Émile Zola, página 8 de 34

Con" Naná" , Zola se propuso hacer un estudio verdadero de las cortesanas de lujo, hastiado por el tratamiento engañoso que del tema se había estado haciendo. Consiguió, sin embargo, crear una nueva divinidad, un nuevo tipo de mujer fatal y una nueva belleza diabolica. En" Nana" , Zola liga estrechamente los avatares de la existencia individual de una cortesana a los de las clases hegemonicas, en una etapa historica intencionadamente acotada, el Segundo Imperio.

Este ebook presenta "Yo acuso" con un sumario dinámico y detallado. En 1894, el caso Dreyfus sale a la luz, y se acusa al capitán Alfred Dreyfus, de treinta y cinco años, judío y alsaciano, de alta traicion. Pese a las declaraciones de inocencia del acusado, declaraciones que no se hacen publicas, se lo condena a cumplir cadena perpetua en la isla del Diablo, en la Guayana francesa. En marzo de 1896, el nuevo responsable del Servicio de Informacion (Service de Renseignements), el coronel Picquart, descubre un telegrama que no deja dudas de que Dreyfus no es el informador de los alemanes en el Estado Mayor frances, sino que el verdadero traidor habia sido el comandante Ferdinand Walsin Esterhazy. Picquart informa a sus superiores y expresa su conviccion de que fue un error atribuir el escrito a Dreyfus. No obstante, el Estado Mayor destina a Picquart a la frontera del este y, posteriormente, a Tunez. Los tribunales militares se niegan a revisar el caso Dreyfus y tratan de sofocar el escandalo, pero no logran evitar que algunos rumores alerten a personalidades de la izquierda. En 1897, con la ayuda del periodista Bernard Lazare, del senador Scheurer-Kestner y del diputado Joseph Reinach, Mathieu Dreyfus, hermano de Alfred, promueve una campaña en Le Figaro para exigir que se investigue a Esterhazy y se revise el juicio de 1894. Los conservadores reaccionan de inmediato. Indignado, Emile Zola, proximo a la izquierda radical y a grupos socialistas, entra en liza. La campaña de Le Figaro rompe la conspiracion de silencio. En diciembre de 1897, Esterhazy, cuya letra es identica a la de los facsimiles del escrito que la prensa ha reproducido, es inculpado y comparece ante un tribunal militar; los jueces lo absuelven en enero de 1898....

Nana is a novel by the French naturalist author Émile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series, which was to tell "The Natural and Social History of a Family under the Second Empire."The novel was an immediate success. Le Voltaire, the French newspaper that was to publish it in installments from October 1879 on, had launched a gigantic advertising campaign, raising the curiosity of the reading public to a fever pitch. When Charpentier finally published Nana in book form in February 1880, the first edition of 55,000 copies was sold out in one day. Flaubert and Edmond de Goncourt were full of praise for Nana. On the other hand, a part of the non-reading public, spurred on by some critics, reacted to the book with outrage. While the novel is held up as a fine example of writing, it is not especially true to Zolas touted naturalist philosophy; instead, it is one of the most symbolically complex of his novels, setting it apart from the earthy "realism" of LAssommoir or the more brutal "realism" of La Terre (1887). However, it was a great deal more authentic than most contemporary novels about the demimonde.Nana is especially noted for the crowd scenes, of which there are many, in which Zola proves himself a master of capturing the incredible variety of people. Whereas in his other novels -- notably Germinal (1885) -- he gives the reader an amazingly complete picture of surroundings and the lives of characters, from the first scene we are to understand that this novel treads new ground.Flaubert summed up the novel in one perfect sentence:Nana tourne au mythe, sans cesser detre reelle.(Nana turns into myth, without ceasing to be real.)

