Una historia social de España a través de sus canciones más famosas.¿Qué dicen de nosotros las canciones que escuchamos?¿Se puede contar la historia de un país a partir de su música?Este personal ensayo recorre la historia cantada del siglo XX español hasta 1976. Las canciones del momento se convierten en el mejor atajo para entender y sentir como fue el mundo y la vida de nuestros padres y de nuestros abuelos.La vaca lechera nos habla del hambre de la posguerra, Tatuaje o La Bien Paga del corse represivo del nacionalcatolicismo, Ay, Carmela o el Cara al sol guardan los sentimientos encontrados de la Guerra Civil. Paco Ibañez, Chicho Sanchez Ferlosio, Serrat y tambien Mari Trini o Jose Luis Perales muestran en su repertorio la evolucion de las ideas y la modernizacion de las costumbres, mientras que la rumba ofrece la mejor sintesis de la mestiza identidad española. De Ojos verdes a La chica yeye, de El porompompero a Palabras para Julia, de Cambalache a Mi casita de papel, de Yo no soy esa a ¿Y como es el?, de Alfonsina y el mar a Lestaca, de Libertad sin ira a El lago, mas de doscientos grandes exitos nos revelan en estas paginas que fue del amor, de la lucha politica, del papel de la mujer, de la memoria familiar, de los usos y funciones de la musica, de las drogas, del problema de la vivienda o de la evolucion tecnologica.¿Que me estas cantando? es el libro que reune a tres generaciones en torno a la musica.

¿Cantas?… es para ti está elaborado desde el estudio y la experiencia de años de trabajo, así como con una cuidadosa selección de las exigencias diversas que rodean al cantante popular. A pesar de la

Esta obra busca aportar una amplia gama de posibilidades musicales con arreglos de obras de repertorio latinoamericano, concebidos para enriquecer la experiencia dentro de las agrupaciones corales desde lo musical y lo humano, inspirados no solo desde las necesidades vocales, tecnicas e interpretativas, sino que buscan exaltar la variedad cultural que caracteriza a nuestros pueblos, para asi rescatar la identidad y riqueza de su folclor. La seleccion de arreglos esta presentada de forma secuencial para ser aplicada en diferentes formatos y niveles, entre los que se encuentran: obras para coros de voces iguales a dos y tres voces; obras para voces iguales y baritonos (cambiantes), y en ultimo lugar obras para coro mixto y acompañamiento instrumental.

Fruto de un año y medio de trabajo, y de cientos de horas de entrevistas con los principales actores y protagonistas de la escena musical y empresarial, "¡Bacalao!" es el primer libro que aborda de manera exhaustiva, seria y rigurosa el panorama musical y de ocio nocturno valenciano del periodo que se extiende desde principios de los ochenta a mediados de los noventa.Tras la muerte de Franco, y en plena Transicion, España vivio un periodo de esplendor cultural underground que, influido por la eclosion del punk britanico, sento las bases de una nueva escena artistica, sobre todo musical, que, en Valencia, a partir de la iniciativa de unos pocos emprendedores y visionarios, fraguo el alumbramiento de algunas de las discotecas mas innovadoras y avanzadas de Europa. Alli empezaron a operar los primeros DJ del pais, mezclando los vinilos que importaban de Londres o que traian las intrepidas tiendas de discos que empezaron a proliferar en la ciudad. Nacia asi una cultura de clubs cuyos bastiones fueron discotecas como Barraca, Chocolate, Espiral, Spook Factory, Puzzle, A.C.T.V o N.O.D.Los primeros años de espiritu vanguardista y transgresor, y los pioneros conciertos que se organizaron en algunas de estas salas, desembocaron en la consolidacion de un modelo de ocio nocturno que exploto el frenesi de una juventud que buscaba encontrar sus propios referentes y hallo en el esparcimiento frenetico de la noche una forma de liberacion. Liberacion que propiciaron las drogas -al principio la mescalina, y luego el extasis, la cocaina y el speed- que cientos de jovenes consumian en las diferentes discotecas, algunas de las cuales abrian en horario de after hours, en un circuito que se podia prolongar ininterrumpidamente durante el fin de semana, y a veces mas alla.Pronto, el fenomeno se torno masivo, y las fiestas de la llamada "Ruta del Bakalao" o "Ruta Destroy" se hicieron multitudinarias.

