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A noted non-Catholic writer on pedagogical subjects stated some time ago that if his own religious body had the wealth of story contained in the lives of the saints of the Catholic Church, it would be abundantly supplied with religious literature for children. It is true that the lives of the saints are an inexhaustible treasure-house for all that will interest and stimulate children; and that the same treasure-house is too seldom drawn upon. Its riches are, comparatively speaking, little known to our children or, indeed, to our older folks.A book that taps this vein of Catholic inheritance is: The Book of Saints and Heroes, by Mrs. Lang, and edited by the late Andrew Lang. Needless to say the work is admirably well written, and no child, even though tired, would think of sleep while the story of Jerome and the Lion, or Francis and the Wolf of Agobio, was being read. Here is all that will arouse the imagination, fascinate the mind, and instill that romantic love of heroic deeds which, in turn, is so powerful a stimulus to virtue. The book is most richly and tastefully illustrated with page drawings, many of them beautifully colored. The author has combined legend and history, and has sought to give us an interesting story book. This book is illustrated and annotated with a rare extensive biographical sketch of the author, Andrew Lang, written by Sir Edmund Gosse, CB, a contemporary poet and writer.

With "The Pink Fairy Book" Mr. Lang has exhausted the primary colors without coming to an end of his store of fairytales. This time he has gone further afield, though without finding much that is new. Japan yields a few; and other sources which we do not remember in the earlier books have been drawn upon. Generally, however, it is from the folklore of European nations, and from that most admirable of story-tellers, Hans Christian Andersen, that we get the best things. It is true that, as Mr. Lang remarks, Andersen " wants to point a moral as well as "adorn a tale," whereas the true fairy-story should not have any more intelligible moral than that it is a great virtue to be the youngest son of three, and a still greater to be the youngest of seven. Not the less, however, is it true that, on the whole, these stories are on the side of goodness and kindness. It is difficult to make a choice among these good things. But perhaps, " How the Hermit Helped to Win the Kings Daughter," is as good as any. Among the few outlandish stories, "Wischimataro and the Turtle " may be mentioned.This book is fully illustrated and annotated with a rare extensive biographical sketch of the author, Andrew Lang, written by Sir Edmund Gosse, CB, a contemporary poet and writer.

This is volume 5, covering the time from Murray to the King of Many Enemies.In many volumes of several thousand combined pages the series "The History of Scotland" deals with something less than two millenniums of Scottish history. Every single volume covers a certain period in an attempt to examine the elements and forces which were imperative to the making of the Scottish people, and to record the more important events of that time.

This is volume 2, covering the time from the death of Wallace to James III.In many volumes of several thousand combined pages the series "The History of Scotland" deals with something less than two millenniums of Scottish history. Every single volume covers a certain period in an attempt to examine the elements and forces which were imperative to the making of the Scottish people, and to record the more important events of that time.

This is volume 4, covering the time from Mary Stuart to the Two Murders.In many volumes of several thousand combined pages the series "The History of Scotland" deals with something less than two millenniums of Scottish history. Every single volume covers a certain period in an attempt to examine the elements and forces which were imperative to the making of the Scottish people, and to record the more important events of that time.

The aim of this book is to prove that the Homeric Epics, as wholes, and apart from passages gravely suspected in antiquity, present a perfectly harmonious picture of the entire life and civilisation of one single age. The faint variations in the design are not greater than such as mark every moment of culture, for in all there is some movement; in all, cases are modified by circumstances. If our contention be true, it will follow that the poems themselves, as wholes, are the product of a single age, not a mosaic of the work of several changeful centuries.This book is annotated with a rare extensive biographical sketch of the author, Andrew Lang, written by Sir Edmund Gosse, CB, a contemporary poet and writer. Contents:PrefaceChapter I - The Homeric AgeChapter Ii - Hypotheses As To The Growth Of The EpicsChapter Iii - Hypotheses Of Epic CompositionChapter Iv - Loose Feudalism: The Over-Lord In "Iliad," Books I. And Ii.Chapter V - Agamemnon In The Later "Iliad"Chapter Vi - Archaeology Of The "Iliad". Burial And CremationChapter Vii - Homeric ArmourChapter Viii - The BreastplateChapter Ix - Bronze And IronChapter X - The Homeric HouseChapter Xi - Notes Of Change In The "Odyssey"Chapter Xii - Linguistic Proofs Of Various DatesChapter Xiii - The "Doloneia"Chapter Xiv- The Interpolations Of NestorChapter Xv - The Comparative Study Of Early EpicsChapter Xvi - Homer And The French Mediaeval EpicsChapter Xvii - Conclusion

