balladry that resonate with themes of love, loss, and adventure. This work serves not only as an artistic expression but also as a cultural artifact, preserving the musical heritage of Australias early settlers and Indigenous traditions within a vibrant literary context. The editors of The Old Bush Songs draw from a well of collective experiences that inform their choice of pieces and the historical significance of bush poetry. Their deep appreciation for the rich tapestry of Australian lifeAifostered by personal experiences in rural settingsAibolsters the authenticity of the anthology. Each song acts as a narrative vessel, carrying with it the stories of the land and its people, illustrating the intertwining of history, mythology, and social commentary. This book is a must-read for those interested in Australian culture and history as well as lovers of folk music and poetry. The Old Bush Songs transports readers into the heart of the Australian bush, celebrating its spirit and resilience, and invites contemporary audiences to connect with a literary tradition that transcends time.

The Newcastle Song Book; or, Tyne-Side Songster is a significant anthology that captures the rich musical heritage of the Newcastle region, presenting a vivid tapestry of local songs, ballads, and verses. This collection features an array of lyrical expressions that reflect the cultural, social, and historical nuances of Tyne-Side, delivered in a style that retains the authenticity of the dialect and the folk tradition. The book serves as both a celebration of local identity and a valuable resource for understanding the evolution of English folk music, drawing upon poetic forms that range from the jubilant to the melancholic, evoking the vibrancy of working-class life in the 19th century. Compiled by various authors and local musicians, this volume showcases the collaborative spirit of folk tradition, resonating with a deep sense of place and community. The contributors, likely influenced by their own experiences in the Newcastle area, sought to preserve the oral histories and melodies that define their local culture. The anthology acts as both a historical document and a testament to the continuity of expression through music, echoing the lives of the people who inhabit this storied region. For readers interested in folk music, cultural history, or the authentic voices of the working-class North East, The Newcastle Song Book is an essential addition to the literary canon. It invites you to immerse yourself in the heart of Tyne-Side, offering a unique opportunity to engage with the songs that have shaped the collective memory and identity of this community. Whether you are a musicologist, a historian, or a casual reader, this collection promises to enchant and educate.

The Newcastle Song Book; or, Tyne-Side Songster is a captivating anthology that immerses readers in the rich tapestry of NorthumberlandAos musical heritage during the 19th century. This collection features an array of folk songs, ballads, and traditional melodies, embodying the localized dialect and cultural nuances of the Tyne-Side region. The work is characterized by its use of accessible vernacular and lively rhythm, emblematic of folk traditions, making the songs not just works of art, but communal expressions that resonate with the lived experiences of the people. The historical context of industrialization and community solidarity in Newcastle is palpably reflected in the themes of love, labor, and local pride conveyed through the lyrics. Curiously anonymous in its authorship, The Newcastle Song Book is the product of collective cultural memory, likely compiled by local musicians or enthusiasts who aimed to preserve the songs that defined their community. It represents an important facet of folk literature that speaks to the larger social dynamics of the time, highlighting the significance of oral tradition in shaping regional identities, while also serving as a form of resistance against the encroachment of commercial music styles. This book is highly recommended for scholars of folklore, musicology, and regional studies, as well as for anyone with a passion for cultural heritage. Its engaging prose and historical importance offer invaluable insights into the communal spirit of Newcastle and serve as a testament to the enduring power of song in maintaining cultural connections across generations.

The New Music Journalism is legendary music journalist Nick Kents memoir of 1973 and 1974, two years that saw him go from aspiring, suburban scribe to celebrity journalist and companion to the likes of Led Zeppelin and the Rolling Stones. From hanging out with Lester Bangs in the States to dating Chrissie Hynde, Kent recalls an astonishing cast of seventies figures. But as his fame grew, so did his dependency upon narcotics, and these two years recount also the manic highs and strung-out lows such an appetite can bring.

THE RANI OF RANIPUR ,ALLY OF THE BRITISH CROWN IS KIDNAPPED BY THE ASSASSIN SECT OF THE THUGS.SIDNEY OREBAR ,HEAD OF THE BRITISH SECRET SERVICE AND FIELD AGENT ,THE BEAUTIFUL MOIRA HUNTER, TRAVEL TO INDIA TO RESCUE THE RANI. THIS IS AN ADVENTURE FULL OF ACTION,MISTERY, SUSPENSE,INTRIGUE AND HUMOUR.

