Ebooks de arte, página 15 de 1269

Veja como planejar, decorar e preparar o quarto para a chegada do bebê. O quarto do bebê é um dos ambientes da casa que mais se transforma ao longo dos anos. Isso porque, durante o crescimento, o beb

Veja como fazer corretamente a integração de todos os ambientes da casa: sala, cozinha, escritório, quarto. Confira também dicas para decorar diferentes espaços integrados. Conforto, praticidade e ci

Dicas para planejar a iluminação, escolher as cores das paredes e objetos para a decoração de quartos, salas e cozinhas. Além de valorizar e harmonizar o ambiente, a iluminação também influencia as e

Descubra no Minibook Saúde dos Rins os alimentos e hábitos que ajudam a manter o bom funcionamento desse órgão vital. Aprenda dicas simples para cuidar melhor dos rins e promover uma vida mais saudáv

Veja como deixar o seu quarto charmoso e aconchegante. Aprenda a importância das cores, móveis e iluminação na composição do espaço. Os móveis são itens importantes para o quarto. Afinal, boa parte d

Dicas para deixar o seu lar mais charmoso, aconchegante e se conectar com a natureza. O contato com a natureza é capaz de oferecer bem-estar e colaborar com a saúde física e mental. Nos ambientes urbanos, entretanto, tem se tornado cada vez mais dificil a proximidade com o meio ambiente. Atualmente, o ser humano passa a maior parte dos dias em espaços construidos pelo homem.

Saiba tudo que é necessário para fazer a pintura da casa sozinho. Veja também como proteger os móveis durante a pintura e o tipo adequado de tinta para cada ambiente. O cachorro da raça pinscher conquista coraçes com sua personalidade vibrante. Originario da Alemanha, ele e um animal de porte pequeno, geralmente pesa de 4 a 6 kg e mede entre 25 e 30 centimetros de altura. Tem a pelagem curta e brilhante, que pode variar em cores, como preto e castanho ou vermelho.

Veja tudo que você precisa saber para planejar e decorar um dos ambientes mais utilizados da casa. A cozinha é um dos ambientes mais importantes e frequentados da casa. Além do local para o preparo d

Tudo sobre cuidados e tratamentos para manter a saúde e a beleza dos cabelos, técnicas de finalização e importância dos bons hábitos alimentares. Cabelos opacos, fracos e com propensão à queda podem

Conheça os principais estilos de decoração e veja como aplicar nos ambientes. Essa tendência surgiu no norte da Europa, mais especificamente na região da Escandinávia, e teve o seu auge na década de

Why is architecture so remote from labor struggles, with poorly negotiated labor contracts and barely any self-management models? What possibilities emerge when we acknowledge the glaring class divide between the architectural firm and the construction site? What insights do the stories of workers provide about the construction industry? How do different design practices emerge if designers and construction workers unite? On Architecture and Work is a collection of essays on the relationship between construction, architecture, work, and labor. From complaints over grueling working conditions on construction sites to demands for better benefits in design offices, asking candidly "who can afford to be radical?", this is the third publication in the series The Political Economy of Space, after On Architecture and the Greenfield (2024) and On Architecture and Greenwashing (2024).Edited by Charlotte Malterre-Barthes, head of the RIOT laboratory at the Swiss Federal Institute of TechnologyEPFL in Lausanne, this volume updates the discussion on architecture and work by giving answers from construction workers, scholars, and design practitioners.

Why is architecture so remote from labor struggles, with poorly negotiated labor contracts and barely any self-management models? What possibilities emerge when we acknowledge the glaring class divide between the architectural firm and the construction site? What insights do the stories of workers provide about the construction industry? How do different design practices emerge if designers and construction workers unite? On Architecture and Work is a collection of essays on the relationship between construction, architecture, work, and labor. From complaints over grueling working conditions on construction sites to demands for better benefits in design offices, asking candidly "who can afford to be radical?", this is the third publication in the series The Political Economy of Space, after On Architecture and the Greenfield (2024) and On Architecture and Greenwashing (2024).Edited by Charlotte Malterre-Barthes, head of the RIOT laboratory at the Swiss Federal Institute of TechnologyEPFL in Lausanne, this volume updates the discussion on architecture and work by giving answers from construction workers, scholars, and design practitioners.

