Wilkie Collins, página 9 de 33

If youve seen "The Sixth Sense" with Bruce Willis, youll be familiar with Munchausen by Proxy Syndrome: deliberately making a person feel unwell in order to care for them. In "Jezebels Daughter", the poisonous Mrs Fontaine does exactly that in a plan to get her daughter, Minna, married. This is a story of romance and what happens when parents get too involved in their childrens marriages.Centred around a business based in London and Frankfort (or Frankfurt as we say today), "Jezebels Daughter" offers distinctive Victorian characters. Fritz Keller, the son of a partner of the business, is in love with Minna Fontaine. Meanwhile, the kindly proto-feminist Mrs Wagner runs the London office which employs women. She is caring for a patient, Jack, from the Bedlam psychiatric hospital.This thriller of a tale culminates when Mrs Fontaine, Mrs Wagner, and Jack all clash in a gothic plot that will determine the happy ending of Fritz and Minna.

Youve gotta love those travel documentaries with celebrities awkwardly trying to make their interactions with locals seem impromptu and organic. Perhaps its best to let the writers express the escapism of travel. And why not leave travel writing to Wilkie Collins, the star of Victorian-era mystery and thriller novels? In "Rambles Beyond Railways", Collins exchanges his London ale for a Cornish pasty when he writes of his travels around Cornwall.While the Victorians were crazy about building railways, rail access didnt extend to the whole of Cornwall. Instead, Collins goes by foot across Cornwall with his friend, Henry Brandling, who provided illustrations for the original publication. True to his love of the sensational, Collins explores the enchanting Cornish locations whence stories of ghostly shipwrecks and semi-mythical kings originated.Get lost in Collinss Cornwall instead of Jeremy Clarksons ill-fitting jeans.

Wilkie Collins's investigation of illegitimacy and 'the woman question' in No Name (1862) compels with a wholly different order of suspense from that of The Woman in White or The Moonstone. For its family secret - the Vanstone daughters' illegitimacy, their consequent disinheritance and fall from social grace - is revealed early on, and as Magdalen Vanstone struggles to reclaim her identity, the plot uncovers many a moral, social and legal skeleton in the cupboards of Victorian society. Mercurial and unscrupulous, Magdalen is Wilkie Collins's most exhilarating heroine, one of the rare subversives in Victorian fiction and a woman dazzlingly versatile in her powers of self-transformation. Through her, with great comic vigour, No Name exposes how social identity is constructed, and how it can be dismantled, buried, borrowed or invented.

En 1857, Charles Dickens y Wilkie Collins se pusieron a escribir una historia a cuatro manos. El resultado fue esta divertida novela protagonizada por dos profesionales del ocio, dos amigos cuya holgazaneria constituye un paradojico acto de rebeldia en una Inglaterra victoriana que ensalzaba la diligencia y la productividad como virtudes rectoras.Como el Bartleby de Herman Melville, el duo comico formado por Thomas Idle y Francis Goodchild preferiria no hacer nada, o al menos nada que comporte un esfuerzo demasiado oneroso. Aun asi, hilarantes aunque modestas aventuras les salen al paso en sus viajes por los pueblos de Inglaterra. La ascension de una montaña, un dia en las carreras de caballos, un partido de criquet, un trayecto en ferrocarril o la visita a un balneario; hasta la actividad mas anodina puede propiciar el encuentro con personajes pintorescos y situaciones disparatadas que acabaran por reafirmar a Thomas Idle en su resolucion de no volver a ser activo nunca mas, bajo ningun pretexto y por todo el tiempo que le quedara de vida.Esta deliciosa novela de espiritu cervantino da rienda suelta, a traves de digresiones e historias intercaladas, a lo mejor de cada autor: el realismo lirico y la satira social de Dickens, el misterio y el suspense que con tanto exito cultivo Collins.

