Preventa de eBooks de Cine

Centenares de anécdotas alucinantes sobre el mundo del cine y sus protagonistas, y datos que no encontrarás en WikipediaUna peli por semana es un libro de introducción al cine que te propone 52 filmes para ver y analizar a lo largo de un año. Una seleccion realizada por Jesus Iglesias, autor de la popular cuenta de critica cinematografica La peli de la semana, para que cada mes puedas elegir de cuatro a seis filmes, cada uno ampliamente comentado y repleto de datos que saciaran tu ambicion cinefila.Esta organizado por tematicas historicas, que van de los inicios del cine con los hermanosLumiere y Alice GuyBlache, pasando por movimientos cruciales como el expresionismo aleman, las eras doradas del cine japones e italiano, y la indispensable nouvelle vague. Ademas, algunos capitulos estan dedicados a efemerides: en octubre se habla de cine de terror, en febrero, de amor y desamor, en marzo, de la mirada femenina, e incluso hay una parte dedicada a clasicos atipicos de Navidad, por lo que el libro salta de un lado a otro analizando obras de Dario Argento, CelineSciamma,TakashiMiike, P.T. Anderson,Agnes Varda, WongKar-wai, LarisaShepitko, Ingmar Bergman, entre otros.Jesus Iglesias construye aqui un breve, divertido y singular almanaque decine que comparte el placer de descubrir peliculas nuevas mas alla de los algoritmos de los servicios de streaming.

PARECE BROMA, PERO ES HISTORIA.INCLUYE UN PRÓLOGO DE ANDREU BUENAFUENTE¿Sabías que el camarero Manuel, de Fawlty Towers, era de Barcelona? ¿Quién les dijo a John Cleese y a Michael Palin que obtendrían sus treinta monedas de plata por haber hecho La vida de Brian? ¿Como empezo la epica batalla entre Matt Damon y el presentador Jimmy Kimmel? ¿Quienes son los culpables de que se haya extendido el uso de regomello, trofollo o recopetin?Hacer reir es algo muy serio, pero demasiado a menudo no se le da el valor que merece. Este libro quiere ser un merecido homenaje a todas aquellas personas que, desde el cine, la television, la radio o los escenarios, han dedicado su talento a provocarnos sonrisas, risas o carcajadas. Treinta historias de la comedia para ahondar en las vidas de monologuistas, comediantes y hazmerreires de aqui y de alla, y descubrir los intringulis de las series y peliculas comicas que nos han obsesionado.Hazme reir es el libro que reclamaban los seguidores de los hilos #MakeEmLaugh de @Manuel_de_BCN y que tu, persona aficionada a la comedia, no podras dejar de leer. Porque, como dijo Samuel J. Snordgrass camino de la guillotina: Hazlos reir, hazlos reir ¿No sabes que a todo el mundo le gusta reir?.

Los profundos e interesantes cambios de la sociedad española en el siglo XX vistos a través de las películas que nos han marcado. Una celebración del cine y la cultura popular española.El trasfondo de un pais de la complejidad de España ha sido objeto de apasionados debates que arreciaron durante el zarandeado siglo XX, cuando se lo considero un enigma historico, un laberinto o algo invertebrado. Pero bajo tantos quiebros identitarios aun podian reconocerse continuidades tan llamativas como la vitalidad de su cultura popular, incluso tras la llegada del cine, que la rearticulo de abajo arriba, asistido por la industrializacion del ocio y el consumo de masas.A la altura de los años sesenta del pasado siglo, las mutaciones eran de tal calibre que lo popular se habia convertido en pop, estableciendo un nuevo pacto que la llegada de la democracia tradujo dos decadas despues en productos tan inclasificables como las peliculas de Almodovar. Un realizador que tras su audaz vanguardismo terminaria mostrando un hondo enraizamiento en tradiciones de tanto recorrido como el sainete, ya actualizado en la filmografia de Berlanga. No son los unicos ejemplos de ese sustrato autoctono atendidos por este libro. En sus paginas se narran muchos otros, trazando una cronica dramatica o desenfadada, siempre fascinante de sus aspectos mas insolitos o significativos. Se exploran asi nuevas perspectivas sobre el cine, la intrahistoria española y su vida cotidiana, revelando sorprendentes atavismos agazapados en nuestro irreductible imaginario colectivo.

An instant classic . . . funny, sharp, entertaining. ANDREW OHAGAN, author of Caledonian Road A riotous and revealing story of Hollywoods most spectacular flops.Failure fascinates, for all the reasons that success is a drag . . . From grand follies to misunderstood masterpieces, disastrous sequels to catastrophic literary adaptations, Tim Robeys hugely entertaining Box Office Poison tells an alternative history of Hollywood, through a century of its most notable flops.Freaks, Land of the Pharaohs, Dune, Speed 2, Catwoman, Cats: what can these films tell us about the Hollywood system, the publics appetite - or lack of it - and the circumstances that saw such box office disasters actually made? Away from the canon, here is the definitive take on these ill-fated, but essential celluloid failures.

THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Bill Murray, Benicio del Toro, Adrien Brody, Tilda Swinton, Lea Seydoux, Frances McDormand, Timothee Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, and Owen Wilson.

There are so many insights even hardcore Bond fans will be surprised. Indispensable. David Lowbridge-Ellis MBEOnly six men can lay claim to wearing the famous Savile Row tuxedo of James Bond; more people have stepped on the Moon. Yet, hundreds more came within an inch of winning the coveted 007 role the pinnacle for so many actors.For the first time, The Search for Bond tells the extraordinary story of how cinemas most famous secret agent was cast, featuring exclusive interviews with many of the actors who were at one time considered to play Bond, interviewed for the role, or went as far as to be screen tested. From Ranulph Fiennes to Colin Firth, their memories and stories give a fascinating insiders glimpse into the process of how the Bond producers, Broccoli and Saltzman, came up with the right man to play their famous spy.

UMA VIAGEM PELA CIÊNCIA POR TRÁS DE INTERESTELAR, O PREMIADO FILME DE CRISTOPHER NOLAN. ESCRITO PELO PRODUTOR EXECUTIVO E FÍSICO VENCEDOR DO PRÊMIO NOBEL KIP THORNE. Edição oficial, com prefácio de C

The official retrospective for the British cinematic masterpiece The Third Man, directed by Carol Reed, written by Graham Greene, and starring Joseph Cotton and Orson Welles, on its 75th anniversary.On its release in 1949, Carol Reeds atmospheric film noir thriller The Third Man instantly became a classic, winning the Palm dOr at Cannes, a BAFTA for Best British Film, and the Oscar for Best Cinematography. Featuring some of cinemas most memorable set pieces and quotable lines, the films war-torn Viennese locations quickly etch themselves in the memorythe vast sewers, the Ferris wheel, the tree-lined cemetery. It marks one of those unusual conjunctions of script, director, subject, cast, and settingand, of course, musicin which everything works. In time for the movies 75th anniversary, this beautiful, illustrated book comprehensively covers the making of the movie, acknowledged as the masterwork of many of its key players: Carol Reed as director; cast members including Joseph Cotton and Orson Welles; novelist/screenwriter Graham Greene; and composer of the instantly recognizable zither score Anton Karas. The battle for ownership of the film between US producer David O. Selznick and the British producer Alexander Korda, which developed into protracted legal proceedings, is explored, as is the lasting influence the movie has had on modern filmmakers, such as Martin Scorsese. This stunning book features original versions of the script and behind-the-scenes photography making it a must-have for any film fan.

An informative, inspiring, richly illustrated book on contemporary moving-image art. This book sets out to use the latest technologies to short-circuit the universally understandable language of the mass media and to make art once again a critical mirror of its time. Around sixty artists from more than twenty countries are presented in eight chapters, that address social, political, and scientific themes (racism, climate change, capitalism, eccentricity, sex, zeitgeist, and fashionable and frightening technologies) in a way that is playful and innovative.HEINZ PETER SCHWERFEL (*1954) lives in Paris. He works as a journalist, filmmaker and curator, and is the author of books on artists (Georg Baselitz, Jannis Kounellis) and non-fiction books such as Kunst-Skandale and Kino und Kunst. As a filmmaker, he produced films about Christian Boltanski, Rebecca Horn, Anish Kapoor, Christoph Marthaler, Annette Messager, Bruce Nauman, Cees Nooteboom, and many others, as well as TV series for the art channel ARTE (Design, Live Art). In addition, he curated exhibitions of work by Shirin Neshat, Julian Rosefeldt, and Loukia Alavanou (Greek pavilion, 2022 Venice Biennale).

This lavishly illustrated volume tells the story of German film through the collection of the Deutsche Kinemathek. From its beginnings in 1895 to the present day, it illustrates the artistic and technical, political, and social developments that have shaped and continue to shape, the history of film in Germany. Organized by decade and divided into twelve chapters, more than 420 essays explore films both famous and obscure. It celebrates this important cultural medium and its spectators as well as all the personalities who have shaped the diversity of German film through their creativity. More than 2,700 objects from all areas of the collection and spanning a period of around 130 years, many of them published for the first time, provide a comprehensive insight into the Kinematheks archive holdings and an in-depth understanding of film history.The DEUTSCHE KINEMATHEK is one of the worlds leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.