Fairy tales and stories of the Arabian Nights order are not often attempted by modern imaginations, but collections of the old legends are perennially popular. Mr. Andrew Lang has not yet exhausted the supply of these last, although he has to go to countries more and more remote for every new years gleanings. For the material in his latest volume, The Brown Fairy Book , he has searched the folk lore of the red Indians, the black Australians, the African Kaffirs, and the natives of Brazil and New Caledonia. Besides these, there are some tales of moment from the French and Persian, some of them being specially translated for this work. The beautiful illustrations in color are the work of Mr. Henry Ford.This book is illustrated and annotated with a rare extensive biographical sketch of the author, Andrew Lang, written by Sir Edmund Gosse, CB, a contemporary poet and writer.Contents: What The Rose Did To The CypressBall-Carrier And The Bad OneHow Ball-Carrier Finished His TaskThe BunyipFather GrumblerThe Story Of The YaraThe Cunning HareThe Turtle And His BrideHow Geirald The Coward Was PunishedHabogiHow The Little Brother Set Free His Big BrothersThe Sacred Milk Of KoumongoeThe Wicked WolverineThe Husband Of The Rats DaughterThe Mermaid And The BoyPivi And KaboThe Elf MaidenHow Some Wild Animals Became Tame OnesFortune And The Wood-CutterThe Enchanted HeadThe Sister Of The SunThe Prince And The Three FatesThe Fox And The LappKisa The CatThe Lion And The CatWhich Was The Foolishest?Asmund And SignyRubezahlStory Of The King Who Would Be Stronger Than FateStory Of Wali Dad The Simple-HeartedTale Of A Tortoise And Of A Mischievous MonkeyThe Knights Of The Fish

Mr. Andrew Lang has made this collection of what used to be called pieces of verse for the delectation of young readers. Precisely what kind of verse is most to the taste of the ripening minds of the numerous class that he had in view is a problem about which opinions may well differ; but one thing seems certain, and that is that, while they may not like many things in verse, they do, and always will, like those which possess the human interest which attaches to stirring events and heroic actions, of which they areas good judges as their elders. Mr. Langs selections include no living poet, but neglect no great poet of the 19th century, his favorites, so far as he can be said to have any, being Scott, Campbell, Byron, Burns and other spirited singers of human emotion. We should like to be in the place of some of the young readers of Mr. Langs anthology, that we might have for the first time the pleasure of being moved by Draytons Ballad of Agincourt, Campbells Mariners of England, Scotts Young Lochinvar, Byrons Destruction of Sennacherib, Macaulays Battle of Maseby, and what Coleridge calls that grand old ballad, Sir Patrick Spens. This book is annotated with a rare extensive biographical sketch of the author, Andrew Lang, written by Sir Edmund Gosse, CB, a contemporary poet and writer.

Perhaps there are some who will think we as a publisher are overexacting in our demands for childrens literature. Many of Dr. Churchs adaptations have come to us, and we cannot claim that they have added much to our respect for Homer. We always feel that we are backed up when we declare that in this retelling process, the large ruggedness which rightfully belongs to the classic is lost in the mild care we take of the sensitiveness of children. One is immediately drawn to Tales of Troy and Greece. Mr. Lang treats of Ulysses, Mellager, Theseus, Perseus, and puts into his text more substance than is found in the ordinary adaptation or rewritten classic.Contents:Ulysses The Sacker Of CitiesThe Wanderings Of UlyssesThe Fleece Of GoldTheseusPerseusThis book is fully illustrated and annotated with a rare extensive biographical sketch of the author, Andrew Lang, written by Sir Edmund Gosse, CB, a contemporary poet and writer.