When painting goes beyond the canvasKatharina Grosse is one of todays most radical painters. Her art spills beyond the canvas, claiming entire rooms, buildings, and landscapes with bold color and immersive gesture. Over two years, she met with writer and theologian Klaus Dermutz for a series of in-depth conversations exploring her thoughts on painting, perception, space, and time.This book brings together ten of these intense dialogues deeper and more personal than any previous publication. Grosse speaks about visibility and invisibility, repetition and origin, methods and materials, and how painting can be a physical, spatial, and conceptual experience. Unpublished images from her personal archive complement this multifaceted insight into her creative world.Highlights of the Book: Ten in-depth conversations offering new insights into Katharina Grosses artistic thinking Rare archival materials and previously unpublished images Reflections on four decades of evolving techniques and concepts Part of the acclaimed Hatje Cantz Text series A must-read for anyone interested in contemporary painting, artistic process, and the power of visual thought.KATHARINA GROSSE (*1961 in Freiburg i. Br.) has held professorships at Weiensee Kunsthochschule Berlin (200009) and Kunstakademie Dusseldorf (201018). Her works are represented in numerous international collections. Most recently, the Albertina in Vienna presented her solo exhibition Why Three Tones Do Not Form a Triangle, 202324) and currently the Centre Pompidou Metz is staging three large-scale in-situ works (Deplacer les etoiles, until February 2025). Grosse lives and works in Berlin and New Zealand.KLAUS DERMUTZ (*1960 in Judenburg, Austria) is an author and publicist in the fields of visual arts and theater. Since 1990, he has published in Die Zeit, Suddeutsche Zeitung, Theater heute, and others; from 200109 he was co-editor of Edition Burgtheater. He has written numerous books on theater, e.g., on Andrea Breth, Otto Sander, Klaus Michael Gruber, Christoph Marthaler, Peter Zadek; he has also published of a volume of conversations with Anselm Kiefer.

When painting goes beyond the canvasKatharina Grosse is one of todays most radical painters. Her art spills beyond the canvas, claiming entire rooms, buildings, and landscapes with bold color and immersive gesture. Over two years, she met with writer and theologian Klaus Dermutz for a series of in-depth conversations exploring her thoughts on painting, perception, space, and time.This book brings together ten of these intense dialogues deeper and more personal than any previous publication. Grosse speaks about visibility and invisibility, repetition and origin, methods and materials, and how painting can be a physical, spatial, and conceptual experience. Unpublished images from her personal archive complement this multifaceted insight into her creative world.Highlights of the Book: Ten in-depth conversations offering new insights into Katharina Grosses artistic thinking Rare archival materials and previously unpublished images Reflections on four decades of evolving techniques and concepts Part of the acclaimed Hatje Cantz Text series A must-read for anyone interested in contemporary painting, artistic process, and the power of visual thought.KATHARINA GROSSE (*1961 in Freiburg i. Br.) has held professorships at Weiensee Kunsthochschule Berlin (200009) and Kunstakademie Dusseldorf (201018). Her works are represented in numerous international collections. Most recently, the Albertina in Vienna presented her solo exhibition Why Three Tones Do Not Form a Triangle, 202324) and currently the Centre Pompidou Metz is staging three large-scale in-situ works (Deplacer les etoiles, until February 2025). Grosse lives and works in Berlin and New Zealand.KLAUS DERMUTZ (*1960 in Judenburg, Austria) is an author and publicist in the fields of visual arts and theater. Since 1990, he has published in Die Zeit, Suddeutsche Zeitung, Theater heute, and others; from 200109 he was co-editor of Edition Burgtheater. He has written numerous books on theater, e.g., on Andrea Breth, Otto Sander, Klaus Michael Gruber, Christoph Marthaler, Peter Zadek; he has also published of a volume of conversations with Anselm Kiefer.

Otti Berger created fabrics that fundamentally changed the understanding of what textiles could be and do. A core member of the experimental approach to textiles at the Bauhaus, she was also a female entrepreneur in the frenzied time that was the early 1930s in Berlin. Working closely with architects of the New Objectivity movement such as Lilly Reich, Ludwig Hilberseimer and Hans Scharoun, she designed upholstery and wall tapestries, curtains and floor coverings that responded to novel types of use and production methods, and thereby redefined the relationship between aesthetics and functionwith fascinating results. To date Bergers textile work has only been explored in fragments. This book is the first comprehensive study of its complexity and beauty and makes her hitherto unpublished treatise on fabrics and the methodology of textile production accessible. Raums research offers an entirely new perspective on Bergers oeuvre.OTTI BERGER (18981944) was one of the most important textile designers of the 20th century. Born in Zmajevac, in the Austro- Hungarian Empire, present-day Croatia, she studied in Zagreb and from 1927 at the Bauhaus in Dessau. Leaving her teaching post at the Bauhaus, she set up her own business in Berlin in 1932 to design fabrics for modern interiors, but was banned from working due to her Jewish heritage in 1936. Attempts to escape to England and the USA failed. She was deported from Croatia to Auschwitz and was murdered there in 1944. In cooperation with the Bauhaus Archive Berlin, visual artist and art historian JUDITH RAUM (*1977) has conducted intensive research in European and North American archives to complete the first comprehensive study of Bergers scattered estate.