The Specials turned the world of pop music on its head in the late 1970s, fusing their multi cultural and West Indian tinged rhythms with a punk aesthetic which has endured to this day. One of the key bands of any time and place, their legacy endures, as evidenced by the popularity of their recent reformation. "Youre Wondering Now", written by a ska insider and associate of the band, tells their story from its origins to the present day, and has received warm praise from music fans the world over.

You are the music / While the music lasts T.S. Eliot, The Four Quartets Do babies remember music from the womb? Can classical music increase your childs IQ? Is music good for productivity? Can it aid recovery from illness and injury? And what is going on in your brain when Ultravoxs Vienna, Schoenbergs Verklarte Nacht or Dizzee Rascals Bonkers transports you back to teenage years? In a brilliant new work that will delight music lovers of every persuasion, music psychologist Victoria Williamson examines our relationship with music across the whole of a lifetime. Along the way she reveals the amazing ways in which music can physically reshape our brains, explores how smart music listening can improve cognitive performance, and considers the perennial puzzle of what causes earworms. Requiring no specialist musical or scientific knowledge, this upbeat, eye-opening book reveals as never before the extent of the universal language of music that lives deep inside us all.

El Festival de Eurovisión es mucho más que un evento musical y mucho más que un encuentro entre los países europeos. La victoria eurovisiva ha supuesto una fuente inagotable de sorpresas y decepciones en todas las ediciones celebradas desde 1956. Solo dos mujeres, Massiel y Salome, consiguieron traer a casa el preciado trofeo como representantes de Television Española en 1968 y 1969, respectivamente.Pero, de lo que trata este libro, es de todos aquellos que no han ganado Eurovision. Grandes artistas, jovenes valores o perfectos desconocidos: cantantes y compositores que han creado canciones a veces mas emocionantes, divertidas y memorables que las que triunfaron. No ganaron Eurovision, ¡ni falta que les hacia! Vivieron una experiencia apasionante: durante una noche, un continente entero permanecio delante del televisor atento a sus actuaciones.En estas paginas, hemos querido recordar a todos esos artistas que parecen guardar un secreto: ¿Quienes fueron? ¿Por que participaron? ¿Como vivieron el festival? ¿Se sintieron decepcionados? Han pasado los años y ahora se permiten mirar atras. Que nos lo cuenten ellos mismos.

Tan divertido de criticar como de citar, Yeah! explora las raíces de la música pop a través del nacimiento del rock, soul, punk, hip hop, indie, house y techno, englobando canciones, grupos, escenarios y estilos desde Rock around the Clock de Bill Haley y The Comets, hasta el primer megahit de Beyonce. Trabajando con una definicion amplia de pop (que incluye country, metal, disco, Dylan, skyffle y glam), separa las conexiones y las tensiones que dan vida a los rankings ydefiende que son una parte vital de nuestra historia. Yeah! es la mayor y mas eclectica de las gramolas hecha libro, una guia para la banda sonora de nuestras vidas, y un regalo para cualquiera que haya alucinado con las primeras notas de una cancion pop.

Ye Banks and Braes of Bonnie Doon for Easy PianoCeltic Mists Series for Novice Pianists by SilverTonalities Featuring the popular Ye Banks and Braes of Bonnie Doon and also Including 10 Traditional Irish Folk Songs, with Letter Names Embedded in Noteheads to increase the ability to recognize Musical Pitch and Read Music Quickly and AccuratelyPREVIEW, pages 1-2PRETTY MAGGIE MORRISSEY, pages 3-5WHILE GAZING ON THE MOONLIGHT, pages 6-8THE SOLDIER AND THE SAILOR, pages 9-10ODONNELL ABOO, pages 11-13THE NEW LANGOLEE, pages 14-16DOWN AT THE SEASIDE, pages 17-19FILL THE CUP, pages 20-21THE DAWNING OF THE DAY, pages 22-23THE PEARL OF THE FLOWING TRESSES, pages 24-25YE BANKS AND BRAES OF BONNIE DOON, pages 26-27CROSSING THE STREAM, pages 28-30

Woodwind Quintet scoreof "Silent Night" byFranz Xaver Gruber. Easy and original arrangement (Flute, Oboe, Bb Clarinet, French Horn and Bassoon) beginner/intermediate level by Francesco Leone. Key concert F with modulation in Bb, duration 3.15 min (+-). Score and parts available in series. Scan Qr-code (in cover) for audio demo or visitwww.glissato.itproduct code:EG1456. "Silent Night" (German: "Stille Nacht, heilige Nacht") is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in the small town of Oberndorf bei Salzburg, Austria. It was declared an intangible cultural heritage by UNESCO in 2011. The song has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935 has sold 10 million copies as a single.

