WILLIAM SHAKESPEARE, página 51 de 154

This is the entire unabridged play brought to life in full colour! Although "The Tempest" was the first play to appear in the first official Folio printing of Shakespeare's plays, it was almost certainly the last play he wrote. It held pride of place in that first collection, presumably because the editors thought it to be his masterpiece; a crowning glory to the career of the most brightest of playwrights. Needless to say, we had to select the very best artists to do it justice, and to bring you the stunning artwork that you've come to expect from our titles.

The complete play is translated into plain English! 'But soft, what light through yonder window breaks? It is the east and Juliet is the sun'! This title presents the tragic tale of doomed love, set in Verona, Italy, where the Montagues and the Capulets constantly feud and bring unrest to the city. So how could love possibly survive between this pair of star-crossed lovers, Romeo Montague and Juliet Capulet? Only Shakespeare could take such a romantic story and turn it into a soul-searching tragedy.

Its the 15th century and the Archbishop of Canterbury, worried over impending legislation that would effectively rob the Church in England of its power and wealth, convinces Henry V to forego this pursuit in favour of laying claim to France. The Dauphins insulting response convinces Henry that the French will only respond to war.

Its the 15th century and the Archbishop of Canterbury, worried over impending legislation that would effectively rob the Church in England of its power and wealth, convinces Henry V to forego this pursuit in favour of laying claim to France. This title presents the historic tale of war and peace between England and France in the reign of Henry V.

«La grandeza de Shakespeare reside en su capacidad negativa, en su lejanía, en su neutralidad respecto a los personajes, los valores, las situaciones. Antonio Machado sugirió algo análogo: Shakespeare fue un "poeta de poetas", es decir, un creador de personajes que dicen cada cual los poemas de su propio sentir, sin revelar el sentir de su autor.» José María Valverde

The Signet Classic Shakespeare Seriesthe work of the worlds greatest dramatist edited by outstanding scholarsShall I compare thee to a summers day?, My mistress eyes are nothing like the sunthese are some of the most famous lines in all of literature. Originally published in 1609, here are the Bards 154 sonnets which cover themes such as the passage of time, love, beauty, and mortality.

Spevack emphasizes the complexity of Julius Caesar's seemingly straightforward theatrical experience to focus on the inextricability of private desires and public affairs. The play's stage history supports the work's rich design, and Spevack's commentary is remarkably attentive to questions of production, precise lexical glossing, and the peculiarities of Shakespearean grammar. An extensive appendix, provides lengthy, coherent excerpts from Plutarch's Lives, Shakepeare's main source include images of Caesar from the Renaissance onwards as well as photographs of modern productions and reconstructions of likely Elizbethan stagings of Caesar's entry into Rome, his assassination, Anthony's funeral oration, and the Act 4 meeting between Brutus and Cassius.

While King Henry IV rightly laments that his heir, the young Prince Hal, has not distinguished himself in battle, Hal is up to no good at the Boar's Head Tavern with his rotund cohort, Falstaff. With a rebellion rising against the throne at home, Hal lives it up in the ale houses of London, associating with petty schemers and masterminding practical jokes instead of military strategies. When his father sends a messenger to fetch his delinquent son, will Hal rally to the call? Written prior to 1596, this much-loved play is referred to in multiple memoirs and documents of the day and in subsequent decades, including Samuel Pepys's diary, attesting to its impact and popularity. Blending action that takes place at court with scenes of city life, HENRY IV PART 1 marks a turning-point in Shakespeare's oeuvre, as action unfolds simultaneously in diverse locations, lending texture and variety to the drama, and involving characters drawn not only from the ranks of court, but from London's seedier byways. The sway of chaos and order, the perennial theme of Shakespeare's histories, is present here in the juxtaposition of the political realm with the Epicurean.