CHATTO & WINDUS- 9780701182137
In haunting ways this wonderful, compelling novel prefigures Suite Française and some of the themes of Némirovsky’s great unfinished sequence of novels. All Our Worldly Goods, though, is complete, and exquisitely so – a perfect novel in its own right. First published in France in 1947, after the author’s death, it is a gripping story of family life and starcrossed lovers, of money and greed, set against the backdrop of France from 1911 to 1940 between two terrible wars. Pierre and Agnès marry for love against the wishes of his parents and the family patriarch, the tyrannical industrialist Julien Hardelot, provoking a family feud which cascades down the generations. This is Balzac or The Forsyte Saga on a smaller, more intimate scale, the bourgeoisie observed close-up with Némirovsky’s characteristically sly humour and clear-eyed compassion. Full of drama and heartbreak, telling observation of the devastating effects of two wars on a small town and an industrial family, this is Némirovsky at the height of her powers. The exodus and flow of refugee humanity through the town in both wars foreshadows Suite Française, but differently, because this is Northern France, near the Somme, and the town itself is twice razed. Taut, evocative and beautifully paced, the novel points up with heartbreaking detail and clarity how close were those two wars, how history repeated itself, tragically, shockingly... It opens in the Edwardian era, on a fashionable Normandy beach, and ends with a changed world, under Nazi occupation.
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Escrito por Irène Némirovsky
Irène Némirovsky (Kiev, 1903-campo de concentración de Auschwitz, 1942) nació en el Imperio ruso en el seno de una acomodada familia judía que se estableció en Francia a raíz de la revolución bolchevique. Si bien ya había publicado varias novelas por entregas (como El malentendido en 1926), obtuvo con David Golder (1929) un inesperado éxito que la llevó a convertirse en una reconocida autora durante la década de 1930, con títulos como El baile (1929) o Jezabel (1935). Aunque se convirtió al catolicismo en 1939, ello no le evitó su deportación a Auschwitz, donde murió. Relegada injustamente al olvido tras la Segunda Guerra Mundial, la posterior publicación de sus obras inéditas permitió recuperar una de las voces literarias más incisivas y lúcidas del siglo XX.
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