eBooks de Historias de la música, página 13 de 128

This is the first volume of a series of compilations of music-archaeological bibliographic source material.

With Ozzy Osbourne at the helm, Black Sabbath sold tens of millions of albums during the 1970s. When he finally broke away to fly solo, Ozzy achieved the unthinkable. Against all odds, he delivered one of the seminal rock albums to mark his resurrection and went on to trounce his former band mates and evolve into a cult icon. Along the way, and over the course of dozens of albums and tours, Ozzy displayed an enviable knack of employing groundbreaking musicians, such as guitarists Randy Rhoads, Jake E. Lee and Zakk Wylde and a series of world renowned bassists, drummers and keyboard players. Each took the opportunity to stamp their mark on what quickly became a legendary, unpredictable act. This then is the story of the Ozzy Osbourne band - in their own words. As told by Bob Daisley, Lee Kerslake, Tommy Aldridge, Bernie Torme, Brad Gillis, Steve Vai, Phil Soussan, Carmine Appice and many more.

In "The Story of the Battle Hymn of the Republic," Florence Howe Hall meticulously unravels the origins and enduring significance of one of Americas most iconic songs. Employing a narrative style that is both scholarly and accessible, Hall contextualizes the hymn within the tumultuous landscape of the Civil War era, illustrating how it became a powerful symbol for both abolitionists and Union soldiers. The book delves into the collaborative dynamics of its creation, examining the influences of both religion and social justice movements, thereby situating the hymn within the broader tapestry of American history and culture. Florence Howe Hall, a respected scholar of American literature and culture, draws on her extensive knowledge of historical texts and cultural movements to provide fresh insights into this beloved hymn. Her academic background includes a rich focus on the intersection of music, faith, and social change, which has undoubtedly shaped her understanding of how art can inspire action. Halls deep engagement with cultural history allows her to present a nuanced account of how the hymn served not merely as a song, but as a rallying cry for freedom and unity. This compelling narrative is a must-read for anyone interested in American history, civil rights, and the power of song as a vehicle for social change. Halls exploration of the hymns creation and its impact offers readers a profound understanding of its place in American consciousness, making this book an invaluable addition to both scholarly collections and personal libraries.

In "The Story of Chamber Music," N. Kilburn explores the intricate tapestry of chamber music history, from its nascent origins in the late Renaissance to its vibrant expressions in contemporary compositions. Kilburn employs a scholarly yet accessible style, weaving together musical analysis, cultural commentary, and biographical sketches of key composers. This work not only illuminates the evolution of chamber music as a distinct genre but also contextualizes its significance within broader musical movements, making it a vital text for both enthusiasts and scholars alike. N. Kilburn, a recognized authority in musicology, brings a wealth of experience to this examination of chamber music. With a background in both performance and academic study, Kilburns insights are informed by a deep appreciation of the genres nuances. His dedication to preserving and promoting classical music is reflected in his previous works, which sought to bridge the gap between music theory and practical musicianship, ultimately leading him to focus on this rich and often underappreciated art form. This book is highly recommended for anyone wishing to deepen their understanding of chamber musics historical and cultural dimensions. Whether you are a musician seeking to enrich your repertoire or a casual listener eager to appreciate the genres intricate beauty, Kilburns analysis offers a compelling narrative that will engage and inspire.

There are many different singing techniques, but one technique above all allows you to sing anything and everything without ever damaging your voice: the belcanto technique.Appropriately modified, adapted and consolidated over the years by Robert Steiner, this technique, which has now taken on very different connotations from that used in opera, allows the student to sing musicals, pop, rock, jazz, blues, soul, metal or any other non-opera music genre, without ruining or straining the voice.The use of this technique by actors or dubbers also avoids unnecessary fatigue on the instrument, without ruining or compromising vocal performance.Anyone, professional or not, can now learn to use their voice well, thanks to the Steiner Technique.