In "The Mystery of Mary Stuart," Andrew Lang delves into the complex and enigmatic life of Mary, Queen of Scots, intertwining historical narrative with vivid storytelling to unearth the intricacies surrounding her legacy. Lang employs a rich, engaging prose style that blends meticulous research with a flair for drama, making the historical content accessible and compelling. Set against the backdrop of the turbulent politics of the 16th century, this work scrutinizes not only Marys personal trials but also the societal norms and machinations that dictated her fate, thereby placing her life within the wider tapestry of British history. Andrew Lang, a notable Scottish novelist, poet, and literary critic, was deeply fascinated by historical figures and events, which influenced his approach to writing this book. Known for his extensive work in folklore and his creation of fairy tale collections, Langs keen interest in narrative forms allowed him to explore Mary Stuarts life with both reverence and critical insight. His experiences and scholarly pursuits imbue the text with both depth and nuance, illustrating the perennial allure of Marys story in the collective historical imagination. This book is an essential read for anyone interested in the complexities of monarchy, gender, and history. Langs ability to convey the emotional and political stakes of Marys life makes it a vital resource not just for historians, but for readers seeking a deeper understanding of a woman who remains one of historys most captivating figures.

In "Prince Prigio," Andrew Lang crafts a captivating tale that artfully blends elements of fantasy and satire, drawing inspiration from the folkloric traditions of multiple cultures. This whimsical narrative follows the misadventures of Prince Prigio, a clever yet imprudent royal, who embodies both the virtues and follies of youth. Langs prose is remarkably rhythmic and lyrical, reflecting his deep engagement with oral storytelling forms, while also incorporating a rich tapestry of fairy tale conventions, creating a narrative that resonates with readers of all ages, prompting both laughter and introspection. Andrew Lang, a notable Scottish poet, novelist, and folklorist, was a key figure in the late 19th-century literary revival that sought to recapture and reinterpret traditional stories. His extensive background in anthropology and ethnography informed his passion for folklore, and he was a prolific compiler of fairy tales, evident in his beloved "Colored Fairy Books." Langs ability to weave moral lessons into delightful narratives reflects not only his literary prowess but also his understanding of the cultural significance of folklore in shaping societal values. As a thought-provoking exploration of the complexities of wisdom and folly, "Prince Prigio" is a delightful read for those who appreciate the interplay between fantastical elements and critical reflection. Readers seeking both entertainment and insight will find in Langs work a timeless charm that encourages them to ponder the true nature of heroism and the quirks of human behavior.

Andrew Langs "The Book of Dreams and Ghosts" seamlessly intertwines folklore, psychology, and the supernatural, crafting a fascinating exploration of dream narratives and ghostly encounters. Lang employs an elegant narrative style that reflects his expertise in both anthropology and literary criticism, allowing readers to traverse the blurred lines between reality and the ethereal. The text is rich with cultural references and vivid anecdotes, inviting readers into a labyrinth of dreams that challenge perceptions of the waking world, while drawing extensively on the mythological and ghost stories prevalent during the late 19th century. Lang, a prominent Scottish poet, novelist, and anthropologist, was deeply entrenched in the study of folklore and myths, which greatly influenced his writing. His extensive research into various cultural traditions and his passion for storytelling provided the perfect foundation for this book. Langs belief in the power of literature to convey deeper truths about human experience made him an ideal candidate to investigate the significance of dreams and the cultural implications of ghost stories. I highly recommend "The Book of Dreams and Ghosts" to readers who relish psychological inquiry intertwined with literary finesse. It not only serves as a compelling anthology of spectral accounts but also stimulates profound reflections on the nature of reality. This book will captivate those intrigued by the realm of the supernatural, as well as scholars interested in the crossover between folklore and literary traditions.

