Anthony Hope, página 3 de 8

Un collar valiosísimo, propiedad de una familia aristócrata da origen a una ingeniosa trama que se inicia con una osada invitación a dos jóvenes amigos por parte de una duquesa casada, en ausencia del marido; invitacion que se vera truculentamente alterada por el repentino regreso del esposo y por un misterioso intento de robo de la valiosa gema por parte de unos malhechores; todo ello mediante una trama llena de ingeniosas vueltas y revueltas, y cuyas convenciones victorianas resultan sublimadas por la sutileza analitica de la prosa de este gran novelista.

In "Helenas Path," Anthony Hope intricately weaves a tale of personal exploration and the pursuit of identity against the backdrop of late Victorian England. The novel employs a compelling narrative style that oscillates between introspection and dramatic tension, inviting readers to engage with the psychological complexities of its characters. Helena, the protagonist, embarks on a transformative journey through social constraints and personal desires, reflecting the eras burgeoning concerns with individualism and societal roles. HopeAos vivid descriptions and nuanced dialogue capture the essence of a time on the cusp of modernity, enriching the literary context of the period. Anthony Hope, best known for his swashbuckling adventure novel "The Prisoner of Zenda," channels his keen understanding of human psychology and relationships into this more introspective work. His background in law and his experiences in literature and theater inform the depth of character development and the evocative scenes within "Helenas Path." This juxtaposition of adventure and self-discovery reveals Hopes belief in the necessity of understanding ones inner self amidst external chaos. "Helenas Path" is a must-read for those interested in the evolution of character-driven narratives and the exploration of personal autonomy. Hopes masterful storytelling, coupled with his incisive observations of human nature, renders this novel both timeless and relevant, encouraging readers to reflect on their own journeys of self-discovery.

In "The Great Miss Driver," Anthony Hope masterfully weaves a narrative that delves into the intricacies of societal norms and personal aspiration in the late Victorian era. The story follows the titular character, Miss Driver, who defies conventional expectations of womanhood through her keen intellect and indomitable spirit. Hope employs a satirical yet poignant literary style, intertwining sharp wit and emotional depth, which reflects the broader context of a society grappling with the changing roles of women. The engaging prose captures the tension between tradition and progress, making the reader contemplate the implications of individual choices against the backdrop of societal pressure. Anthony Hope, renowned for his earlier work "The Prisoner of Zenda," skillfully channels his experiences as a playwright and novelist into "The Great Miss Driver." Having observed the shifting currents of his time, HopeAos writing showcases his deep understanding of character development and social commentary. His connection to the world of theatre undoubtedly informs the spirited dialogue and dynamic character interactions that propel the narrative forward. This novel is a compelling recommendation for readers interested in early feminist literature and the literary exploration of gender dynamics. Hopes incisive prose and rich commentary on societal expectations invite both enjoyment and reflection, making it an essential addition to any literary collection.

In "A Man of Mark," Anthony Hope weaves a compelling tale of adventure and personal transformation set against the backdrop of Victorian society. The novel follows the journey of a young man, disillusioned with the constraints of his current life, who embarks on a quest for meaning and authenticity. Hopes literary style is characterized by vivid imagery and colloquial dialogue, which bring his richly drawn characters to life. He employs elements of social commentary, critiquing the rigid class structures of his time, making the narrative not just an adventure, but an exploration of individual purpose amidst societal expectations. Anthony Hope, an influential writer of the late 19th century, is perhaps best known for his classic "The Prisoner of Zenda." His experiences as a playwright and novelist informed his knack for storytelling, as well as his interest in themes of identity and honor. The shifting dynamics of the British social landscape during HopeAos lifetime, including the rise of the middle class, heavily influenced his literary oeuvre, prompting him to explore the struggles between personal aspiration and societal obligation in his work. Readers searching for a thoughtful exploration of self-discovery within an engaging narrative will find "A Man of Mark" a captivating read. HopeAos masterful blend of humor, action, and introspection will resonate with anyone familiar with the challenges of forging ones path in a conformist world. This novel is a testament to Hopes insight into the human condition, making it a worthwhile addition to the library of both adventure enthusiasts and literary scholars alike.

Clásico de la literatura juvenil, en la colección Nuevo Auriga. Texto abreviado, para facilitar la lectura de los más jóvenes.

Queen Flavia, dutifully but unhappily married to her cousin Rudolf V, writes to her true love Rudolf Rassendyll. The letter is carried by von Tarlenheim and his servant Bauer to be delivered by hand, but Fritz is betrayed by Bauer and it is stolen by the exiled Rupert of Hentzau and his loyal cousin the Count of Luzau-Rischenheim. Hentzau sees in it a chance to return to favor by informing the pathologically jealous and paranoid King.

On the Greek island of Phrosos, Count Antonio has forsaken his rank and his Prince for what he thinks is Right. He now lives as an outlaw in the hill yet he is still remembered fondly by those who knew him. Ambrose the Franciscan goes through archives and to meet people who met him to learn more, and even the Prince would do well to listen to what he comes to discover.

No character in recent fiction has excited greater interest than the beautiful, wilful, cruel, tender-hearted, proud, witty, and wholly delightful Princess Osra. Anthony Hope is at his best in the stories of which she is the heroine.The Heart of Princess Osra is full of throbs and incidents, and though there are not less than nine of the ladys passages damour, and le pays du tendre is criss-crossed in all directions, you still want a bakers dozen of these stories.

This new story is in the authors most finished and delicate style. The gallant Captain is a French soldier of fortune, and the surprising adventures into which he is projected, by his choice of a nights lodging in the Castle of Fieramondi, form the basis of a characteristically ingenious and interesting tale.

Mr. Anthony Hope is original, and original with a light-handed grace not too often found in English writers of fiction. His Comedies of Courtship remind one of pretty dances. The step of the dancers is light and firm, the figures graceful and lively. The whole leaves a sense of harmony and completeness. As in a dance, too, the people are real, the movements artificial. The plots of these tales can scarcely be taken quite seriously. But the young men and women in whom Mr. Hope delights, and makes us delight, talk and behave in the most natural manner. Through these comedies there runs a spice of smiling mischiefit is not even a distant cousin to cynicismwhich unites the reader and author in bonds of pleasant fraternity. It is a skilful thing to place behind his smiling groups, as Mr. Hope sometimes does, a background of slightly but well-defined tragedya ghastly or pathetic bygone incident of family history, against which plays the modern scene. Tennis parties, afternoon tea ; the bright girls with the ready tongues, and the men who answer deliberately but so much to the point also, are haunted pleasantly hauntedby the shadow of the past. Between the whiffs of the cigarettes you see the plaintive eyes of a Lady Agatha of a former age looking down on her descendants from a portrait on the wall ; and you suspect that by some imaginative laws of heredity she guides the freakish plot. Merimee was a great master of this art of threading a tragic underplot with the every-day realism of a modern tale which Mr. Hope also uses.

The many thousands who have read and admired The Prisoner of Zenda will reach eagerly for its sequel, which has been published under the title Rupert of Hentzau. They will not be disappointed. Sequels of successful stories are frequently weaker and somewhat forced, but in this case it must be admitted that Anthony Hope has given us a book as powerful, vigorous and fascinating as the first. It is a cleverly wrought out romance, resplendent with stirring incidents and ingeniously invented adventures, told with the visor which carries the reader swiftly to the end, and which we are accustomed to find in all of Hopes writings. The book will doubtless have as large a sale as The Prisoner of Zenda, and will be gladly welcomed by many a person, who after having been wearied by the daily cares, seeks rest of mind and diversion in a good story.