The publication concentrates on Bernhard Mendes Burgis more than thirty years of curatorial work. The focus is on a typographically generously designed list of all 110 exhibitions that Burgi has been responsible for, particularly as director of the Kunsthalle Zurich and the Kunstmuseum Basel, accompanied by many installation views. A detailed discussion with Philipp Kaiser sheds light on the curatorial guidelines, which are contextualized in current events. The special significance of the "ideal solo exhibition," which always emerges anew from a close collaboration with the respective artist, becomes apparent.

Amir Naves work oscillates between drawing, painting, and sculpture. He focuses on the human being, which he executes in an obsessive, spiritual, or even mystical manner. His "creatures" are figures sometimes depicted as a body, a head, or an entity. They draw on deeply buried pasts as well as possible futures. Even if some of his works are reminiscent of classics of art history and mythology, Nave refutes the idea of a painterly representation of life. In his take on the story of Moharamia, the artist tells of a revelation that appeared to the mortal Moharamia at the River of Jordan. Through his drawings, paintings, and the sculptural form he has constructed, he renders this tale into a reflection on occultism, the supernatural, and metaphysical questions. This first comprehensive monograph presents the most significant works by Amir Nave from the past decade.AMIR NAVE (*1974, in Beer Sheva, Israel) is a self-taught artist based in Tel Aviv and Paris. His works are part of the collections of the Israel Museum in Jerusalem, Galerie In Situ-Fabienne Leclerc in Paris, and the Collections of the Centre Pompidou, Paris, among others. In 2024, he won the prestigious Drawing Prize of the Daniel and Florence Guerlain Foundation.

Hausbesetzer und Schwarzfahrer, Superstaus und Chinesen in Bayern, Krimis ohne Tote und immer wieder skurrile Komodien: Das Filmschaffen von Manfred Stelzer (19442020) ist so umfangreich wie vielseitig und zeigt, wie es einem politisch engagierten Dokumentarfilmer der bewegten siebziger Jahre gelang, sich und seinen Anspruchen auch als vielbeschaftigter Spielfilmregisseur beim Fernsehen ob Balko, der Tatort aus Munster oder der Polizeiruf 110 aus Mecklenburg-Vorpommern treu zu bleiben.Dieses erste umfassende Buch uber den Regisseur und Drehbuchautor und seine einhundert Filme aus uber vier Jahrzehnten vereint Bilder und Texte aus seiner groen Filmfamilie sowie aus filmwissenschaftlicher Perspektive.Alle Texte sind auf Deutsch und Englisch enthalten.Mit Beitragen von: Susanne Beyeler, Kurt Bowe, Jennifer Borrmann, Gerd Conradt, Matthias Dell, Andreas Dohler, Doris Dorrie, Harun Farocki, Robert Fischer, Jan Gympel, Doja Hacker, Gabriele Heberling, Irm Hermann, Lutz Kerschowski, Horst Konigstein, Gert C. Mobius, Jakobine Motz, Ludger Pistor, Axel Prahl, Hans Helmut Prinzler, Monika Schmid, Elke Sommer, Beatrice E. Stammer, Gesine Strempel, Sigi Zimmerschied u.v.a.Mit Gruworten von Claudia Roth und Dr. Klaus Lederer

Stannaki Forum is a research format that enables discursive exchange across different knowledge horizons. The focus is on a specific object that serves as both witness and interlocutor. The objects reflect contexts such as colonialism, enslavement, dispossession, and cultural appropriation, but also diplomacy, exile, migration, economic relations, and education. The Stannaki Forum aims to recognize these contextual entanglements and thus bring to life the diasporic histories of the 500-year-old State Collections.Doreen Mende is director of the cross-collections Research Department at the Staatliche Kunstsammlungen Dresden [State Collections of Art Dresden], associate professor at HEAD Geneve of HES-SO, and co-founder of the Harun Farocki Institut in Berlin.

Stannaki Forum is a research format that enables discursive exchange across different knowledge horizons. The focus is on a specific object that serves as both witness and interlocutor. The objects reflect contexts such as colonialism, enslavement, dispossession, and cultural appropriation, but also diplomacy, exile, migration, economic relations, and education. The Stannaki Forum aims to recognize these contextual entanglements and thus bring to life the diasporic histories of the 500-year-old State Collections.Doreen Mende is director of the cross-collections Research Department at the Staatliche Kunstsammlungen Dresden [State Collections of Art Dresden], associate professor at HEAD Geneve of HES-SO, and co-founder of the Harun Farocki Institut in Berlin.