GILES MORGAN

Este libro describe la historia, los ritos, los mitos y la realidad de la francmasonería, hermandad que ha contado entre sus filas a reyes, presidentes, líderes militares, renombrados políticos, escritores y filósofos. Las más de 160 ilustraciones que se encuentran en estas páginas documentan el crucial y siempre cambiante papel desempeñado por una de las organizaciones

Few fictional characters have proven to be as enduringly popular as the legendary Count Dracula. First published in 1897, Bram Stokers gothic masterpiece thrilled and disturbed Victorian society with its dark and compelling themes of violence, lust, cruelty and death.For many, the elegant but threatening figure of Dracula has come to epitomise the concept of the vampire. It is thought that Stoker took the name Dracula from the real-life historical figure of Vlad the Impaler, a medieval Romanian prince with a dark and sinister reputation.However, Stoker was also influenced by European literary creations such as The Vampyre, written in 1819 by John Polidori, the personal physician of Lord Byron. Polidori based his central character on the personality of the infamous poet and in doing so did much to crystalise the modern concept of the vampire as a sophisticated and sensual aristocrat.It is arguably within the medium of film, however, that the figure of Dracula has achieved its greatest fame within popular culture.In Dracula: The Origins and Influence of the Legendary Vampire Count, author Giles Morgan examines the roots of the vampire myth and the creation of Bram Stokers masterpiece of horror.

The Holy Grail is a subject that fascinates and intrigues. Through its various guises as magic cauldron, cornucopia, horn of plenty and chalice cup it has remained at the centre of popular culture from antiquity right up to the present day. An object of marvel and mystery it inhabits a place in mythology that has its roots in historical facts. The Grail has been a major inspiration and catalyst for literature and the arts in Western Culture. From Celtic mythology to the flowering of the medieval romances it has in many ways fulfilled its mythical role as a nurturing and regenerative vessel by providing such a rich and seemingly perpetual source of interest to writers and artists. Charting the emergence of the story of the Grail offers a revealing insight into the cultural shift from Celtic paganism to the emergence and domination of Christianity in Western Europe. The influence of Eastern mysticism emerges in the Grail romances as a result of the medieval crusades with its clash of cultures and subsequent cross-pollination of ideas. The Grail has come to symbolise the ultimate achievement in the modern mind and it became an object of fascination for the psychologist Carl Jung and the poet TS Eliot. Wagner, William Blake and the Pre-Raphaelites are just some of the artists to have fallen under its enduring spell.

From popular fiction such as The Hobbit and Game of Thrones to the universality of the English language, the continuing influence of the Anglo-Saxons can be found throughout the world.But who were the Anglo-Saxons and where did they come from?A Short History of the Anglo-Saxons traces the fascinating 600 year history of the Anglo-Saxons, starting from the early European migrants in 410 A.D. and stretching through until the dramatic end at the Battle of Hastings in 1066. As well as their many victories, the Anglo-Saxons faced numerous attacks on the prosperity and the successes of its people, facing off challenges from the Danish and the Vikings, before meeting defeat at the hand of William the Conqueror. Remnants of these people can still be seen in modern day with hoards of Anglo-Saxon gold and silverwork being discovered throughout the country and popular fiction taking inspiration from this thrilling era.A Short History of the Anglo-Saxons provides an indispensable introduction to everything you need to know about the Anglo-Saxon period.

St. George is a figure that bridges many worlds. At the heart of the myths and legends surrounding this English icon lies the story of an Early Christian Martyr persecuted by the Roman Empire around the third century AD. But England is only one country to have adopted this legendary soldier saint as their patron. Other countries including Germany, Armenia, Hungary, Portugal and Malta have all claimed him as their own. The cult of St. George is astonishingly widespread with churches being dedicated to him in Ethiopia, Egypt, Greece and France.His heroic struggle and victory against the dragon can be interpreted as representing the bravery of an individual Christian or as the eternal battle been good and evil. But closer examination of the cult of St. George yields unexpected results. There are clear parallels between his legendary battle and that of earlier pre-Christian heroes such as Perseus and Beowulf. St. George is also identified with the Islamic hero Al Khidr who is said to have discovered the fountain of youth. He has been associated with the coming of spring and has functioned as fertility symbol and been closely linked to the Green Man of Pre-Christian Myth. St. George has also acted as a symbol of chastity and served as a healing saint. His flag has been appropriated by the far right but in recent times come to identify a multi-cultural England. David Beckham arguably embodies many of the contradictory aspects of St. George as sex symbol, multi-racial icon and national hero.

Today it is known as Istanbul, the modern city which stands at the crossroads of Europe and Asia. For centuries past, it was Constantinople. But before that, it was Byzantium, and it gave its name to an ancient empire.Ancient Greeks, led by a man named Byzas, founded the city in the seventh century BC. A millennium later, it was revitalised by the Roman emperor Constantine the Great, who played a crucial role in making Christianity the official religion of the Empire. When the Roman Empire in the West collapsed, it was Byzantium that kept the imperial idea alive. For centuries, surrounded by hostile neighbours, Byzantium remained a Christian city at the heart of a Christian empire. As the new religion of Islam expanded, it was Byzantium and the Byzantine Empire that stood on the frontline of the confrontation between two faiths. When, in 1453, the city fell to the Turks and its last emperor died, the world was changed forever.The Byzantine Empire created remarkable art and architecture and a lasting cultural and religious legacy. Giles Morgan provides a concise history of a city which gave its name to an extraordinary civilisation.