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In The Musical Myths and Facts (Vol. 1&2), Carl Engel delves into the intricate world of music, separating truth from fiction. Engaging with a wide range of musical genres, Engel explores popular myths and misconceptions that have circulated throughout history. His writing style is scholarly yet approachable, making this book a fascinating read for both music enthusiasts and academics. With meticulous research and insightful analysis, Engel provides readers with a comprehensive understanding of the evolution of musical myths and their impact on our perception of music. This book is a valuable resource for those interested in music history and the cultural significance of musical myths. As a renowned music historian and critic, Carl Engel brings a wealth of knowledge and expertise to The Musical Myths and Facts. His passion for debunking myths and uncovering the truth behind musical folklore is evident throughout the book. Engels dedication to accuracy and detail is commendable, making him a trusted authority in the field of musicology. I highly recommend The Musical Myths and Facts (Vol. 1&2) to anyone looking to deepen their understanding of music history and folklore. Engels insightful exploration of musical myths will challenge your preconceptions and leave you with a newfound appreciation for the complexities of musical culture.

In "The Mothers Nursery Songs," Thomas Hastings expertly weaves a delicate tapestry of lullabies and childrenAos songs that reflect the tender bond between mother and child. Rich in lyrical beauty and musicality, HastingsAo work encapsulates the spirit of 19th-century America, drawing on folk traditions and the burgeoning Romanticism of his time. Each song is imbued with an emotional resonance, inviting readers to explore themes of love, nurturing, and the innocence of childhood, while simultaneously serving as a practical resource for mothers wishing to create a nurturing environment for their young ones. Thomas Hastings, a prominent figure in American music, was deeply influenced by his upbringing in a devout family and his passion for hymnody and folk melodies. His commitment to educational reform and child development is evident throughout his lifeAos work, as he consistently sought to blend musical instruction with moral and emotional upbringing. It is this dedication that inspired Hastings to compile and compose songs that not only entertain but also educate, signaling his profound understanding of a motherAos role in shaping her childAos early experiences. HastingsAo "The Mothers Nursery Songs" is an essential addition to the libraries of parents, educators, and musicians alike. It offers not just a collection of songs, but a touchstone for familial connection and the joys of nurturing. Ideal for those wishing to enrich the lives of their children through the power of song, this volume is a celebration of the simple yet profound act of singing together.

You have never played music or you cannot read sheet music, but you want to play famous and inspiring hymns and spirituals. Dont worry! You will begin to play right away.This e-book was written to help the absolute beginner to play in a simple and easy way that requires no knowledge of reading music. If you are a beginner, playing by note can be difficult. It is easier to follow color-coded circles with note letters.The melodies have been transposed to one octave and simplified. Also, the letter-coded notations have been added and complex notations and symbols have been reduced. Such simplification makes it possible for people to play melodies, especially those who cant read music or who have never played music before.The keys color of your musical instrument must be the same as the color chromatic scale in this e-book which corresponds to the Chromanotes color system.Popular in the US, the Chroma-Notes Colored Music System mixes the three primary colors: red, yellow, and blue.Mixing them gives three colors in between (orange, green, and violet) and mixing the 6 colors gives the new color tones. In total, there are 12 colors, which include all 12 notes of the chromatic scale, and one color blends into the next. The first 3 chroma-note colors are identical to the chakra color (C - red, D - orange, E - yellow). The note F is light green, note G - blue-green, A - blue-violet or magenta, and B - violet. I use here the Boomwhackers color system commonly used by American music teachers.All songs from this e-book are possible to play on an 8-note one-octave instrument. This e-book is aimed at your first musical experience no matter what age you are. There is no wrong time or not enough preparation to take up spiritual pursuits.ContentsBabylons FallingBring Me a Little Water, SylviaElijah RockEvery Time I Feel the SpiritGod is So GoodGreat Big StarsGreat DayHes Got the Whole World in His HandsKumbaya, My LordMichael Row the Boat AshorePeace Like a RiverSinner ManMy Lord What a MorningWe Are Climbing Jacobs LadderWe Are Marching (Siyahamba)When the Saints Go Marchin InWho Built the Ark?

