eBooks de Teoría y crítica de arquitectura, página 6 de 47

There is the puzzle which it is the purpose of this book to try to elucidate. On the one hand, we have the alleged deficiencies of suburban taste; on the other we have the appeal it holds for ninety out of a hundred Englishmen, an appeal which cannot be explained away as some strange instance of mass aberration...Sir James Richards (1907-1992), editor of the Architectural Review for 34 years, was arguably the leading advocate in Britain for the modern movement in architecture. The Castles on the Ground (1946) constitutes Richards argument for and appreciation of the virtues of the built environment and the architectural aesthetic of suburbia. Concise and elegantly phrased, the volume is further blessed with superb illustrations by John Piper.

Extrapolating the boundaries between art and education, Carla Caffé portrays the art direction work of the award-winning feature film The Cambridge Squatter (2016) through the comics format. With the help of architecture students of Escola da Cidade, Carla worked on the composition of the art direction of the film from the architectural improvements that could be left in the building for the families living in the Cambridge squat in downtown So Paulo. Merging collective work and creation and the problem of homelessness and refuge in the great metropolises, the book also includes texts by Eliane Caffe, Jorge Lobos, Lucia Santaella, Nabil Bonduki and Raquel Rolnik, as well as an enlightening interview with Carmen Silva, leader of Frente de Luta por Moradia (FLM Housing Struggle Front). This ebook contains images that are best viewed on tablets.

In The Blue Castle by L.M. Montgomery, Valancy Stirling is a 29-year-old woman trapped in a dull and oppressive life under the shadow of her overbearing family. Mocked for being unmarried and dismissed as insignificant, Valancy has spent her years conforming to societal expectations, daydreaming about a place she calls The Blue Castle, a sanctuary of beauty and freedom that exists only in her imagination. When she receives a shocking medical diagnosis, Valancy decides to break free from her stifling existence and live life on her own terms. Embarking on a journey of self-discovery, she challenges conventions, confronts her fears, and uncovers hidden truths about love, happiness, and courage. Along the way, she finds unexpected joy and strength in the unlikeliest places. Set against the backdrop of the enchanting Canadian wilderness, The Blue Castle is a heartwarming tale about reclaiming ones individuality, finding true love, and creating a life worth living.

A beautifully produced book to celebrate the 50th anniversary of the Grade II listed brutalist icon, the Barbican Estate.2019 marks the 50th anniversary of the first residents moving into the Barbican Estate in London. This new book is a celebration of this unique complex looking at the design of the individual flats as well as its status as a brutalist icon. Author and designer Stefi Orazi interviews residents past and present, giving an insight into how life on the estate has changed over the decades.The complex, designed by Chamberlin, Powell and Bon, is now Grade II listed, and is one of the worlds most well-known examples of brutalist architecture. Its three towers Cromwell, Shakespeare and Lauderdale are among Londons tallest residential spaces and the estate is a landmark of the city. This is a beautifully illustrated, comprehensive guide to the estate, with newly commissioned photography by Christoffer Rudquist. It will show in detail each of the 140 different flat types, including newly drawn drawings of the flats as well as original plans and maps.Includes fascinating texts by leading architects and design critics, including John Allan of Avanti Architects on the unique building materials and fittings of the flats, and Charles Holland of Charles Holland Architects (and FAT co-founder) on the home and how these concrete towers have become such an integral part of Britains domestic and architectural history.

Sunderland is largely a product of the eighteenth and nineteenth centuries, when coalmining and shipbuilding fuelled rapid expansion and development. Once known as the largest shipbuilding town in the world, Sunderlands proud and distinctive identity is embodied in its historic buildings and in its changing urban form. The Architecture of Sunderland, 1700-1914 examines the citys architectural history during the highpoint of its growth and prosperity. Exploring the cityscape from the richest to the humblest buildings, it brings to life the economic, social and cultural forces that have shaped the city. The text is illustrated with fascinating archival images and photographs taken especially for this volume.