For millions of people saints provide comfort, hope and inspiration and act as intercessors to God. But whilst the earliest saints and martyrs served an essentially spiritual role within society their impact and influence can also be found today throughout the modern secular world. The term saint comes from the Latin word sanctus meaning Holy. Many of the first saints were Christian martyrs who died for their faith. The original meaning of the accolade of martyr was witness.The earliest recorded account of the veneration of a Christian martyr relates to St Polycarp who died for his faith in 156 AD. The surviving text recounts that his fellow Christians gathered his bones or relics together and placed them at a site where they could be re-visited on the anniversary of his death.Initially, Christians prayed for their holy martyrs in memory of their sacrifices but over time began to regard them as intercessors between themselves and God. The sites of their burials became shrines for pilgrims to visit and their feast days important events. However, it has been observed that many of the aspects of the cults of different saints can be found in pre-Christian traditions. In the ancient Greek world the concept of a patron or localised god or goddess was commonplace. For example the city of Athens was said to be under the protection of Athena whilst the matron goddess of Byzantium was Artemis.During the Middle Ages the veneration of saints reached an apogee reflected in the popularity of the Golden Legend a written account of the lives of the saints compiled by Jacobus de Voragine. But where in the past individuals had become saints through the popular acclamation of the local community during the middle ages the Holy See itself would take sole responsibility for according that status. Pope Innocent III is now viewed as having established the right of the papacy to canonise individuals.A study of the lives and values of those individuals who have been accorded the status of saints often reveals wildly differing world-views and philosophical outlooks on the part of those who revere them as such.In an unexpected and fascinating turn of events slaves in the new world combined elements of their own traditions and spiritual beliefs with the European veneration of saints to produce a unique religious hybrid known as Santeria, a form of Voodoo practised in Cuba. More recently dramatic world events have led to the creation of modern saints such as the Martyrs of the Spanish Civil War and the recognition of the martyrdom of the Romanov family by the Russian church.The stories of the lives of the saints and the different aspects of their cults underpin many of the fundamental concepts of the modern world. From the little known Christian figure that gave his name to St Valentines Day to the mysterious St Nicholas or Santa Claus, saints continue to be invoked in the most commercial and arguably spiritually sterile of settings. Saints continue to serve as patrons of countries, professions, and occupations and provide help with medical, personal and spiritual problems. The differing roles of saints ranges from the surprising such as the archangel Gabriel being patron saint of broadcasters to the bizarre with St Quentin serving as the patron saint of Locksmiths.

The world of Freemasonry exerts a powerful influence on the modern imagination. In an age when perceived notions of history are being increasingly questioned and re-examined it is perhaps inevitable that secretive societies such as the Freemasons find themselves at the centre of considerable speculation and conjecture. To some they represent a powerful and shadowy elite who have manipulated world history throughout the ages, whilst to others they are an altogether more mundane and benign fraternal organisation.Giles Morgan begins by exploring the obscure and uncertain origins of Freemasonry. It has been variously argued that it derives from the practices of medieval stonemasons, that it dates to events surrounding the construction of the Temple of Solomon and that it is connected to ancient Mystery Cults. One of the major and often disputed claims made for Freemasonry is that it is directly attributable to the Knights Templar, generating a wealth of best-selling publications such as The Holy Blood and the Holy Grail and more recently Dan Browns The Da Vinci Code, linking Freemasonry to a supposed secret order known as the Priory of Sion who are the guardians of the true nature of the Holy Grail.Freemasonry today is a worldwide phenomenon that accepts membership from a diverse ethnic and religious range of backgrounds. Entry to Freemasonry requires a belief in a Supreme Being although it insists it does not constitute a religion in itself. The rituals and practices of Freemasonry have been viewed as variously obscure, pointless, baffling, sinister and frightening. An intensely stratified and hierarchical structure underpins most Masonic orders whose activities are focussed within meeting points usually termed as Lodges. Giles Morgan examines its historical significance (George Washington and Benjamin Franklin were both Masons) and its position and role in contemporary society.

The Holy Grail is a subject that fascinates and intrigues. Through its various guises as magic cauldron, cornucopia, horn of plenty and chalice cup it has remained at the centre of popular culture from antiquity right up to the present day. An object of marvel and mystery it inhabits a place in mythology that has its roots in historical facts. The Grail has been a major inspiration and catalyst for literature and the arts in Western Culture. From Celtic mythology to the flowering of the medieval romances it has in many ways fulfilled its mythical role as a nurturing and regenerative vessel by providing such a rich and seemingly perpetual source of interest to writers and artists.Charting the emergence of the story of the Grail offers a revealing insight into the cultural shift from Celtic paganism to the emergence and domination of Christianity in Western Europe. The influence of Eastern mysticism emerges in the Grail romances as a result of the medieval crusades with its clash of cultures and subsequent cross-pollination of ideas. The Grail has come to symbolise the ultimate achievement in the modern mind and it became an object of fascination for the psychologist Carl Jung and the poet TS Eliot. Wagner, William Blake and the Pre-Raphaelites are just some of the artists to have fallen under its enduring spell.