Nana is a novel by the French naturalist author Émile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series, which was to tell "The Natural and Social History of a Family under the Second Empire."The novel was an immediate success. Le Voltaire, the French newspaper that was to publish it in installments from October 1879 on, had launched a gigantic advertising campaign, raising the curiosity of the reading public to a fever pitch. When Charpentier finally published Nana in book form in February 1880, the first edition of 55,000 copies was sold out in one day. Flaubert and Edmond de Goncourt were full of praise for Nana. On the other hand, a part of the non-reading public, spurred on by some critics, reacted to the book with outrage. While the novel is held up as a fine example of writing, it is not especially true to Zolas touted naturalist philosophy; instead, it is one of the most symbolically complex of his novels, setting it apart from the earthy "realism" of LAssommoir or the more brutal "realism" of La Terre (1887). However, it was a great deal more authentic than most contemporary novels about the demimonde.Nana is especially noted for the crowd scenes, of which there are many, in which Zola proves himself a master of capturing the incredible variety of people. Whereas in his other novels -- notably Germinal (1885) -- he gives the reader an amazingly complete picture of surroundings and the lives of characters, from the first scene we are to understand that this novel treads new ground.Flaubert summed up the novel in one perfect sentence: Nana tourne au mythe, sans cesser detre reelle. (Nana turns into myth, without ceasing to be real.)

Este ebook presenta "Yo acuso" con un sumario dinámico y detallado. En 1894, el caso Dreyfus sale a la luz, y se acusa al capitán Alfred Dreyfus, de treinta y cinco años, judío y alsaciano, de alta traicion. Pese a las declaraciones de inocencia del acusado, declaraciones que no se hacen publicas, se lo condena a cumplir cadena perpetua en la isla del Diablo, en la Guayana francesa. En marzo de 1896, el nuevo responsable del Servicio de Informacion (Service de Renseignements), el coronel Picquart, descubre un telegrama que no deja dudas de que Dreyfus no es el informador de los alemanes en el Estado Mayor frances, sino que el verdadero traidor habia sido el comandante Ferdinand Walsin Esterhazy. Picquart informa a sus superiores y expresa su conviccion de que fue un error atribuir el escrito a Dreyfus. No obstante, el Estado Mayor destina a Picquart a la frontera del este y, posteriormente, a Tunez. Los tribunales militares se niegan a revisar el caso Dreyfus y tratan de sofocar el escandalo, pero no logran evitar que algunos rumores alerten a personalidades de la izquierda. En 1897, con la ayuda del periodista Bernard Lazare, del senador Scheurer-Kestner y del diputado Joseph Reinach, Mathieu Dreyfus, hermano de Alfred, promueve una campaña en Le Figaro para exigir que se investigue a Esterhazy y se revise el juicio de 1894. Los conservadores reaccionan de inmediato. Indignado, Emile Zola, proximo a la izquierda radical y a grupos socialistas, entra en liza. La campaña de Le Figaro rompe la conspiracion de silencio. En diciembre de 1897, Esterhazy, cuya letra es identica a la de los facsimiles del escrito que la prensa ha reproducido, es inculpado y comparece ante un tribunal militar; los jueces lo absuelven en enero de 1898....

Nana is a novel by the French naturalist author Émile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series, which was to tell "The Natural and Social History of a Family under the Second Empire."The novel was an immediate success. Le Voltaire, the French newspaper that was to publish it in installments from October 1879 on, had launched a gigantic advertising campaign, raising the curiosity of the reading public to a fever pitch. When Charpentier finally published Nana in book form in February 1880, the first edition of 55,000 copies was sold out in one day. Flaubert and Edmond de Goncourt were full of praise for Nana. On the other hand, a part of the non-reading public, spurred on by some critics, reacted to the book with outrage. While the novel is held up as a fine example of writing, it is not especially true to Zolas touted naturalist philosophy; instead, it is one of the most symbolically complex of his novels, setting it apart from the earthy "realism" of LAssommoir or the more brutal "realism" of La Terre (1887). However, it was a great deal more authentic than most contemporary novels about the demimonde.Nana is especially noted for the crowd scenes, of which there are many, in which Zola proves himself a master of capturing the incredible variety of people. Whereas in his other novels -- notably Germinal (1885) -- he gives the reader an amazingly complete picture of surroundings and the lives of characters, from the first scene we are to understand that this novel treads new ground.Flaubert summed up the novel in one perfect sentence:Nana tourne au mythe, sans cesser detre reelle.(Nana turns into myth, without ceasing to be real.)