Lord Montbarry rompe su compromiso con Agnes Lockwood y contrae matrimonio con la condesa Narona. Tras su luna de miel se instalan en un vetusto palacio veneciano junto al asistente de él. Allí se une a ellos el hermano de la condesa, el barón Rivar. Lord Montbarry fallece y Agnes recibe la noticia a través del hermano de este, Henry Westwick. La condesa y su hermano se van a América, el asistente desaparece, y su esposa, que vive en Londres, recibe mil libras de un anónimo. El palacio se rehabilita y se convierte en un hotel, y es aquí donde años más tarde se reúne la familia del fallecido. Tres de los miembros sufren un extraño malestar general con insomnio, falta de apetito, olores nauseabundos… Al mismo tiempo, la condesa Narona viaja a Venecia guiada por el destino. Allí, entre todos

This is the story of what a Womans patience can endure, and what a Mans resolution can achieve.If the machinery of the Law could be depended on to fathom every case of suspicion, and to conduct every process of inquiry, with moderate assistance only from the lubricating influences of oil of gold, the events which fill these pages might have claimed their share of the public attention in a Court of Justice.But the Law is still, in certain inevitable cases, the pre-engaged servant of the long purse; and the story is left to be told, for the first time, in this place. As the Judge might once have heard it, so the Reader shall hear it now. No circumstance of importance, from the beginning to the end of the disclosure, shall be related on hearsay evidence. When the writer of these introductory lines (Walter Hartright by name) happens to be more closely connected than others with the incidents to be recorded, he will describe them in his own person. When his experience fails, he will retire from the position of narrator; and his task will be continued, from the point at which he has left it off, by other persons who can speak to the circumstances under notice from their own knowledge, just as clearly and positively as he has spoken before them.Thus, the story here presented will be told by more than one pen, as the story of an offence against the laws is told in Court by more than one witnesswith the same object, in both cases, to present the truth always in its most direct and most intelligible aspect; and to trace the course of one complete series of events, by making the persons who have been most closely connected with them, at each successive stage, relate their own experience, word for word.Let Walter Hartright, teacher of drawing, aged twenty-eight years, be heard first.

NO NAME

BASIL

Valeria Woodville's first act as a married woman is to sign her name in the marriage register incorrectly, and this slip is followed by the gradual disclosure of a series of secrets about her husband's earlier life, each of which leads on to another set of questions and enigmas. Her discoveries prompt her to defy her husband's authority, to take the law into into a labyrinthine maze of false clues and deceptive identities, in which the exploration of the tangled workings of the mind becomes linked to an investigation into the masquerades of femininity. Probably the first full-length novel with a woman detective as its heroine, The Law and the Lady is a fascinating example of Collins's later fiction. First published in 1875, it employs many of the techniques used in The Moonstone, developing them in bizarre and unexpected ways, and in its Gothic and fantastic elements The Law and the Lady adds a significant dimension to the history of detective fiction.

En 1857, Charles Dickens y Wilkie Collins se pusieron a escribir una historia a cuatro manos. El resultado fue esta divertida novela protagonizada por dos profesionales del ocio, dos amigos cuya holgazaneria constituye un paradojico acto de rebeldia en una Inglaterra victoriana que ensalzaba la diligencia y la productividad como virtudes rectoras.Como el Bartleby de Herman Melville, el duo comico formado por Thomas Idle y Francis Goodchild preferiria no hacer nada, o al menos nada que comporte un esfuerzo demasiado oneroso. Aun asi, hilarantes aunque modestas aventuras les salen al paso en sus viajes por los pueblos de Inglaterra. La ascension de una montaña, un dia en las carreras de caballos, un partido de criquet, un trayecto en ferrocarril o la visita a un balneario; hasta la actividad mas anodina puede propiciar el encuentro con personajes pintorescos y situaciones disparatadas que acabaran por reafirmar a Thomas Idle en su resolucion de no volver a ser activo nunca mas, bajo ningun pretexto y por todo el tiempo que le quedara de vida.Esta deliciosa novela de espiritu cervantino da rienda suelta, a traves de digresiones e historias intercaladas, a lo mejor de cada autor: el realismo lirico y la satira social de Dickens, el misterio y el suspense que con tanto exito cultivo Collins.