In The Standard Oratorios: Their Stories, Their Music, And Their Composers, George P. Upton presents a meticulous exploration of the world of oratorios, weaving together vivid narratives, musical analysis, and biographical sketches of quintessential composers. This scholarly text not only dissects the thematic and structural components of celebrated works, but it also situates these masterpieces within their historical contexts, revealing the social and religious influences that shaped their creation. Uptons engaging prose transcends mere academic examination, making complex musical concepts accessible to a broad readership while retaining the rigor expected of serious musicological study. George P. Upton, an esteemed musicologist and critic of the late 19th century, was deeply embedded in the cultural milieu of his time. His extensive knowledge of music history and his experiences as a pianist and composer allowed him to provide insightful commentary on the oratorio genre. Uptons works often highlight the intersection of narrative and musical form, reflecting his belief in the power of music to convey profound emotional truths. This book is a vital resource for students, musicians, and enthusiasts alike, offering a comprehensive guide to understanding oratorios through Uptons lens. Whether you are new to this genre or seeking to deepen your appreciation of its richness, Uptons book serves as an essential companion in your musical journey.

When Stalin came to power, making music in Russia became dangerous. Composers now had to create work that served the socialist state, and all artistic production was scrutinized for potential subversion. In The Sound of Utopia, Michel Krielaars vividly depicts Soviet musicians and composers struggling to create art in a climate of risk, suspicion and fear. Some successfully toed the ideological line, diluting their work in the process; others ended up facing the Gulag or even death. While some, like Sergei Prokofiev, achieved lasting fame, others were consigned to oblivion, their work still hard to find. As Krielaars traces the twists and turns of these artists fortunes, he paints a fascinating and disturbing portrait of the absurdity of Soviet musical life - and of the people who crafted sublime melodies under the darkest circumstances.

The Sorcerers Apprentice (French: Lapprenti sorcier) is a symphonic poem by the French composer Paul Dukas, completed in 1897. Subtitled "Scherzo after a ballad by Goethe", the piece was based on Johann Wolfgang von Goethes 1797 poem of the same name. By far the most performed and recorded of Dukass works, its notable appearance in the Walt Disney 1940 animated film Fantasia has led to the piece becoming widely known to audiences outside the classical concert hall.

Eric Sams study of Schumanns 246 songs (Faber 1961, revised 1993) - a companion volume to his The Songs of Hugo Wolf, also available in Faber Finds - remains a classic text. By providing a translation, commentary and notes for each of the songs, tracing original sources and relating recurring themes vividly to Schumanns life, Sams provides a unique documentary of Schumanns song-writing art.The book includes a foreword (to the First Edition) by the legendary accompanist, Gerald Moore, who writes:So felicitous is the writing that one is hardly conscious of the erudition and profound thought that have gone into the making of it . . . Eric Sams has produced a work that will be read and read again as long as Robert Schumanns songs are loved.

In "The Songs of Ranild," George Borrow delves into the rich tapestry of English and Celtic folklore, crafting a unique narrative interwoven with lyrical verses that echo the traditions of balladry and oral storytelling. The book stands as a testament to Borrows fascination with the cultural nuances of the British Isles, showcasing a literary style that marries romanticism with a vivid embodiment of folk culture. Through a series of evocative poems, Borrow explores themes of love, nature, and the supernatural, all while illuminating the profound connections between language and identity in 19th-century England. George Borrow, a noted linguist and traveler, had a deep-seated passion for the languages and cultures he encountered on his journeys. His experiences with the Romani people and his immersion in the Welsh landscape profoundly influenced his writing. "The Songs of Ranild" is not only a reflection of BorrowAos literary talents but also an exploration of his belief in the power of folklore as a conduit for cultural expression and spiritual insight, stemming from his lifelong quest for unity between the sacred and the secular. Given its blend of poetic lyricism and cultural depth, "The Songs of Ranild" is essential for readers interested in the intersections of folklore, history, and literary artistry. BorrowAos nuanced portrayals and rich imagery offer an invitation to explore the cultural heritage of Britain, making this book a valuable addition to the library of any aficionado of poetry and folklore.

