WILLIAM SHAKESPEARE, página 56 de 167

Hamlet (Hamlet, Prince of Denmark) William Shakespeare Sprache: Arabisch 1. Auflage Paperback, Seiten ISBN 9789953542089 Verfügbarkeit: sofort lieferbar 24.80 €

Look, what I speak, my life shall prove it true;That Mowbray hath received eight thousand noblesIn name of lendings for your highness soldiers,The which he hath detaind for lewd employments,Like a false traitor and injurious villain.Besides I say and will in battle prove,Or here or elsewhere to the furthest vergeThat ever was surveyd by English eye,That all the treasons for these eighteen yearsComplotted and contrived in this landFetch from false Mowbray their first head and spring.Further I say and further will maintainUpon his bad life to make all this good,That he did plot the Duke of Gloucesters death,Suggest his soon-believing adversaries,And consequently, like a traitor coward,Sluiced out his innocent soul through streams of blood:Which blood, like sacrificing Abels, cries,Even from the tongueless caverns of the earth,To me for justice and rough chastisement;And, by the glorious worth of my descent,This arm shall do it, or this life be spent.

Now is the winter of our discontentMade glorious summer by this sun of York;And all the clouds that lourd upon our houseIn the deep bosom of the ocean buried.Now are our brows bound with victorious wreaths;Our bruised arms hung up for monuments;Our stern alarums changed to merry meetings,Our dreadful marches to delightful measures.Grim-visaged war hath smoothd his wrinkled front;And now, instead of mounting barded steedsTo fright the souls of fearful adversaries,He capers nimbly in a ladys chamberTo the lascivious pleasing of a lute.But I, that am not shaped for sportive tricks,Nor made to court an amorous looking-glass;I, that am rudely stampd, and want loves majestyTo strut before a wanton ambling nymph;I, that am curtaild of this fair proportion,Cheated of feature by dissembling nature,Deformed, unfinishd, sent before my timeInto this breathing world, scarce half made up,And that so lamely and unfashionableThat dogs bark at me as I halt by them;Why, I, in this weak piping time of peace,Have no delight to pass away the time,Unless to spy my shadow in the sunAnd descant on mine own deformity:And therefore, since I cannot prove a lover,To entertain these fair well-spoken days,I am determined to prove a villainAnd hate the idle pleasures of these days.Plots have I laid, inductions dangerous,By drunken prophecies, libels and dreams,To set my brother Clarence and the kingIn deadly hate the one against the other:And if King Edward be as true and justAs I am subtle, false and treacherous,This day should Clarence closely be mewd up,About a prophecy, which says that GOf Edwards heirs the murderer shall be.Dive, thoughts, down to my soul: here

Indessen mut ihr auch nicht gar zu zahm seyn; in diesem Stuke mu eure Beurtheilungs-Kraft euer Lehrmeister seyn. Lat die Action zu den Worten, und die Worte zur Action passen, mit der einzigen Vorsicht, da ihr nie uber die Grenzen des Naturlichen hinausgehst Denn alles Ubertriebne ist gegen den Endzwek der Schauspieler- Kunst, der zu allen Zeiten, von Anfang und izt, nichts anders war und ist, als der Natur gleichsam einen Spiegel vorzuhalten, der Tugend ihre eigne wahre Gestalt und Proportion zu zeigen, und die Sitten der Zeit, bis auf ihre kleinsten Zuge und Schattierungen nach dem Leben gemahlt darzustellen.

Merchant of Syracuse, plead no more;I am not partial to infringe our laws:The enmity and discord which of lateSprung from the rancorous outrage of your dukeTo merchants, our well-dealing countrymen,Who wanting guilders to redeem their livesHave seald his rigorous statutes with their bloods,Excludes all pity from our threatening looks.For, since the mortal and intestine jarsTwixt thy seditious countrymen and us,It hath in solemn synods been decreedBoth by the Syracusians and ourselves,To admit no traffic to our adverse towns Nay, more,If any born at Ephesus be seenAt any Syracusian marts and fairs;Again: if any Syracusian bornCome to the bay of Ephesus, he dies,His goods confiscate to the dukes dispose,Unless a thousand marks be levied,To quit the penalty and to ransom him.Thy substance, valued at the highest rate,Cannot amount unto a hundred marks;Therefore by law thou art condemned to die.

