Edward FitzGerald

Los cuartetos escritos en persa por Omar Jayam se han convertido actualmente en textos poéticos de autoayuda sobre aspectos tan variopintos como la ciencia y el conocimiento, la moral y el comportamiento personal, la religion y la teologia, como ser feliz, la nostalgia por lo vivido, el disfrute de la vida antes de la muerte, de donde venimos y adonde vamos. Existen discrepancias sobre cuantos se deben realmente a Jayam, ya que muchos Rubaiyat han sido reconstruidos con diferentes copias sin que exista seguridad de que todas sean del gran poeta al que se atribuyen todas ellas. En Occidente empezaron a ser conocidas a partir de 1859, gracias a la traduccion libre de Edward Fitzgerald, que es la que sirve de base a esta edicion ilustradas con dibujos a Willy Pogany.

In "Letters of Edward FitzGerald to Fanny Kemble (1871-1883)", the esteemed Victorian poet and translator showcases a revealing correspondence that unfolds the intimate dynamics between two eminent figures of their time. Characterized by FitzGeralds exquisite prose, this collection melds personal sentiment with keen literary insight, illuminating not only their friendship but also the cultural milieu of 19th-century England. The letters reflect a blend of wit, nostalgia, and philosophical musings, offering a rich tapestry that captures the essence of their conversations and the societal issues they navigated together. Edward FitzGerald, renowned for his translation of the Persian poet Omar Khayyam, cultivated a literary career steeped in intellectual curiosity and emotional depth. His relationship with Fanny Kemble, a celebrated actress and writer, exerts a profound influence on his thoughts, as both grappled with their respective arts while immersing themselves in the Victorian world. This correspondence reveals FitzGeralds contemplative nature, as he articulates his perspectives on literature, society, and the ephemeral nature of life. For readers seeking an authentic glimpse into the lives and thoughts of literary giants, this collection is an indispensable treasure. The gripping exchange not only captivates with its eloquence but also serves as a poignant reminder of the timeless human experience, making it a worthy addition to any literary collection.

In the realm of poetry, few works have captured the essence of human experience as profoundly as the Rubaiyat of Omar Khayyam. Now, in A Multilingual Rubaiyat (Unabridged), Edward FitzGeralds masterful translation is presented alongside the original Persian text and a French rendering by J.B. Nicolas. This unique edition offers a captivating journey through the timeless verses, allowing readers to delve into the depths of Khayyams philosophy, wit, and existential musings. From the celebration of lifes fleeting joys to the contemplation of mortality, this multilingual Rubaiyat invites readers to embark on a profound exploration of the human condition.

Editor: William Aldis Wright

Editor: William Aldis Wright

In "Letters of Edward FitzGerald to Fanny Kemble (1871-1883)," the renowned translator of the Rubaiyat of Omar Khayyam presents a deeply personal and intellectually vibrant correspondence with the esteemed actress and writer Fanny Kemble. This collection, marked by FitzGeralds poetic sensibility and nuanced reflections, serves as both a literary artifact and a window into the social and cultural milieu of Victorian England. Through a rich tapestry of letters, FitzGerald navigates themes of art, nature, and the human condition, employing an engaging yet contemplative style that invites readers into the intimate world of his thoughts and emotions during a transformative period in his life. Edward FitzGerald, notable for his exceptional translations and literary prowess, found himself drawn to Kembles wit and intellect. Their correspondence evidences a profound friendship that transcends mere acquaintance, revealing FitzGeralds admiration for Kembles literary contributions and her shared enthusiasm for philosophical discourse. Insights gleaned from his diverse literary network and experiences prominently shape his perspectives, making these letters a crucial lens through which to understand his creative ethos. This collection is a must-read for scholars of Victorian literature and anyone intrigued by the interplay of literary friendship and personal reflection. FitzGeralds eloquent prose not only enriches our understanding of his character but also illuminates the broader cultural landscape of his time, making this compilation an essential addition to any literary library.