With a foreword by the legendary accompanist, Gerald Moore, Eric Sams study (Faber 1961, revised 1983) is a notable landmark in the establishment of Wolf as one of the supreme masters of German song. Comprehensively revised and enlarged in 1983, the main subject matter remains the 242 published songs that Wolf wrote for voice and piano, though the Ibsen songs for voice and orchestra are also discussed.English translations are provided and the backgrounds to the original poems by Morike, Eichendorff and Goethe, as well as the Italian and Spanish sources from which the songbooks were drawn, are fully explored. Each song is dated, its keys identified and vocal range determined.This is the most important book in the English language on the songs of Hugo Wolf since Ernest Newman proclaimed the composers genius in 1907 . . . To the English-speaking student this work is a treasure to which he will find himself returning again and again: it is indispensable to those of us anxious to gain a deeper knowledge of Wolf. Gerald Moore

A conductor is one of classical musics most recognizable figures. Many people who have never actually been to an orchestral concert have an image of what one looks like. But rarely does such a well-known profession attract so many questions: Surely orchestras can play perfectly well without you? Do you really make any difference to the performance?This book is not intended to be an instruction manual for conductors, nor is it a history of conducting. It is for all who wonder what conductors actually do. Exploring the relationships with the musicians and music they conduct, and the public and personal responsibilities they face, leading conductor Mark Wigglesworth writes with engaging honesty about the role for any music lover curious to know whether or not the profession really matters.

Wonderful... as erudite as it is enjoyable; as riveting as it is revelatoryClemency Burton-HillAlthough music is as intrinsic to human life as the air we breathe, we must never fall for the line that it is a universal language. Music is neither universal, nor a language.From an infants first experimental sounds to the voice of Elvis via Hildegard of Bingen, Beethoven and bebop The Shortest History of Music sets out to understand what exactly music is, and why humans are irresistibly drawn to making it.Ranging across millennia, Andrew Ford explores musics great themes: writing it down and recording it; paying for it and making it modern. With brilliant insight, he traces the story of the symphony and the opera, blues and jazz; the oral traditions of folk singers and chain gangs; and the lives of the greats Bach and Mozart, Clara Schumann and Schoenberg, Charlie Parker and Nina Simone.From lullabies to national anthems, songlines to streaming, this is a sparkling account of what music has meant at different times and in different places.

Their melodies mesmerized you, their lyrics moved you - but its what you didnt know about the artists that will SHOCK you.Finally - This book is a must-read for all lovers and fans of the greatest music stars of all time. For the very first time, explosive unpublished details about the greatest music geniuses and the secrets of their success are presented in one book.You will be guided through the most intimate stories and intricate details of their lives, victories and losses - and suspicious deaths. Uncover the greatest conspiracies you never knew existed. And eventually, understand the TRUE PURPOSE OF MUSIC.From Elvis to Bob Marley to the Beatles and current stars, all those who have made a name for themselves are included. Go on a thrilling true crime adventure hidden beneath these topics:- Were Michael Jackson, Prince, Whitney Houston, and Jimi Hendrix murdered?- The mysterious Club 27 and its chilling history- The dark side of the excessive rockstar life- Is the most influential music producer in the world a murderer?- The well-guarded secret of classical music- How will artificial intelligence revolutionize the music market?- What music brings you closer to your lifes purpose?- Secret messages in their songs

Their melodies mesmerized you, their lyrics moved you - but its what you didnt know about the artists that will SHOCK you.Finally - This book is a must-read for all lovers and fans of the greatest music stars of all time. For the very first time, explosive unpublished details about the greatest music geniuses and the secrets of their success are presented in one book.You will be guided through the most intimate stories and intricate details of their lives, victories and losses - and suspicious deaths. Uncover the greatest conspiracies you never knew existed. And eventually, understand the TRUE PURPOSE OF MUSIC.From Elvis to Bob Marley to the Beatles and current stars, all those who have made a name for themselves are included. Go on a thrilling true crime adventure hidden beneath these topics:- Were Michael Jackson, Prince, Whitney Houston, and Jimi Hendrix murdered?- The mysterious Club 27 and its chilling history- The dark side of the excessive rockstar life- Is the most influential music producer in the world a murderer?- The well-guarded secret of classical music- How will artificial intelligence revolutionize the music market?- What music brings you closer to your lifes purpose?- Secret messages in their songs

