eBooks de Teoría y crítica de arquitectura, página 5 de 47

In "The Old Inns of England" (Volumes 1 & 2), Charles G. Harper embarks on a captivating exploration of the historic public houses that have shaped Englands cultural landscape. Written with a meticulous attention to detail, Harpers prose combines a rich narrative style with vivid descriptions that transport readers back to the charming and often eccentric world of these venerable inns. The work, filled with illustrations and anecdotes, situates itself within the broader tradition of English social history and travel literature, shedding light on the architecture, folklore, and social customs that surround these establishments. Charles G. Harper was an accomplished author, artist, and antiquarian, deeply immersed in the eras socio-cultural currents. His passion for history and the arts is evident in his dedication to preserving the narratives of the past. Harpers extensive travels through the English countryside allowed him to weave personal experiences with historical facts, emphasizing the significance of inns not just as watering holes, but as cultural beacons in local communities. For readers intrigued by history, architecture, or the essence of English life, Harpers "The Old Inns of England" is an essential read. This comprehensive work not only entertains but also enriches ones understanding of EnglandAos heritage, making it a valuable addition to any library of literary or historical interest.

The Man Who Would be King (1888) is a short story by Rudyard Kipling chronicling the adventures of two British men who become kings in Kafiristan (now a province of Afghanistan).

The Great Gatsby, by F. Scott Fitzgerald, is set in the Roaring Twenties and follows the story of Nick Carraway, a young man who moves to Long Island and becomes entangled in the world of his wealthy and enigmatic neighbor, Jay Gatsby. Gatsby, a mysterious millionaire, is known for throwing extravagant parties in hopes of reuniting with his lost love, Daisy Buchanan, who is married to Tom. As Nick becomes closer to Gatsby, he uncovers the truth behind his wealth and his obsessive desire for Daisy. The novel explores themes of the American Dream, social class, love, and the destructive nature of idealism, ultimately leading to tragedy as Gatsbys dreams are shattered by the harsh realities of life and the choices made by those around him. The book critiques the materialism and superficiality of the 1920s, presenting a poignant reflection on the unattainable nature of the American Dream.

In The Evolving European City, renowned urban planner and architect Giuseppe Marinoni and eminent photographer Giovanni Chiaramonte assemble a breathtaking presentation of cities that have undergone profound change in order to combat congestion, pollution, and the unsightliness of industrial wastelands. Marinoni conveys a profound belief that unified urban plans under the direction of one creative vision can bring an enhanced quality of life to city dwellers, provide them with the means to move easily to and from home, work, and at the same time ensure environmental sustainability. Chiaramonte, through his exquisite photographs of sites in the Netherlands, Spain, Germany, France, Portugal, Italy, and the United Kingdom, offers readers visual evidence of the architectural and infrastructure accomplishments of European urban projects over the last two decades. Beautifully presented in eye-opening detail, The Evolving European City is a timely representation of environmental sustainability and social progress in the modern age.

In The Evolving European City, renowned urban planner and architect Giuseppe Marinoni and eminent photographer Giovanni Chiaramonte assemble a breathtaking presentation of cities that have undergone profound change in order to combat congestion, pollution, and the unsightliness of industrial wastelands. Marinoni conveys a profound belief that unified urban plans under the direction of one creative vision can bring an enhanced quality of life to city dwellers, provide them with the means to move easily to and from home, work, and at the same time ensure environmental sustainability. Chiaramonte, through his exquisite photographs of sites in the Netherlands, Spain, Germany, France, Portugal, Italy, and the United Kingdom, offers readers visual evidence of the architectural and infrastructure accomplishments of European urban projects over the last two decades. Beautifully presented in eye-opening detail, The Evolving European City is a timely representation of environmental sustainability and social progress in the modern age.

