Mario Vargas Llosa, página 10 de 29

WINNER OF THE NOBEL PRIZE IN LITERATURE The Way to Paradise interweaves the story of the painter Paul Gauguin with that of his grandmother, Flora Tristan. In 1844, Flora embarked on a tour of France to campaign for workers and womens rights. In 1891, her grandson set sail for Tahiti, determined to escape civilisation and seek out inspiration to paint his primitive masterpieces. Flora died before her grandson was born, but their travels and obsessions unravel side by side in this absorbing novel.A rare study of passion, ambition and the determined pursuit of greatness in the face of illness, death and conservative forces, The Way to Paradise shows Mario Vargas Llosa at the peak of his powers.

WINNER OF THE NOBEL PRIZE IN LITERATURE In Praise of the Stepmother is the story of Don Rigoberto, his second wife, Lucrecia, and his son, Alfonso. Their family life together seems to be a happy one. Rigoberto, an insurance company manager, spends his time preening himself for his wife and collecting erotic art. But while Lucrecia is devoted to him, she has her own needs, and soon finds herself the object of young Alfonsos attention.With meticulous observation and seductive skill, Mario Vargas Llosa explores the mysterious nature of happiness. Little by little, the harmony of his characters is darkened by the shadow of perversion.If you enjoyed In Praise of the Stepmother, you might also like Mario Vargas Llosas The Notebooks of Don Rigoberto.

In this delightful farce, the prim and proper Captain Pantoja is sent to Perus Amazon frontier on a secret Army mission - he must find females for the amorous recruits. Yet complications arise as word of his achievements starts to spread, and he finds himself battling against his wife, religious zealots and the Army that gave him the mission in the first place.Through a wonderfully comic montage of letters, military documents, radio broadcasts, dream sequences and dialogue, Mario Vargas Llosas Captain Pantoja and the Special Service combines political satire with humour, morality with uproarious sexuality.

A powerful exploration of machismo and sexual desire, by Perus most acclaimed writer.A Peruvian desert town in the 1940s. When a young girl disappears it seems that only La Chunga, the barwoman, knows the truth, but refuses to tell. Undeterred, the local men make up their own version of what happened in an attempt to extract the full story.Mario Vargas Llosas play Mistress of Desires (La Chunga) was written in 1985 and first staged in January 1986 in the Teatro Canout, Lima, Peru, by the Grupo Ensayo.This English translation by Sebatian Doggart was first staged in February 1992 in Christs Theatre, Cambridge University, by The Southern Development Trust.

The War of the End of the World is one of the great modern historical novels. Inspired by a real episode in Brazilian history, Mario Vargas Llosa tells the story of an apocalyptic movement, led by a mysterious prophet, in which prostitutes, beggars and bandits establish Canudos, a new republic, a libertarian paradise.

The new essay collection by the Nobel Prize-winning Peruvian novelist and social critic.In the past, culture was a kind of vital consciousness that constantly rejuvenated and revivified everyday reality. Now it is largely a mechanism of distraction and entertainment. Notes on the Death of Culture is an examination and indictment of this transformation - penned by none other than the Nobel winner Mario Vargas Llosa, who is not only one of our finest novelists but one of the keenest social critics at work today.Taking his cues from T. S. Eliot - whose treatise Notes Towards the Definition of Culture is a touchstone precisely because the culture Eliot aimed to describe has since vanished - Vargas Llosa traces a decline whose ill effects have only just begun to be felt. He mourns, in particular, the figure of the intellectual: for most of the twentieth century, men and women of letters drove political, aesthetic, and moral conversations; today they have all but disappeared from public debate.But Vargas Llosa stubbornly refuses to fade into the background. He is not content to merely sign a petition; he will not bite his tongue. A necessary provocateur, here vividly translated by John King, provides an impassioned and essential critique of our time and culture.

Quando riceve una lettera di minaccia con un ragnetto al posto della firma, Felícito Yanaqué non perde tempo e va alla polizia di Piura a sporgere denuncia. Ha faticato troppo per lasciare che qualc

Eine ungezügelte Liebes- und Lebensgeschichte. Fünfhundert Dollar – monatlich! Der Transportunternehmer Felícito denkt überhaupt nicht daran, auf die Schutzgeldforderung der peruanischen Mafia einzu

«C''est à Paris que j’ai écrit mes premiers romans, découvert l’Amérique latine et commencé à me sentir latino-américain ; j’y ai vu la publication de mes premiers livres ; j’y ai appris, grâce à Fla

«C''est à Paris que j’ai écrit mes premiers romans, découvert l’Amérique latine et commencé à me sentir latino-américain ; j’y ai vu la publication de mes premiers livres ; j’y ai appris, grâce à Fla

Felicito Yanaque has raised himself from poverty to ownership of a trucking business. His two sons work for him. He receives a threatening letter demanding protection money. The police don''t take him seriously, Felicito refuses to pay up and gets sucked into a nightmare. He becomes a reluctant public hero. Then his mistress is kidnapped, and matters become seriously complicated. And he finds that his troubles have begun very close to home.His fate is interwoven with the story of Rigoberto, a wealthy Lima insurance executive. His boss and old friend, Ismael, suddenly announces that he is marrying his housekeeper, a chola from Piura, to the consternation of his twin sons, a pair of brutal wasters. Ismael escapes to Europe with his new bride, leaving Rigoberto to face the twins'' threats, and their claims that he connived with a scheming woman to rob an old man of his fortune. Rigoberto is hounded by the press and TV. Meanwhile, his only son is having visions of a mysterious stranger who may or may not be the devil...

«C''est à Paris que j’ai écrit mes premiers romans, découvert l’Amérique latine et commencé à me sentir latino-américain ; j’y ai vu la publication de mes premiers livres ; j’y ai appris, grâce à Fla

Edición crítica con estudio introductorio y guía de lectura. Si en el contexto de las actitudes, las tramas, los modelos de personajes y la conciencia crítica, los cuentos de Los jefes significan un anuncio de lo que seran sus novelas posteriores, en el ambito del estilo ocurre lo mismo. Las audacias tecnicas que descubrimos desde La ciudad y los perros, y comprobamos aumentadas, al menos hasta La guerra del fin del mundo, en los años ochenta, comienzan a vislumbrarse en esos relatos que piden, ademas, espacios mas amplios. Por otro lado, frente al realismo magico, que triunfa en la decada de los sesenta, y es considerado por la critica como un modelo propiamente hispanoamericano, la escritura de Vargas Llosa huye de elementos miticos o fantasticos y se instala mas bien en un realismo que trata de dar una vision totalizadora de la realidad, y concentra todos los esfuerzos en los logros tecnicos, antes que en los anecdoticos o argumentales.

Felicito Yanaque has raised himself from poverty to ownership of a trucking business. His two sons work for him. He receives a threatening letter demanding protection money. The police don''t take him seriously, Felicito refuses to pay up and gets sucked into a nightmare. He becomes a reluctant public hero. Then his mistress is kidnapped, and matters become seriously complicated. And he finds that his troubles have begun very close to home. His fate is interwoven with the story of Rigoberto, a wealthy Lima insurance executive. His boss and old friend, Ismael, suddenly announces that he is marrying his housekeeper, a chola from Piura, to the consternation of his twin sons, a pair of brutal wasters. Ismael escapes to Europe with his new bride, leaving Rigoberto to face the twins'' threats, and their claims that he connived with a scheming woman to rob an old man of his fortune. Rigoberto is hounded by the press and TV. Meanwhile, his only son is having visions of a mysterious stranger who may or may not be the devil...