Marcel Proust, página 9 de 29

A BBC Radio six-part dramatisation of Marcel Proust's groundbreaking series of novels, tracing the extraordinary story of the author's own life. Starring James Wilby and Jonathan Firth, and with a distinguished cast including Harriet Walter, Imogen Stubbs, and Corin Redgrave, this rich, multi-layered adaptation brings out all the variety and subtlety of Proust's magnificent masterpiece.Featuring a fictional version of himself - 'Marcel' - and a host of friends, acquaintances, and lovers, In Search of Lost Time is Proust's search for the key to the mysteries of memory, time, and consciousness. As he recalls his childhood days, the sad affair of Charles Swann and Odette de Crecy, his transition to manhood, the tortures of love and the ravages of war, he realises that the simplest of discoveries can lead to astonishing possibilities.

Flower and plant have no conscious will. They are shameless, exposing their genitals. And so in a sense are Proust's men and women . . . shameless. There is no question of right and wrong. Homosexuality . . . is as devoid of moral implications as the mode of fecundation of the Primula veris or the Lythrum salicoria.--------------------------------------------------------------------------------------SAMUEL BECKETTThe theme of Sodom and Gomorrah is sexual ambiguity. In the opening scene, the narrator secretly observes a sexual encounter between two men that is played out 'as though in obedience to the laws of an occult art' The book unfolds on matters of 'vice,' 'inversion,' mystery, desire, love, longing, and illusion.The final volume of a new, definitive text of A la recherche du temps perdu was published by the Bibliotheque de la Pleiade in 1989. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin's acclaimed reworking of C. K. Scott Moncrieff's translation to take into account the new French editions.

Time Regained, the final volume of In Search of Lost Time, begins in the bleak and uncertain years of World War I. Years later, after the wars end, Prousts narrator returns to Paris and reflects on time, reality, jealousy, artistic creation, and the raw material of literaturehis past life. This Modern Library edition also includes the indispensable Guide to Proust, compiled by Terence Kilmartin and revised by Joanna Kilmartin.For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartins acclaimed reworking of C. K. Scott Moncrieffs translation to take into account the new definitive French editions of A la recherche du temps perdu (the final volume of these new editions was published by the Bibliotheque de la Pleiade in 1989).

Em crônicas curtas escritas para jornal, o célebre autor de Em busca do tempo perdido retrata saraus literários e musicais da alta sociedade francesa, comenta atualidades e até noticiário policialAnt

A la Belle Epoque, le salon bourgeois parisien des Verdurin quai Conti est fréquenté par le docteur Cottard, Odette de Crécy et Charles Swann. Ce dernier suscite d'abord la curiosité puis le dédain de ce milieu. Une peinture satirique de la jalousie et du snobisme. Deuxième partie de Du côté de chez Swann.

Reading was, for Marcel Proust, more than the pursuit of knowledge: a truly spiritual activity, it was a means of transforming and transcending the self. By reading great authors, he contends, we not only learn of great ideas, but are enriched by the fruits of the worlds most inspirational minds.

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A Penguin Classics Deluxe Edition, with flaps and deckle-edged paperCarol Clarks acclaimed translation of The Prisoner introduces a new generation of American readers to the literary riches of Marcel Proust. The fifth volume in Penguin Classics superb new edition of In Search of Lost Timethe first completely new translation of Prousts masterpiece since the 1920sbrings us a more comic and lucid prose than readers of English have previously been able to enjoy.The titular prisoner is Albertine, the tall, dark orphan with whom Marcel had fallen in love at the end of Sodom and Gomorrah (volume 4). Albertine has moved in with Marcel in his familys apartment in Paris, where the pair have a seemingly limitless supply of money and are chaperoned only by Marcels judgmental family servant, Françoise. Marcel, who worries obsessively about Albertines relationships with other women, grows more and more irrational in his attempts to control her, keeping her prisoner in his apartment and buying her couture gowns, furs, and jewelry in an attempt to protect her from herself and from the outside world and. And yet in addition to being a tragedy of possessive love, The Prisoner is also a comedy of human folly and misunderstanding, linked to the other volumes of the larger novel through its themes of class differences, art, irrationality, social snobbery, and, of course, time and memory.

- Monsieur, je vous jure que je n'ai rien dit qui pût vous offenser. - Et qui vous dit que je suis offensé, s'écria M. de Charlus avec fureur en se redressant violemment sur la chaise longue où il était resté jusque-là immobile, cependant que, tandis que se crispaient les blêmes serpents écumeux de sa face, sa voix devenait tour à tour aiguë et grave comme une tempête assourdissante et déchaînée. Pensez-vous qu'il soit à votre portée de m'offenser ? Vous ne savez donc pas à qui vous parlez ? Croyez-vous que la salive envenimée de cinq cents petits bonshommes de vos amis, juchés les uns sur les autres, arriverait à baver seulement jusqu'à mes augustes orteils ?.

For a long time I used to go to bed early. Sometimes, when I had put out my candle, my eyes would close so quickly that I had not even time to say "Im going to sleep." And half an hour later the thought that it was time to go to sleep would awaken me; I would try to put away the book which, I imagined, was still in my hands, and to blow out the light; I had been thinking all the time, while I was asleep, of what I had just been reading, but my thoughts had run into a channel of their own, until I myself seemed actually to have become the subject of my book: a church, a quartet, the rivalry between François I and Charles V. This impression would persist for some moments after I was awake; it did not disturb my mind, but it lay like scales upon my eyes and prevented them from registering the fact that the candle was no longer burning.