La función de los arquitectos se ha ido adaptando a cada momento histórico, mostrando su habilidad para responder a necesidades cambiantes. “La segunda profesión más antigua del mundo” —como apunta e

En las últimas décadas, muchas familias han debido habitar viviendas donde el hacinamiento ha afectado su calidad de vida. Además, han sido desplazadas a periferias carentes de servicios y oportunidades, creando bolsones de pobreza, resentimiento y violencia. En ¿Como vamos a vivir juntos?, el arquitecto Alejandro Aravena plantea once casos de diseño participativo, de los cuales se destilan tanto soluciones a problemas urbanos como claves para reescribir las reglas de la vida en comun de cara a una nueva Constitucion.Este libro, basado en la presentacion que Aravena realizo ante el pleno de la Convencion Constitucional, propone que crear viviendas dignas y una ciudad justa no solo depende de aspectos tecnicos y economicos, sino del involucramiento de quienes las habitaran. Las personas son parte de la solucion, no del problema, escribe.

Las termitas son una plaga doméstica común que puede causar daños significativos a casas y edificios. Son pequeños insectos que se alimentan de madera y otros materiales a base de celulosa, y pueden causar daños estructurales en viviendas y edificios. En este breve libro, Como lidiar con las termitas, le proporcionaremos el conocimiento y las herramientas necesarias para identificar, prevenir y tratar eficazmente las infestaciones de termitas.El libro cubrira los conceptos basicos de la biologia y el comportamiento de las termitas, incluidos los diferentes tipos de termitas y sus habitats preferidos. Tambien proporcionara informacion detallada sobre como identificar una infestacion de termitas y los signos para tener en cuenta. Ademas, el libro cubrira los diversos metodos de control de termitas, incluidos los tratamientos quimicos, los sistemas de cebo y las barreras fisicas. Tambien proporcionara consejos sobre como prevenir las infestaciones de termitas, como el manejo adecuado de la humedad y las inspecciones periodicas.Este libro esta escrito para propietarios de viviendas, administradores de propiedades y cualquier otra persona interesada en aprender mas sobre las termitas y como tratarlas. Esta diseñado para ser una guia informativa y facil de leer, que proporciona la informacion y el apoyo que necesita para tratar con eficacia las infestaciones de termitas. Ya sea que este lidiando con una infestacion activa o buscando prevenir infestaciones futuras, este libro es un recurso esencial para cualquier persona que busque proteger su hogar o propiedad del daño de las termitas.Espero que encuentre la informacion util, util y provechosa.La informacion de este libro electronico sobre termitas y como tratarlas esta organizada en 17 capitulos de entre 500 y 600 palabras cada uno.Espero que sea de interes para aquellos que necesitan cuidar su propiedad.

Ideas y consejos para que independizarte sea muy fácil. Monta tu propia casa a tu gusto y de manera económica¡Ya tienes tu casa! ¡Por fin puedes marcar tus propias reglas! Pero… ¿por dónde empezar? M

El PREVI (Proyecto Experimental de Vivienda) de Lima, gestado en 1967, constituye uno de los experimentos construidos de vivienda social más ambiciosos, no sólo por la cantidad de variables planteadas, sino tambien porque reunio de forma inedita a singulares personalidades del panorama arquitectonico de la epoca, como Aldo van Eyck, Charles Correa, James Stirling, Christopher Alexander, Atelier 5, Fumihiko Maki, Candilis, Josic y Woods, entre otros. Juntos debatieron, con sus propuestas de vivienda progresiva de baja densidad, diversas formas de hacer ciudad en un contexto de recursos limitados y urbanizacion urgente.Este estudio sobre la propuesta del PREVI despues de mas de tres decadas no pretende solo el rescate de la obra original a partir de un planteamiento arqueologico que ponga en valor la obra de autor escondida tras las constantes intervenciones por parte de sus habitantes, sino poner en tela de juicio la idea de vivienda como solucion habitacional, el papel del arquitecto en el proceso y los elementos de diseño con recursos escasos. Pretende, asimismo, rescatar la idea de unidades vecinales, la relacion entre espacio publico y comunidad, los valores y posibilidades de un urbanismo mas abierto y las diferentes estructuras familiares frente a la actual estandarizacion del usuario.