In "The Lilac Fairy Book," Andrew Lang presents a delightful collection of traditional folk and fairy tales, each rich in vivid imagery and cultural significance. This anthology, the fifth in Langs renowned series of fairy books, showcases vibrant narratives from diverse traditions, meticulously translated and adapted. The literary style is characterized by its enchanting prose, capturing the whimsy and moral lessons inherent in these tales. Langs adept storytelling intertwines elements of folklore with a charming narrative style, inviting readers to rediscover the magic of childhood through the lens of myth and morality. As a Scottish author and folklorist, Andrew Lang was deeply immersed in the study of mythology and folk traditions. His background in Classics, along with his desire to preserve and popularize these stories for contemporary audiences, drove him to compile this collection. Langs passion for literature and the oral traditions of various cultures is evident throughout his works, highlighting his commitment to sharing universal themes of hope, bravery, and integrity found in folklore around the world. "The Lilac Fairy Book" is highly recommended for both casual readers and scholars of folklore, as it serves as a beautiful entry point into the rich tapestry of fairy tales across cultures. Whether read to children or enjoyed independently, this collection promises to enchant with its timeless tales and profound lessons, making it a treasured addition to any literary library.

The Orange Fairy Book, a remarkable collection edited by Andrew Lang, showcases a vibrant array of fairy tales from diverse cultures, encapsulating the rich tapestry of human imagination. As part of Langs renowned series of fairy books, this volume stands out stylistically for its vivid prose and enchanting narrative style, inviting readers into a world where the fantastical intertwines with the moral and the whimsical. Each tale is meticulously curated, reflecting a broad literary context that bridges folk traditions and the burgeoning interest in childrens literature during the late 19th century. Andrew Lang, a Scottish poet, novelist, and folklorist, dedicated much of his life to the study of mythology and folklore. His passion for collecting and retelling these stories was fueled by his belief in their educational value and the universal truths they convey. Langs scholarly background and extensive travels across Europe and beyond allowed him to gather tales that reveal the cultural values and shared experiences of humanity, making his collections not just entertaining but also enlightening. The Orange Fairy Book is an essential read for anyone interested in the intersection of folklore and literature, as well as for lovers of fairy tales in general. Its enchanting stories encourage readers of all ages to appreciate the complexity of narrative traditions while imparting timeless moral lessons. This book is an invitation to rediscover the magic of fairy tales and their enduring impact on our cultural landscape.

In "Old Friends," Andrew Lang artfully weaves a tapestry of intimate narratives that delve into the relationships and reflections of cherished companions across various life stages. Written in Langs signature stylemarked by a blend of whimsical prose and poignant insightsthis collection captures the essence of nostalgia and the bittersweet nature of friendship. The literary context of the Victorian era, in which the importance of social bonds was widely explored, enriches Langs explorations, allowing readers to resonate deeply with his depicted characters and their shared memories. Andrew Lang, a prolific Scottish author and folklorist, had a profound interest in storytelling, shaped by his diverse academic background in classical studies and philology. His interactions with notable contemporaries and his involvement in the Scottish literary revival served as significant influences on his writing. Langs penchant for intertwining folklore and personal narrative within his works lends a unique richness to "Old Friends," allowing readers to experience his reflections on friendship through a deeply personal lens. I wholeheartedly recommend "Old Friends" to readers seeking a reflective and evocative collection that beautifully encapsulates the warmth, joy, and complexities of human connections. Langs insightful prose invites readers of all ages to pause, reminisce, and appreciate their own relationships, making this a timeless exploration of the bonds that shape our lives.

