eBooks de Artes Escénicas, página 7 de 109

Descendente de italianos e portugueses, filho de um casal de classe média, Dona Clara e Bernardo, um próspero dono de mercearia, nosso herói cresceu sem problemas. Do avô, imigrante italiano que foi

Acredito numa arqueologia do futuro. Ela garimpará em redes sociais, em nuvens, em civilizações orkutianas. Deposito minha esperança nesses arqueólogos, ou hakeólogos. Tudo aquilo que escrevo, toda a

Sie wollen wirklich, dass ich Ihnen mein Leben erzahle? Keine Ahnung, wen das interessiert, aber ich habe sowieso nichts Besseres zu tun und Sie wollen mir ja auch ein paar Riel dafur geben, also abgemacht. Geld kann jeder gebrauchen. Wie alt ich bin? 17, sehe jung aus, oder? 36? Sie sehen junger aus. Wie 27. Okay, dann werde ich Sie duzen, dich meine ich. Wenn man von hier aus aufs Meer schaut und die frohlichen Menschen am Strand sieht, kann man sich nicht vorstellen, dass auch eine sehr hassliche Seite dieser Stadt existiert. Du bist der erste, der danach fragt und ich glaube, auch der letzte. Mein Leben war wirklich schlecht und dass ich noch nicht den Abflug gemacht und mich umgebracht habe, ist ein Wunder. Grund genug hatte ich auf jeden Fall. Ich traf Diego, 17 Jahre, Brasilianer, in einem Cafe in Rio de Janeiro. Er erzahlte mir sein Leben, wie er aufwuchs, Straenkind wurde und uberlebte. Diego berichtet uber Gewalt, Betteln, Diebstahl, Freundschaft, seine ersten Erfahrungen mit Madchen und wie er mit einem Freund von ihm durchs Land tingelte auf der Suche nach Arbeit und einer Zukunft. Seine Geschichte fesselte mich so stark, dass es mir ein Anliegen war, diese aufzuschreiben.

British novelist, short story writer, and poet of the naturalist movement. He captured the epoch just before the railways and the industrial revolution changed the English countryside. His works are pessimistic and bitterly ironic, and his writing is rough but capable of immense power.His first novel, The Poor Man and the Lady, finished by 1867, failed to find a publisher and Hardy destroyed the manuscript. Only parts of the novel remain. He was encouraged to try again by his mentor and friend, Victorian poet and novelist George Meredith. Desperate Remedies [1871] and Under the Greenwood Tree [1872] were published anonymously. In 1873 A Pair of Blue Eyes, a story drawing on Hardys courtship of his first wife, was published under his own name.In Far from the Madding Crowd [1874], his next (and first important) novel, Hardy introduced Wessex, the "partly-real, partly-dream" county named after the Anglo-Saxon kingdom that existed in the area. The landscape was modelled on the real counties of Berkshire, Devon, Dorset, Hampshire, Somerset and Wiltshire, with fictional places based on real locations.Over the next twenty-five years Hardy produced ten more novels.The Hardys moved from London to Yeovil and then to Sturminster Newton, where he wrote The Return of the Native [1878]. In 1885, they moved for a last time, to Max Gate, a house outside Dorchester designed by Hardy and built by his brother. There he wrote The Mayor of Casterbridge [1886], The Woodlanders [1887], and Tess of the dUrbervilles [1891], the latter which attracted criticism for its sympathetic portrayal of a "fallen woman" and was initially refused publication. Jude the Obscure, published in 1895, was met with even stronger negative outcries by the Victorian public for its frank treatment of sex.Despite this criticism, Hardy had become a celebrity in English literature by the 1900s, with several blockbuster novels under his belt, yet he was disgusted with the public reception of two of his greatest works. He gave up writing novels altogether

This play is a journey through the lives of a loving British couple, their son and that of a woman who used to be their sons Nanny. At the heart of the play is Dales newly-found uncontrolled ambition..... but will he realize that he is on the wrong path and avoid a big error that will haunt him for the rest of his life?

SCENE I. An Apartment in the DUKES Palace.?[Enter DUKE, CURIO, Lords; Musicians attending.]?DUKE.If music be the food of love, play on,Give me excess of it; that, surfeiting,The appetite may sicken and so die.That strain again;it had a dying fall;O, it came oer my ear like the sweet south,That breathes upon a bank of violets,Stealing and giving odour.Enough; no more;Tis not so sweet now as it was before.O spirit of love, how quick and fresh art thou!That, notwithstanding thy capacityReceiveth as the sea, nought enters there,Of what validity and pitch soever,But falls into abatement and low priceEven in a minute! so full of shapes is fancy,That it alone is high fantastical.