Edirne is a vibrant city of historical importance where civilizations have concentrated throughout the ages, with a unique architectural heritage. Constructions like the Selimiye Mosque from Sinan, the Old Mosque from the fifteenth-century, Uç ?erefeli Mosque, Sultan Beyazid II Mosque, and its many complexes, imarets (public soup kitchens), Dar al-Shifa (medical centers), hans (public inns), baths, bridges, caravanserais, are refined examples of Ottoman-Islamic art. The Architecture Heritage of Edirne is an exploration of the citys architectural Heritage. approaching the past with a historical perspective through works from all the periods it has endured. Starting with the history of Edirne, the book goes into the details of the historical neighborhood, the central district and the historical architecture in the present day city. The book includes notes on the architecture in each notable district and their respective monuments and sites. This is followed by coverage of the architecture of Edirnes former districts. The book concludes with the authors understanding of Edirnes social and economic fabric, both in the past and present. This chapter details the traditional customs, dances, clothing and economic structure of the city. The book is a ley reference for scholars and enthusiasts of urban history, architectural heritage and design, fine arts, humanities and social sciences. The breadth of information covered in the book also makes it a resource for anyone interested in Turkish cultural heritage studies. Readership scholars and enthusiasts of urban history, architectural heritage and design, fine arts, humanities and social sciences. Readers interested in Turkish cultural heritage studies.

The Architects Edge is a bold exploration of architecture, leadership and business, offering invaluable insights for creative entrepreneurs and industry leaders. Gareth Stapleton, an award-winning architect and project manager, shares practical wisdom from decades of global experience. Drawing from real-world projects, he demonstrates how architects and leaders can navigate the complexities of modern business while maintaining creative integrity. This book challenges conventional wisdom and offers actionable strategies for driving long-term value and innovation. Whether youre an aspiring architect, a seasoned leader or a creative professional seeking to make an impact, this handbook equips you with the tools to build lasting value, inspire innovation and lead with confidence.

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A partir de su experiencia docente de más de tres décadas, el autor de este libro aborda los talleres de proyectación arquitectónica ―columna vertebral de la formación académica― de manera no convenc

Terragni and Lingeris Casa Rustici is going back to its original splendour. Since it was declared a national monument in 1992, a new awareness aimed at the protection was aroused. The stones of the floors, the walls of glass tiles, the marbles of the façades have been restored. Careful stratigraphic analyses have allowed to re-establish materials and colours. This book shows the state the art achieved by such a work of active safeguard. A new graphic and iconographic apparatus along with the critical texts by Alessandra Coppa, Giuseppe Marinoni, and Francesco Repishti. Photo by Paolo Rosselli

Bem-vindos a TEORIA COM PRPÓSITO - Escola de Adoração! É importante frisar, que, neste material, traremos não somente um conceito musical, mas também espiritual relacionado a essa questão. O que Deus

The architect should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory. Practice is the continuous and regular exercise of employment where manual work is done with any necessary material according to the design of a drawing. Theory, on the other hand, is the ability to demonstrate and explain the productions of dexterity on the principles of proportion.1. While your divine intelligence and will, Imperator Caesar, were engaged in acquiring the right to command the world, and while your fellow citizens, when all their enemies had been laid low by your invincible valour, were glorying in your triumph and victory,while all foreign nations were in subjection awaiting your beck and call, and the Roman people and senate, released from their alarm, were beginning to be guided by your most noble conceptions and policies, I hardly dared, in view of your serious employments, to publish my writings and long considered ideas on architecture, for fear of subjecting myself to your displeasure by an unseasonable interruption.2. But when I saw that you were giving your attention not only to the welfare of society in general and to the establishment of public order, but also to the providing of public buildings intended for utilitarian purposes, so that not only should the State have been enriched with provinces by your means, but that the greatness of its power might likewise be attended with distinguished authority in its public buildings, I thought that I ought to take the first opportunity to lay before you my writings on this theme. For in the first place it was this subject which made me known to your father, to whom I was devoted on account of his great qualities. After the council of heaven gave him a place in the dwellings of immortal life and transferred your fathers power to your hands, my devotion continuing unchanged as I remembered him inclined me to support you. And so with Marcus Aurelius, Publius Minidius, and Gnaeus Cornelius, I was ready to supply and repair ballistae, scorpiones, and other artillery, and I have received rewards for good service with them. After your first bestowal of these upon me, you continued to renew them on the recommendation of your sister.3. Owing to this favour I need have no fear of want to the end of my life, and being thus laid under obligation I began to write this work for you, because I saw that you have built and are now building extensively, and that in future also you will take care that our public and private buildings shall be worthy to go down to posterity by the side of your other splendid achievements. I have drawn up definite rules to enable you, by observing them, to have personal knowledge of the quality both of existing buildings and of those which are yet to be constructed. For in the following books I have disclosed all the principles of the art.