In "The Homeric Hymns," Andrew Lang presents an illuminating collection of ancient Greek hymns dedicated to various gods and divine figures, traditionally attributed to Homer. Langs literary style is characterized by its elegant prose and meticulous attention to the nuances of the original texts, which allows for a rich exploration of themes such as piety, human-divine interaction, and the cultural significance of myths. Set against the backdrop of the oral traditions that predate and inform much of classical literature, this collection not only serves as a testament to the artistry of early Greek poetry but also enriches our understanding of the religious and social fabric of ancient Greece. Andrew Lang, a Scottish poet, novelist, and folklorist, was deeply immersed in the study of mythology and comparative literature. His extensive background in classical texts, combined with his passion for folklore, propelled him to collect and translate these hymns, making them accessible to a contemporary audience. Langs scholarly endeavors, including his work on the "Blue Fairy Book" series, were fueled by a desire to preserve and illuminate the cultural heritage of diverse traditions, establishing him as a pivotal figure in the field of folklore studies. I highly recommend "The Homeric Hymns" to readers eager to delve into the foundational myths of Western literature. Langs adept translations breathe new life into these ancient verses, making them both approachable and thought-provoking. This collection not only enhances ones appreciation of Greek mythology but also invites readers to reflect on the timeless connection between humanity and the divine.

In "Books and Bookmen," Andrew Lang embarks on a scholarly exploration of the world of literature, blending his keen insights with a lively narrative style that invites readers into the intellectual milieu of the late 19th century. The book is a collection of essays that examine the nature of books, the role of authors, and the evolution of literary taste, showcasing Langs skillful prose. Drawing from his extensive experiences as a poet, historian, and folklorist, Lang reflects on the cultural value of books and their impact on society, all while maintaining a conversational tone that engages literary enthusiasts and casual readers alike. Andrew Lang, a prominent literary figure of the Victorian era, was renowned for his contributions to poetry, anthropology, and the compilation of folk tales. His diverse interests and academic background shaped his views on literature, leading him to champion lesser-known authors and advocate for the appreciation of literatures varied forms. Langs ability to dissect and contextualize works of literature speaks to his deep understanding of the literary landscape, influenced by contemporary societal changes and intellectual currents. "Books and Bookmen" is an essential read for anyone with a passion for literature, offering a profound appreciation for the written word and its myriad influences. Langs eloquent prose and insightful commentary provide an engaging journey through the literary world, making this work a timeless treasure for both scholars and book lovers alike.

Once upon a time in a certain country there lived a king whose palace was surrounded by a spacious garden. But, though the gardeners were many and the soil was good, this garden yielded neither flowers nor fruits, not even grass or shady trees.The King was in despair about it, when a wise old man said to him:Your gardeners do not understand their business: but what can you expect of men whose fathers were cobblers and carpenters? How should they have learned to cultivate your garden?You are quite right, cried the King.Therefore, continued the old man, you should send for a gardener whose father and grandfather have been gardeners before him, and very soon your garden will be full of green grass and gay flowers, and you will enjoy its delicious fruit.

The stories in the Fairy Books have generally been such as old women in country places tell to their grandchildren. Nobody knows how old they are, or who told them first. The children of Ham, Shem and Japhet may have listened to them in the Ark, on wet days. Hectors little boy may have heard them in Troy Town, for it is certain that Homer knew them, and that some of them were written down in Egypt about the time of Moses.People in different countries tell them differently, but they are always the same stories, really, whether among little Zulus, at the Cape, or little Eskimo, near the North Pole. The changes are only in matters of manners and customs; such as wearing clothes or not, meeting lions who talk in the warm countries, or talking bears in the cold countries. There are plenty of kings and queens in the fairy tales, just because long ago there were plenty of kings in the country. A gentleman who would be a squire now was a kind of king in Scotland in very old times, and the same in other places. These old stories, never forgotten, were taken down in writing in different ages, but mostly in this century, in all sorts of languages. These ancient stories are the contents of the Fairy books.

ONCE upon a time there was a King in the North who had won many wars, but now he was old. Yet he took a new wife, and then another Prince, who wanted to have married her, came up against him with a great army. The old King went out and fought bravely, but at last his sword broke, and he was wounded and his men fled. But in the night, when the battle was over, his young wife came out and searched for him among the slain, and at last she found him, and asked whether he might be healed. But he said No, his luck was gone, his sword was broken, and he must die. And he told her that she would have a son, and that son would be a great warrior, and would avenge him on the other King, his enemy. And he bade her keep the broken pieces of the sword, to make a new sword for his son, and that blade should be called Gram.