How courtesy would seem to cover sin,When what is done is like an hypocrite,The which is good in nothing but in sight!If it be true that I interpret false,Then were it certain you were not so badAs with foul incest to abuse your soul;Where now youre both a father and a son,By your untimely claspings with your child,Which pleasure fits an husband, not a father;And she an eater of her mothers flesh,By the defiling of her parents bed;And both like serpents are, who though they feedOn sweetest flowers, yet they poison breed.Antioch, farewell! for wisdom sees, those menBlush not in actions blacker than the night,Will shun no course to keep them from the light.One sin, I know, another doth provoke;Murders as near to lust as flame to smoke:Poison and treason are the hands of sin,Ay, and the targets, to put off the shame:Then, lest my lie be croppd to keep you clear,By flight Ill shun the danger which I fear.

O for a Muse of fire, that would ascendThe brightest heaven of invention,A kingdom for a stage, princes to actAnd monarchs to behold the swelling scene!Then should the warlike Harry, like himself,Assume the port of Mars; and at his heels,Leashd in like hounds, should famine, sword and fireCrouch for employment. But pardon, and gentles all,The flat unraised spirits that have daredOn this unworthy scaffold to bring forthSo great an object: can this cockpit holdThe vasty fields of France? or may we cramWithin this wooden O the very casquesThat did affright the air at Agincourt?O, pardon! since a crooked figure mayAttest in little place a million;And let us, ciphers to this great accompt,On your imaginary forces work.Suppose within the girdle of these wallsAre now confined two mighty monarchies,Whose high upreared and abutting frontsThe perilous narrow ocean parts asunder:Piece out our imperfections with your thoughts;Into a thousand parts divide on man,And make imaginary puissance;Think when we talk of horses, that you see themPrinting their proud hoofs i the receiving earth;For tis your thoughts that now must deck our kings,Carry them here and there; jumping oer times,Turning the accomplishment of many yearsInto an hour-glass: for the which supply,Admit me Chorus to this history;Who prologue-like your humble patience pray,Gently to hear, kindly to judge, our play.

Herzog. Es wurde eine unzeitige Sucht zu reden an mir scheinen, wenn ich euch die Eigenschaften einer klugen Regierungsart entfalten wollte, da mir bekannt ist, da eure Wissenschaft hierinn alle Erinnerungen, die ich euch geben konnte, uberflussig macht; es bleibt mir also nichts ubrig, als euch die Gelegenheit zu geben, diese Geschiklichkeit im Werke zu zeigen. Flei und Erfahrung hat euch den Character unsers Volkes, die Geseze unsrer Stadt, und die allgemeinen Regeln der Gerechtigkeit so bekannt gemacht, da wir niemand kennen, der euch hierinn ubertreffe. Hier ist unser Auftrag, welchem wir punctlich nachgelebt wissen wollenMan rufe den Angelo hieherWie meynt ihr, da er unsre Stelle vertreten werde? Denn ihr mut wissen, da wir ihn mit besonderer Vollmacht ersehen haben, unsre Abwesenheit zu ersezen; ihm haben wir unsre volle Macht zu strafen und gutes zu thun geliehen; sagt, was denkt ihr hiezu?

Hamlet : J'ai depuis peu, pourquoi je n'en sais rien, perdu toute ma gaieté, abandonné mes habituels exercices ; et de fait mon humeur est si désolée que cet admirable édifice, la terre, me semble un promontoire stérile, et ce dais de l'air, si merveilleux n'est-ce pas, cette voûte superbe du firmament, ce toit auguste décoré de flammes d'or, oui, tout cela n'est plus pour moi qu'un affreux amas de vapeurs pestilentielles. » Acte II, scène 2).