Hijo de Gervaise Macquart et de su amante Lantier, el joven Étienne Lantier es despedido de su trabajo por haberle dado una bofetada a su patrón. Desempleado, se va al norte de la Francia en busca de trabajo. Es contratado en las minas de Montsou en donde vive condiciones de trabajo sumamente precarias.

«París es un estudio humano y social de la gran ciudad. En el marco dramático de una conmovedora historia de ayer y de hoy, se agitan la inmensa muchedumbre, los dichosos y los hambrientos, todos los

La figura de ÉMILE ZOLA (1840-1902) ha pasado a la historia de la literatura no sólo como fundador y teórico del naturalismo, sino también como vigoroso narrador del ambiente social y político de su epoca. En la extensisima serie denominada Los Rougon-Macquart recrea el clima historico y social del Segundo Imperio frances de Napoleon III, utilizando como hilo conductor las vidas de los diferentes miembros de dos ramas familiares, determinados por los rasgos fisiologicos de un linaje comun. Tercera entrega de esta serie tras La fortuna de los Rougon (L 5685) y La jauria (L 5694), EL VIENTRE DE PARIS que, al igual que las demas, mantiene el caracter de obra autonoma tiene como bullicioso y palpitante escenario el gran mercado de Les Halles, proyectado para proveer de alimentos a la gran ciudad. Huido del penal de Cayena, el republicano Florent va a parar a el, acogido por su hermanastro Quenu. Mas su practica y ambiciosa cuñada Lisa Macquart no vera con tan buenos ojos esta nueva situacion.

Nana is a novel by the French naturalist author Émile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series, which was to tell "The Natural and Social History of a Family under the Second Empire."The novel was an immediate success. Le Voltaire, the French newspaper that was to publish it in installments from October 1879 on, had launched a gigantic advertising campaign, raising the curiosity of the reading public to a fever pitch. When Charpentier finally published Nana in book form in February 1880, the first edition of 55,000 copies was sold out in one day. Flaubert and Edmond de Goncourt were full of praise for Nana. On the other hand, a part of the non-reading public, spurred on by some critics, reacted to the book with outrage. While the novel is held up as a fine example of writing, it is not especially true to Zolas touted naturalist philosophy; instead, it is one of the most symbolically complex of his novels, setting it apart from the earthy "realism" of LAssommoir or the more brutal "realism" of La Terre (1887). However, it was a great deal more authentic than most contemporary novels about the demimonde.Nana is especially noted for the crowd scenes, of which there are many, in which Zola proves himself a master of capturing the incredible variety of people. Whereas in his other novels -- notably Germinal (1885) -- he gives the reader an amazingly complete picture of surroundings and the lives of characters, from the first scene we are to understand that this novel treads new ground.Flaubert summed up the novel in one perfect sentence:Nana tourne au mythe, sans cesser detre reelle.(Nana turns into myth, without ceasing to be real.)

Como prostituta de lujo, gran conocedora de los bajos fondos parisinos, Nana es un gran espejo de aumento de todos los males de aquel París mundano, vicioso y contradictorio. El maestro del naturalismo llevo a cabo un minucioso retrato de una mujer de belleza arrebatadora y voracidad sin limites. Del fin una heroina tragica. Inolvidable para la literatura, Nana morira dejando tras de si una corte de hombres que en su dia perdieron la cabeza y el bolsillo por ella. Pero al fin su muerte no le importara a nadie.