Il libroWind of Changee rivolto ai ragazzi della scuola secondaria di primo grado e del primo biennio del liceo musicale che desiderano dedicarsi allo studio del flauto traverso.Il percorso si articola in dieci brani inediti che ripercorrono alcuni generi musicali come il Jazz, il Pop e la musica del Sud America, composti da Paolo Paniconi. Tali brani consentiranno allallievo di confrontarsi con diversi aspetti della tecnica flautistica. Le musiche, registrate dallo stesso compositore e dal flautista Sandro Sacco, sono allinterno di una versione in cui e presente solo pianoforte.Tali brani sono distribuiti dalla Macri Productions sul canale YouTube e sono a supporto dellallievo nello studio giornaliero, utilizzando iQR Codepresenti in questa pagina. È possibile accedere a tali brani tramite qualsiasi smartphone o tablet munito di apposita app che ne consenta la lettura.Wind of Changebook is addressed to first grade secondary school students and to students who are attending the first two years of Music High School who want to devote themselves to the learning of how to play the transverse flute.The book is composed by ten new tracks that revisit some musical genres like Jazz, Pop, and South American music, composed by Paolo Paniconi. These tracks will enable the learner to face with different aspects of flute technique.The musics, recorded by the same composer and the flautist Sandro Sacco, are within a version played only by piano.These tracks are distributed by Macri Production on the YouTube channel with the aim of supporting learners in their daily study, usingQR codesavailable on that page. Its possible to access to those tracks by whichever smartphone or tablet equipped with a specific app able to read them.

Wiener Blut (Sangue viennese) op. 354, e un valzer di Johann Strauss (figlio).Il 20 aprile 1873, larciduchessa Gisella dAsburgo-Lorena (1856-1932), la maggiore dei figli dellimperatore austriaco Francesco Giuseppe e di Elisabetta di Baviera, si sposo con il principe Leopoldo di Baviera (1846-1930) a Vienna.Per celebrare levento numerose furono le iniziative e le feste che si svolsero nel periodo del matrimonio reale, fra cui, un ballo di corte allHofburg e un festival al Prater ai quali parteciparono i membri della nobilta e i maggiori rappresentanti della citta di Vienna.Da parte sua, il personale della Wiener Hof-Operntheater (Teatro dellopera reale di Vienna) annunciarono per il 22 aprile 1873 un Ballo dellopera di corte (precursore del ballo dellopera di Vienna odierno) i cui proventi sarebbero stati destinati per le future pensioni dei membri del teatro.Tuttavia, poiche non vi fu lassenso da parte dellimperatore a far svolgere il ballo nelHof-Operntheater, levento fu spostato nella sala dorata del Musikverein.Desiderosi di fare bella figura con il pubblico, i membri della Wiener Hof-Operntheater ingaggiarono lorchestra Strauss e il loro direttore, Eduard Strauss, affinche si esibissero durante il ballo.

A must-read for anyone moved by the power of song - Lesley Garrett, CBESinging has always been there for us, at the root of what it is to be a human being. Through personal anecdote and scientific fact-finding, this book celebrates the way song inspires and heals us, from the cradle to the grave, and in the process does for singing what The Well-Gardened Mind did for nature, and what Why We Eat did for our diets. As a singing therapist, teacher and performer, Julia Hollander is in a unique position to consider singings importance to our wellbeing, charting its extraordinary influence on all aspects of our spiritual, emotional and physical lives. Why do parents feel compelled to sing to their newborns, and how does it help their development? What is it about song that brings communities together in harmony but also in protest? How come an activity that helps to embed languages and maths formulae can also be used to rehabilitate Long Covid sufferers? And what magic is at work when people who have lost the power to speak are still able to sing? By delving into her own life experiences, and calling on those of her fellow singers, the author seeks to answer these questions, underpinning her findings with the latest scientific research. In so many walks of life, people of all ages and backgrounds are waking up to the joys of singing, its power to give hope and connection in a fragmented world. Song-making is available in an increasingly broad range of social and therapeutic contexts, prescribed by doctors and community services. This book offers explanations for why this should be, and inspiration to anyone who loves to sing.