La Alameda, protagonista de innumerables historias, pinturas, poemas y novelas, una vez más es escrutada a fondo. Esta vez, a través del examen de coloridos bosquejos, planos y fotografías que retrat

Estudio de la arquitectura del siglo XX en la ciudad de Zaragoza planteado desde el punto de vista de las tipologías. Se incluyen entre éstas la comercial, educativa, industrial, teatros y cines, financiera, religiosa, asistencial, puentes, viviendas colectivas y viviendas unifamiliares. Este planteamiento permite tener una vision diferente e innovadora de la evolucion de la arquitectura del siglo XX y sus condicionantes funcionales.

Estudio sobre la arquitectura del siglo XX en la ciudad de Zaragoza. En este primer volumen se presenta un completo catálogo de centenares de edificios construidos a lo largo del siglo. Las obras estan contextualizadas en sus momentos historicos para una mejor comprension historica. El catalogo incluye el comentario de los edificios mas emblematicos de la Zaragoza del siglo XX.

Woodwards Graperies and Horticultural Buildings stands as a pivotal anthology that transcends mere architectural instruction, encapsulating the zenith of 19th-century horticultural architecture and its nuanced relationship with the natural world. This collection, curated with a precise eye for detail by F.W. Woodward and George E. Woodward, melds practical architectural guidance with philosophical musings on the symbiosis between human and plant life. Featuring a diverse array of design plans ranging from simple grape arbors to sophisticated conservatories, this anthology not only offers a window into the historical context of garden design but also highlights significant advancements in glasshouse technology and environmental control methods that were ahead of their time. The editors selection of writings is remarkable for its breadth and depth, providing readers with a comprehensive understanding of the eras horticultural innovations. The contributing authors, F. W. Woodward and George E. Woodward, bring a wealth of experience and insight to the collection. Their backgrounds in architecture and horticulture, respectively, facilitated a groundbreaking approach to the design of horticultural buildings, integrating aesthetic beauty with functional utility. This anthology captures a moment in history where the intersection of art and science sparked a movement towards more sustainable and harmonious living environments. Woodwards Graperies and Horticultural Buildings is an indispensable resource for students and enthusiasts of architecture, horticulture, and environmental history. Its invaluable compilation of designs and discussions offers a distinctive opportunity to engage with the leading voices of 19th-century horticultural architecture. Readers are invited to explore this collection not only for its historical significance but also for its ability to inspire contemporary considerations of ecological sensitivity and sustainability in architectural design.

Woodwards Country Homes stands as a seminal collection in the domain of American architectural literature, skillfully compiled by George E. Woodward and F. W. Woodward. This anthology encapsulates a pivotal moment in the evolution of domestic architecture, offering readers a diverse array of designs that range from the quaint and modest to the grand and innovative. The volume highlights the Woodwards dedication to blending functionality with aesthetic beauty, showcasing their pioneering contributions to the architectural vernacular of the 19th century. Their work not only reflects the aspirations and values of a burgeoning middle class but also explores the nuanced interplay between form, function, and environment within the American landscape. The contributors, George E. Woodward and F. W. Woodward, are esteemed for their profound influence on American architectural thought. Their backgrounds as architects and publishers provided them with unique insights into the socio-economic currents shaping the United States during the 19th century. The collection aligns with the broader movement towards more practical and accessible home designs, serving as a crucial bridge between traditional craftsmanship and the nascent field of architectural planning. For those intrigued by architectural history or the development of American domestic life, Woodwards Country Homes offers an unparalleled journey through the innovative designs that have shaped the concept of home. The anthology is not merely an educational tool but a source of inspiration, urging readers to appreciate the depth of thought and historical context behind each blueprint. It stands as a testament to the vision and ingenuity of its editors, inviting a deeper engagement with the architectural narratives that have woven the fabric of American society.

About the BookSurasundaris on the walls of Rani-ki-Vav remind us that sensuality is the doorway to spirituality, that growth and fertility are as important as piety and devotion, that even before we undertake dhyana of the deity in the sanctum or in different parts of the vav we must saturate our mind with the beautiful so that we can attain the state of serenity and purnatva.Sensually evocative, beautiful from tresses to the toes, with eyes downcast, surasundaris are an expression of unsurpassed grace. They are a reminder that a woman is the most adorned expression of prakriti, that to indulge in it is to affirm our senses and enrich our mind, but the aesthetic journey does not stop there. The contemplative viewer will see the surasundari as a poem and a song, where every limb and every gesture are the lyrics, the texture of the stone is the rhythm, where metaphor is the key that will unlock the many meanings and suggestions.The stepwell in Patan is perhaps the most admired structure of its kind and is a testament to the imagination and skill of the sthapati and as we walk through its many-tiered pavilion we almost hear the hushed voices of the queen and her retinue that stayed there away from menacing eyes and sweltering heat. Come, tread softly, as you are entering a hallowed space of beauty.About the AuthorHarsha V. Dehejia has a double doctorate, one in medicine and other in ancient Indian culture, both from Mumbai University. He is also a member of the Royal College of Physicians of London, Glasgow and Canada all by examination. He is a practising Physician and Professor of Indian Studies at Carleton University in Ottawa, Canada. His main interest is in Indian aesthetics.

