eBooks de Arte actual, página 2 de 5

Ao utilizar a internet, a arte evidentemente expande e renova o próprio campo, uma vez que extrapola limites geográficos e institucionais. Entretanto, como ferramenta, ela não define o caminho das mu

Em popularidade, as telenovelas são o equivalente, na cultura brasileira, aos blockbusters de Hollywood, aos livros best-sellers mundiais, às músicas ouvidas por milhões ao redor do planeta e aos meg

Desde la premisa de expandir las limitaciones teóricas que rigen larelación entre arte política, Visualidades políticas reúne cuatro análisis deacciones efímeras disruptivas durante y a propósito del estallido social enChile en octubre de 2019 en pos de reivindicarlos no solo como practicasque retoman, en terminos tematicos y formales, conceptualizacionespoliticas propias de las artes visuales de la decada del 2010, sino tambieny he ahi el tenor del libro como agencias que exceden las logicas de uncampo artistico centrado en sus propias variables esteticas y discursivas.En ese sentido, este libro es una invitacion a considerar que la practicaexpandida de dichas acciones estan en estrecha relacion no solo con lareconfiguracion estetica de memorias historicas que marcan las luchassociales de distintos actores disidentes, sino tambien en una busquedaque de cuenta de su urgencia y acontecimentalidad a contrachoque de laslogicas institucionales.

«El Mago Enmascarado», alias de Val Valentino, ha reventado audiencias «Rompiendo el código de los magos: los grandes secretos de la magia finalmente revelados». Shows de televisión y en vivo, comerc

"A era dos estúdios: década de 1950" faz parte de uma História do cinema brasileiro a ser publicada pela Editora Cajuína, e da qual a editora já publicou o primeiro volume. Nela, será efetuada uma analise historica de nossa cinematografia, abarcando de suas origens aos dias de hoje. Sera uma ampla e abrangente historia da produço cinematografica brasileira, efetuada a partir da analise de centenas de filmes e de todas as tendencias e movimentos de nossa cinematografia. Neste segundo volume apresenta-se um estudo do cinema brasileiro nos anos cinquenta, um periodo marcado pela produço feita em estudios, bem como por uma produço independente menos expressiva em termos quantitativos, levada adiante principalmente no Rio de Janeiro e em So Paulo.

Nos proponemos aquí modelizar el proceso de diseño y realización del Video Inmersivo 360, desde la idea hasta la exhibición, para que todo aquel audiovisualista que se interese en este nuevo medio no sienta que empieza de cero. Este trabajo nace al asociar nuestra investigacion academica con la practica en produccion de obras. Como fuente de informacion, contamos con el aporte de los principales productores y realizadores pioneros en el pais a traves de entrevistas personales. A su vez, sustenta este trabajo tanto nuestra experiencia en realizacion de ficcion y documental 360 como la participacion e intercambio en eventos de narrativas inmersivas como oyentes, expositores y realizadores, la lectura y visualizacion de horas de material y la experiencia dictando cursos de grado y posgrado. Aunque dirigido a quien cuenta con ciertos conocimientos en audiovisual tradicional, buscamos con este volumen, a traves de los ejemplos y un lenguaje coloquial, llegar a un publico amplio.

Este livro conta a história de vários inícios. Primeiro, o início da Oficina de Criação Literária da PUCRS, que completa anos em – a mais longeva em funcionamento no país. O surgimento da Oficina est

Already a well-known representative of the "Arte Povera" movement, in the late 1990s Johann Widmer began to explore the field of abstract, informal painting.His credo was that all the arts (including music and literature) are important pillars of our civilisation and should therefore be made accessible to everyone by various means.In addition to his extensive artistic output, Johann Widmer has always written short stories for young and old. But he avoids the term "writer". He sees himself more as an art mediator and is happy when his books are read.Starting in August 2009, he dedicated a picture to each month, which he accompanied with a matching text.This book is therefore a compilation of the artistic work and the short stories and shows the "monthly pictures" as a collected work.The texts are not intended to influence the viewers own imagination when looking at the pictures, but they may suggest a way of looking at the picture.

Already a well-known representative of the "Arte Povera" movement, in the late 1990s Johann Widmer began to explore the field of abstract, informal painting.His credo was that all the arts (including music and literature) are important pillars of our civilisation and should therefore be made accessible to everyone by various means.In addition to his extensive artistic output, Johann Widmer has always written short stories for young and old. But he avoids the term "writer". He sees himself more as an art mediator and is happy when his books are read.Starting in August 2009, he dedicated a picture to each month, which he accompanied with a matching text.This book is therefore a compilation of the artistic work and the short stories and shows the "monthly pictures" as a collected work.The texts are not intended to influence the viewers own imagination when looking at the pictures, but they may suggest a way of looking at the picture.