A ROUGH TRADE, THE TIMES, CLASH BOOK OF THE YEARThe dramatic story of Solange: a musician and artist whose unconventional journey to international success was far more important than her family name.Why Solange Matters is a significant and sober treatise on popular music . . . This book is more than necessary.THURSTON MOOREThe authors prose sparkles . . . This is a book about what freedom could look like for Black women.CALEB AZUMAH NELSON, OBSERVERInvigorating . . . much more than a dry thesis and at times something nearer to personal reverie.IAN PENMAN, LONDON REVIEW OF BOOKSA love letter to quirkly black creatives . . . [Phillips] vibrant writing reminds us how Solange lit "the flame of creativity" within many Black women.gal-dem Growing up in the shadow of her superstar sister, Beyonce, and defying an industry that attempted to bend her to its rigid image of a Black woman, Solange Knowles has become a pivotal musician and artist in her own right. In Why Solange Matters, Stephanie Phillips chronicles the creative journey of Solange, a beloved voice of the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solanges career but also how she and other Black women see themselves through the musicians repertoire. First, she traces Solanges progress through an inflexible industry, charting the artists development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. With this record and, then, When I Get Home (2019), Phillips describes how Solange has embraced activism, anger, Black womanhood and intergenerational trauma to inform her remarkable art.Why Solange Matters not only cements the subject in the pantheon of world-changing twenty-first-century musicians, it introduces its writer as an important new voice. MUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips - Why Marianne Faithfull Matters by Tanya Pearson - Why Karen Carpenter Matters by Karen Tongson

A remarkable feminist history and biography that features fragments from the five-decade career of an iconic artist.Through this deeply personal take, the real significance of Faithfull as an irrepressible female icon shines through.SHINDIGExcellent . . . Pearson deserves the widest possible audience.POPMATTERS First as a doe-eyed ingenue with As Tears Go By, then as a gravel-voiced phoenix rising from the ashes of the 1960s with a landmark punk album, Broken English, and finally as a genre-less icon, Marianne Faithfull carved her name into the history of rock n roll to chart a career spanning five decades and multiple detours. Why, then, was Faithfull absent from the male-dominated history of the British Invasion? Putting memoir on equal footing with biographical accounts, historian Tanya Pearson writes about Faithfull as an avid fan, recovered addict and queer musician at a crossroads. Whether exploring Faithfulls rise to celebrity, her drug addiction and fall from grace as a spurned muse or her reinvention as a sober, soulful chanteuse subverting all expectations for an ageing woman in music, Pearson reaffirms the deep connection between creator and listener in this remarkable feminist history of the iconic artist.Witty, passioante, and provactive. Finally, a feminist appreciation for Marianne Faithfull.VIVIEN GOLDMAN, author of Revenge of the She-Punks: A Feminist Music History from Poly Styrene to Pussy RiotWith vulnerability and a smart sense of humor, Tanya Pearson exposes the profoundly misogynistic music industry that abused Marianne Faithfull . . . heroic and hiliarious.JD SAMSON, of LeTigre and MEN MUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips - Why Marianne Faithfull Matters by Tanya Pearson - Why Karen Carpenter Matters by Karen Tongson

A PITCHFORK MUSIC BOOK OF THE YEARA radical, literary and intimate insight into one of the twentieth centurys most vital vocalists.Tongson serves up a number of astute observations about fantasy, projection, longing, normalcy, and aberrance.MAGGIE NELSONDeftly weaves memoir, history, and cultural criticism to highlight the dynamic relationship between artists and listeners.PITCHFORK In the 60s and 70s, Americas music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy - the underconsumption that led to Karens death at age thirty-two from the effects of an eating disorder. In Why Karen Carpenter Matters, Karen Tongson (whose parents named her after the pop icon) interweaves the story of the singers rise to fame in the 1960s and 70s with her own trans-Pacific journey between the Philippines - where imitations of American pop styles flourished - and Karen Carpenters home ground of Southern California. Tongson reveals why the Carpenters chart-topping, seemingly white-washed musical fantasies of normal love have profound significance for her - as well as for other people of colour, LGBT+ communities, and anyone outside the mainstream culture usually associated with Karen Carpenters legacy. This hybrid of memoir and biography excavates the destructive perfectionism at the root of the Carpenters sound, while finding the beauty in the singers all-too-brief life.Engrossing . . . a triumphant delight.4COLUMNSHeartfelt . . . excellent . . . breathtaking.EXCLAIM!Will resonate with readers who have never even heard of Carpenter.LITERARY HUBMUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips - Why Marianne Faithfull Matters by Tanya Pearson - Why Karen Carpenter Matters by Karen Tongson