This book explores Mick Ronsons life and career with his family, friends, fellow musicians and fans.For devotees of David Bowie, and Mick Ronson the Spider from Hull who lit up the fabulous Ziggy Stardust shows with his dazzling guitar playing and powerful stage presence. This is Mick Ronsons story. And it begins in his home-town of Hull.Based on the successful show Turn and Face the Strange. With unique material and exclusive interviews with fellow musicians, friends and family (to include Maggie Ronson, his sister, and Nick Ronson, his son) and those who knew him.A new leading biography of guitarist, songwriter, arranger, producer and musician Mick Ronson. Most famous for his critical contribution to David Bowies spectacular live band, studio albums including Hunky Dory, The Rise and Fall of Ziggy Stardust and the Spiders from Mars and Aladdin Sane. Mick also helped produce Lou Reeds Transformer, released five solo studio albums, performing in bands with Ian Hunter, Van Morrison and Bob Dylan as well as working with many other musicians.This is an authentic story of a boy from a council estate from Hull who achieved international rock god status. Set in a time of seismic social change, with colliding cultures of personal and community identity, image and fashion, gender roles and sexual freedom.

Re-issued to coincide with the centenary of Messiaens birth, The Messiaen Companion was the first major study to appear after the composers death in April 1992. It was the first book to offer both a complete survey of Messiaens extraordinary achievements and a comprehensive guide to his music, also examining in detail the enduring inspiration which Messiaen derived from his religious faith and from his lifelong passion for ornithology and the natural world. The contributors, all of whom have made a special study of the composer, include two biographers of Messiaen and a number of the foremost interpreters of his music. Messiaens influential teaching is recalled in essays by three of his pupils (Pierre Boulez, George Benjamin, and Peter Hill), and the composer is also remembered in a remarkable and moving contribution from his widow and devoted musical companion, the pianist Yvonne Loriod.

In "The Masters and Their Music," W. S. B. Mathews delves into the intricate relationship between acclaimed composers and their transformative contributions to the world of music. This meticulously crafted work examines the lives, influences, and legacies of pivotal figures in music history, employing an analytical lens that highlights both biographical details and stylistic innovations. Mathews intertwines detailed musical analysis with historical context, making this exploration not just an artistic assessment, but a rich narrative that situates these masters within their socio-cultural frameworks. W. S. B. Mathews, a distinguished musicologist and scholar, has dedicated his career to the study of music history and theory. His extensive research draws upon personal experiences as a performer and educator, which inspired him to illuminate the profound impact of composers on contemporary music. His insights elucidate the emotional and intellectual motivations that drove these artists, reflecting his passion for making complex ideas accessible to readers and musicians alike. This book is highly recommended for anyone interested in the deeper meanings embedded within musical compositions, offering both enthusiasts and scholars a unique perspective on how historical contexts shape artistic endeavors. Mathews eloquent prose and comprehensive analysis make "The Masters and Their Music" an indispensable resource for a thorough understanding of musics masters.

In "The Masters and Their Music," W. S. B. Mathews presents a comprehensive exploration of the lives and contributions of prominent composers, delving into the interplay between their personal experiences and their artistic output. Mathews employs a biographical approach interwoven with musical analysis, offering readers a rich tapestry that contextualizes each figure within their historical era. This text stands out not only for its depth of research but also for its engaging prose, rendering complex musical ideas accessible to both scholars and enthusiasts alike. W. S. B. Mathews, a distinguished musicologist and educator, was deeply influenced by his commitment to the celebration of classical music and its key figures. His extensive background in both performance and music theory informs this work, as he seeks to bridge the gap between academic study and the lived experience of music. Mathews previous writings gained acclaim for their insightful interpretations and explorations of musical heritage, paving the way for a profound appreciation of the titans of classical music. This book is highly recommended for students, educators, and anyone with a passion for music, as it provides not only a scholarly examination but also an inviting entry point into the legacies of musical masters. Mathews nuanced narrative invites readers to understand the nuances of musics evolution, fostering a deeper appreciation for the art form.

