Libros de Danza, página 3 de 36

A guide to dance improvisation.

Judith BennahumTHE LURE OF PERFECTION: FASHION AND BALLET, 1780-1830 offers a unique look at how ballet influenced contemporary fashion and women's body image, and how street fashions in turn were reflected by the costumes worn by ballet dancers. Through years of research, the author has traced the interplay between fashion, social trends, and the development of dance. During the 18th century, women literally took up twice as much space as men; their billowing dresses ballooned out from their figures, sometimes a full 55 inches, to display costly jewelry and fine brocade work; similar costumes appeared on stage. But clothing also limited her movement; it literally disabled them, making the dances themselves little more than tableaux. Movement was further inhibited by high shoes and tight corsets; thus the image of the rigidly straight, long-lined dancer is as much a product of clothing as aesthetics. However, with changing times came new trends. An increased interest in natural movement and the common folk led to less-restrictive clothing. As viewers demanded more virtuosic dancers, women literally danced their way to freedom. THE LURE OF PERFECTION will interest students of dance and cultural history, and women's studies. It is a fascinating, well-researched look at the interplay of fashion, dance, and culture-still very much a part of our world today.

Rebecca Harris-Warrick Italian ballet in the eighteenth century was dominated by dancers trained in the virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri's Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for this investigation of an influential type of ballet and its connections to the operatic and theatrical genres of its day. Illustrations, music examples, and dance notations supplement the text.

This essential pocket guide to this enduringly popular art, is a perfect introduction to over eighty of the most performed ballets today. Spanning nearly two centuries of classical dancing, this indispensable book begins in the Romantic era of the 1830s, moves through the great Tchaikovskly ballets of Tsarist St Petersburg, to the inspirational work of Diaghilev at the beginning of the twentieth century and the luminous neo-classicism of Balanchine. Ashton and Macmillan are covered in depth, and the most recent ground-breaking work brings us up to the present day.

ROSS MCKIMThe London Contemporary Dance Theatre was celebrated internationally for the choreographic innovation that flowed out of it and for the technical and artistic power of its dancers. This title represents a search towards the discovery of the essential inheritance of the Theatre

Joseph S. Huwyler The Dancer's Body is a unique resource to any sports medicine or orthopedic program. Within this book is the condensed wisdom of one of Europe's finest Ballet Orthopedic Surgeons. In this text, Dr. Huwyler outlines what it takes physically to be a ballerina, to stay healthy and avoid injury. He provides an introduction to the management of common orthopedic injuries in the Dancer. --This text refers to the Paperback edition.

For soundness, for clarity, for succinctness, this manual of basic ballet is the best there is anywhere.Edwin Denby, The Nation With a precision unparalleled in any other book of its kind, The Classic Ballet presents a lucid text, and nearly six hundred drawings describe and illustrate in minute detail the proper body position, balance point, movement, and attitude of each position and step in the basic classical repertory.As George Balanchine wrote in his preface: There are no shortcuts to great dancing, but what is necessary to remember and unalterable in its instruction may be found in this book . . . An admirable source of reference for the highest standard of practice. It is an invaluable tool for the student or teacher of balletas well as a must-have treasure for the balletomane.

Marina GrutThe Bolero School is a book for both ballet and Spanish dancers. It is a journey through the history of the fascinating country of Spain, with its vibrant culture and people. The book is a fusion of fifty years of ballet and Spanish dance experience by the author as dancer, teacher, and director of Spanish dance performances for her own company in the USA and other countries. Grut endeavors to unlock and explain the many mysteries that surround this dance form for teachers, historians and lay readers. The connection to ballet is explored, especially to the style of the 19th century as found in the Cechetti method and in the work of August Bournonville. Also explored is the Bolero School's distinction from ballet that makes it so unique.