LOLA SHEPPARD

From soft politics, soft power and soft spaces to fluid territories, software and soft programming, Bracket 2 unpacks the use and role of responsive, indeterminate, flexible, and immaterial systems in design. In an era of declared crises--economic, ecological and climatic, among others--the notion of soft systems has gained increasing traction as a counterpoint to permanent, static and hard systems. Acknowledging fluid and indeterminate situations with complex feedback loops that allow for reaction and adaption, the possibility of soft systems has reentered the domain of design. The examples displayed in "Bracket goes soft" are offered as nothing more than a short catalog of soft systems--some explicitly architectural, others geological, others entirely metaphorical. In all cases, these examples explore how the notion of going soft can be iterated across professions, disciplines, and fields of research. The book is divided into the themes "sensing/feedback"; "interfacing/ enveloping"; "subverting/hijacking"; "formatting/ distributing"; "contingency/ resilience"; "diffusing/generating". Bracket is a book series structured around an open call that highlights emerging critical issues at the juncture of architecture, environment, and digital culture. The editorial board and jury for Bracket 2 includes Benjamin Bratton, Julia Czerniak, Jeffrey Inaba, Geoff Manaugh, Philippe Rahm, Charles Renfro, as well as co-editors Neeraj Bhatia and Lola Sheppard. Bracket is a collaboration between InfraNet Lab and Archinect. Show more Show less

By employing research techniques and spatial analysis that describe building in Artic regions, Many Norths explores how Arctic settelments have responded to climate and gepgraphy, as well as ever-.increasing global pressures, to ask: What is next for the North?

Bracket [at Extremes] includes critical articles and unpublished design projects that investigate architecture, infrastructure and technology as they operate in conditions of imbalance, negotiate tipping points and test limit states. We are conditioned, as designers of the built environment, towards the organization of people, programs and movement. Indeed the history of modern urbanism, architecture and building science has been predicated on an anti-entropic notion of programmatic and social order. But are there scenarios in which a state of extremity or imbalance is productive? Bracket [at Extremes] seeks to understand what new spatial orders emerge in this liminal space. How might it be leveraged as an opportunity for invention? What are the limits of wilderness and control, of the natural and artificial, the real and the virtual? What new landscapes, networks, and urban models might emerge in the wake of destabilized economic, social and environmental conditions?