Molière, página 5 de 22

Orgón es un personaje bastante importante que ha caído bajo la influencia de Tartufo (Tartuffe es el nombre dado a la trufa u hongo escondido bajo tierra), un hipócrita beaturrón, que además es bastante torpe. De hecho, los unicos que no se han dado cuenta de la verdadera naturaleza de Tartufo son Orgon y Madame Pernelle. El mediocre y ladino Tartufo exagera la devocion y ha llegado a ser el director espiritual de Orgon.

Molière - La escuela de los maridos es una comedia escrita por el dramaturgo francés Molière. Se halla dividida en tres actos y fue representada en el Palais-Royal de París, el 24 de junio de 1661.

"Tartufo" es la mejpr obra de Molière y una de las joyas de la literatura francesa. Se trata de una obra costumbrista que se centra en los problemas de la época, aunque la finalidad última del autor

Among Molieres best-known works is "Tartuffe" (AKA "The Hypocrite"), written in 1664. Though "Tartuffe" was received well by the public and even by Louis XIV, its popularity was lessened when the Archbishop of Paris issued an edict lasting 5 years threatening excommunication for anyone who watched, performed in, or read the play.Molieres masterpiece Tartuffe is a story about a man who falls prey to misplaced adoration. The dramatic work presents several dramatic features which define the play as a comedy of manners. Of particular importance is Molieres satirical look at religious hypocrisy. Tartuffe, a pious fraud who pretends to speak with divine authority, has insinuated himself into the household of Orgon. When Orgon announces that his daughter Mariane is to marry Tartuffe instead of her fiance Valere, the rest of the family realizes the extent of Tartuffes influence over Orgon. Tartuffe tries to seduce Orgons wife Elmire, who traps him into revealing to Orgon his intentions toward her. Orgon throws Tartuffe out of the house, Tartuffe returns with an order of eviction for the family, and at the final moment the tables are turned and the play ends happily.

Imaginemos a Moliere, en la soledad de su camarín, en los momentos en que se prepara para una representación; se ha detenido por un instante para consultar algo grave con su espejo; el espejo es gran amigo y fiel consejero de comediantes, que nada hacen sin preguntarle con una mirada si ello esta bien; los espejos son significativos en la vida de Moliere, como el color verde que preferia en sus trajes y en sus decoraciones, inclusive la de su propia casa; con tres espejos bajo una mascara ha sustituido en su sello personal lo que seria su escudo si fuese noble- a los monos que figuraban en la portada de la casa paterna; ahora tiene una interrogacion muy grave que hacer a su espejo; es el 24 de octubre de 1658, y la compañia de Moliere va por fin en esa fecha a actuar en presencia del joven rey. La obra escogida ha sido Nicomedes, de Pedro Corneille. ¿Aconsejo esa seleccion el propio Moliere, jefe de la compañia? Tal vez. ..pero recordemos que alli las cosas se deciden por votacion democratica de todas las partes. ¿Por que esa obra? Tal vez porque en ella se hace una defensa de la monarquia absoluta, lo que podria resultar simpatico al soberano, que quizas comenzaba ya a entenderla asi, y que con el tiempo habria de ejercerla; pero tambIen posiblemente por que las tres estrellas femeninas del grupo, importantes votos para escoger la pieza mas conveniente para e) caso, brillan en la tragedia, que les da ocasion de lucir la nobleza de sus bellas figuras y las conmovedoras entonaciones de sus bien educadas voces; su espejo le repite a Moliere que el, en cambio, no tiene en la tragedia ningun porvenir como actor; su estatura no es lo bastante majestuosa, y la emision de su voz suele interrumpirse con )os que sus criticos llaman hipos, y que son tal vez solo señales de una cierta cortedad de aliento, de una falta de capacidad toracica para la emision ininterrumpida de las grandes tiradas de versos tragicos; sus facciones son gruesas, vulgares; no hay en ellas distincion ni finura; no le vienen bien los nobles papeles de pr&

Translator: Ioannis Polemis

In his captivating comic play "Amphitryon," Molire masterfully intertwines themes of identity, deception, and the complexities of love with his characteristic wit and humor. Drawing inspiration from the classical myth of Amphitryon, the narrative revolves around the titular character, who finds himself embroiled in a web of misunderstandings when the god Jupiter assumes his form to seduce his wife, Alcmene. MolireAos rich dialogue and clever use of mistaken identity not only highlight the absurdity of human relationships but also critique societal norms of the 17th century, making it an engaging blend of farce and profound commentary, rooted in the tradition of French comedic theater yet pioneering in its exploration of psychological depth. Molire, born Jean-Baptiste Poquelin, was a leading figure of French classical comedy, often reflecting the social and moral fabric of his time through his works. Influenced by his background in law and his experiences in theater, MolireAos keen insight into human nature and societal flaws propelled him to explore themes of hypocrisy and the human condition. His blend of comedy and critique in "Amphitryon" exemplifies his distinctive style, challenging the conventions of his era while entertaining audiences with sharp humor and action. Readers seeking an intelligent and humorous exploration of deception and its ramifications will find "Amphitryon" to be a compelling read. MolireAos enduring relevance provides contemporary lessons in understanding identity and authenticity, making this play an essential addition to the repertoire of anyone interested in the evolution of comedy and the philosophical undercurrents within it.

In Molieres captivating play "Psyche," the tensions between romance and comedy unfold through a rich tapestry of witty dialogue and clever wordplay. Set against the backdrop of the early 17th-century French theatrical landscape, this work interlaces influences from classical mythology with the burgeoning spirit of the French avant-garde. Moliere artfully explores the themes of love, identity, and the comedic folly of societal expectations, through the story of Psyche, who embarks on a journey to reclaim her love from the underworld, defying both divine and human constraints. Moliere, born Jean-Baptiste Poquelin, was a pioneer of French comedy whose experiences in theater and his own tumultuous encounters with the aristocracy informed his satirical lens. His rich understanding of human nature, derived from both observed folly and personal struggles, equipped him to elucidate the absurdities of love and the complexities of societal mores. "Psyche" represents a significant moment in his oeuvre, as it demonstrates Molieres penchant for blending humor with poignant reflection. For those seeking a delightful yet profound theatrical experience, "Psyche" is a must-read. Molieres incisive wit and insightful commentary will resonate with modern readers, inviting them to reflect on the timeless nature of love, ambition, and the essence of happiness.In this enriched edition, we have carefully created added value for your reading experience:- A succinct Introduction situates the works timeless appeal and themes.- The Synopsis outlines the central plot, highlighting key developments without spoiling critical twists.- A detailed Historical Context immerses you in the eras events and influences that shaped the writing.- An Author Biography reveals milestones in the authors life, illuminating the personal insights behind the text.- A thorough Analysis dissects symbols, motifs, and character arcs to unearth underlying meanings.- Reflection questions prompt you to engage personally with the works messages, connecting them to modern life.- Handpicked Memorable Quotes shine a spotlight on moments of literary brilliance.- Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Tr.: Charles Heron Wall