Twelfth Night, or What You Will[1] is a comedy by William Shakespeare, believed to have been written around 160102 as a Twelfth Nights entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola (who is disguised as a boy) falls in love with Duke Orsino, who in turn is in love with the Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her thinking she is a man. The play expanded on the musical interludes and riotous disorder expected of the occasion,[2] with plot elements drawn from the short story "Of Apollonius and Silla" by Barnabe Rich, based on a story by Matteo Bandello. The first recorded performance was on 2 February 1602, at Candlemas, the formal end of Christmastide in the years calendar. The play was not published until its inclusion in the 1623 First Folio (font: Wikipedia)

Esta comédia de Nelson Natalino, ambientada no bairro do Bexiga, tradicional reduto de italianos radicados no Brasil, apresenta uma família de pais oriundi e filhos brasileiros. Os conflitos flutuam exatamente entre o tradicionalismo italiano representado pelo Nonno, pelo pai Gennaro, pela me Dona Michelina e o modus vivendi tupiniquim ja adotado pelos filhos brasileiros Nina e Giuseppe, que em plena adolescencia apresentam os habituais problemas dessa faixa etaria, envolvendo sexo, preguiça e rock n roll. No poderiam deixar de existir tambem uma vizinha italiana fofoqueira e um namorado pra la de estranho. Tudo parece transcorrer dentro desse enredo ate que numa noite fria, uma atitude inesperada do Nonno altera o destino de cada um dos personagens... Comedia premiada em 2005, pelo Projeto Palavra em Prisma de dramaturgia da Secretaria da Cultura de Guarulhos

With a cast of thousands, including Peter Cook, Ken Dodd, Dusty Springfield, Spike Milligan, Rolf Harris, Bruce Forsyth and Reeves and Mortimer, Turned Out Nice Again reveals a world of comedians and cavorters, dancing girls and crooners. From the early days of vaudeville, via the golden age of radio, to live television spectaculars, the rise of the chat show and alternative comedy, Louis Barfe pulls back the curtain of variety to reveal the world of light entertainment in all its glory.

Em tempos que a moralidade é discutida amplamente na sociedade, é importante discutir de forma crítica e divertida, até que ponto as pessoas mantem seus princípios, num mundo individualista, capitalista e moralista. Tudo tem seu preço aborda o cotidiano de uma pequena cidade interiorana, com suas crenças e valores afrontados por um empresario americano e seu famigerado empreendimento.

William Shakespeares "Troilus and Cressida", written in 1602, is frequently cited as one of his most complex plays, as its tone varies wildly, and the characters are presented in an opaque manner, rendering them difficult to analyse and understand.The story opens several years into the Trojan War. Trojan prince Troilus falls in love with Cressida, as war rages around them. After vowing to be faithful, Cressida, the daughter of a Trojan priest who switched sides, is traded to the Greek camp, and she finds herself in the clutches of the Greek Diomedes. Troilus witnesses Cressidas unfaithfulness and vows to put more effort into the war...Meanwhile, the familiar story of the famous warriors Achilles, Hector, Ajax, and Ulysses fills in the lovers tragic narrative.

Sherwood Anderson (September 13, 1876 March 8, 1941) was an American novelist and short story writer, known for subjective and self-revealing works. Self-educated, he rose to become a successful copywriter and business owner in Cleveland and Elyria, Ohio. In 1912, Anderson had a nervous breakdown that led him to abandon his business and family to become a writer.At the time, he moved to Chicago and was eventually married three more times. His most enduring work is the short-story sequence Winesburg, Ohio, which launched his career. Throughout the 1920s, Anderson published several short story collections, novels, memoirs, books of essays, and a book of poetry. Though his books sold reasonably well, Dark Laughter (1925), a novel inspired by Andersons time in New Orleans during the 1920s, was the only bestseller of his career.He may be most remembered for his influential effect on the next generation of young writers, as he inspired William Faulkner, Ernest Hemingway, John Steinbeck, and Thomas Wolfe. He helped gain publication for Faulkner and Hemingway.

No sertão nordestino, em meio a uma das maiores secas que já havia lhe castigado, Francisco trabalhava duro na roça e como o pouco gado que ainda persistia durante toda a seca, trabalhava muito, cons

Tristan, a valiant Cornish knight, is bringing Isolda, princess of Ireland, over as a bride for his uncle, King Mark. He is himself in love with her, but owing to a blood feud between them, forces himself to conceal his passion. Isolda, in anger at his seeming unkindness, attempts to poison herself and him, but her attendant, Brangna, changes the draft for a love potion, which enflames their passion beyond power of restraint...

Il tema dellinquietudine, dellamore, della gelosia e ampliato da Goldoni nella Trilogia della villeggiatura (Le smanie per la villeggiatura, Le avventure della villeggiatura, Il ritorno dalla villeggiatura), assai impegnativa per impianto, azione e temi. Nella trilogia lamore rischia di travolgere lonore e le norme morali. Goldoni rappresenta un nucleo familiare messo in pericolo dalla passione amorosa e dalla dissipazione economica, causata dal fatuo desiderio di ben figurare in societa, a cui oppone una saggezza concreta e la consapevolezza dei propri limiti economici e della propria condizione sociale, in una complessa struttura di situazioni, comportamenti, caratteri, ambienti, rappresentando cosi levoluzione del sentimento amoroso, in un crescendo passionale, riportando poi la situazione nei limiti del buon senso.