Shakespeare Hamlet / Othello / Macbeth L a vie est une histoire racontée par un idiot, pleine de fureur et de bruit, et qui ne signifie rien. Macbeth , acte V, scène v Hamlet , Othello , Macbeth , une même histoire de chair, d'amour et de mort. Des mains sont rougies d'un sang innocent qu'aucun parfum d'Arabie ne lavera. Les spectres et les sorcières mènent la danse. Ils incitent Hamlet à tuer son oncle, meurtrier de son père et amant de sa mère ; Othello son épouse qu'il croit infidèle ; Macbeth son roi, pour prendre la couronne. Le cauchemar de chacun devient réalité. « Il y a quelque chose de pourri dans le royaume du Danemark », en Ecosse et à Venise. Les trois héros ont provoqué le destin. Il les écrasera, faisant périr aussi Ophélie et Desdémone, l'amour et la pureté. Le génie de Shakespeare est de dire toute l'incertitude de la condition humaine, ses rêves, sa gloire, sa petitesse. Edition présentée et commentée par Yves Florenne.

Othello (The Tragedy of Othello, the Moor of Venice) is a tragedy by William Shakespeare, probably written in 1603.The story revolves around two characters, Othello and Iago. Othello is a Moorish general in the Venetian army charged with the generalship of Venice on the eve of war with the Ottoman Turks over the island of Cyprus. He has just married Desdemona, a beautiful and wealthy Venetian, much younger than him, against the wishes of her father. Iago is Othello's jealous and bitter ensign who maliciously goads his master's jealousy until the usually stoic Moor kills his beloved wife in a fit of blind rage.Due to its enduring themes of passion, jealousy and race, Othello is still widely performed and has inspired numerous adaptations.The Tempest tells a fairly straightforward story involving an unjust act, the usurpation of Prosperos throne by his brother, and Prosperos quest to re-establish justice by restoring himself to power. However, the idea of justice that the play works toward seems highly subjective, since this idea represents the view of one character who controls the fate of all the other characters. Though Prospero presents himself as a victim of injustice working to right the wrongs that have been done to him, Prosperos idea of justice and injustice is somewhat hypocriticalthough he is furious with his brother for taking his power, he has no qualms about enslaving Ariel and Caliban in order to achieve his ends. At many moments throughout the play, Prosperos sense of justice seems extremely one-sided and mainly involves what is good for Prospero. Moreover, because the play offers no notion of higher order or justice to supersede Prosperos interpretation of events, the play is morally ambiguous.

Los Sonnets de William Shakespeare se publicaron en 1609 y se cree que son el fruto de años de dedicación intermitente. Una vez más, no fue el propio autor el responsable de la edición y no se sabe bien hasta que punto aparecieron con su permiso y en el orden que el hubiera deseado. Del soneto 18 al 126 se nos ofrece una variada panoramica de la amistad y el deseo amoroso, trufados de alegrias fugaces por el encuentro, persistentes melancolias por la ausencia y arrebatos de celos ante rivales de todo tipo, incluida la amante del propio poeta, probablemente la misma a la que dedicara el ciclo de la dama oscura. En este volumen presentamos la traduccion comentada en prosa y poetica de los sonetos 71-126, aproximadamente la ultima mitad de este grupo. estos bellos sonetos de (des)amor y anhelo que, en la linea habitual de Shakespeare, profundizan en los sentimientos humanos con toda la franqueza posible en la epoca y, a veces, con una ironia devastadora hacia su propia situacion de enamorado dependiente o traicionado.

A complete and annotated edition of Shakespeare's non-dramatic verse, including the sonnets, Venus and Adonis and The Rape of Lucrece.