How might film reveal God?In its most basic form, film is a series of images displayed over time. Of course, film has developed greatly since the Lumiere brothers by adding components such as sound, special effects, digital recording, and more to create an increasingly complex artistic medium. Historically, film studies has often focused on the narrative aspect of film as it seeks to tell a story. More recent studies, however, have turned attention to other elements of film, such as the musical score. Yet, film remains, in a sense, a series of images.In this Studies in Theology and the Arts (STA) volume, theologian Richard Goodwin considers how the images that constitute film might be a conduit of Gods revelation. By considering works by Carl Theodor Dreyer, Stanley Kubrick, Paul Thomas Anderson, Robert Bresson, Martin Scorsese, Terrence Malick, and more, Goodwin argues that by inviting emotional responses, film images can be a medium of divine revelation.Blessed are those who have seen God... through film.The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.

Amir Haddad de todos os teatros faz um compêndio do pensamento e dos ensinamentos de um dos grandes mestres do teatro brasileiro, dimensionando seu legado e trajetória. Artista com identidade própria

En un ejercicio de recuperación de prácticas performáticas chilenas,Sebastián Valenzuela-Valdivia nos invita a reconsiderar los criterioscuratoriales y archivísticos para definir nuevas categorías de analisisatingentes a la experimentacion del cuerpo y el uso de medios como lafotografia, el video y el libro-perfomance. Asi, Del cuerpo al archivocontribuye a como pensar esta experimentacion en el marco de lahistoricidad y la potencia comunicativa en torno a la disidencia sexual, eltravestismo y la identidad, cuestion que no solo atiende limitacionesinstitucionales y la compleja atmosfera politica entre 1973 y 1990, sinotambien a las condiciones de su sobrevida en exposiciones y acervosdocumentales. En ultimo termino, este libro es un aporte para reformularla pregunta por como se han desarrollado las practicas performaticas enChile a partir de sus archivos.

Partiendo de la novela de Mary Shelley, Franskentein, Antola reinstala a las personas no cis en el tren fantasmagórico del experimento y la fantasía, para desarmar las ficciones identitarias de quienes jamas debieron disputarle al Estado alguna verdad.

Da Visualidade à Cena: dimensões expositivas da arte, de Sonia Salcedo, constitui-se como obra referencial àqueles que se ocupam do espaço (o seu estudo, no caso dos pesquisadores, e o seu exercício,

The Winters Tale William Shakespeare - The Winters Tale is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeares late romances.

Em Performances do tempo espiralar, poéticas do corpo-tela, da coleção Encruzilhada, da Editora Cobogó, a ensaísta, poeta, dramaturga e professora traz ensaios nos quais Leda Maria Martins explora as

É inspirado na recente notoriedade do voguing, que o autor pontua a criação de cenas de dissenso como posicionamento político oportuno nas metrópoles pós-modernas. Neste contexto, voguers nos ensinam

As You Like It - William Shakespeare - As You Like It is a pastoral comedy by William Shakespeare based on the novel Rosalynde by Thomas Lodge, believed to have been written in 1599 or early 1600. It features one of Shakespeares most famous and oft-quoted lines, "All the worlds a stage", and has been adapted for radio, film, and musical theatre.

Loves Labours Lost - William Shakespeare - Loves Labours Lost is one of William Shakespeares early comedies, believed to have been written in the mid-1590s for a performance at the Inns of Court before Queen Elizabeth I. It follows the King of Navarre and his three companions as they attempt to forswear the company of women for three years of study and fasting, and their subsequent infatuation with the Princess of Aquitaine and her ladies. In an untraditional ending for a comedy, the play closes with the death of the Princesss father, and all weddings are delayed for a year. The play draws on themes of masculine love and desire, reckoning and rationalization, and reality versus fantasy.Though first published in quarto in 1598, the plays title page suggests a revision of an earlier version of the play. While there are no obvious sources for the plays plot, the four main characters are loosely based on historical figures. The use of apostrophes in the plays title varies in early editions, though it is most commonly given as Loves Labours Lost.

Esta obra traz à baila uma discussão transversal de suma importância, que coloca em cena a temática da acessibilidade de modo sério e responsável. É evidente o cotejamento com a perspectiva do pensam