Transform your home into a beautiful, elegant and welcoming haven, inspired by the romantic charm of winter.

"We work with Hilton because hes both a plant stylist and an incredible plant-care wizard. Hilton doesnt just teach you how to get your plants to thrive he teaches you how to bond with them." - Apartment TherapyBestselling author Hilton Carter brings his unique eye and love of plants to show you how to create luscious interiors that not only look amazing but are good for your well-being, too. Hilton first guides you through his own plant journey, his inspirations, and his top ten favourite house plants. He then takes you on a Journey in Greenery where he showcases the homes of 12 inspiring plant parents that demonstrate the versatility of decorating with plants. From a tiny house in Venice, California and a light-filled loft in New York City, to a Berlin apartment decorated with vintage finds, and the Barcelona home of a ceramic artist, there are ideas for all types of spaces and budgets. Hilton then sets you off on your very own plant journey, taking you room by room, profiling the plants that are most suited to each: those that thrive in the tropical humidity of bathrooms, the erratic heat changes of kitchens and plants that can live happily in the indirect light of an entryway or bedroom. Packed full of interior design advice such as using statement plants like Fiddle-leaf figs to create a focal point, how to layer your greenery by using hanging baskets, and how to assemble the perfect plant shelf, Hilton shows you how bringing houseplants into your home creates instant impact. Be inspired to create your own Wild Interiors with Hiltons expert styling advice, plus his hints and tips on plant care that take the mystery out of looking after your green friends.

Im vorliegenden Band erwarten den Leser Betrachtungen zur Geschichte der kunstlerischen und architektonischen Verarbeitung jeweils exotischer Elemente in der deutschen und in der brasilianischen Baukultur. Ein Beispiel dafur ist Goethes Gartenhaus, Symbol des deutschen burgerlichen Lebensstils, dessen Form sich im brasilianischen Suden einburgerte. Andere architektonische Beispiele zeugen von Inspiration in entgegengesetzter Richtung, von Suden nach Norden.

In this magisterial book, William St Clair unfolds the history of the Parthenon throughout the modern era to the present day, with special emphasis on the period before, during, and after the Greek War of Independence of 182132. Focusing particularly on the question of who saved the Parthenon from destruction during this conflict, with the help of documents that shed a new light on this enduring question, he explores the contributions made by the Philhellenes, Ancient Athenians, Ottomans and the Great Powers.Marshalling a vast amount of primary evidence, much of it previously unexamined and published here for the first time, St Clair rigorously explores the multiple ways in which the Parthenon has served both as a cultural icon onto which meanings are projected and as a symbol of particular national, religious and racial identities, as well as how it illuminates larger questions about the uses of built heritage. This book has a companion volume with the classical Parthenon as its main focus, which offers new ways of recovering the monument and its meanings in ancient times.St Clair builds on the success of his classic text, The Reading Nation in the Romantic Period, to present this rich and authoritative account of the Parthenons presentation and reception throughout history. With weighty implications for the present life of the Parthenon, it is itself a monumental contribution to accounts of the Greek Revolution, to classical studies, and to intellectual history.

Architectural patronage was crucial for the thinking of Aby Warburg and his circle. In Hamburg the purpose-designed Kulturwissenschaftliche Bibliothek Warburg, completed in 1926, organized Warburgs remarkable library. From 1927 Warburg developed ideas about orientation in the radical transformation of a disused water tower into the Hamburg Planetarium. After the Warburg Institute transferred to London in 1933 this pattern of seminal architectural commissioning continued, including projects designed by the avant-garde practice Tecton during the 1930s, and culminating in the construction of the librarys present home at Woburn Square, Bloomsbury in 1958. Warburg Models: Buildings as Bilderfahrzeuge follows this history, using archive photographs, architectural drawings and a series of architectural models to show how the Warburg scholars projected a connection between their own physical occupancy of architectural space and their shared ideas about intellectual order, cultural survival, and memory.MARI LENDING and TIM ANSTEY are both professors of architectural history at the Oslo School of Architecture and Design. Their continuing archive-based seminar on the relationship between the Warburg Institute and architecture has developed into an exhibition and a book, not least because of the skilled participation of their model-building students.