In The Evolving European City, renowned urban planner and architect Giuseppe Marinoni and eminent photographer Giovanni Chiaramonte assemble a breathtaking presentation of cities that have undergone profound change in order to combat congestion, pollution, and the unsightliness of industrial wastelands. Marinoni conveys a profound belief that unified urban plans under the direction of one creative vision can bring an enhanced quality of life to city dwellers, provide them with the means to move easily to and from home, work, and at the same time ensure environmental sustainability. Chiaramonte, through his exquisite photographs of sites in the Netherlands, Spain, Germany, France, Portugal, Italy, and the United Kingdom, offers readers visual evidence of the architectural and infrastructure accomplishments of European urban projects over the last two decades. Beautifully presented in eye-opening detail, The Evolving European City is a timely representation of environmental sustainability and social progress in the modern age.

In The Evolving European City, renowned urban planner and architect Giuseppe Marinoni and eminent photographer Giovanni Chiaramonte assemble a breathtaking presentation of cities that have undergone profound change in order to combat congestion, pollution, and the unsightliness of industrial wastelands. Marinoni conveys a profound belief that unified urban plans under the direction of one creative vision can bring an enhanced quality of life to city dwellers, provide them with the means to move easily to and from home, work, and at the same time ensure environmental sustainability. Chiaramonte, through his exquisite photographs of sites in the Netherlands, Spain, Germany, France, Portugal, Italy, and the United Kingdom, offers readers visual evidence of the architectural and infrastructure accomplishments of European urban projects over the last two decades. Beautifully presented in eye-opening detail, The Evolving European City is a timely representation of environmental sustainability and social progress in the modern age.

In The Evolving European City, renowned urban planner and architect Giuseppe Marinoni and eminent photographer Giovanni Chiaramonte assemble a breathtaking presentation of cities that have undergone profound change in order to combat congestion, pollution, and the unsightliness of industrial wastelands. Marinoni conveys a profound belief that unified urban plans under the direction of one creative vision can bring an enhanced quality of life to city dwellers, provide them with the means to move easily to and from home, work, and at the same time ensure environmental sustainability. Chiaramonte, through his exquisite photographs of sites in the Netherlands, Spain, Germany, France, Portugal, Italy, and the United Kingdom, offers readers visual evidence of the architectural and infrastructure accomplishments of European urban projects over the last two decades. Beautifully presented in eye-opening detail, The Evolving European City is a timely representation of environmental sustainability and social progress in the modern age.

In The Evolving European City, renowned urban planner and architect Giuseppe Marinoni and eminent photographer Giovanni Chiaramonte assemble a breathtaking presentation of cities that have undergone profound change in order to combat congestion, pollution, and the unsightliness of industrial wastelands. Marinoni conveys a profound belief that unified urban plans under the direction of one creative vision can bring an enhanced quality of life to city dwellers, provide them with the means to move easily to and from home, work, and at the same time ensure environmental sustainability. Chiaramonte, through his exquisite photographs of sites in the Netherlands, Spain, Germany, France, Portugal, Italy, and the United Kingdom, offers readers visual evidence of the architectural and infrastructure accomplishments of European urban projects over the last two decades. Beautifully presented in eye-opening detail, The Evolving European City is a timely representation of environmental sustainability and social progress in the modern age.

In The Evolving European City, renowned urban planner and architect Giuseppe Marinoni and eminent photographer Giovanni Chiaramonte assemble a breathtaking presentation of cities that have undergone profound change in order to combat congestion, pollution, and the unsightliness of industrial wastelands. Marinoni conveys a profound belief that unified urban plans under the direction of one creative vision can bring an enhanced quality of life to city dwellers, provide them with the means to move easily to and from home, work, and at the same time ensure environmental sustainability. Chiaramonte, through his exquisite photographs of sites in the Netherlands, Spain, Germany, France, Portugal, Italy, and the United Kingdom, offers readers visual evidence of the architectural and infrastructure accomplishments of European urban projects over the last two decades. Beautifully presented in eye-opening detail, The Evolving European City is a timely representation of environmental sustainability and social progress in the modern age.

In The Evolving European City, renowned urban planner and architect Giuseppe Marinoni and eminent photographer Giovanni Chiaramonte assemble a breathtaking presentation of cities that have undergone profound change in order to combat congestion, pollution, and the unsightliness of industrial wastelands. Marinoni conveys a profound belief that unified urban plans under the direction of one creative vision can bring an enhanced quality of life to city dwellers, provide them with the means to move easily to and from home, work, and at the same time ensure environmental sustainability. Chiaramonte, through his exquisite photographs of sites in the Netherlands, Spain, Germany, France, Portugal, Italy, and the United Kingdom, offers readers visual evidence of the architectural and infrastructure accomplishments of European urban projects over the last two decades. Beautifully presented in eye-opening detail, The Evolving European City is a timely representation of environmental sustainability and social progress in the modern age.