In Trilby (Musaicum Rediscovered Classics), George du Maurier explores the bohemian lifestyle of artists in Paris during the 19th century. The novel follows the story of Trilby OFerrall, a captivating young woman with a remarkable singing voice who becomes the muse of a group of artists. Du Mauriers writing style is known for its vivid descriptions and keen observations of human behavior, making Trilby a compelling read that delves into themes of love, art, and societal expectations. The novel is considered an important work of Victorian literature, blending romance with social commentary in a way that was ahead of its time. Du Mauriers use of hypnotism as a literary device adds an intriguing element to the narrative, adding to the overall mystique of the story. George du Mauriers background as an artist and illustrator influenced his portrayal of the artistic community in Trilby, offering readers a unique perspective on the struggles and triumphs of creative individuals. His own experiences in the art world likely inspired the complex characters and relationships depicted in the novel. Du Mauriers ability to blend realism with a touch of the supernatural showcases his talent as a storyteller, creating a work that continues to resonate with readers today. Fans of classic literature and those interested in the bohemian lifestyle of 19th-century Paris will find Trilby to be a captivating and thought-provoking read that explores the intersections of art and identity.

George du Mauriers Trilby is a captivating novel that delves into the bohemian lifestyle of artists in 19th century Paris. The story follows the transformation of the young model Trilby OFerrall under the spell of the mesmerizing musician Svengali. Du Mauriers prose is evocative and filled with lush descriptions of the art world, making the reader feel as if they are walking through the streets of Paris alongside the characters. Trilby is a powerful exploration of love, art, and the clash between innocence and corruption. The novel is considered a classic in the literary world, known for its unforgettable characters and poignant themes. The richly detailed narrative draws readers in from the first page, leaving a lasting impact long after the final chapter. George du Mauriers background as an illustrator and his own experiences in the art world likely influenced his writing of Trilby. His keen insights into the creative process and the complexities of artistic expression shine through in this timeless work. I highly recommend Trilby to any reader interested in immersive storytelling, vivid historical settings, and thought-provoking themes.

Three English art students in Paris (Taffy, Laird, and William Bagot alias Little Billee) meet musicians Svengali and Gecko and the artists model and laundress Trilby OFerrall.Trilby is cheerful, kindhearted, bohemian, and completely tone-deaf. Yet despite being off-key, her singing voice nonetheless has an impressive quality. The Englishmen and Trilby become friends. Svengali tries to persuade Trilby to let him train her voice, but she finds him repulsive and even frightening. She and Little Billee fall in love, but his scandalized relatives get her to promise to leave him. She leaves Paris with her little brother, who later dies of scarlet fever. Trilby then falls under Svengalis influence. He hypnotises her and transforms her into a diva, La Svengali. Under his spell, Trilby becomes a talented singer, performing always in an amnesiac trance. Five years later, Little Billee is a famous painter. He, Laird and Taffy recognise Trilby as she performs at a concert. Trilby sings beautifully but does not appear to be in good health. What will happen to Trilby now? Will she and Svengali have a happy ending? Read on!

COUNTY ATTORNEY: (rubbing his hands) This feels good. Come up to the fire, ladies. MRS PETERS: (after taking a step forward) Im notcold. SHERIFF: (unbuttoning his overcoat and stepping away from the stove as if to mark the beginning of official business) Now, Mr Hale, before we move things about, you explain to Mr Henderson just what you saw when you came here yesterday morning. COUNTY ATTORNEY: By the way, has anything been moved? Are things just as you left them yesterday? SHERIFF: (looking about) Its just the same. When it dropped below zero last night I thought Id better send Frank out this morning to make a fire for usno use getting pneumonia with a big case on, but I told him not to touch anything except the stoveand you know Frank. COUNTY ATTORNEY: Somebody should have been left here yesterday.

El primer libro de Tricicle: una enciclopedia enorme repleta de detalles deliciosos.Una enciclopedia que resume la trayectoria de la célebre compañía teatral en pequeñas dosis tan informativas como divertidas. Desde los inicios de tres amigos que querian comerse el mundo hasta los tres veteranos que siguen llenando teatros despues de treinta y cinco años. Una obra que mezcla anecdotas, viajes, teorias, datos, amigos, trucos teatrales, metodologia, improvisaciones, humor, manias, sueños, esperanzas y algun que otro pequeño fracaso que hace aun mas brillante su triunfo.Una obra chispeante, nada retorica, directa y cargada de humor... pero al mismo tiempo llena de reflexiones que no lo parecen porque ni son especulativas ni estan infladas de empaque. Leyendola en pequeñas dosis, como se leen los diccionarios para evitar los empachos, uno se hace una idea muy cercana y completa de la personalidad de sus componentes y de su impresionante trayectoria en el mundo del espectaculo.Una superguia Tricicle que atrapara a sus miles de admiradores desde la primera entrada.