eBooks de Formación del actor, página 2 de 8

A pesar de que los contenidos teóricos de los estudios iniciales de Stanislavski y su articulación con el psicoanálisis, la Gestalt o el psicodrama han proliferado y miles de escuelas en el mundo han pretendido ocultar el hueco metodologico propiciado por Lee Strasberg con aportaciones psicologicas que facilitaran la busqueda personal, Jorge Eines opina que se trata de un inmenso error: cualquier individuo es libre para autolesionarse, pero un profesor no deberia impulsarlo a que lo hiciera. La tecnica es una regla de seguridad; de lo contrario, el arte se desplaza hacia un extremo en el que ya no hay arte.Asi, la tecnica de la interpretacion es concebida como un proceso en el cual el actor o el alumno de Arte Dramatico se interroga a si mismo sobre los limites de su propio arte.En Hacer actuar, el actor en formacion y el ya formado (si esto es posible, pues un actor nunca esta formado del todo) encontraran una firme, vibrante y esclarecedora defensa de la tecnica como esencia del oficio de actuar que hace factible la aparicion del talento, pues este, en opinion del autor, no se posee: se conquista.

¿Por donde empezar? ¿Es posible pensar en la técnica como los cimientos de un edificio?La pregunta por los comienzos de la formación de un actor viene alimentando la historia del teatro. La manera singular en que este libro aborda el problema parece ser el punto inicial de un viaje para poder entender la pedagogia de Jorge Eines. Una propuesta que se ocupa del proceso en su etapa inicial y que abre las puertas a la imaginacion, la destreza y por ende a la tecnica. Todo ello con la finalidad de orientar a un alumno para que encuentre su lugar en el arte del actor.Un libro que es punto de partida. Una via de acceso a los demas textos del autor (La didactica de la dramatizacion, Alegato a favor del actor, El actor pide y Hacer actuar) componiendo una universo tanto teorico como practico para profundizar en las lineas maestras que definen la formacion de los actores.

Glossário de cinema e música.

Dicionário cinematográfico.

Uma exposição completa de todos os filmes de John Wayne. O leitor poderá conferir os elencos, datas de produção, dias de lançamentos, empresas produtoras e outras informações associadas ao filme pesq

Uma relação completa dos filmes estrelados pelo ator Buster Keaton. Informações gerais sobre estes filmes como elenco, produção, direção, formato e tempo de duração dos filmes estão à disposição dos

A leitura do livro Poemas Anajaense, resgatando e desenvolvendo valores, vem mostrar as belezas naturais e o bom acolhimento do povo desse lugar.Despertando no leitor(a) um incentivo de cada vez maisbuscar um bom crescimento pessoal, moral e social. Mostrando pela poesia a forma inovadora de viver com bastanteconhecimento e um simples modo de se sentir acolhido unspelos outros.Ao adentrar a parceria com os escritores convidados, vai despertar um novo modo de pensar e agir, de forma mais paci-ca e igualitaria em Anajas, no Marajo.Mostrando as belezas naturais e pessoais que temos. Ondeesta aprimorando e fortalecendo as ideias, por isso que aleitura poetica rimada nos ajuda a ser mais feliz e encontrarmais liberdade.Boa leitura!

This dip-in, flick-through, quick-fire resource book, part of the bestselling Drama Games series, offers dozens of games and exercises to explore the fundamental concepts of clowning and physical comedy, encourage playfulness, curiosity and collaboration, and help develop performance material.These active and engaging games focus on a wide range of core skills, including: Building and strengthening connections through collaboration and ensemble work Developing physical and mental flexibility Using restrictions, problems and accidents to devise routines and scenes Using props to reveal thoughts and emotions and deepen relationships Throughout, the focus is on how to develop a playful mind and body, listen to and observe the world around you, and improve your ability to express yourself physically.This essential book is invaluable for actors, improvisers, comedians, directors and teachers looking to explore the principles of clowning to enrich performance skills, generate original material or bring a fresh approach to scripted work.There are eighty games in this book: eighty opportunities to capture a mood, provoke a response and excite creativity. They are a gift. I wish Id had this book a couple of decades ago John Wright, from his ForewordThe perfect companion for any director, this is the most imaginative and comprehensive book of theatre games I have seen Cal McCrystal (comedy director for The Mighty Boosh, One Man, Two Guvnors and Paddington)Joe Dieffenbacher is a teacher, director, designer, author and actor known for his theatre, circus and cabaret performances under the name nakupelle. He has worked with companies and venues including Shakespeares Globe, Disney and the Scottish National Opera, as well as co-creating sequences for the Closing Ceremonies of the London 2012 Olympics and Paralympics.

Filmografia completa dos filmes estrelados pelo ator Charles Starrett na condição do personagem Durango Kid.

Em A Importância da Oração , Neiriberto Silva de Freitas explora profundamente o papel vital da oração na vida do cristão. Através de uma análise cuidadosa e inspiradora, o autor aborda temas como ad

Filmografia completa do ator Johnny Weissmuller.