Whispering Hope Piano Hymns Collection for Easy PianoTraditional Gospel for Novice Pianists by SilverTonalities!Letter Names Embedded in Noteheads to enable Novice Pianists to read Music quickly and accurately!PREVIEW, pages 1-2A MIGHTY FORTRESS IS OUR GOD, this German Hymn written by Martin Luther in 1529 is regarded as the greatest Hymn in German History, pages 3-4ALL THINGS BRIGHT AND BEAUTIFUL, a 17th Century English Hymn, was written in 1848 by Martin F. Shaw, pages 5-6MY SAVIOR FIRST OF ALL, an 1891 Gospel Hymn by Frances Fanny Crosby, with Music by John R. Sweney, pages 7-9O WORSHIP THE KING, written in 1833 by Johann Michael Haydn, with Lyrics by Robert Grant, pages 10-11ALL PEOPLE THAT ON EARTH DO DWELL, written by the Swiss Cantor Louis Bourgeois in 1511, it was sung at the Coronation of Queen Elizabeth II, pages 12-13THERE IS A POWER IN THE BLOOD, written in 1899 by Lewis Jones, which refers to the Sacrifice made by Jesus Christ for the redemption or our Souls, pages 14-16THE WAYFARING STRANGER, an American Folk Song, is also known as The Poor Wayfaring Stranger and I am a Poor Wayfaring Stranger, pages 17-19BATTLE HYMN OF THE REPUBLIC, is an American Civil War Hymn written to the tune of John Browns Body in 1852 by John William Steffe, pages 20-22WHISPERING HOPE, written in 1868 by the American Composer, Poet and Violinist, Septimus Winner, pages 23-26

A stunning social history of British rap and grime by one of the nations foremost cultural chroniclers.A stunning exploration of a genre, a movement and a world. Its every bit as lyrical as the rap Ekpoudom has documented.CANDICE CARTY-WILLIAMS, author of QueenieIlluminating and intimate. Ekpoudoms prose is rhythmic and deft but also crackles with joy. I know Ill be reading it for years to come.CALEB AZUMAH NELSON, author of Small Worlds[An] engaging, erudite, sweeping social history of grime in Britain . . . The writing is sublime.GARY YOUNGE, NEW STATESMANBrims with life and reverberates, long after you have closed its pages, with a quiet, lasting power.EVENING STANDARDEkpoudom is, hands down, one of Britains best music writers, as attested by his new book, Where We Come From, a kaleidoscopic, state-of-the-nation social and cultural history.THE FACE***I met people who never quite fit in where they were supposed to, who found solace, salvation and meaning in these sounds, these words. Something is happening in Britain, trembling the tracks as it unfolds. Recent years have borne witness to underground genres leaking out from the inner cities, going on to become some of the most popular music in the nation. In this groundbreaking social history, journalist Aniefiok Ekpoudom travels the country to paint a compelling portrait of the dawn, boom and subsequent blossoming of UK rap and grime. Taking us from the heart of south London to the West Midlands and South Wales, he explores how a history of migration and an enduring spirit of resistance have shaped the current realities of these linked communities and the music they produce. These sounds have become vessels for the marginalised, carrying Black and working-class stories into the light. Vividly depicted and compassionately told, Where We Come From weaves together intimate stories of resilience, courage and loss, as well as a shared music culture that gave refuge and purpose to those in search of belonging. Ekpoudom offers a rich chronicle of rap, identity, place and, above all, the social and human condition in modern Britain. ***Where We Come From emerges as more than just a historical account; its a mixtape and a comprehensive journey through Britain told from the perspective of the people who have spent the past seventy years shaping the culture.FRIEZEA rousing, inspiring, often breathtaking history that reads with the flow of a magnificent novel. Ekpoudom is one of the very finest chroniclers of black British culture.MUSA OKWONGA, author of One Of ThemA landmark work that will undoubtedly shape conversations about not just UK rap and grime, but British music for years to come.YOMI ADEGOKE, author of The List

"When The Saints Go Marching In" traditional, arranged for Saxophone Quartet SATB (intermediate level - written solos) by Francesco Leone. Score: Bb Soprano, Eb Alto, Bb Tenor and Eb Baritone Saxophones. Parts available in series.Audio demo available on www.glissato.it.

"When The Saints Go Marching In" traditional, arranged for Saxophone Quartet SATB/AATB (intermediate level - written solos) by Francesco Leone. Set of parts (5): Bb Soprano, Eb Alto, Bb Tenor and Eb Baritone Saxophones (included Alto instead Soprano). Score available in series. Audio demo available on www.glissato.it.