Monkton el loco, una obra del escritor inglés Wilkie Collins con ilustraciones del dibujante sevilllano Fidel Martínez, abre ?junto con El mundo perdido, de Arthur Conan Doyle, revisitado por Sagar Fornies? la coleccion Clasicos Ilustrados de Astiberri, donde una novela completa o una recopilacion de relatos de un autor de referencia de la literatura es interpretada graficamente a lo largo del libro con una serie de ilustraciones principalmente a toda pagina por un dibujante de comics.Encabezada por Monkton el loco, los cuentos reunidos en esta antologia de Wilkie Collins, autor coetaneo y amigo personal de Charles Dickens ?no en vano, fue al autor de Oliver Twist a quien le debe haberse dado a conocer popularmente?, tienen en comun un tono socarron, que en ocasiones tiende incluso a lo parodico, y un marcado acento cotidiano.En sus paginas se puede apreciar el instinto de Collins para el suspense y su habilidad para alargar, retorcer, hilvanar y reinventar sus enrevesadas tramas, que le hicieron merecedor de elogio y admiracion por parte de autores tan dispares como T. S. Eliot o Jorge Luis Borges, quien le tenia por el ?maestro de la intriga?.Unos relatos a los que Fidel Martinez se ha acercado con respeto y pasion a partes iguales para regalarnos unas ilustraciones con evocadores trazos negros y grises sobre blanco que, aunque remiten a maestros del dibujo como Alberto Breccia o Jose Muñoz, demuestran una manifiesta personalidad propia.Con esta propuesta, Astiberri pretende dar un paso para estrechar vinculos entre clasicos literarios y autores de comic, aportando una vision iconografica inedita hasta la fecha, en la que el ilustrador es tambien un narrador de oficio que busca ser respetuoso con la tradicion y a la vez contemporaneo.La coleccion de Clasicos Ilustrados de Astiberri tendra continuidad los proximos meses con titulos como Solomon Kane, de Robert E. Howard, con ilustraciones de David Rubin, o El Golem, de Gustav Meyrink, que contara con el trabajo grafico de Santiago Valenzuela.

Classic / British English (Available May 2008) Only the Woman in White knows the truth of Laura Fairlies cruel husband. Can Walter Hartwright discover the terrible secret? From the moment Walter meets this mysterious woman, his future and that of Laura are linked forever.

WILKIE COLLINS, autor de novelas memorables como LA PIEDRA LUNAR o LA DAMA DE BLANCO, escribió numerosas historias breves en las que abunda el terror y lo sobrenatural. En el inolvidable relato de LA DAMA DEL SUEÑO, Isaac Scatchard la noche anterior a sus 40 cumpleños sueña con una mujer de gran belleza intentando matarle con un cuchillo. Siete años despues conoce a Rebecca y se casa con ella sin el consentimiento de su anciana madre quien sabe que Rebecca es la dama del sueño. Algunos meses despues, Rebecca compra un enorme cuchillo y se convierte en la realidad en el mortal peligro anunciado en el sueño. El suspense constituye la mayor originalidad de estos relatos que enganchan al lector de la primera a la ultima pagina.

Wilkie Collins Adapted by Christopher Hall Activities by Frederick Garland Mystery & horror Late one night, on a lonely road near London, Walter Hartright, a young drawing teacher, meets a solitary woman dressed in white. This is the opening scene of The Woman in White, a great Victorian sensation novel, full of mystery, excitement, and suspense. Who is the mysterious woman in white, and why is she alone on the road to London at midnight? Dossier: Victorian Asylums Exit test

When Rachel Verinder receives a gift of an astonishing yellow diamond from her bitter old uncle for her eighteenth birthday, she has no idea that the stone brings great danger with it. When the diamond goes missing during the night the ensuing investigations gradually bring to light the sinister history of the jewel and the passions and plots of those close to Rachel.

THE main purpose of this story is to appeal to the readers interest in a subject which has been the theme of some of the greatest writers, living and deadbut which has never been, and can never be, exhausted, because it is a subject eternally interesting to all mankind. Here is one more book that depicts the struggle of a human creature, under those opposing influences of Good and Evil, which we have all felt, which we have all known. It has been my aim to make the character of "Magdalen," which personifies this struggle, a pathetic character even in its perversity and its error; and I have tried hard to attain this result by the least obtrusive and the least artificial of all meansby a resolute adherence throughout to the truth as it is in Nature. This design was no easy one to accomplish; and it has been a great encouragement to me (during the publication of my story in its periodical form) to know, on the authority of many readers, that the object which I had proposed to myself, I might, in some degree, consider as an object achieved.Round the central figure in the narrative other characters will be found grouped, in sharp contrastcontrast, for the most part, in which I have endeavored to make the element of humor mainly predominant. I have sought to impart this relief to the more serious passages in the book, not only because I believe myself to be justified in doing so by the laws of Artbut because experience has taught me (what the experience of my readers will doubtless confirm) that there is no such moral phenomenon as unmixed tragedy to be found in the world around us. Look where we may, the dark threads and the light cross each other perpetually in the texture of human life.To pass from the Characters to the Story, it will be seen that the narrative related in these pages has been constructed on a plan which differs from the plan followed in my last novel, and in some other of my works published at an earlier date.

Completed by Walter Besant