TEMPLOS E LÍDERES EVANGÉLICOS.

La teoría de la arquitectura en la actualidad, lejos de constituir un conjunto uniforme y coherente, se constituye por un conglomerado de aspectos dispersos que forman un mosaico entrelazado. El espacio, la memoria, el uso, la tecnica, la luz, la percepcion..., son algunos de los campos de interes que constituyen el rizoma caotico sobre el que se asienta el pensamiento arquitectonico. La Composicion arquitectonica, entendida como el conjunto de disciplinas que configuran el substraigo teorico sobre el que se asienta la practica de la arquitectura, se va organizando a partir de estas piezas, en cierta medida autonomas, asentando de este modo el saber de la arquitectura.

La teoría de la arquitectura en la actualidad, lejos de constituir un conjunto uniforme y coherente, se constituye por un conglomerado de aspectos dispersos que forman un mosaico entrelazado. El espacio, la memoria, el uso, la tecnica, la luz, la percepcion..., son algunos de los campos de interes que constituyen el rizoma caotico sobre el que se asienta el pensamiento arquitectonico.La Composicion arquitectonica, entendida como el conjunto de disciplinas que configuran el substraigo teorico sobre el que se asienta la practica de la arquitectura, se va organizando a partir de estas piezas, en cierta medida autonomas, asentando de este modo el saber de la arquitectura.

La teoría de la arquitectura en la actualidad, lejos de constituir un conjunto uniforme y coherente, se constituye por un conglomerado de aspectos dispersos que forman un mosaico entrelazado. El espacio, la memoria, el uso, la tecnica, la luz, la percepcion..., son algunos de los campos de interes que constituyen el rizoma caotico sobre el que se asienta el pensamiento arquitectonico.La Composicion arquitectonica, entendida como el conjunto de disciplinas que configuran el substraigo teorico sobre el que se asienta la practica de la arquitectura, se va organizando a partir de estas piezas, en cierta medida autonomas, asentando de este modo el saber de la arquitectura.

La teoría de la arquitectura en la actualidad, lejos de constituir un conjunto uniforme y coherente, se constituye por un conglomerado de aspectos dispersos que forman un mosaico entrelazado. El espacio, la memoria, el uso, la tecnica, la luz, la percepcion..., son algunos de los campos de interes que constituyen el rizoma caotico sobre el que se asienta el pensamiento arquitectonico.La Composicion arquitectonica, entendida como el conjunto de disciplinas que configuran el substraigo teorico sobre el que se asienta la practica de la arquitectura, se va organizando a partir de estas piezas, en cierta medida autonomas, asentando de este modo el saber de la arquitectura.

La teoría de la arquitectura en la actualidad, lejos de constituir un conjunto uniforme y coherente, se constituye por un conglomerado de aspectos dispersos que forman un mosaico entrelazado. El espacio, la memoria, el uso, la tecnica, la luz, la percepcion..., son algunos de los campos de interes que constituyen el rizoma caotico sobre el que se asienta el pensamiento arquitectonico.La Composicion arquitectonica, entendida como el conjunto de disciplinas que configuran el substraigo teorico sobre el que se asienta la practica de la arquitectura, se va organizando a partir de estas piezas, en cierta medida autonomas, asentando de este modo el saber de la arquitectura.

La teoría de la arquitectura en la actualidad, lejos de constituir un conjunto uniforme y coherente, se constituye por un conglomerado de aspectos dispersos que forman un mosaico entrelazado. El espacio, la memoria, el uso, la tecnica, la luz, la percepcion..., son algunos de los campos de interes que constituyen el rizoma caotico sobre el que se asienta el pensamiento arquitectonico.La Composicion arquitectonica, entendida como el conjunto de disciplinas que configuran el substraigo teorico sobre el que se asienta la practica de la arquitectura, se va organizando a partir de estas piezas, en cierta medida autonomas, asentando de este modo el saber de la arquitectura.

La Composición arquitectónica, entendida como el conjunto de disciplinas que configuran el substraigo teórico sobre el que se asienta la práctica de la arquitectura, se va organizando a partir de estas piezas, en cierta medida autonomas, asentando de este modo el saber de la arquitectura.