This edition contains the 4th clarinet part from The Marriage of Figaro overture by W. A. Mozart, transcribed for clarinet quartet by Francesco Leone.It can be performed either by a 4th Bb soprano clarinet or a bass clarinet, offering flexibility for varied ensemble settings.Designed for intermediate-level performers, this part supports the ensemble with harmonic foundation and rhythmic clarity, while preserving the original character and drive of Mozarts orchestration.Product Features: Concert key: Bb major Approximate duration: 4 minutes and 30 seconds Compatible with configurations: S.S.S.S. (4 soprano clarinets) S.S.S.B. (3 soprano clarinets + bass clarinet) Clean, legible engraving for rehearsal and performance use Multilingual Cultural Content:To enhance educational and interpretive value, the edition includes informative pages in 10 languages:English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese.These notes offer insights into the pieces historical context and stylistic interpretation.Complete the Set:This publication is part of a full series. The score and other individual parts are available separately for a complete and coordinated performance.Add this essential lower voice part to your quartet library today and explore more arrangements in our Mozart series.

This edition features the Bb Clarinet 3 part from The Marriage of Figaro overture by W. A. Mozart, skillfully transcribed for clarinet quartet by Francesco Leone.Perfectly suited for intermediate-level performers, this part plays a key supporting role in maintaining harmony and rhythmic drive within the ensemble.Compatible with standard quartet configurations: 4 Bb soprano clarinets (S.S.S.S.) or 3 soprano clarinets + bass clarinet (S.S.S.B.) Key Features: Concert key: Bb major Duration: approximately 4 minutes and 30 seconds Carefully engraved for clarity and ease of reading Designed to blend with both traditional and flexible ensemble setups Multilingual Bonus Content:To broaden accessibility and enrich learning, this edition includes informational notes in 10 languages:English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese.These pages offer historical context and interpretative guidance to better understand the music and its stylistic nuances.Complete Your Ensemble:This part is part of a full clarinet quartet transcription. The score and other individual parts are available separately in our dedicated series.Expand your classical repertoire with this essential inner voice and discover the full collection of Mozart works for clarinet ensemble.

This edition presents the Bb Clarinet 2 part from The Marriage of Figaro overture by W. A. Mozart, transcribed with precision for clarinet quartet by Francesco Leone.Designed for intermediate-level players, this part supports both harmony and interplay between melodic lines, making it a key structural voice within the ensemble.This part is compatible with the following clarinet quartet formations: S.S.S.S. (4 Bb soprano clarinets) S.S.S.B. (3 Bb soprano clarinets + 1 bass clarinet) Key Details: Concert key: Bb major Duration: approximately 4 minutes and 30 seconds Professionally engraved and easy to read Perfect for rehearsals, performances, and academic use Multilingual Educational Content:Included in this publication are informational notes in 10 languages:English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese.These multilingual insights explore the background of Mozarts music and performance suggestions tailored to the clarinet ensemble format.Series Availability:This part is part of a complete transcription. The full score and remaining parts are available separately in the same series.Add this essential part to your collection today and explore more classical transcriptions for clarinet quartet in our growing catalog.

Just ten short years ago, Manchester hosted the most exciting British music movement since the Two-Tone explosion of the 80s. The home of legendary acts such as New Order and The Smiths, the early 90s saw Manchester give birth to great groups like The Happy Mondays, James and The Stone Roses.Blending the attitudes of The Fall and The Buzzcocks with cutting edge sampling techniques and the occasional chemical, these bands created the superb Madchester sound. Of course, no sooner had the apple cart been upset than the scene began to suffocate under the weight of impostors. You need look no further than Primal Scream and Oasis to see that not all that was great about baggy died along with regional institutions like Factory Records and The Hacienda.The Pocket Essential Madchester profiles all the major bands of the time, together with the groups that influenced them and the swines that ripped them off. The book also pays tribute to important local figures like impresario Tony Wilson and DJ Mark Radcliffe and doffs its cap to Michael Winterbottoms ambitious attempt to transfer the story to the big screen, 24 Hour Party People.