Music is shaped by the science of sound. How can music - an artform - have anything to do with science? Yet there are myriad ways in which the two are intertwined, from the basics of music theory and the design of instruments to hi-fi systems and how the brain processes music. Science writer Andrew May traces the surprising connections between science and music, from the theory of sound waves to the way musicians use mathematical algorithms to create music. The most obvious impact of science on music can be seen in the way electronic technology has revolutionised how we create, record and listen to music. Technology has also provided new insights into the effects that different music has on the brain, to the extent that some algorithms can now predict our reactions with uncanny accuracy, which raises a worrying question: how long will it be before AI can create music on a par with humans?

Embrace the art of listening seasonally with BBC Radio 3 presenter Dr Hannah French as she explores Antonio Vivaldis evergreen work: The Four Seasons.The Four Seasons, Antonio Vivaldis famous set of highly descriptive violin concertos, was published 300 years ago, but the themes it contains continue to reveal new truths to listeners today.Through the rich imagery of each concerto and its accompanying poetry, Dr Hannah French uncovers the detail of Vivaldis personal and creative life. In conversation with fellow musicians and experts in health, nature, food, wine, and science, she helps bring a new perspective to the music through our shared experiences of the joys and fears of the ever-evolving seasons.To spend a year in the company of Vivaldi is to witness the sounds of both ancient festivals and the beauty and brutality of the natural world - a rolling year that enhances our sensory experience of the seasons today.

A peculiar gap exists between the accepted theoretical basis of instruction in singing and the actual methods of vocal teachers. Judging by the number of scientific treatises on the voice, the academic observer would be led to believe that a coherent Science of Voice Culture has been evolved. Modern methods of instruction in singing are presumed to embody a system of exact and infallible rules for the management of the voice. Teachers of singing in all the musical centers of Europe and America claim to follow a definite plan in the training of voices, based on established scientific principles. But a practical acquaintance with the modern art of Voice Culture reveals the fact that the laws of tone-production deduced from the scientific investigation of the voice do not furnish a satisfactory basis for a method of training voices.Throughout the entire vocal profession, among singers, teachers, and students alike, there is a general feeling of the insufficiency of present knowledge of the voice. The problem of the correct management of the vocal organs has not been finally and definitely solved. Voice Culture has not been reduced to an exact science. Vocal teachers are not in possession of an infallible method of training voices. Students of singing find great difficulty in learning how to use their voices. Voice Culture is generally recognized as entitled to a position among the exact sciences; but something remains to be done before it can assume that position.

The Privet and the Blackbird (2019) is a work for string quartet, piano and soprano voice. The text is a reinterpretation of the original fable of Leonardo da Vinci by Cyril Masai and depicts therelationship between a blackbird and the bush. The music, therefore, follows this text entirely and vividly portrays everything from being trapped in a cage to the dissonance between the two,the emotion and anger present, but also some bird sounds from a blackbird in the piano and a speaking and sweet presence within a dissonant setting.

Building on her earlier work, The Power of Music: A Research Synthesis of the Impact of Actively Making Music on the Intellectual, Social and Personal Development of Children and Young People, this volume by Susan Hallam and Evangelos Himonides is an important new resource in the field of music education, practice, and psychology.A well-signposted text with helpful subheadings, The Power of Music: An Exploration of the Evidence gathers and synthesises research in neuroscience, psychology, and education to develop our understanding of the effects of listening to and actively making music. Its chapters address musics relationship with literacy and numeracy, transferable skills, its impact on social cohesion and personal wellbeing, as well as the roles that music plays in our everyday lives.Considering evidence from large population samples to individual case studies and across age groups, the authors also pose important methodological questions to the research community. The Power of Music defends qualitative research against a requirement for randomised control trials that can obscure the diverse and often fraught contexts in which people of all ages and backgrounds are exposed to, and engage with, music.This magnificent and comprehensive volume allows the evidence about the power of music to speak for itself, thus providing an essential directory for those researching music education and its social, personal, and cognitive impact across human ages and experiences.