There is no acting, only reacting to the space.In his bestselling book The Actor and the Target, Declan Donnellan laid out a fresh and radical approach to acting that has inspired actors around the world.Now, in The Actor and the Space, he develops and extends those ideas, exploring that most profound source of vitality in life as well as performance: the space around us.Tackling fundamental questions that face any actor What makes performance better? How do I create a space for my character to live in? How do I tap into that space, and draw energy from it? Donnellan offers a universal set of keys to unlock the mysteries of performance.Full of insightful precepts, acute psychology and practical, hands-on advice, the book presents a bold new way of thinking about acting, illustrated throughout with line-by-line analysis of scenes from Macbeth to show how it works in rehearsal and performance.Essential reading for any actor or theatre director, The Actor and the Space is also a fascinating distillation of the work of a world-leading director that will reward and enrich anyone with an interest in theatre.A hand grenade of a book. It contains all the humility and chutzpah you need to work in the theatre. Cate BlanchettA wonderful book. Few directors think as deeply or perceptively about the art of acting as Declan Donnellan. This is an essential text for the actor, supremely useful, practical, elegant and profound. Matthew MacfadyenBeautifully clear. This generous vision takes a very complex art form and makes it all seem so simple. The whole book is a key. Unlocking the problems actors face as they try to accept another reality long enough to let the audience get a glimpse of the best our art can offer a glimpse into themselves. Adrian Lester Declan Donnellans profound insight and point of departure is that great theatre, like a childs sandcastle, inhabits a vulnerable and ever-changing space between the safe and the dangerous. There is a whole lot of wisdom in this book about tragedy, human psychology, words, dread and about how great acting really works conveyed with remarkable clarity and simplicity. Its worth sharing with non-actor friends for its insights into Macbeth alone. Most of all, its a distillation of hard-won lessons learned from decades of immersion in the mysteries of theatre by one of the great directors of our day. James Shapiro, Shakespeare scholar and author of 1599: A Year in the Life of William Shakespeare

Dicionário cinematográfico.

On the Stage and Off is a comic memoir of Jerome K. Jeromes experiences as an aspiring actor. Its a truly captivating collection of entertaining accounts on the day-to-day life of a would-be actor, told in Jeromes uniquely humorous manner.He was an English novelist and playwright whose wit and humor won him a massive following. He decided to try his luck at acting under the stage name Harold Crichton at a young age. But after three years of struggle with no evident success, disheartened, Jerome decided to seek other occupations. He tried journalism, writing essays, satires, and short stories, but most of these stood rejected. Finally, he wrote this memoir which became an instant hit soon after its publication. Jerome describes the events precisely, writing about all the ups and downs. He talks about his determination to become an actor, his life on and off stage, his views on acting, etc. Jerome finally writes beautifully about his last appearance as an actor, leaving the reader emotional.

Neste livro, sobre cinema e cidade, o cinema é visto como um fractal da cidade. Em Matemática, o fractal é uma estrutura geométrica complexa. As propriedades dessa estrutura repetem-se em qualquer escala. Fractais so objetos e cada parte desses objetos e semelhante ao objeto como um todo. Uma estrutura metonimica. Fractal tambem assinala uma forma de ver, viso com o maximo de abertura que entrelaça documentario, cinema e cidade com o campo da Linguistica Aplicada, da Analise do Discurso Critica. Nesta analise, a cidade e o cinema esto presentes no manejo da lingua(gem) documental, nas historias de familias, no corpo das travestis. O cine Jangada, posto como discurso, traz como materia de reflexo os muitos modos de dizer a cidade. A perspectiva de analise so as representaçes discursivas sobre o cine Jangada. Nesse cenario, o cinema representa o proprio cinema numa cena metanarrativa que engloba metafora, ideologia e lugar de fala. O circuito exibidor, nesse panorama analitico, revela as engrenagens economicas e culturais que circundam o ato de ir ao cinema e a força que um objeto cultural encerra para a compreenso das relaçes de poder, saber e lingua(gem).

Only what is open and searching is active and alive. You, the actor, must learn to find security in insecurity, certainty in uncertainty, to trust that this will lead to discovery and growth.In What Actors Do, revered theatre director Mike Alfreds explores the wellspring of the actors craft, tracing a pathway to creative freedom through the thickets of competing methodologies and confusing paradoxes that you will face throughout your training and career.How do you give life to a character that both is and isnt yourself? How can you be childlike and open in your work without becoming childish? How, when you know whats coming next, can you still be spontaneous?Frank, uncompromising and full of sharply focused insights, this book will help you strip away the inhibitions and habitual thinking that can shackle our imaginations. It will show you how to generate truthful performances by trusting your inner creativity and remaining radically open, responsive and present in every moment.Mike Alfreds has been directing plays for more than seventy years. In the 1970s he founded Shared Experience, and has since worked for the National Theatre, Shakespeares Globe, the Royal Shakespeare Company and also extensively abroad. He is hugely respected within the profession, and is the author of two previous books, Different Every Night and Then What Happens?If I was allowed to train again to be an actor, but I was only allowed one teacher, it would have to be Mike Alfreds. To me he is a genius when it comes to acting and storytellingMark Rylance