In The Evolving European City, renowned urban planner and architect Giuseppe Marinoni and eminent photographer Giovanni Chiaramonte assemble a breathtaking presentation of cities that have undergone profound change in order to combat congestion, pollution, and the unsightliness of industrial wastelands. Marinoni conveys a profound belief that unified urban plans under the direction of one creative vision can bring an enhanced quality of life to city dwellers, provide them with the means to move easily to and from home, work, and at the same time ensure environmental sustainability. Chiaramonte, through his exquisite photographs of sites in the Netherlands, Spain, Germany, France, Portugal, Italy, and the United Kingdom, offers readers visual evidence of the architectural and infrastructure accomplishments of European urban projects over the last two decades. Beautifully presented in eye-opening detail, The Evolving European City is a timely representation of environmental sustainability and social progress in the modern age.

In The Evolving European City, renowned urban planner and architect Giuseppe Marinoni and eminent photographer Giovanni Chiaramonte assemble a breathtaking presentation of cities that have undergone profound change in order to combat congestion, pollution, and the unsightliness of industrial wastelands. Marinoni conveys a profound belief that unified urban plans under the direction of one creative vision can bring an enhanced quality of life to city dwellers, provide them with the means to move easily to and from home, work, and at the same time ensure environmental sustainability. Chiaramonte, through his exquisite photographs of sites in the Netherlands, Spain, Germany, France, Portugal, Italy, and the United Kingdom, offers readers visual evidence of the architectural and infrastructure accomplishments of European urban projects over the last two decades. Beautifully presented in eye-opening detail, The Evolving European City is a timely representation of environmental sustainability and social progress in the modern age.

The study of earthworks has been one of the most neglected subjects in English archology until quite recent years. It may even be said that during the first half of the 19th century, less attention was paid to earthworks than by our older topographical writers. Leland, in the reign of Henry VIII., never failed to notice the Dikes and Hilles, which were Campes of Men of Warre, nor the Hilles of Yerth cast up like the Dungeon of sum olde Castelle, which he saw in his pilgrimages through England. And many of our 17th- and 18th-century topographers have left us invaluable notices of earthworks which were extant in their time. But if we turn over the archological journals of some fifty years ago, we shall be struck by the paucity of papers on earthworks, and especially by the complete ignoring, in most cases, of those connected with castles.

The subject which we have here treated is a sort of figurative battle-field, where fierce contests have for ages been from time to time waged; and, notwithstanding the determined assaults of the attacking hosts, the contention and its cause remain pretty much as they were at the commencement of the war. We in the matter remain strictly neutral, merely performing the part of the publics "own correspondent," making it our duty to gather together such extracts from despatches, both ancient and modern, as may prove interesting or important, to take note of the vicissitudes of war, mark its various phases, and, in fine, to do our best to lay clearly before our readers the historical factsexperiences and argumentsrelating to the much-discussed "Corset question."

Complementing Who Saved the Parthenon? this companion volume sets aside more recent narratives surrounding the Athenian Acropolis, supposedly the very symbol of democracy itself, instead asking if we can truly access an ancient past imputed with modern meaning. And, if so, how?In this book William St Clair presents a reconstructed understanding of the Parthenon from within the classical Athenian worldview. He explores its role and meaning by weaving together a range of textual and visual sources into two innovative oratorical experiments a speech in the style of Thucydides and a first-century CE rhetorical exercise which are used to develop a narrative analysis of the temple structure, revealing a strange story of indigeneity, origins, and empire.The Classical Parthenon offers new answers to old questions, such as the riddle of the Parthenon frieze, and provides a framing device for the wider relationship between visual artefacts, built heritage, and layers of accumulated cultural rhetoric. This groundbreaking and pertinent work will appeal across the disciplines to readers interested in the classics, art history, and the nature of history, while also speaking to a general audience that is interrogating the role of monuments in contemporary society.