Architectural patronage was crucial for the thinking of Aby Warburg and his circle. In Hamburg the purpose-designed Kulturwissenschaftliche Bibliothek Warburg, completed in 1926, organized Warburgs remarkable library. From 1927 Warburg developed ideas about orientation in the radical transformation of a disused water tower into the Hamburg Planetarium. After the Warburg Institute transferred to London in 1933 this pattern of seminal architectural commissioning continued, including projects designed by the avant-garde practice Tecton during the 1930s, and culminating in the construction of the librarys present home at Woburn Square, Bloomsbury in 1958. Warburg Models: Buildings as Bilderfahrzeuge follows this history, using archive photographs, architectural drawings and a series of architectural models to show how the Warburg scholars projected a connection between their own physical occupancy of architectural space and their shared ideas about intellectual order, cultural survival, and memory.MARI LENDING and TIM ANSTEY are both professors of architectural history at the Oslo School of Architecture and Design. Their continuing archive-based seminar on the relationship between the Warburg Institute and architecture has developed into an exhibition and a book, not least because of the skilled participation of their model-building students.

"El centenario de la Bauhaus vuelve a poner en el foco de nuestro interés la figura de su fundador, el arquitecto Walter Gropius (1883-1969), que en sus escritos y conferencias supo plantear muchos de los temas que, pese al profundo cambio de las condiciones y de nuestros juicios, nos siguen ocupando.La presente antologia quiere dar a conocer este ideario, mostrando su diversidad y complejidad, contribuyendo asi a una reconsideracion critica de la modernidad arquitectonica como la busqueda de un arte omnimodo de alcance total que derribara los muros y las convenciones sociales que separaban al arte de la vida."

"El centenario de la Bauhaus vuelve a poner en el foco de nuestro interés la figura de su fundador, el arquitecto Walter Gropius (1883-1969), que en sus escritos y conferencias supo plantear muchos de los temas que, pese al profundo cambio de las condiciones y de nuestros juicios, nos siguen ocupando.La presente antologia quiere dar a conocer este ideario, mostrando su diversidad y complejidad, contribuyendo asi a una reconsideracion critica de la modernidad arquitectonica como la busqueda de un arte omnimodo de alcance total que derribara los muros y las convenciones sociales que separaban al arte de la vida."

Este libro reúne los principales escritos en los que Walter Gropius expresó sus ideas y motivaciones antes de su emigración a Inglaterra en 1934. Su lectura ofrece hoy visiones diferenciadas de su obra, pero tambien de la arquitectura moderna en general.Por sorprendente que pueda parecer, Gropius es en la actualidad, y en el ambito cultural de habla hispana, una figura tan paradigmatica como poco conocida, al menos en lo tocante a sus presupuestos teoricos e ideologicos. Hasta la fecha, muy pocos de sus textos se habian traducido al español casi siempre los mismos y casi siempre en versiones parciales, lo cual genero ideas equivocadas con respecto a su ideario y a su bagaje intelectual.Esta lectura parcial provoco obstinados malentendidos, cuando no interpretaciones interesadamente equivocas, y en todo ello se basaron tanto la admiracion incondicional como el rechazo ciego.Valgan como ejemplo las variadas reacciones que suscito su presunta radicalidad racionalista, una condicion univoca que el mismo siempre desmintio desde sus convicciones vitalistas. Lo mismo vale para su internacionalismo programatico, pues, lejos de propugnar un universalismo transnacional, en sus escritos Gropius incluyo siempre la cualidad nacional de la nueva arquitectura. Asimismo, la funcionalidad postulada por Gropius no respondia a un enfoque utilitarista, sino que implicaba una dimension trascendente que la emparentaba con la nocion de tradicion.Uno de los objetivos de este libro es justamente precisar tanto estos tres conceptos (racionalidad, intencionalidad y funcionalidad) como algunas otras ideas centrales de lo que se ha dado en llamar la modernidad.El prologo es obra de Simon Marchan Fiz, catedratico emerito de Estetica y Teoria de las Artes, y pionero en la traduccion y divulgacion de las ideas modernas, entre ellas las de Gropius, en el mundo de habla hispana.