We are all a complex mixture of the elemental energies identified by many different cultures throughout history: Earth, Air, Fire, Water and a fifth element called Quintessence or Spirit. As an actor, you need to be able to access each of them, so that you can draw on whichever element you need to bring your role fully into life.In The Elemental Actor, Mel Churcher explores these deep, primal drives, and gives you practical tools to harness them to make your work more powerful and alive. Her unique approach combines elements of actor training, voice work and movement to increase your range and help you bring depth, specificity and intensity to your performance.The book includes over one hundred games and exercises to help you explore each of the elements, incorporate this work into your practice, and apply it to the world of your role. There are also tips for preparing for auditions and dealing with performance anxiety, as well as advice on how to stay healthy in body, voice and mind.Offering an everlasting palette that will enrich any performance, whether on stage or screen, The Elemental Actor will help you release the wellspring of your imagination, and put elemental power into your work.Mel Churcher is an international acting, dialogue and voice coach who has worked with companies including the Royal National Theatre, Royal Shakespeare Company, Regents Park Open Air Theatre, Shakespeares Globe, Young Vic, Royal Court Theatre and Graeae Theatre Company. She is one of the top acting and dialogue coaches in TV and movies, and has worked with some of the biggest stars of stage and screen.

This dip-in, flick-through, quick-fire resource book, part of the bestselling Drama Games series, offers dozens of games to help bring Shakespeares plays to life in the classroom or rehearsal room making them fun and accessible to actors, students, directors and teachers.Inspired by the work of leading cultural education charity Coram Shakespeare Schools Foundation, this book offers a wide range of activities to tackle every aspect of the plays, including:Warm-ups and General Games to establish an atmosphere of focus, connection, support and fun all the conditions you need for a successful session Story and World-building to explore the events, environments and societies of Shakespeares plays Introducing Shakespeares Language to break down the text and allow participants to uncover the meaning through play and creative discovery Activating Shakespeares Language to liberate actors from the script through movement and voice-work Character to help develop compelling, believable performances by investigating motivations and relationships, circumstances and emotions Staging to help empower every member of the ensemble in moments that might be challenging to stage such as big movement sequences, fights and battles and intimate love scenes Whatever your reason for exploring Shakespeare whether youre directing a production, teaching a set text, or introducing his work to young people for the first time this essential resource will give you the tools you need to demystify the language, take ownership of the plays, and find a connection to the words that resonates in our own time.This wonderful book will be an invaluable resource for anyone approaching the teaching or directing of Shakespeare, whether novice or veteranPaterson Joseph, from his Foreword

This clear, concise and practical guide provides actors with a structured and effective method for breaking down and understanding a performance script. It offers a flexible approach that works with plays from any period or genre, with television and film scripts, and even when preparing for your audition.Inside, youll find the tools you need for every step of the process, from making sense of the whole script, to breaking it down scene by scene, through to detailed line-by-line analysis. There are strategies for exploring character arcs, objectives, beat shifts and subtext, as well as practical exercises and sample scenes from leading playwrights to help you put the concepts into action. Also included are worksheets you can use and reuse on all your future projects.Wherever you are in your acting career, this book is your essential working companion giving you a method for tackling any script, and providing the foundation to take your performances to the next level.The Compact Guides are pocket-sized introductions for actors and theatremakers, each tackling a key topic in a clear and comprehensive way. Written by industry professionals with extensive hands-on experience of their subject, they provide you with maximum information in minimum time.

This clear, accessible guide to creating and putting on a solo show is packed with inspiring, practical advice for writers, actors, directors, and anyone who wants to know how solo shows are actually made.Written by two theatremakers with a wealth of experience in the field, it leads you through the whole process from finding a subject youre passionate about, to developing your ideas and getting the script written, through to rewrites, rehearsals and getting your show on stage. It tackles key questions such as: What makes a good solo show? How do I engage the audience? How should directors and writer-performers work together? And whats the best way of approaching a producer?Theres also invaluable advice on looking after yourself, coping with anxieties, dealing with reviews, and taking your show to the Edinburgh Fringe. With practical exercises throughout to help you put everything into action, this book is an indispensable toolkit for making your solo show a reality.Lisa Carroll is a playwright, screenwriter and comedian, whose plays have been staged at Soho Theatre, the Arcola Theatre, and the Abbey Theatre, Dublin. Milly Thomas is an actor and writer whose plays have been staged at Theatre503, the Edinburgh Fringe, Soho Theatre, the West Ends Trafalgar Studios and New York Theatre Workshop. Together, Lisa and Milly have taught regular solo-show workshops, including for training and creative organisation The Mono Box.The Compact Guides are pocket-sized introductions for actors and theatremakers, each tackling a key topic in a clear and comprehensive way. Written by industry professionals with extensive hands-on experience of their subject, they provide you with maximum information in minimum time.