Sancta Sophia is the most interesting building on the worlds surface. Like Karnak in Egypt, or the Athenian Parthenon, it is one of the four great pinnacles of architecture, but unlike them this is no ruin, nor does it belong to a past world of constructive ideas although it precedes by seven hundred years the fourth culmination of the building art in Chartres, Amiens, or Bourges, and thus must ever stand as the supreme monument of the Christian cycle. Far from being a ruin, the church is one of the best preserved of so ancient monuments, and in regard to its treatment by the Turks we can only be grateful that S. Sophia has not been situated in the more learned cities of Europe, such as Rome, Aachen, or Oxford, during the period of revived interest in ecclesiastical antiquities. Our first object has been to attempt some disentanglement of the history of the Church and an analysis of its design and construction; on the one hand, we have been led a step or two into the labyrinth of Constantinopolitan topography, on the other, we have thought that the great Church offers the best point of view for the observation of the Byzantine theory of building.

A new edition of Batsfords classic 1930s guide to Englands cathedrals, with foreword by Simon Jenkins.This classic guide from 1934 gives a brief account and pictorial review of every Church of England cathedral in England that existed at the time. Simply and concisely written to be read by anyone with an interest in the subject, the book features cathedrals from the mighty York Minster, Durham and Canterbury through St Albans to Ripon and Southwark.The full list of cathedrals covered are:Bristol, Canterbury, Carlisle, Chester, Chichester, Durham, Ely, Exeter, Gloucester, Hereford, Lichfield, Lincoln, London, Norwich, Oxford, Peterborough, Ripon, Rochester, St Albans, Salisbury, Southwark, Southwell, Wells, Winchester, Worcester, York. Also the Parish church cathedrals of Birmingham, Blackburn, Bradford, Chelmsford, Coventry (pre-war building), Derby, Leicester, Manchester, Newcastle, Portsmouth, St Edmundsbury, Sheffield and Wakefield.

In most histories of Italian art we are conscious of a vast hiatus of several centuries, between the ancient classic art of Romewhich was in its decadence when the Western Empire ceased in the fifth century after Christand that early rise of art in the twelfth century which led to the Renaissance.This hiatus is generally supposed to be a time when Art was utterly dead and buried, its corpse in Byzantine dress lying embalmed in its tomb at Ravenna. But all death is nothing but the germ of new life. Art was not a corpse, it was only a seed, laid in Italian soil to germinate, and it bore several plants before the great reflowering period of the Renaissance.The seed sown by the Classic schools formed the link between them and the Renaissance, just as the Romance Languages of Provence and Languedoc form the link between the dying out of the classic Latin and the rise of modern languages.Now where are we to look for this link?In language we find it just between the Roman and Gallic Empires.In Art it seems also to be on that borderlandLombardywhere the Magistri Comacini, a medival Guild of Liberi Muratori (Freemasons), kept alive in their traditions the seed of classic art, slowly training it through Romanesque forms up to the Gothic, and hence to the full Renaissance.

In most histories of Italian art we are conscious of a vast hiatus of several centuries, between the ancient classic art of Romewhich was in its decadence when the Western Empire ceased in the fifth century after Christand that early rise of art in the twelfth century which led to the Renaissance.This hiatus is generally supposed to be a time when Art was utterly dead and buried, its corpse in Byzantine dress lying embalmed in its tomb at Ravenna. But all death is nothing but the germ of new life. Art was not a corpse, it was only a seed, laid in Italian soil to germinate, and it bore several plants before the great reflowering period of the Renaissance.The seed sown by the Classic schools formed the link between them and the Renaissance, just as the Romance Languages of Provence and Languedoc form the link between the dying out of the classic Latin and the rise of modern languages.Now where are we to look for this link?In language we find it just between the Roman and Gallic Empires.In Art it seems also to be on that borderlandLombardywhere the Magistri Comacini, a medival Guild of Liberi Muratori (Freemasons), kept alive in their traditions the seed of classic art, slowly training it through Romanesque forms up to the Gothic, and hence to the full Renaissance.